Written by
Billy Collins |
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
"Nonsense.
" "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
why wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
"Absolutely," they shout
to Duns Scotus and James Baldwin.
"Yes.
" "Bull's-eye.
" "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs.
Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird signing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
"Pardon the egg salad stains, but I'm in love.
"
|
Written by
Marilyn L Taylor |
Straight-spined girl—yes, you of the glinting earrings,
amber skin and sinuous hair: what happened?
you’ve no business lunching with sticky children
here at McDonald’s.
Are they yours? How old were you when you had them?
You are far too dazzling to be their mother,
though I hear them spluttering Mommy Mommy
over the Muzak.
Do you plan to squander your precious twenties
wiping ketchup dripping from little fingers,
drowning your ennui in a Dr.
Pepper
from the dispenser?
Were I you for one schizophrenic moment,
I’d display my pulchritude with a graceful
yet dismissive wave to the gathered burghers
feeding their faces—
find myself a job as a super-model,
get me to those Peloponnesian beaches
where I’d preen all day with a jug of ouzo
in my bikini.
Would I miss the gummy suburban vinyl,
hanker for the Happiest Meal on Main Street?
—Wouldn’t one spectacular shrug suffice for
begging the question?
|
Written by
Jennifer Reeser |
I wish I could,
like some, forget,
and never anguish,
nor regret,
dismissive, free
to roam the street,
no matter how
the visions meet.
Remembrance is
a neighborhood
where convicts live
with great and good,
its roads of red,
uneven brick,
whose surfaces –
both rough and slick –
spread out into
a patchwork plan.
Sometimes at night
I hear a man
vault past the fence,
and cross the yard,
my door chain down,
and me off-guard.
He curses, threatens,
pounds the door.
I’m wedged between
the couch and floor,
ungainly, barefoot,
limp and pinned,
scared of the dark,
without a friend,
with only one
clear thought, that I –
like him, like you –
don’t want to die.
|