Written by
Sylvia Plath |
Love set you going like a fat gold watch.
The midwife slapped your footsoles, and your bald cry
Took its place among the elements.
Our voices echo, magnifying your arrival. New statue.
In a drafty museum, your nakedness
Shadows our safety. We stand round blankly as walls.
I'm no more your mother
Than the cloud that distills a mirror to reflect its own slow
Effacement at the wind's hand.
All night your moth-breath
Flickers among the flat pink roses. I wake to listen:
A far sea moves in my ear.
One cry, and I stumble from bed, cow-heavy and floral
In my Victorian nightgown.
Your mouth opens clean as a cat's. The window square
Whitens and swallows its dull stars. And now you try
Your handful of notes;
The clear vowels rise like balloons.
(1961)
|
Written by
Thomas Carew |
Go thou gentle whispering wind,
Bear this sigh; and if thou find
Where my cruel fair doth rest,
Cast it in her snowy breast,
So, enflam'd by my desire,
It may set her heart a-fire.
Those sweet kisses thou shalt gain,
Will reward thee for thy pain:
Boldly light upon her lip,
There suck odours, and thence skip
To her bosom; lastly fall
Down, and wander over all:
Range about those ivory hills,
From whose every part distills
Amber dew; there spices grow,
There pure streams of nectar flow;
There perfume thyself, and bring
All those sweets upon thy wing:
As thou return'st, change by thy power,
Every weed into a flower;
Turn each thistle to a vine,
Make the bramble eglantine.
For so rich a booty made,
Do but this, and I am paid.
Thou canst with thy powerful blast,
Heat apace, and cool as fast:
Thou canst kindle hidden flame,
And again destroy the same;
Then for pity, either stir
Up the fire of love in her,
That alike both flames may shine,
Or else quite extinguish mine.
|
Written by
George Herbert |
Sure Lord, there is enough in thee to dry
Oceans of Ink ; for, as the Deluge did
Cover the Earth, so doth thy Majesty :
Each Cloud distills thy praise, and doth forbid
Poets to turn it to another use.
Roses and Lillies speak thee ; and to make
A pair of Cheeks of them, is thy abuse.
Why should I Womens eyes for Chrystal take?
Such poor invention burns in their low mind,
Whose fire is wild, and doth not upward go
To praise, and on thee Lord, some Ink bestow.
Open the bones, and you shall nothing find
In the best face but filth, when Lord, in thee
The beauty lies, in the discovery
|
Written by
Andrew Marvell |
How wisely Nature did decree,
With the same Eyes to weep and see!
That, having view'd the object vain,
They might be ready to complain.
And since the Self-deluding Sight,
In a false Angle takes each hight;
These Tears which better measure all,
Like wat'ry Lines and Plummets fall.
Two Tears, which Sorrow long did weigh
Within the Scales of either Eye,
And then paid out in equal Poise,
Are the true price of all my Joyes.
What in the World most fair appears,
Yea even Laughter, turns to Tears:
And all the Jewels which we prize,
Melt in these Pendants of the Eyes.
I have through every Garden been,
Amongst the Red,the White, the Green;
And yet, from all the flow'rs I saw,
No Hony, but these Tears could draw.
So the all-seeing Sun each day
Distills the World with Chymick Ray;
But finds the Essence only Showers,
Which straight in pity back he powers.
Yet happy they whom Grief doth bless,
That weep the more, and see the less:
And, to preserve their Sight more true,
Bath still their Eyes in their own Dew.
So Magdalen, in Tears more wise
Dissolv'd those captivating Eyes,
Whose liquid Chains could flowing meet
To fetter her Redeemers feet.
Not full sailes hasting loaden home,
Nor the chast Ladies pregnant Womb,
Nor Cynthia Teeming show's so fair,
As two Eyes swoln with weeping are.
The sparkling Glance that shoots Desire,
Drench'd in these Waves, does lose it fire.
Yea oft the Thund'rer pitty takes
And here the hissing Lightning slakes.
The Incense was to Heaven dear,
Not as a Perfume, but a Tear.
And Stars shew lovely in the Night,
But as they seem the Tears of Light.
Ope then mine Eyes your double Sluice,
And practise so your noblest Use.
For others too can see, or sleep;
But only humane Eyes can weep.
Now like two Clouds dissolving, drop,
And at each Tear in distance stop:
Now like two Fountains trickle down:
Now like two floods o'return and drown.
Thus let your Streams o'reflow your Springs,
Till Eyes and Tears be the same things:
And each the other's difference bears;
These weeping Eyes, those seeing Tears.
Note:
Magdala, lascivos sic quum dimisit Amantes,
Fervidaque in castas lumina solvit aquas;
Haesit in irriguo lachrymarum compede Christus,
Et tenuit sacros uda Catena pedes.
|
Written by
Amy Clampitt |
Nothing's certain. Crossing, on this longest day,
the low-tide-uncovered isthmus, scrambling up
the scree-slope of what at high tide
will be again an island,
to where, a decade since well-being staked
the slender, unpremeditated claim that brings us
back, year after year, lugging the
makings of another picnic—
the cucumber sandwiches, the sea-air-sanctified
fig newtons—there's no knowing what the slamming
seas, the gales of yet another winter
may have done. Still there,
the gust-beleaguered single spruce tree,
the ant-thronged, root-snelled moss, grass
and clover tuffet underneath it,
edges frazzled raw
but, like our own prolonged attachment, holding.
Whatever moral lesson might commend itself,
there's no use drawing one,
there's nothing here
to seize on as exemplifying any so-called virtue
(holding on despite adversity, perhaps) or
any no-more-than-human tendency—
stubborn adherence, say,
to a wholly wrongheaded tenet. Though to
hold on in any case means taking less and less
for granted, some few things seem nearly
certain, as that the longest day
will come again, will seem to hold its breath,
the months-long exhalation of diminishment
again begin. Last night you woke me
for a look at Jupiter,
that vast cinder wheeled unblinking
in a bath of galaxies. Watching, we traveled
toward an apprehension all but impossible
to be held onto—
that no point is fixed, that there's no foothold
but roams untethered save by such snells,
such sailor's knots, such stays
and guy wires as are
mainly of our own devising. From such an
empyrean, aloof seraphic mentors urge us
to look down on all attachment,
on any bonding, as
in the end untenable. Base as it is, from
year to year the earth's sore surface
mends and rebinds itself, however
and as best it can, with
thread of cinquefoil, tendril of the magenta
beach pea, trammel of bramble; with easings,
mulchings, fragrances, the gray-green
bayberry's cool poultice—
and what can't finally be mended, the salt air
proceeds to buff and rarefy: the lopped carnage
of the seaward spruce clump weathers
lustrous, to wood-silver.
Little is certain, other than the tide that
circumscribes us that still sets its term
to every picnic—today we stayed too long
again, and got our feet wet—
and all attachment may prove at best, perhaps,
a broken, a much-mended thing. Watching
the longest day take cover under
a monk's-cowl overcast,
with thunder, rain and wind, then waiting,
we drop everything to listen as a
hermit thrush distills its fragmentary,
hesitant, in the end
unbroken music. From what source (beyond us, or
the wells within?) such links perceived arrive—
diminished sequences so uninsistingly
not even human—there's
hardly a vocabulary left to wonder, uncertain
as we are of so much in this existence, this
botched, cumbersome, much-mended,
not unsatisfactory thing.
|
Written by
Henry David Thoreau |
My books I'd fain cast off, I cannot read,
'Twixt every page my thoughts go stray at large
Down in the meadow, where is richer feed,
And will not mind to hit their proper targe.
Plutarch was good, and so was Homer too,
Our Shakespeare's life were rich to live again,
What Plutarch read, that was not good nor true,
Nor Shakespeare's books, unless his books were men.
Here while I lie beneath this walnut bough,
What care I for the Greeks or for Troy town,
If juster battles are enacted now
Between the ants upon this hummock's crown?
Bid Homer wait till I the issue learn,
If red or black the gods will favor most,
Or yonder Ajax will the phalanx turn,
Struggling to heave some rock against the host.
Tell Shakespeare to attend some leisure hour,
For now I've business with this drop of dew,
And see you not, the clouds prepare a shower--
I'll meet him shortly when the sky is blue.
This bed of herd's grass and wild oats was spread
Last year with nicer skill than monarchs use.
A clover tuft is pillow for my head,
And violets quite overtop my shoes.
And now the cordial clouds have shut all in,
And gently swells the wind to say all's well;
The scattered drops are falling fast and thin,
Some in the pool, some in the flower-bell.
I am well drenched upon my bed of oats;
But see that globe come rolling down its stem,
Now like a lonely planet there it floats,
And now it sinks into my garment's hem.
Drip drip the trees for all the country round,
And richness rare distills from every bough;
The wind alone it is makes every sound,
Shaking down crystals on the leaves below.
For shame the sun will never show himself,
Who could not with his beams e'er melt me so;
My dripping locks--they would become an elf,
Who in a beaded coat does gayly go.
|
Written by
Andrew Marvell |
Heark how the Mower Damon Sung,
With love of Juliana stung!
While ev'ry thing did seem to paint
The Scene more fit for his complaint.
Like her fair Eyes the day was fair;
But scorching like his am'rous Care.
Sharp like his Sythe his Sorrow was,
And wither'd like his Hopes the Grass.
Oh what unusual Heats are here,
Which thus our Sun-burn'd Meadows sear!
The Grass-hopper its pipe gives ore;
And hamstring'd Frogs can dance no more.
But in the brook the green Frog wades;
And Grass-hoppers seek out the shades.
Only the Snake, that kept within,
Now glitters in its second skin.
This heat the Sun could never raise,
Nor Dog-star so inflame's the dayes.
It from an higher Beauty grow'th,
Which burns the Fields and Mower both:
Which made the Dog, and makes the Sun
Hotter then his own Phaeton.
Not July causeth these Extremes,
But Juliana's scorching beams.
Tell me where I may pass the Fires
Of the hot day, or hot desires.
To what cool Cave shall I descend,
Or to what gelid Fountain bend?
Alas! I look for Ease in vain,
When Remedies themselves complain.
No moisture but my Tears do rest,
Nor Cold but in her Icy Breast.
How long wilt Thou, fair Shepheardess,
Esteem me, and my Presents less?
To Thee the harmless Snake I bring,
Disarmed of its teeth and sting.
To Thee Chameleons changing-hue,
And Oak leaves tipt with hony due.
Yet Thou ungrateful hast not sought
Nor what they are, nor who them brought.
I am the Mower Damon, known
Through all the Meadows I have mown.
On me the Morn her dew distills
Before her darling Daffadils.
And, if at Noon my toil me heat,
The Sun himself licks off my Sweat.
While, going home, the Ev'ning sweet
In cowslip-water bathes my feet.
What, though the piping Shepherd stock
The plains with an unnum'red Flock,
This Sithe of mine discovers wide
More ground then all his Sheep do hide.
With this the golden fleece I shear
Of all these Closes ev'ry Year.
And though in Wooll more poor then they,
Yet am I richer far in Hay.
Nor am I so deform'd to sight,
If in my Sithe I looked right;
In which I see my Picture done,
As in a crescent Moon the Sun.
The deathless Fairyes take me oft
To lead them in their Danses soft:
And, when I tune my self to sing,
About me they contract their Ring.
How happy might I still have mow'd,
Had not Love here his Thistles sow'd!
But now I all the day complain,
Joyning my Labour to my Pain;
And with my Sythe cut down the Grass,
Yet still my Grief is where it was:
But, when the Iron blunter grows,
Sighing I whet my Sythe and Woes.
While thus he threw his Elbow round,
Depopulating all the Ground,
And, with his whistling Sythe, does cut
Each stroke between the Earth and Root,
The edged Stele by careless chance
Did into his own Ankle glance;
And there among the Grass fell down,
By his own Sythe, the Mower mown.
Alas! said He, these hurts are slight
To those that dye by Loves despight.
With Shepherds-purse, and Clowns-all-heal,
The Blood I stanch, and Wound I seal.
Only for him no Cure is found,
Whom Julianas Eyes do wound.
'Tis death alone that this must do:
For Death thou art a Mower too.
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Written by
William Shakespeare |
O, how much more doth beauty beauteous seem
By that sweet ornament which truth doth give!
The rose looks fair, but fairer we it deem
For that sweet odour which doth in it live.
The canker-blooms have full as deep a dye
As the perfumed tincture of the roses,
Hang on such thorns and play as wantonly
When summer's breath their masked buds discloses:
But, for their virtue only is their show,
They live unwoo'd and unrespected fade,
Die to themselves. Sweet roses do not so;
Of their sweet deaths are sweetest odours made:
And so of you, beauteous and lovely youth,
When that shall fade, my verse distills your truth.
|
Written by
Mary Darby Robinson |
My OBERON, with ev'ry sprite
"That gilds the vapours of the night,
"Shall dance and weave the verdant ring
"With joy that mortals thus can sing;
"And when thou sigh'st MARIA'S name,
"And mourn'st to feel a hopeless flame,
"Eager they'll catch the tender note
"Just parting from thy tuneful throat,
"And bear it to the careless ear
"Of her who scorn'd a lover's tear. "
- QUEEN OF THE FARIES TO IL FERITO.
SWEET MAB! at thy command I flew
O'er glittering floods of midnight dew,
O'er many a silken violet's head,
Unpress'd by vulgar mortal tread;
Eager to execute thy will,
I mounted on the ZEPHYR'S wing,
And bid her whisp'ring tongue be still,
Nor thro' the air its murmurs fling.
Cold CYNTHIA hid her silver bow
Beneath her azure spangled vest;
No gentle ray my wand'rings blest,
Save the small night-worm's twinkling glow.
Upon the budding thorn I found
A veil of gossamer, which bound
My tiny head;about my waist
A scarf of magic pow'r I threw,
With many a crystal dew-drop grac'd,
And deck'd with leaves of various hue.
Thus, gaily dress'd, I reach'd the grove,
Where, like the Paphian Queen of Love
Upon a bank of lillies fair
MARIA slept; the am'rous air
Snatch'd nectar from her balmy lips,
Sweeter than haughty JUNO sips,
When GANYMEDE her goblet fills
With juice, the citron bud distills.
Her breast was whiter than the down
That on the RING-DOVE'S bosom grows;
Her cheek, more blushing than the rose
That blooms on FLORA'S May-day crown!
Beneath her dark and "fringed lid,"
I spy'd LOVE'S glittering arrows hid;
I listen'd to the dulcet song
That trembled on her tuneful tongue;
And, "IL FERITO i;" was the sound
The babbling echo whisper'd round:
The blissful moment swift I caught,
And to the maiden's slumb'ring thought
Pictur'd the graces of his mind,
His taste, his eloquence refin'd!
His polish'd manners sweetly mild!
His soft poetic warblings wild !
His warm impassion'd verse, that fills
The soul with Love's extatic thrills.
I mark'd the blush upon her cheek,
Her spotless bosom's language speak;
I mark'd the tear of pity roll,
Sweet emblem of her feeling soul:
I heard the sympathetic sigh
Upon her lips vermilion die.
When busy LOVE too eager sped
His light steps near the charmer's bed;
His pinions rustling thro' the air
Awoke the trembling spotless fair;
Swiftly her radiant eyes unclose,
When, on my filmy wing I rose
Sweet MAB the rapt'rous tale to bear,
TO "IL FERITO'S" GRATEFUL EAR.
|
Written by
Kahlil Gibran |
Then a ploughman said, "Speak to us of Work."
And he answered, saying:
You work that you may keep pace with the earth and the soul of the earth.
For to be idle is to become a stranger unto the seasons, and to step out of life's procession, that marches in majesty and proud submission towards the infinite.
When you work you are a flute through whose heart the whispering of the hours turns to music.
Which of you would be a reed, dumb and silent, when all else sings together in unison?
Always you have been told that work is a curse and labour a misfortune.
But I say to you that when you work you fulfil a part of earth's furthest dream, assigned to you when that dream was born,
And in keeping yourself with labour you are in truth loving life,
And to love life through labour is to be intimate with life's inmost secret.
But if you in your pain call birth an affliction and the support of the flesh a curse written upon your brow, then I answer that naught but the sweat of your brow shall wash away that which is written.
You have been told also life is darkness, and in your weariness you echo what was said by the weary.
And I say that life is indeed darkness save when there is urge,
And all urge is blind save when there is knowledge,
And all knowledge is vain save when there is work,
And all work is empty save when there is love;
And when you work with love you bind yourself to yourself, and to one another, and to God.
And what is it to work with love?
It is to weave the cloth with threads drawn from your heart, even as if your beloved were to wear that cloth.
It is to build a house with affection, even as if your beloved were to dwell in that house.
It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit.
It is to charge all things you fashion with a breath of your own spirit,
And to know that all the blessed dead are standing about you and watching.
Often have I heard you say, as if speaking in sleep, "he who works in marble, and finds the shape of his own soul in the stone, is a nobler than he who ploughs the soil.
And he who seizes the rainbow to lay it on a cloth in the likeness of man, is more than he who makes the sandals for our feet."
But I say, not in sleep but in the over-wakefulness of noontide, that the wind speaks not more sweetly to the giant oaks than to the least of all the blades of grass;
And he alone is great who turns the voice of the wind into a song made sweeter by his own loving.
Work is love made visible.
And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy.
For if you bake bread with indifference, you bake a bitter bread that feeds but half man's hunger.
And if you grudge the crushing of the grapes, your grudge distills a poison in the wine.
And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.
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