Written by
William Topaz McGonagall |
Composed, by Special Request, 18th June 1890
Then Pilate, the Roman Governor, took Jesus and scourged Him,
And the soldiers platted a crown of thorns, and thought it no sin
To put it on His head, while meekly Jesus stands;
They put on Him a purple robe, and smote Him with their hands.
Then Pilate went forth again, and said unto them,
Behold, I bring Him forth to you, but I cannot Him condemn,
And I would have you to remember I find no fault in Him,
And to treat Him too harshly 'twould be a sin.
But the rabble cried. Hail, King of the Jews, and crucify Him;
But Pilate saith unto them, I find in Him no sin;
Then Jesus came forth, looking dejected and wan,
And Pilate saith unto them, Behold the Man.
Then the Jews cried out, By our laws He ought to die,
Because He made Himself the Son of God the Most High;
And when Pilate heard that saying the Jews had made,
He saw they were dissatisfied, and he was the more afraid.
And to release Jesus Pilate did really intend,
But the Jews cried angrily, Pilate, thou art not Caesar's friend,
Remember, if thou let this vile impostor go,
It only goes to prove thou art Caesar's foe.
When Pilate heard that he felt very irate,
Then he brought Josus forth, and sat down in the judgment-seat,
In a place that is called the Pavement,
While the Blessed Saviour stood calm and content.
The presence of His enemies did not Him appal,
When Pilate asked of Him, before them all,
Whence art Thou, dost say from on High?
But Jesus, the Lamb of God, made no reply.
Then saith Pilate unto Him, Speakest Thou not unto me,
Remember, I have the power to crucify Thee;
But Jesus answered, Thou hast no power at all against me,
Except from above it were given to thee.
Then Pilate to the Jews loudly cried,
Take Him away to be crucified;
Then the soldiers took Jesus and led Him away,
And He, bearing His Cross, without dismay.
And they led Him to a place called Golgotha,
But the Saviour met His fate without any awe,
And there crucified Him with two others, one on either side,
And Jesus in the midst, whilst the Jews did Him deride.
Then Pilate tried to pacify the Jews, they felt so morose,
And he wrote a title, and put it on the Cross;
And the title he wrote did the Jews amuse,
The writing was, Jesus of Nazareth the King of the Jews.
This title read many of the Jews without any pity;
And the place where Jesus was crucified was nigh to the city;
And the title was written in Hebrew, and Greek, and Latin,
And while reading the title the Jews did laugh and grin.
While on the Cross the sun refused to shine,
And there was total darkness for a long time;
The reason was God wanted to hide His wounds from view,
And He kept the blessed sun from breaking through.
And to quench His thirst they gave Him vinegar and hyssop,
While the blood from His wounded brow copiously did drop,
Then He drank of it willingly, and bowed His head,
And in a few minutes the dear Saviour was dead.
Then Joseph of Arimathea sadly did grieve,
And he asked if Pilate would give him leave
To take the body of Jesus away,
And Pilate told him to remove it without delay.
Then Joseph took the body of Jesus away,
And wound it in linen, which was the Jewish custom of that day,
And embalmed his body with spices sweet,
Then laid it in a new sepulchre, as Joseph thought meet.
But death could not hold Him in the grave,
Because He died poor sinners' souls to save;
And God His Father took Him to Heaven on high;
And those that believe in Jesus shall never die.
Oh! think of the precious Blood our Saviour did loss,
That flowed from His wounds while on the Cross,
Especially the wound in His side, made with a spear,
And if you are a believer, you will drop a silent tear.
And if you are not a believer, try and believe,
And don't let the devil any longer you deceive,
Because the precious Blood that Jesus shed will free you from all sin,
Therefore, believe in the Saviour, and Heaven you shall enter in!
|
Written by
Johann Wolfgang von Goethe |
[I feel considerable hesitation in venturing
to offer this version of a poem which Carlyle describes to be 'a
beautiful piece (a very Hans Sacks beatified, both in character
and style), which we wish there was any possibility of translating.'
The reader will be aware that Hans Sachs was the celebrated Minstrel-
Cobbler of Nuremberg, who Wrote 208 plays, 1700 comic tales, and
between 4000 and 5000 lyric poems. He flourished throughout almost
the whole of the 16th century.]
EARLY within his workshop here,
On Sundays stands our master dear;
His dirty apron he puts away,
And wears a cleanly doublet to-day;
Lets wax'd thread, hammer, and pincers rest,
And lays his awl within his chest;
The seventh day he takes repose
From many pulls and many blows.
Soon as the spring-sun meets his view,
Repose begets him labour anew;
He feels that he holds within his brain
A little world, that broods there amain,
And that begins to act and to live,
Which he to others would gladly give.
He had a skilful eye and true,
And was full kind and loving too.
For contemplation, clear and pure,--
For making all his own again, sure;
He had a tongue that charm'd when 'twas heard,
And graceful and light flow'd ev'ry word;
Which made the Muses in him rejoice,
The Master-singer of their choice.
And now a maiden enter'd there,
With swelling breast, and body fair;
With footing firm she took her place,
And moved with stately, noble grace;
She did not walk in wanton mood,
Nor look around with glances lewd.
She held a measure in her hand,
Her girdle was a golden band,
A wreath of corn was on her head,
Her eye the day's bright lustre shed;
Her name is honest Industry,
Else, Justice, Magnanimity.
She enter'd with a kindly greeting;
He felt no wonder at the meeting,
For, kind and fair as she might be,
He long had known her, fancied he.
"I have selected thee," she said,
"From all who earth's wild mazes tread,
That thou shouldst have clear-sighted sense,
And nought that's wrong shouldst e'er commence.
When others run in strange confusion,
Thy gaze shall see through each illusion
When others dolefully complain,
Thy cause with jesting thou shalt gain,
Honour and right shalt value duly,
In everything act simply, truly,--
Virtue and godliness proclaim,
And call all evil by its name,
Nought soften down, attempt no quibble,
Nought polish up, nought vainly scribble.
The world shall stand before thee, then,
As seen by Albert Durer's ken,
In manliness and changeless life,
In inward strength, with firmness rife.
Fair Nature's Genius by the hand
Shall lead thee on through every land,
Teach thee each different life to scan,
Show thee the wondrous ways of man,
His shifts, confusions, thrustings, and drubbings,
Pushings, tearings, pressings, and rubbings;
The varying madness of the crew,
The anthill's ravings bring to view;
But thou shalt see all this express'd,
As though 'twere in a magic chest.
Write these things down for folks on earth,
In hopes they may to wit give birth."--
Then she a window open'd wide,
And show'd a motley crowd outside,
All kinds of beings 'neath the sky,
As in his writings one may spy.
Our master dear was, after this,
On Nature thinking, full of bliss,
When tow'rd him, from the other side
He saw an aged woman glide;
The name she bears, Historia,
Mythologia, Fabula;
With footstep tottering and unstable
She dragg'd a large and wooden carved-table,
Where, with wide sleeves and human mien,
The Lord was catechizing seen;
Adam, Eve, Eden, the Serpent's seduction,
Gomorrah and Sodom's awful destruction,
The twelve illustrious women, too,
That mirror of honour brought to view;
All kinds of bloodthirstiness, murder, and sin,
The twelve wicked tyrants also were in,
And all kinds of goodly doctrine and law;
Saint Peter with his scourge you saw,
With the world's ways dissatisfied,
And by our Lord with power supplied.
Her train and dress, behind and before,
And e'en the seams, were painted o'er
With tales of worldly virtue and crime.--
Our master view'd all this for a time;
The sight right gladly he survey'd,
So useful for him in his trade,
Whence he was able to procure
Example good and precept sure,
Recounting all with truthful care,
As though he had been present there.
His spirit seem'd from earth to fly,
He ne'er had turned away his eye,
Did he not just behind him hear
A rattle of bells approaching near.
And now a fool doth catch his eye,
With goat and ape's leap drawing nigh
A merry interlude preparing
With fooleries and jests unsparing.
Behind him, in a line drawn out,
He dragg'd all fools, the lean and stout,
The great and little, the empty and full,
All too witty, and all too dull,
A lash he flourish'd overhead,
As though a dance of apes he led,
Abusing them with bitterness,
As though his wrath would ne'er grow less.
While on this sight our master gazed,
His head was growing well-nigh crazed:
What words for all could he e'er find,
Could such a medley be combined?
Could he continue with delight
For evermore to sing and write?
When lo, from out a cloud's dark bed
In at the upper window sped
The Muse, in all her majesty,
As fair as our loved maids we see.
With clearness she around him threw
Her truth, that ever stronger grew.
"I, to ordain thee come," she spake:
"So prosper, and my blessing take!
The holy fire that slumb'ring lies
Within thee, in bright flames shall rise;
Yet that thine ever-restless life
May still with kindly strength be rife,
I, for thine inward spirit's calm.
Have granted nourishment and balm,
That rapture may thy soul imbue,
Like some fair blossom bathed in dew."--
Behind his house then secretly
Outside the doorway pointed she,
Where, in a shady garden-nook,
A beauteous maid with downcast look
Was sitting where a stream was flowing,
With elder bushes near it growing,
She sat beneath an apple tree,
And nought around her seem'd to see.
Her lap was full of roses fair,
Which in a wreath she twined with care.
And, with them, leaves and blossoms blended:
For whom was that sweet wreath intended?
Thus sat she, modest and retired,
Her bosom throbb'd, with hope inspired;
Such deep forebodings fill'd her mind,
No room for wishing could she find,
And with the thoughts that o'er it flew,
Perchance a sigh was mingled too.
"But why should sorrow cloud thy brow?
That, dearest love, which fills thee now
Is fraught with joy and ecstasy.
Prepared in one alone for thee,
That he within thine eye may find
Solace when fortune proves unkind,
And be newborn through many a kiss,
That he receives with inward bliss;
When'er he clasps thee to his breast.
May he from all his toils find rest
When he in thy dear arms shall sink,
May he new life and vigour drink:
Fresh joys of youth shalt thou obtain,
In merry jest rejoice again.
With raillery and roguish spite,
Thou now shalt tease him, now delight.
Thus Love will nevermore grow old,
Thus will the minstrel ne'er be cold!"
While he thus lives, in secret bless'd,
Above him in the clouds doth rest
An oak-wreath, verdant and sublime,
Placed on his brow in after-time;
While they are banish'd to the slough,
Who their great master disavow.
1776.
|
Written by
Walt Whitman |
AH poverties, wincings, and sulky retreats!
Ah you foes that in conflict have overcome me!
(For what is my life, or any man’s life, but a conflict with foes—the old, the
incessant
war?)
You degradations—you tussle with passions and appetites;
You smarts from dissatisfied friendships, (ah wounds, the sharpest of all;)
You toil of painful and choked articulations—you meannesses;
You shallow tongue-talks at tables, (my tongue the shallowest of any;)
You broken resolutions, you racking angers, you smother’d ennuis;
Ah, think not you finally triumph—My real self has yet to come forth;
It shall yet march forth o’ermastering, till all lies beneath me;
It shall yet stand up the soldier of unquestion’d victory.
|
Written by
Delmore Schwartz |
By circumstances fed
Which divide attention
Among the living and the dead,
Under the blooms of the blossoming sun,
The gaze which is a tower towers
Day and night, hour by hour,
Critical of all and of one,
Dissatisfied with every flower
With all that's been done or undone,
Converting every feature
Into its own and unknown nature;
So, once in the drugstore,
Amid all the poppy, salve and ointment,
I suddenly saw, estranged there,
Beyond all disappointment,
My own face in the mirror.
|
Written by
Marianne Moore |
has not altered;--
a place as kind as it is green,
the greenest place I've never seen.
Every name is a tune.
Denunciations do not affect
the culprit; nor blows, but it
is torture to him to not be spoken to.
They're natural,--
the coat, like Venus'
mantle lined with stars,
buttoned close at the neck,-the sleeves new from disuse.
If in Ireland
they play the harp backward at need,
and gather at midday the seed
of the fern, eluding
their "giants all covered with iron," might
there be fern seed for unlearn-
ing obduracy and for reinstating
the enchantment?
Hindered characters
seldom have mothers
in Irish stories, but they all have grandmothers.
It was Irish;
a match not a marriage was made
when my great great grandmother'd said
with native genius for
disunion, "Although your suitor be
perfection, one objection
is enough; he is not
Irish."Outwitting
the fairies, befriending the furies,
whoever again
and again says, "I'll never give in," never sees
that you're not free
until you've been made captive by
supreme belief,--credulity
you say?When large dainty
fingers tremblingly divide the wings
of the fly for mid-July
with a needle and wrap it with peacock-tail,
or tie wool and
buzzard's wing, their pride,
like the enchanter's
is in care, not madness.Concurring hands divide
flax for damask
that when bleached by Irish weather
has the silvered chamois-leather
water-tightness of a
skin.Twisted torcs and gold new-moon-shaped
lunulae aren't jewelry
like the purple-coral fuchsia-tree's.Eire--
the guillemot
so neat and the hen
of the heath and the
linnet spinet-sweet-bespeak relentlessness?Then
they are to me
like enchanted Earl Gerald who
changed himself into a stag, to
a great green-eyed cat of
the mountain.Discommodity makes
them invisible; they've dis-
appeared.The Irish say your trouble is their
trouble and your
joy their joy?I wish
I could believe it;
I am troubled, I'm dissatisfied, I'm Irish.
|
Written by
William Topaz McGonagall |
Sir William Wallace of Ellerslie,
I'm told he went to the High School in Dundee,
For to learn to read and write,
And after that he learned to fight,
While at the High School in Dundee,
The Provost's son with him disagree,
Because Wallace did wear a dirk,
He despised him like an ignorant stirk,
Which with indignation he keenly felt,
And told him it would become him better in his belt.
Then Wallace's blood began to boil,
Just like the serpent in its coil,
Before it leaps upon its prey;
And unto him he thus did say:
'Proud saucy cur, come cease your prate,
for no longer shall i wait,
For to hear you insult me,
At the High School in Dundee;
For such insolence makes my heart to smart,
And I'll plunge my dagger in you heart,'
Then his heart's blood did quickly flow,
And poor Wallace did not know where to go;
And he stood by him until dead.
Then far from him he quickly fled,
Lamenting greatly the deed he had done,
the murdering of the Provost's son.
The scene shifts to where he was fishing on day,
Where three English soldiers met him by the way,
And they asked him fo give them some fish,
And from them they would make a delicious dish,
then Wallace gave them share of his fish,
For to satisfy their wish;
But they seemed dissatisfied with the share they got,
So they were resolved to have all the lot.
Then Wallace he thought it was time to look out,
When they were resolved to have all his trout;
So he swung his fishing-rod with great force round his head,
And struck on of them a blow that killed him dead;
So he instantly seized the fallen man's sword,
And the other two fled without uttering a word.
Sir William Wallace of Ellerslie,
You were a warrior of great renown,
And might have worn Scotland's crown;
Had it not been for Monteith, the base traitor knave,
That brought you to a premature grave;
Yes! you were sold for English gold,
And brought like a sheep from the fold,
To die upon a shameful scaffold high,
Amidst the derisive shouts of your enemies standing by.
But you met your doom like a warrior bold,
Bidding defiance to them that had you sold,
And bared your neck for the headsman's stroke;
And cried, 'Marion, dear, my heart is broke;
My lovely dear I come to thee,
Oh! I am longing thee to see!'
But the headsman was as stolid as the rock,
And the axe fell heavily on the block,
And the scaffold did shake with the terrible shock,
As the body of noble Wallace fell,
Who had fought for Scotland so well.
|
Written by
Walt Whitman |
1
CHANTING the square deific, out of the One advancing, out of the sides;
Out of the old and new—out of the square entirely divine,
Solid, four-sided, (all the sides needed)... from this side JEHOVAH am I,
Old Brahm I, and I Saturnius am;
Not Time affects me—I am Time, old, modern as any;
Unpersuadable, relentless, executing righteous judgments;
As the Earth, the Father, the brown old Kronos, with laws,
Aged beyond computation—yet ever new—ever with those mighty laws rolling,
Relentless, I forgive no man—whoever sins, dies—I will have that man’s
life;
Therefore let none expect mercy—Have the seasons, gravitation, the appointed days,
mercy?—No more have I;
But as the seasons, and gravitation—and as all the appointed days, that forgive not,
I dispense from this side judgments inexorable, without the least remorse.
2
Consolator most mild, the promis’d one advancing,
With gentle hand extended—the mightier God am I,
Foretold by prophets and poets, in their most rapt prophecies and poems;
From this side, lo! the Lord CHRIST gazes—lo! Hermes I—lo! mine is
Hercules’
face;
All sorrow, labor, suffering, I, tallying it, absorb in myself;
Many times have I been rejected, taunted, put in prison, and crucified—and many times
shall be again;
All the world have I given up for my dear brothers’ and sisters’ sake—for
the
soul’s sake;
Wending my way through the homes of men, rich or poor, with the kiss of affection;
For I am affection—I am the cheer-bringing God, with hope, and all-enclosing Charity;
(Conqueror yet—for before me all the armies and soldiers of the earth shall yet
bow—and all the weapons of war become impotent:)
With indulgent words, as to children—with fresh and sane words, mine only;
Young and strong I pass, knowing well I am destin’d myself to an early death:
But my Charity has no death—my Wisdom dies not, neither early nor late,
And my sweet Love, bequeath’d here and elsewhere, never dies.
3
Aloof, dissatisfied, plotting revolt,
Comrade of criminals, brother of slaves,
Crafty, despised, a drudge, ignorant,
With sudra face and worn brow, black, but in the depths of my heart, proud as any;
Lifted, now and always, against whoever, scorning, assumes to rule me;
Morose, full of guile, full of reminiscences, brooding, with many wiles,
(Though it was thought I was baffled and dispell’d, and my wiles done—but that
will
never be;)
Defiant, I, SATAN, still live—still utter words—in new lands duly appearing,
(and old
ones also;)
Permanent here, from my side, warlike, equal with any, real as any,
Nor time, nor change, shall ever change me or my words.
4
Santa SPIRITA, breather, life,
Beyond the light, lighter than light,
Beyond the flames of hell—joyous, leaping easily above hell;
Beyond Paradise—perfumed solely with mine own perfume;
Including all life on earth—touching, including God—including Saviour and Satan;
Ethereal, pervading all, (for without me, what were all? what were God?)
Essence of forms—life of the real identities, permanent, positive, (namely the
unseen,)
Life of the great round world, the sun and stars, and of man—I, the general Soul,
Here the square finishing, the solid, I the most solid,
Breathe my breath also through these songs.
|
Written by
Walt Whitman |
RECORDERS ages hence!
Come, I will take you down underneath this impassive exterior—I will tell you what to
say
of
me;
Publish my name and hang up my picture as that of the tenderest lover,
The friend, the lover’s portrait, of whom his friend, his lover, was fondest,
Who was not proud of his songs, but of the measureless ocean of love within him—and
freely
pour’d it forth,
Who often walk’d lonesome walks, thinking of his dear friends, his lovers,
Who pensive, away from one he lov’d, often lay sleepless and dissatisfied at night,
Who knew too well the sick, sick dread lest the one he lov’d might secretly be
indifferent
to
him,
Whose happiest days were far away, through fields, in woods, on hills, he and another,
wandering
hand in hand, they twain, apart from other men,
Who oft as he saunter’d the streets, curv’d with his arm the shoulder of his
friend—while the arm of his friend rested upon him also.RECORDERS ages hence!
Come, I will take you down underneath this impassive exterior—I will tell you what to
say
of
me;
Publish my name and hang up my picture as that of the tenderest lover,
The friend, the lover’s portrait, of whom his friend, his lover, was fondest,
Who was not proud of his songs, but of the measureless ocean of love within him—and
freely
pour’d it forth,
Who often walk’d lonesome walks, thinking of his dear friends, his lovers,
Who pensive, away from one he lov’d, often lay sleepless and dissatisfied at night,
Who knew too well the sick, sick dread lest the one he lov’d might secretly be
indifferent
to
him,
Whose happiest days were far away, through fields, in woods, on hills, he and another,
wandering
hand in hand, they twain, apart from other men,
Who oft as he saunter’d the streets, curv’d with his arm the shoulder of his
friend—while the arm of his friend rested upon him also.
|
Written by
Walt Whitman |
NOT heaving from my ribb’d breast only;
Not in sighs at night, in rage, dissatisfied with myself;
Not in those long-drawn, ill-supprest sighs;
Not in many an oath and promise broken;
Not in my wilful and savage soul’s volition;
Not in the subtle nourishment of the air;
Not in this beating and pounding at my temples and wrists;
Not in the curious systole and diastole within, which will one day cease;
Not in many a hungry wish, told to the skies only;
Not in cries, laughter, defiances, thrown from me when alone, far in the wilds;
Not in husky pantings through clench’d teeth;
Not in sounded and resounded words—chattering words, echoes, dead words;
Not in the murmurs of my dreams while I sleep,
Nor the other murmurs of these incredible dreams of every day;
Nor in the limbs and senses of my body, that take you and dismiss you continually—Not
there;
Not in any or all of them, O adhesiveness! O pulse of my life!
Need I that you exist and show yourself, any more than in these songs.
|
Written by
John Berryman |
In the night-reaches dreamed he of better graces,
of liberations, and beloved faces,
such as now ere dawn he sings.
It would not be easy, accustomed to these things,
to give up the old world, but he could try;
let it all rest, have a good cry.
Let Randall rest, whom your self-torturing
cannot restore one instant's good to, rest:
he's left us now.
The panic died and in the panic's dying
so did my old friend. I am headed west
also, also, somehow.
In the chambers of the end we'll meet again
I will say Randall, he'll say Pussycat
and all will be as before
whenas we sought, among the beloved faces,
eminence and were dissatisfied with that
and needed more.
|