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Best Famous Disperse Poems

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Written by Walt Whitman | Create an image from this poem

A Carol of Harvest for 1867

 1
A SONG of the good green grass! 
A song no more of the city streets; 
A song of farms—a song of the soil of fields.
A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk’d maize.
2 For the lands, and for these passionate days, and for myself, Now I awhile return to thee, O soil of Autumn fields, Reclining on thy breast, giving myself to thee, Answering the pulses of thy sane and equable heart, Tuning a verse for thee.
O Earth, that hast no voice, confide to me a voice! O harvest of my lands! O boundless summer growths! O lavish, brown, parturient earth! O infinite, teeming womb! A verse to seek, to see, to narrate thee.
3 Ever upon this stage, Is acted God’s calm, annual drama, Gorgeous processions, songs of birds, Sunrise, that fullest feeds and freshens most the soul, The heaving sea, the waves upon the shore, the musical, strong waves, The woods, the stalwart trees, the slender, tapering trees, The flowers, the grass, the lilliput, countless armies of the grass, The heat, the showers, the measureless pasturages, The scenery of the snows, the winds’ free orchestra, The stretching, light-hung roof of clouds—the clear cerulean, and the bulging, silvery fringes, The high dilating stars, the placid, beckoning stars, The moving flocks and herds, the plains and emerald meadows, The shows of all the varied lands, and all the growths and products.
4 Fecund America! To-day, Thou art all over set in births and joys! Thou groan’st with riches! thy wealth clothes thee as with a swathing garment! Thou laughest loud with ache of great possessions! A myriad-twining life, like interlacing vines, binds all thy vast demesne! As some huge ship, freighted to water’s edge, thou ridest into port! As rain falls from the heaven, and vapors rise from earth, so have the precious values fallen upon thee, and risen out of thee! Thou envy of the globe! thou miracle! Thou, bathed, choked, swimming in plenty! Thou lucky Mistress of the tranquil barns! Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest East, and lookest West! Dispensatress, that by a word givest a thousand miles—that giv’st a million farms, and missest nothing! Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is hospitable.
) 5 When late I sang, sad was my voice; Sad were the shows around me, with deafening noises of hatred, and smoke of conflict; In the midst of the armies, the Heroes, I stood, Or pass’d with slow step through the wounded and dying.
But now I sing not War, Nor the measur’d march of soldiers, nor the tents of camps, Nor the regiments hastily coming up, deploying in line of battle.
No more the dead and wounded; No more the sad, unnatural shows of War.
Ask’d room those flush’d immortal ranks? the first forth-stepping armies? Ask room, alas, the ghastly ranks—the armies dread that follow’d.
6 (Pass—pass, ye proud brigades! So handsome, dress’d in blue—with your tramping, sinewy legs; With your shoulders young and strong—with your knapsacks and your muskets; —How elate I stood and watch’d you, where, starting off, you march’d! Pass;—then rattle, drums, again! Scream, you steamers on the river, out of whistles loud and shrill, your salutes! For an army heaves in sight—O another gathering army! Swarming, trailing on the rear—O you dread, accruing army! O you regiments so piteous, with your mortal diarrhoea! with your fever! O my land’s maimed darlings! with the plenteous bloody bandage and the crutch! Lo! your pallid army follow’d!) 7 But on these days of brightness, On the far-stretching beauteous landscape, the roads and lanes, the high-piled farm-wagons, and the fruits and barns, Shall the dead intrude? Ah, the dead to me mar not—they fit well in Nature; They fit very well in the landscape, under the trees and grass, And along the edge of the sky, in the horizon’s far margin.
Nor do I forget you, departed; Nor in winter or summer, my lost ones; But most, in the open air, as now, when my soul is rapt and at peace—like pleasing phantoms, Your dear memories, rising, glide silently by me.
8 I saw the day, the return of the Heroes; (Yet the Heroes never surpass’d, shall never return; Them, that day, I saw not.
) I saw the interminable Corps—I saw the processions of armies, I saw them approaching, defiling by, with divisions, Streaming northward, their work done, camping awhile in clusters of mighty camps.
No holiday soldiers!—youthful, yet veterans; Worn, swart, handsome, strong, of the stock of homestead and workshop, Harden’d of many a long campaign and sweaty march, Inured on many a hard-fought, bloody field.
9 A pause—the armies wait; A million flush’d, embattled conquerors wait; The world, too, waits—then, soft as breaking night, and sure as dawn, They melt—they disappear.
Exult, indeed, O lands! victorious lands! Not there your victory, on those red, shuddering fields; But here and hence your victory.
Melt, melt away, ye armies! disperse, ye blue-clad soldiers! Resolve ye back again—give up, for good, your deadly arms; Other the arms, the fields henceforth for you, or South or North, or East or West, With saner wars—sweet wars—life-giving wars.
10 Loud, O my throat, and clear, O soul! The season of thanks, and the voice of full-yielding; The chant of joy and power for boundless fertility.
All till’d and untill’d fields expand before me; I see the true arenas of my race—or first, or last, Man’s innocent and strong arenas.
I see the Heroes at other toils; I see, well-wielded in their hands, the better weapons.
11 I see where America, Mother of All, Well-pleased, with full-spanning eye, gazes forth, dwells long, And counts the varied gathering of the products.
Busy the far, the sunlit panorama; Prairie, orchard, and yellow grain of the North, Cotton and rice of the South, and Louisianian cane; Open, unseeded fallows, rich fields of clover and timothy, Kine and horses feeding, and droves of sheep and swine, And many a stately river flowing, and many a jocund brook, And healthy uplands with their herby-perfumed breezes, And the good green grass—that delicate miracle, the ever-recurring grass.
12 Toil on, Heroes! harvest the products! Not alone on those warlike fields, the Mother of All, With dilated form and lambent eyes, watch’d you.
Toil on, Heroes! toil well! Handle the weapons well! The Mother of All—yet here, as ever, she watches you.
Well-pleased, America, thou beholdest, Over the fields of the West, those crawling monsters, The human-divine inventions, the labor-saving implements: Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes, The steam-power reaping-machines, and the horse-power machines, The engines, thrashers of grain, and cleaners of grain, well separating the straw—the nimble work of the patent pitch-fork; Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser.
Beneath thy look, O Maternal, With these, and else, and with their own strong hands, the Heroes harvest.
All gather, and all harvest; (Yet but for thee, O Powerful! not a scythe might swing, as now, in security; Not a maize-stalk dangle, as now, its silken tassels in peace.
) 13 Under Thee only they harvest—even but a wisp of hay, under thy great face, only; Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee; Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green sheath, Gather the hay to its myriad mows, in the odorous, tranquil barns, Oats to their bins—the white potato, the buckwheat of Michigan, to theirs; Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet potato of Georgia and the Carolinas, Clip the wool of California or Pennsylvania, Cut the flax in the Middle States, or hemp, or tobacco in the Borders, Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the vines, Or aught that ripens in all These States, or North or South, Under the beaming sun, and under Thee.


Written by Federico García Lorca | Create an image from this poem

Train Ride

 After rain, through afterglow, the unfolding fan
of railway landscape sidled onthe pivot
of a larger arc into the green of evening;
I remembered that noon I saw a gradual bud
still white; though dead in its warm bloom;
always the enemy is the foe at home.
And I wondered what surgery could recover our lost, long stride of indolence and leisure which is labor in reverse; what physic recall the smile not of lips, but of eyes as of the sea bemused.
We, when we disperse from common sleep to several tasks, we gather to despair; we, who assembled once for hopes from common toil to dreams or sickish and hurting or triumphal rapture; always our enemy is our foe at home.
We, deafened with far scattered city rattles to the hubbub of forest birds (never having "had time" to grieve or to hear through vivid sleep the sea knock on its cracked and hollow stones) so that the stars, almost, and birds comply, and the garden-wet; the trees retire; We are a scared patrol, fearing the guns behind; always the enemy is the foe at home.
What wonder that we fear our own eyes' look and fidget to be at home alone, and pitifully put of age by some change in brushing the hair and stumble to our ends like smothered runners at their tape; We follow our shreds of fame into an ambush.
Then (as while the stars herd to the great trough the blind, in the always-only-outward of their dismantled archways, awake at the smell of warmed stone or the sound of reeds, lifting from the dim into the segment of green dawn) always our enemy is our foe at home, more certainly than through spoken words or from grief- twisted writing on paper, unblotted by tears the thought came: There is no physic for the world's ill, nor surgery; it must (hot smell of tar on wet salt air) burn in fever forever, an incense pierced with arrows, whose name is Love and another name Rebellion (the twinge, the gulf, split seconds, the very raindrops, render, and instancy of Love).
All Poetry to this not-to-be-looked-upon sun of Passion is the moon's cupped light; all Politics to this moon, a moon's reflected cupped light, like the moon of Rome, after the deep well of Grecian light sank low; always the enemy is the foe at home.
But these three are friends whose arms twine without words; as, in still air, the great grove leans to wind, past and to come.
Written by Paul Laurence Dunbar | Create an image from this poem

Morning

 You know how it is waking
from a dream certain you can fly
and that someone, long gone, returned

and you are filled with longing,
for a brief moment, to drive off
the road and feel nothing

or to see the loved one and feel
everything.
Perhaps one morning, taking brush to hair you'll wonder how much of your life you've spent at this task or signing your name or rising in fog in near darkness to ready for work.
Day begins with other people's needs first and your thoughts disperse like breath.
In the in-between hour, the solitary hour, before day begins all the world gradually reappears car by car.
Written by Sylvia Plath | Create an image from this poem

Elm

for Ruth Fainlight


I know the bottom, she says.
I know it with my great tap root; It is what you fear.
I do not fear it: I have been there.
Is it the sea you hear in me, Its dissatisfactions? Or the voice of nothing, that was you madness? Love is a shadow.
How you lie and cry after it.
Listen: these are its hooves: it has gone off, like a horse.
All night I shall gallup thus, impetuously, Till your head is a stone, your pillow a little turf, Echoing, echoing.
Or shall I bring you the sound of poisons? This is rain now, the big hush.
And this is the fruit of it: tin white, like arsenic.
I have suffered the atrocity of sunsets.
Scorched to the root My red filaments burn and stand,a hand of wires.
Now I break up in pieces that fly about like clubs.
A wind of such violence Will tolerate no bystanding: I must shriek.
The moon, also, is merciless: she would drag me Cruelly, being barren.
Her radiance scathes me.
Or perhaps I have caught her.
I let her go.
I let her go Diminished and flat, as after radical surgery.
How your bad dreams possess and endow me.
I am inhabited by a cry.
Nightly it flaps out Looking, with its hooks, for something to love.
I am terrified by this dark thing That sleeps in me; All day I feel its soft, feathery turnings, its malignity.
Clouds pass and disperse.
Are those the faces of love, those pale irretrievables? Is it for such I agitate my heart? I am incapable of more knowledge.
What is this, this face So murderous in its strangle of branches? ---- Its snaky acids kiss.
It petrifies the will.
These are the isolate, slow faults That kill, that kill, that kill.
Written by John Milton | Create an image from this poem

Light

 HAIL holy light, ofspring of Heav'n first-born, 
Or of th' Eternal Coeternal beam 
May I express thee unblam'd? since God is light, 
And never but in unapproached light 
Dwelt from Eternitie, dwelt then in thee, 
Bright effluence of bright essence increate.
Or hear'st thou rather pure Ethereal stream, Whose Fountain who shall tell? before the Sun, Before the Heavens thou wert, and at the voice Of God, as with a Mantle didst invest The rising world of waters dark and deep, Won from the void and formless infinite.
Thee I re-visit now with bolder wing, Escap't the Stygian Pool, though long detain'd In that obscure sojourn, while in my flight Through utter and through middle darkness borne With other notes then to th' Orphean Lyre I sung of Chaos and Eternal Night, Taught by the heav'nly Muse to venture down The dark descent, and up to reascend, Though hard and rare: thee I revisit safe, And feel thy sovran vital Lamp; but thou Revisit'st not these eyes, that rowle in vain To find thy piercing ray, and find no dawn; So thick a drop serene hath quencht thir Orbs, Or dim suffusion veild.
Yet not the more Cease I to wander where the Muses haunt Cleer Spring, or shadie Grove, or Sunnie Hill, Smit with the love of sacred song; but chief Thee Sion and the flowrie Brooks beneath That wash thy hallowd feet, and warbling flow, Nightly I visit: nor somtimes forget Those other two equal'd with me in Fate, So were I equal'd with them in renown.
Blind Thamyris and blind Maeonides, And Tiresias and Phineus Prophets old.
Then feed on thoughts, that voluntarie move Harmonious numbers; as the wakeful Bird Sings darkling, and in shadiest Covert hid Tunes her nocturnal Note.
Thus with the Year Seasons return, but not to me returns Day, or the sweet approach of Ev'n or Morn, Or sight of vernal bloom, or Summers Rose, Or flocks, or herds, or human face divine; But cloud in stead, and ever-during dark Surrounds me, from the chearful waies of men Cut off, and for the Book of knowledg fair Presented with a Universal blanc Of Natures works to mee expung'd and ras'd, And wisdome at one entrance quite shut out.
So much the rather thou Celestial light Shine inward, and the mind through all her powers Irradiate, there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight.


Written by John Wheelwright | Create an image from this poem

Train Ride

 For Horace Gregory

After rain, through afterglow, the unfolding fan
of railway landscape sidled onthe pivot
of a larger arc into the green of evening;
I remembered that noon I saw a gradual bud
still white; though dead in its warm bloom;
always the enemy is the foe at home.
And I wondered what surgery could recover our lost, long stride of indolence and leisure which is labor in reverse; what physic recall the smile not of lips, but of eyes as of the sea bemused.
We, when we disperse from common sleep to several tasks, we gather to despair; we, who assembled once for hopes from common toil to dreams or sickish and hurting or triumphal rapture; always our enemy is our foe at home.
We, deafened with far scattered city rattles to the hubbub of forest birds (never having "had time" to grieve or to hear through vivid sleep the sea knock on its cracked and hollow stones) so that the stars, almost, and birds comply, and the garden-wet; the trees retire; We are a scared patrol, fearing the guns behind; always the enemy is the foe at home.
What wonder that we fear our own eyes' look and fidget to be at home alone, and pitifully put of age by some change in brushing the hair and stumble to our ends like smothered runners at their tape; We follow our shreds of fame into an ambush.
Then (as while the stars herd to the great trough the blind, in the always-only-outward of their dismantled archways, awake at the smell of warmed stone or the sound of reeds, lifting from the dim into the segment of green dawn) always our enemy is our foe at home, more certainly than through spoken words or from grief- twisted writing on paper, unblotted by tears the thought came: There is no physic for the world's ill, nor surgery; it must (hot smell of tar on wet salt air) burn in fever forever, an incense pierced with arrows, whose name is Love and another name Rebellion (the twinge, the gulf, split seconds, the very raindrops, render, and instancy of Love).
All Poetry to this not-to-be-looked-upon sun of Passion is the moon's cupped light; all Politics to this moon, a moon's reflected cupped light, like the moon of Rome, after the deep well of Grecian light sank low; always the enemy is the foe at home.
But these three are friends whose arms twine without words; as, in still air, the great grove leans to wind, past and to come.
Written by Thomas Gray | Create an image from this poem

Hymn To Adversity

 Daughter of Jove, relentless Power,
Thou tamer of the human breast,
Whose iron scourge and tort'ring hour
The Bad affright, afflict the Best!
Bound in thy adamantine chain
The Proud are taught to taste of pain,
And purple Tyrants vainly groan
With pangs unfelt before, unpitied and alone.
When first thy Sire to send on earth Virtue, his darling child, designed, To thee he gave the heav'nly Birth, And bade to form her infant mind.
Stern rugged Nurse! thy rigid lore With patience many a year she bore: What sorrow was, thou bad'st her know, And from her own she learned to melt at others' woe.
Scared at thy frown terrific, fly Self-pleasing Folly's idle brood, Wild Laughter, Noise, and thoughtless Joy, And leave us leisure to be good.
Light they disperse, and with them go The summer Friend, the flatt'ring Foe; By vain Prosperity received, To her they vow their truth, and are again believed.
Wisdom in sable garb arrayed Immersed in rapt'rous thought profound, And Melancholy, silent maid With leaden eye, that loves the ground, Still on thy solemn steps attend: Warm Charity, the gen'ral Friend, With Justice, to herself severe, And Pity dropping soft the sadly-pleasing tear.
Oh, gently on thy Suppliant's head, Dread Goddess, lay thy chast'ning hand! Not in thy Gorgon terrors clad, Not circled with the vengeful Band (As by the Impious thou art seen), With thund'ring voice, and threat'ning mien, With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty.
Thy form benign, O Goddess, wear, Thy milder influence impart, Thy philosophic Train be there To soften, not to wound my heart.
The gen'rous spark extinct revive, Teach me to love and to forgive, Exact my own defects to scan, What others are, to feel, and know myself a Man.
Written by Henry Vaughan | Create an image from this poem

They are all Gone into the World of Light

 1 They are all gone into the world of light!
2 And I alone sit ling'ring here;
3 Their very memory is fair and bright,
4 And my sad thoughts doth clear.
5 It glows and glitters in my cloudy breast, 6 Like stars upon some gloomy grove, 7 Or those faint beams in which this hill is drest, 8 After the sun's remove.
9 I see them walking in an air of glory, 10 Whose light doth trample on my days: 11 My days, which are at best but dull and hoary, 12 Mere glimmering and decays.
13 O holy Hope! and high Humility, 14 High as the heavens above! 15 These are your walks, and you have show'd them me 16 To kindle my cold love.
17 Dear, beauteous Death! the jewel of the just, 18 Shining nowhere, but in the dark; 19 What mysteries do lie beyond thy dust 20 Could man outlook that mark! 21 He that hath found some fledg'd bird's nest, may know 22 At first sight, if the bird be flown; 23 But what fair well or grove he sings in now, 24 That is to him unknown.
25 And yet as angels in some brighter dreams 26 Call to the soul, when man doth sleep: 27 So some strange thoughts transcend our wonted themes 28 And into glory peep.
29 If a star were confin'd into a tomb, 30 Her captive flames must needs burn there; 31 But when the hand that lock'd her up, gives room, 32 She'll shine through all the sphere.
33 O Father of eternal life, and all 34 Created glories under thee! 35 Resume thy spirit from this world of thrall 36 Into true liberty.
37 Either disperse these mists, which blot and fill 38 My perspective still as they pass, 39 Or else remove me hence unto that hill, 40 Where I shall need no glass.
Written by Walt Whitman | Create an image from this poem

Centenarian's Story The

 GIVE me your hand, old Revolutionary; 
The hill-top is nigh—but a few steps, (make room, gentlemen;) 
Up the path you have follow’d me well, spite of your hundred and extra years; 
You can walk, old man, though your eyes are almost done; 
Your faculties serve you, and presently I must have them serve me.
Rest, while I tell what the crowd around us means; On the plain below, recruits are drilling and exercising; There is the camp—one regiment departs to-morrow; Do you hear the officers giving the orders? Do you hear the clank of the muskets? Why, what comes over you now, old man? Why do you tremble, and clutch my hand so convulsively? The troops are but drilling—they are yet surrounded with smiles; Around them, at hand, the well-drest friends, and the women; While splendid and warm the afternoon sun shines down; Green the midsummer verdure, and fresh blows the dallying breeze, O’er proud and peaceful cities, and arm of the sea between.
But drill and parade are over—they march back to quarters; Only hear that approval of hands! hear what a clapping! As wending, the crowds now part and disperse—but we, old man, Not for nothing have I brought you hither—we must remain; You to speak in your turn, and I to listen and tell.
THE CENTENARIAN.
When I clutch’d your hand, it was not with terror; But suddenly, pouring about me here, on every side, And below there where the boys were drilling, and up the slopes they ran, And where tents are pitch’d, and wherever you see, south and south-east and south-west, Over hills, across lowlands, and in the skirts of woods, And along the shores, in mire (now fill’d over), came again, and suddenly raged, As eighty-five years agone, no mere parade receiv’d with applause of friends, But a battle, which I took part in myself—aye, long ago as it is, I took part in it, Walking then this hill-top, this same ground.
Aye, this is the ground; My blind eyes, even as I speak, behold it re-peopled from graves; The years recede, pavements and stately houses disappear; Rude forts appear again, the old hoop’d guns are mounted; I see the lines of rais’d earth stretching from river to bay; I mark the vista of waters, I mark the uplands and slopes: Here we lay encamp’d—it was this time in summer also.
As I talk, I remember all—I remember the Declaration; It was read here—the whole army paraded—it was read to us here; By his staff surrounded, the General stood in the middle—he held up his unsheath’d sword, It glitter’d in the sun in full sight of the army.
’Twas a bold act then; The English war-ships had just arrived—the king had sent them from over the sea; We could watch down the lower bay where they lay at anchor, And the transports, swarming with soldiers.
A few days more, and they landed—and then the battle.
Twenty thousand were brought against us, A veteran force, furnish’d with good artillery.
I tell not now the whole of the battle; But one brigade, early in the forenoon, order’d forward to engage the red-coats; Of that brigade I tell, and how steadily it march’d, And how long and how well it stood, confronting death.
Who do you think that was, marching steadily, sternly confronting death? It was the brigade of the youngest men, two thousand strong, Rais’d in Virginia and Maryland, and many of them known personally to the General.
Jauntily forward they went with quick step toward Gowanus’ waters; Till of a sudden, unlook’d for, by defiles through the woods, gain’d at night, The British advancing, wedging in from the east, fiercely playing their guns, That brigade of the youngest was cut off, and at the enemy’s mercy.
The General watch’d them from this hill; They made repeated desperate attempts to burst their environment; Then drew close together, very compact, their flag flying in the middle; But O from the hills how the cannon were thinning and thinning them! It sickens me yet, that slaughter! I saw the moisture gather in drops on the face of the General; I saw how he wrung his hands in anguish.
Meanwhile the British maneuver’d to draw us out for a pitch’d battle; But we dared not trust the chances of a pitch’d battle.
We fought the fight in detachments; Sallying forth, we fought at several points—but in each the luck was against us; Our foe advancing, steadily getting the best of it, push’d us back to the works on this hill; Till we turn’d, menacing, here, and then he left us.
That was the going out of the brigade of the youngest men, two thousand strong; Few return’d—nearly all remain in Brooklyn.
That, and here, my General’s first battle; No women looking on, nor sunshine to bask in—it did not conclude with applause; Nobody clapp’d hands here then.
But in darkness, in mist, on the ground, under a chill rain, Wearied that night we lay, foil’d and sullen; While scornfully laugh’d many an arrogant lord, off against us encamp’d, Quite within hearing, feasting, klinking wine-glasses together over their victory.
So, dull and damp, and another day; But the night of that, mist lifting, rain ceasing, Silent as a ghost, while they thought they were sure of him, my General retreated.
I saw him at the river-side, Down by the ferry, lit by torches, hastening the embarcation; My General waited till the soldiers and wounded were all pass’d over; And then, (it was just ere sunrise,) these eyes rested on him for the last time.
Every one else seem’d fill’d with gloom; Many no doubt thought of capitulation.
But when my General pass’d me, As he stood in his boat, and look’d toward the coming sun, I saw something different from capitulation.
TERMINUS.
Enough—the Centenarian’s story ends; The two, the past and present, have interchanged; I myself, as connecter, as chansonnier of a great future, am now speaking.
And is this the ground Washington trod? And these waters I listlessly daily cross, are these the waters he cross’d, As resolute in defeat, as other generals in their proudest triumphs? It is well—a lesson like that, always comes good; I must copy the story, and send it eastward and westward; I must preserve that look, as it beam’d on you, rivers of Brooklyn.
See! as the annual round returns, the phantoms return; It is the 27th of August, and the British have landed; The battle begins, and goes against us—behold! through the smoke, Washington’s face; The brigade of Virginia and Maryland have march’d forth to intercept the enemy; They are cut off—murderous artillery from the hills plays upon them; Rank after rank falls, while over them silently droops the flag, Baptized that day in many a young man’s bloody wounds, In death, defeat, and sisters’, mothers’ tears.
Ah, hills and slopes of Brooklyn! I perceive you are more valuable than your owners supposed; Ah, river! henceforth you will be illumin’d to me at sunrise with something besides the sun.
Encampments new! in the midst of you stands an encampment very old; Stands forever the camp of the dead brigade.
Written by Kahlil Gibran | Create an image from this poem

The Beauty of Death XIV

 Part One - The Calling


Let me sleep, for my soul is intoxicated with love and 
Let me rest, for my spirit has had its bounty of days and nights; 
Light the candles and burn the incense around my bed, and 
Scatter leaves of jasmine and roses over my body; 
Embalm my hair with frankincense and sprinkle my feet with perfume, 
And read what the hand of Death has written on my forehead.
Let me rest in the arms of Slumber, for my open eyes are tired; Let the silver-stringed lyre quiver and soothe my spirit; Weave from the harp and lute a veil around my withering heart.
Sing of the past as you behold the dawn of hope in my eyes, for It's magic meaning is a soft bed upon which my heart rests.
Dry your tears, my friends, and raise your heads as the flowers Raise their crowns to greet the dawn.
Look at the bride of Death standing like a column of light Between my bed and the infinite; Hold your breath and listen with me to the beckoning rustle of Her white wings.
Come close and bid me farewell; touch my eyes with smiling lips.
Let the children grasp my hands with soft and rosy fingers; Let the ages place their veined hands upon my head and bless me; Let the virgins come close and see the shadow of God in my eyes, And hear the echo of His will racing with my breath.
Part Two - The Ascending I have passed a mountain peak and my soul is soaring in the Firmament of complete and unbound freedom; I am far, far away, my companions, and the clouds are Hiding the hills from my eyes.
The valleys are becoming flooded with an ocean of silence, and the Hands of oblivion are engulfing the roads and the houses; The prairies and fields are disappearing behind a white specter That looks like the spring cloud, yellow as the candlelight And red as the twilight.
The songs of the waves and the hymns of the streams Are scattered, and the voices of the throngs reduced to silence; And I can hear naught but the music of Eternity In exact harmony with the spirit's desires.
I am cloaked in full whiteness; I am in comfort; I am in peace.
Part Three - The Remains Unwrap me from this white linen shroud and clothe me With leaves of jasmine and lilies; Take my body from the ivory casket and let it rest Upon pillows of orange blossoms.
Lament me not, but sing songs of youth and joy; Shed not tears upon me, but sing of harvest and the winepress; Utter no sigh of agony, but draw upon my face with your Finger the symbol of Love and Joy.
Disturb not the air's tranquility with chanting and requiems, But let your hearts sing with me the song of Eternal Life; Mourn me not with apparel of black, But dress in color and rejoice with me; Talk not of my departure with sighs in your hearts; close Your eyes and you will see me with you forevermore.
Place me upon clusters of leaves and Carry my upon your friendly shoulders and Walk slowly to the deserted forest.
Take me not to the crowded burying ground lest my slumber Be disrupted by the rattling of bones and skulls.
Carry me to the cypress woods and dig my grave where violets And poppies grow not in the other's shadow; Let my grave be deep so that the flood will not Carry my bones to the open valley; Let my grace be wide, so that the twilight shadows Will come and sit by me.
Take from me all earthly raiment and place me deep in my Mother Earth; and place me with care upon my mother's breast.
Cover me with soft earth, and let each handful be mixed With seeds of jasmine, lilies and myrtle; and when they Grow above me, and thrive on my body's element they will Breathe the fragrance of my heart into space; And reveal even to the sun the secret of my peace; And sail with the breeze and comfort the wayfarer.
Leave me then, friends - leave me and depart on mute feet, As the silence walks in the deserted valley; Leave me to God and disperse yourselves slowly, as the almond And apple blossoms disperse under the vibration of Nisan's breeze.
Go back to the joy of your dwellings and you will find there That which Death cannot remove from you and me.
Leave with place, for what you see here is far away in meaning From the earthly world.
Leave me.

Book: Reflection on the Important Things