Written by
Mary Darby Robinson |
HAIL! GODDESS of persuasive art!
The magic of whose tuneful tongue
Lulls to soft harmony the wand'ring heart
With fascinating song;
O, let me hear thy heav'n-taught strain,
As thro' my quiv'ring pulses steal
The mingling throbs of joy and pain,
Which only sensate minds can feel;
Ah ! let me taste the bliss supreme,
Which thy warm touch unerring flings
O'er the rapt sense's finest strings,
When GENIUS, darting frown the sky,
Glances across my wond'ring eye,
Her animating beam.
SWEET ELOQUENCE! thy mild controul,
Awakes to REASON's dawn, the IDIOT soul;
When mists absorb the MENTAL sight,
'Tis thine, to dart CREATIVE LIGHT;
'Tis thine, to chase the filmy clouds away,
And o'er the mind's deep bloom, spread a refulgent ray.
Nor is thy wond'rous art confin'd,
Within the bounds of MENTAL space,
For thou canst boast exterior grace,
Bright emblem of the fertile mind;
Yes; I have seen thee, with persuasion meek,
Bathe in the lucid tear, on Beauty's cheek,
Have mark'd thee in the downcast eye,
When suff'ring Virtue claim'd the pitying sigh.
Oft, by thy thrilling voice subdued,
The meagre fiend INGRATITUDE
Her treach'rous fang conceals;
Pale ENVY hides her forked sting;
And CALUMNY, beneath the wing
Of dark oblivion steals.
Before thy pure and lambent fire
Shall frozen Apathy expire;
Thy influence warm and unconfin'd,
Shall rapt'rous transports give,
And in the base and torpid mind,
Shall bid the fine Affections live;
When JEALOUSY's malignant dart,
Strikes at the fondly throbbing heart;
When fancied woes, on every side assail,
Thy honey'd accents shall prevail;
When burning Passion withers up the brain,
And the fix'd lids, the glowing drops sustain,
Touch'd by thy voice, the melting eye
Shall pour the balm of yielding SYMPATHY.
'Tis thine, with lenient Song to move
The dumb despair of hopeless LOVE;
Or when the animated soul
On Fancy's wing shall soar,
And scorning Reason's soft controul,
Untrodden paths explore;
'Till by distracting conflicts tost,
The intellectual source is lost:
E'en then, the witching music of thy tongue
Stealing thro' Mis'ry's DARKEST GLOOM,
Weaves the fine threads of FANCY's loom,
'Till every slacken'd nerve new strung,
Bids renovated NATURE shine,
Amidst the fost'ring beams of ELOQUENCE DIVINE.
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Written by
Ted Hughes |
Terrifying are the attent sleek thrushes on the lawn,
More coiled steel than living - a poised
Dark deadly eye, those delicate legs
Triggered to stirrings beyond sense - with a start, a bounce,
a stab
Overtake the instant and drag out some writhing thing.
No indolent procrastinations and no yawning states,
No sighs or head-scratchings. Nothing but bounce and stab
And a ravening second.
Is it their single-mind-sized skulls, or a trained
Body, or genius, or a nestful of brats
Gives their days this bullet and automatic
Purpose? Mozart's brain had it, and the shark's mouth
That hungers down the blood-smell even to a leak of its own
Side and devouring of itself: efficiency which
Strikes too streamlined for any doubt to pluck at it
Or obstruction deflect.
With a man it is otherwise. Heroisms on horseback,
Outstripping his desk-diary at a broad desk,
Carving at a tiny ivory ornament
For years: his act worships itself - while for him,
Though he bends to be blent in the prayer, how loud and
above what
Furious spaces of fire do the distracting devils
Orgy and hosannah, under what wilderness
Of black silent waters weep.
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Written by
Ella Wheeler Wilcox |
When Tom and I were married, we took a little flat;
I had a taste for singing and playing and all that.
And Tom, who loved to hear me, said he hoped
I would not stop
All practice, like so many wives who let their
music drop.
So I resolved to set apart an hour or two each day
To keeping vocal chords and hands in trim to sing and play.
The second morning I had been for half and hour or more
At work on Haydn’s masses, when a tap came at my door.
A nurse, who wore a dainty cap and apron, and a smile,
Ran down to ask if I would cease my music for awhile.
The lady in the flat above was very ill, she said,
And the sound of my piano was distracting to her head.
A fortnight’s exercises lost, ere I began them, when,
The following morning at my door, there came that tap again;
A woman with an anguished face implored me to forego
My music for some days to come – a man was dead below.
I shut down my piano till the corpse had left the house,
And spoke to Tom in whispers and was quiet as a mouse.
A week of labour limbered up my stiffened hand and voice,
I stole an extra hour from sleep, to practice and rejoice;
When, ting-a-ling, the door-bell rang a discord in my trill –
The baby in the flat across was very, very ill.
For ten long days that infant’s life was hanging by a thread,
And all that time my instrument was silent as the dead.
So pain and death and sickness came in one perpetual row,
When babies were not born above, then tenants died below.
The funeral over underneath, some one fell ill on top,
And begged me, for the love of God, to let my music drop.
When trouble went not up or down, it stalked across the hall,
And so in spite of my resolve, I do not play at all.
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Written by
Elizabeth Barrett Browning |
Because thou hast the power and own'st the grace
To look through and behind this mask of me
(Against which years have beat thus blanchingly
With their rains), and behold my soul's true face,
The dim and weary witness of life's race,—
Because thou hast the faith and love to see,
Through that same soul's distracting lethargy,
The patient angel waiting for a place
In the new Heavens,—because nor sin nor woe,
Nor God's infliction, nor death's neighborhood,
Nor all which others viewing, turn to go,
Nor all which makes me tired of all, self-viewed,—
Nothing repels thee, . . . Dearest, teach me so
To pour out gratitude, as thou dost, good!
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