Written by
William Cullen Bryant |
Oh! could I hope the wise and pure in heart
Might hear my song without a frown, nor deem
My voice unworthy of the theme it tries,--
I would take up the hymn to Death, and say
To the grim power, The world hath slandered thee
And mocked thee. On thy dim and shadowy brow
They place an iron crown, and call thee king
Of terrors, and the spoiler of the world,
Deadly assassin, that strik'st down the fair,
The loved, the good--that breath'st upon the lights
Of virtue set along the vale of life,
And they go out in darkness. I am come,
Not with reproaches, not with cries and prayers,
Such as have stormed thy stern insensible ear
From the beginning. I am come to speak
Thy praises. True it is, that I have wept
Thy conquests, and may weep them yet again:
And thou from some I love wilt take a life
Dear to me as my own. Yet while the spell
Is on my spirit, and I talk with thee
In sight of all thy trophies, face to face,
Meet is it that my voice should utter forth
Thy nobler triumphs: I will teach the world
To thank thee.--Who are thine accusers?--Who?
The living!--they who never felt thy power,
And know thee not. The curses of the wretch
Whose crimes are ripe, his sufferings when thy hand
Is on him, and the hour he dreads is come,
Are writ among thy praises. But the good--
Does he whom thy kind hand dismissed to peace,
Upbraid the gentle violence that took off
His fetters, and unbarred his prison cell?
Raise then the Hymn to Death. Deliverer!
God hath anointed thee to free the oppressed
And crush the oppressor. When the armed chief,
The conqueror of nations, walks the world,
And it is changed beneath his feet, and all
Its kingdoms melt into one mighty realm--
Thou, while his head is loftiest, and his heart
Blasphemes, imagining his own right hand
Almighty, sett'st upon him thy stern grasp,
And the strong links of that tremendous chain
That bound mankind are crumbled; thou dost break
Sceptre and crown, and beat his throne to dust.
Then the earth shouts with gladness, and her tribes
Gather within their ancient bounds again.
Else had the mighty of the olden time,
Nimrod, Sesostris, or the youth who feigned
His birth from Lybian Ammon, smote even now
The nations with a rod of iron, and driven
Their chariot o'er our necks. Thou dost avenge,
In thy good time, the wrongs of those who know
No other friend. Nor dost thou interpose
Only to lay the sufferer asleep,
Where he who made him wretched troubles not
His rest--thou dost strike down his tyrant too.
Oh, there is joy when hands that held the scourge
Drop lifeless, and the pitiless heart is cold.
Thou too dost purge from earth its horrible
And old idolatries; from the proud fanes
Each to his grave their priests go out, till none
Is left to teach their worship; then the fires
Of sacrifice are chilled, and the green moss
O'ercreeps their altars; the fallen images
Cumber the weedy courts, and for loud hymns,
Chanted by kneeling crowds, the chiding winds
Shriek in the solitary aisles. When he
Who gives his life to guilt, and laughs at all
The laws that God or man has made, and round
Hedges his seat with power, and shines in wealth,--
Lifts up his atheist front to scoff at Heaven,
And celebrates his shame in open day,
Thou, in the pride of all his crimes, cutt'st off
The horrible example. Touched by thine,
The extortioner's hard hand foregoes the gold
Wrong from the o'er-worn poor. The perjurer,
Whose tongue was lithe, e'en now, and voluble
Against his neighbour's life, and he who laughed
And leaped for joy to see a spotless fame
Blasted before his own foul calumnies,
Are smit with deadly silence. He, who sold
His conscience to preserve a worthless life,
Even while he hugs himself on his escape,
Trembles, as, doubly terrible, at length,
Thy steps o'ertake him, and there is no time
For parley--nor will bribes unclench thy grasp.
Oft, too, dost thou reform thy victim, long
Ere his last hour. And when the reveller,
Mad in the chase of pleasure, stretches on,
And strains each nerve, and clears the path of life
Like wind, thou point'st him to the dreadful goal,
And shak'st thy hour-glass in his reeling eye,
And check'st him in mid course. Thy skeleton hand
Shows to the faint of spirit the right path,
And he is warned, and fears to step aside.
Thou sett'st between the ruffian and his crime
Thy ghastly countenance, and his slack hand
Drops the drawn knife. But, oh, most fearfully
Dost thou show forth Heaven's justice, when thy shafts
Drink up the ebbing spirit--then the hard
Of heart and violent of hand restores
The treasure to the friendless wretch he wronged.
Then from the writhing bosom thou dost pluck
The guilty secret; lips, for ages sealed,
Are faithless to the dreadful trust at length,
And give it up; the felon's latest breath
Absolves the innocent man who bears his crime;
The slanderer, horror smitten, and in tears,
Recalls the deadly obloquy he forged
To work his brother's ruin. Thou dost make
Thy penitent victim utter to the air
The dark conspiracy that strikes at life,
And aims to whelm the laws; ere yet the hour
Is come, and the dread sign of murder given.
Thus, from the first of time, hast thou been found
On virtue's side; the wicked, but for thee,
Had been too strong for the good; the great of earth
Had crushed the weak for ever. Schooled in guile
For ages, while each passing year had brought
Its baneful lesson, they had filled the world
With their abominations; while its tribes,
Trodden to earth, imbruted, and despoiled,
Had knelt to them in worship; sacrifice
Had smoked on many an altar, temple roofs
Had echoed with the blasphemous prayer and hymn:
But thou, the great reformer of the world,
Tak'st off the sons of violence and fraud
In their green pupilage, their lore half learned--
Ere guilt has quite o'errun the simple heart
God gave them at their birth, and blotted out
His image. Thou dost mark them, flushed with hope,
As on the threshold of their vast designs
Doubtful and loose they stand, and strik'st them down.
Alas, I little thought that the stern power
Whose fearful praise I sung, would try me thus
Before the strain was ended. It must cease--
For he is in his grave who taught my youth
The art of verse, and in the bud of life
Offered me to the muses. Oh, cut off
Untimely! when thy reason in its strength,
Ripened by years of toil and studious search
And watch of Nature's silent lessons, taught
Thy hand to practise best the lenient art
To which thou gavest thy laborious days.
And, last, thy life. And, therefore, when the earth
Received thee, tears were in unyielding eyes
And on hard cheeks, and they who deemed thy skill
Delayed their death-hour, shuddered and turned pale
When thou wert gone. This faltering verse, which thou
Shalt not, as wont, o'erlook, is all I have
To offer at thy grave--this--and the hope
To copy thy example, and to leave
A name of which the wretched shall not think
As of an enemy's, whom they forgive
As all forgive the dead. Rest, therefore, thou
Whose early guidance trained my infant steps--
Rest, in the bosom of God, till the brief sleep
Of death is over, and a happier life
Shall dawn to waken thine insensible dust.
Now thou art not--and yet the men whose guilt
Has wearied Heaven for vengeance--he who bears
False witness--he who takes the orphan's bread,
And robs the widow--he who spreads abroad
Polluted hands in mockery of prayer,
Are left to cumber earth. Shuddering I look
On what is written, yet I blot not out
The desultory numbers--let them stand.
The record of an idle revery.
|
Written by
David Lehman |
"My propositions serve as elucidations in the following way:
anyone who understands them eventually recognizes them as
nonsensical, when he has used them -- as steps -- to climb
up beyond them. (He must, so to speak, throw away the ladder
after he has climbed up it.)" -- Ludwig Wittgenstein, Tractatus
1.
The first time I met Wittgenstein, I was
late. "The traffic was murder," I explained.
He spent the next forty-five minutes
analyzing this sentence. Then he was silent.
I wondered why he had chosen a water tower
for our meeting. I also wondered how
I would leave, since the ladder I had used
to climb up here had fallen to the ground.
2.
Wittgenstein served as a machine-gunner
in the Austrian Army in World War I.
Before the war he studied logic in Cambridge
with Bertrand Russell. Having inherited
his father's fortune (iron and steel), he
gave away his money, not to the poor, whom
it would corrupt, but to relations so rich
it would not thus affect them.
3.
On leave in Vienna in August 1918
he assembled his notebook entries
into the Tractatus, Since it provided
the definitive solution to all the problems
of philosophy, he decided to broaden
his interests. He became a schoolteacher,
then a gardener's assistant at a monastery
near Vienna. He dabbled in architecture.
4.
He returned to Cambridge in 1929,
receiving his doctorate for the Tractatus,
"a work of genius," in G. E. Moore's opinion.
Starting in 1930 he gave a weekly lecture
and led a weekly discussion group. He spoke
without notes amid long periods of silence.
Afterwards, exhausted, he went to the movies
and sat in the front row. He liked Carmen Miranda.
5.
He would visit Russell's rooms at midnight
and pace back and forth "like a caged tiger.
On arrival, he would announce that when
he left he would commit suicide. So, in spite
of getting sleepy, I did not like to turn him out." On
such a night, after hours of dead silence, Russell said,
"Wittgenstein, are you thinking about logic or about
yours sins?" "Both," he said, and resumed his silence.
6.
Philosophy was an activity, not a doctrine.
"Solipsism, when its implications are followed out
strictly, coincides with pure realism," he wrote.
Dozens of dons wondered what he meant. Asked
how he knew that "this color is red," he smiled
and said, "because I have learnt English." There
were no other questions. Wittgenstein let the
silence gather. Then he said, "this itself is the answer."
7.
Religion went beyond the boundaries of language,
yet the impulse to run against "the walls of our cage,"
though "perfectly, absolutely useless," was not to be
dismissed. A. J. Ayer, one of Oxford's ablest minds,
was puzzled. If logic cannot prove a nonsensical
conclusion, why didn't Wittgenstein abandon it,
"along with the rest of metaphysics, as not worth
serious attention, except perhaps for sociologists"?
8.
Because God does not reveal himself in this world, and
"the value of this work," Wittgenstein wrote, "is that
it shows how little is achieved when these problems
are solved." When I quoted Gertrude Stein's line
about Oakland, "there's no there there," he nodded.
Was there a there, I persisted. His answer: Yes and No.
It was as impossible to feel another's person's pain
as to suffer another person's toothache.
9.
At Cambridge the dons quoted him reverently.
I asked them what they thought was his biggest
contribution to philosophy. "Whereof one cannot
speak, thereof one must be silent," one said.
Others spoke of his conception of important
nonsense. But I liked best the answer John
Wisdom gave: "His asking of the question
`Can one play chess without the queen?'"
10.
Wittgenstein preferred American detective
stories to British philosophy. He liked lunch
and didn't care what it was, "so long as it was
always the same," noted Professor Malcolm
of Cornell, a former student, in whose house
in Ithaca Wittgenstein spent hours doing
handyman chores. He was happy then.
There was no need to say a word.
|
Written by
William Topaz McGonagall |
There lived in Munich a poor, weakly youth,
But for the exact date, I cannot vouch for the truth,
And of seven of a family he was the elder,
Who was named, by his parents, Alois Senefelder.
But, poor fellow, at home his father was lying dead,
And his little brothers and sisters were depending upon him for bread,
And one evening he was dismissed from his employment,
Which put an end to all his peace and enjoyment.
The poor lad was almost mad, and the next day
His parent's remains to the cemetery were taken away;
And when his father was buried, distracted like he grew,
And he strolled through the streets crying, What shall I do!
And all night he wandered on sad and alone,
Until he began to think of returning home,
But, to his surprise, on raising his head to look around,
He was in a part of the country which to him was unknown ground.
And when night came on the poor lad stood aghast,
For all was hushed save the murmuring of a river which flowed past;
And the loneliness around seemed to fill his heart with awe,
And, with fatigue, he sat down on the first stone he saw.
And there resting his elbows and head on his knees,
He sat gazing at the running water, which did him please;
And by the light of the stars which shone on the water blue,
He cried, I will drown myself, and bid this harsh world adieu.
Besides, I'm good for nothing, to himself he said,
And will only become a burden to my mother, I'm afraid
And there, at the bottom of that water, said he,
From all my misfortunes death will set me free.
But, happily for Alois, more pious thoughts rushed into his mind,
And courage enough to drown himself he couldn't find,
So he resolved to go home again whatever did betide,
And he asked forgiveness of his Creator by the river side.
And as he knelt, a few incoherent words escaped him,
And the thought of drowning himself he considered a great sin,
And the more he thought of it, he felt his flesh creep,
But in a few minutes he fell fast asleep.
And he slept soundly, for the stillness wasn't broke,
And the day was beginning to dawn before he awoke;
Then suddenly he started up as if in a fright,
And he saw very near him a little stone smooth and white,
Upon which was traced the delicate design of a Sprig of Moss
But to understand such a design he was at a loss,
Then he recollected the Sprig of Moss lying on the stone,
And with his tears he'd moistened it, but it was gone.
But its imprint was delicately imprinted on the stone;
Then, taking the stone under his arm, he resolved to go home,
Saying, God has reserved me for some other thing,
And with joy he couldn't tell how he began to sing.
And on drawing near the city he met his little brother,
Who told him his uncle had visited his mother,
And on beholding their misery had left them money to buy food,
Then Alois cried, Thank God, the news is good!
Then 'twas on the first day after Alois came home,
He began the printing of the Sprig of Moss on the stone;
And by taking the impressions of watch-cases he discovered, one day,
What is now called the art of Lithography.
So Alois plodded on making known his great discovery,
Until he obtained the notice of the Royal Academy,
Besides, he obtained a gold Medal, and what was more dear to his heart,
He lived to see the wide extension of his art.
And when life's prospects may at times appear dreary to ye,
Remember Alois Senefelder, the discoverer of Lithography,
How God saved him from drowning himself in adversity,
And I hope ye all will learn what the Sprig of Moss teaches ye.
And God that made a way through the Red Sea,
If ye only put your trust in Him, He will protect ye,
And light up your path, and strew it with flowers,
And be your own Comforter in all your lonely hours.
|
Written by
Rudyard Kipling |
The Four Archangels, so the legends tell,
Raphael, Gabriel, Michael, Azrael,
Being first of those to whom the Power was shown
Stood first of all the Host before The Throne,
And, when the Charges were allotted, burst
Tumultuous-winged from out the assembly first.
Zeal was their spur that bade them strictly heed
Their own high judgment on their lightest deed.
Zeal was their spur that, when relief was given,
Urged them unwearied to new toils in Heaven;
For Honour's sake perfecting every task
Beyond what e 'en Perfection's self could ask. . .
And Allah, Who created Zeal and Pride,
Knows how the twain are perilous-near allied.
It chanced on one of Heaven's long-lighted days,
The Four and all the Host being gone their ways
Each to his Charge, the shining Courts were void
Save for one Seraph whom no charge employed,
With folden wings and slumber-threatened brow,
To whom The Word: "Beloved, what dost thou?"
"By the Permission," came the answer soft,
Little I do nor do that little oft.
As is The Will in Heaven so on Earth
Where by The Will I strive to make men mirth"
He ceased and sped, hearing The Word once more:
" Beloved, go thy way and greet the Four."
Systems and Universes overpast,
The Seraph came upon the Four, at last,
Guiding and guarding with devoted mind
The tedious generations of mankind
Who lent at most unwilling ear and eye
When they could not escape the ministry. . . .
Yet, patient, faithful, firm, persistent, just
Toward all that gross, indifferent, facile dust,
The Archangels laboured to discharge their trust
By precept and example, prayer and law,
Advice, reproof, and rule, but, labouring, saw
Each in his fellows' countenance confessed,
The Doubt that sickens: "Have I done my best?"
Even as they sighed and turned to toil anew,
The Seraph hailed them with observance due;
And, after some fit talk of higher things,
Touched tentative on mundane happenings.
This they permitting, he, emboldened thus,
Prolused of humankind promiscuous,
And, since the large contention less avails
Than instances observed, he told them tales--
Tales of the shop, the bed, the court, the street,
Intimate, elemental, indiscreet:
Occasions where Confusion smiting swift
Piles jest on jest as snow-slides pile the drift
Whence, one by one, beneath derisive skies,
The victims' bare, bewildered heads arise--
Tales of the passing of the spirit, graced
With humour blinding as the doom it faced--
Stark tales of ribaldy that broke aside
To tears, by laughter swallowed ere they dried-
Tales to which neither grace nor gain accrue,
But Only (Allah be exalted!) true,
And only, as the Seraph showed that night,
Delighting to the limits of delight.
These he rehearsed with artful pause and halt,
And such pretence of memory at fault,
That soon the Four--so well the bait was thrown--
Came to his aid with memories of their own--
Matters dismissed long since as small or vain,
Whereof the high significance had lain
Hid, till the ungirt glosses made it plain.
Then, as enlightenment came broad and fast,
Each marvelled at his own oblivious past
Until--the Gates of Laughter opened wide--
The Four, with that bland Seraph at their side,
While they recalled, compared, and amplified,
In utter mirth forgot both Zeal and Pride!
High over Heaven the lamps of midnight burned
Ere, weak with merriment, the Four returned,
Not in that order they were wont to keep--
Pinion to pinion answering, sweep for sweep,
In awful diapason heard afar--
But shoutingly adrift 'twixt star and star;
Reeling a planet's orbit left or right
As laughter took them in the abysmal Night;
Or, by the point of some remembered jest,
Winged and brought helpless down through gulfs unguessed,
Where the blank worlds that gather to the birth
Leaped in the Womb of Darkness at their mirth,
And e'en Gehenna's bondsmen understood.
They were not damned from human brotherhood . . .
Not first nor last of Heaven's high Host, the Four
That night took place beneath The Throne once more.
0 lovelier than their morning majesty,
The understanding light behind the eye!
0 more compelling than their old command,
The new-learned friendly gesture of the hand!
0 sweeter than their zealous fellowship,
The wise half-smile that passed from lip to lip!
0 well and roundly, when Command was given,
They told their tale against themselves to Heaven,
And in the silence, waiting on The Word,
Received the Peace and Pardon of The Lord!
|
Written by
Rg Gregory |
18
if you want a revolution attack
symbols not systems - the simple forms
that (blithely) give the truth away
tying down millions to their terms
quietly with no one answering back
where the stage is makes the play
keeps actors (meanings) to those norms
stability requires - change tack
(remove the stage) violent storms
will sweep the old regime away
eventually there'll be no going back
once new symbols breed new germs
and strange hopes redesign the day
29
fresh hope stems from a dead conclusion
high art is a fraud - a provider of pap
for suckers happy to give up their own
longings to beauty in a cellophane wrap
spending their rights for a rich illusion
people demean themselves before a throne
but sooner or later have to let the sap
earthed in them rise to a new extrusion
art's not in the show (a lovely touch of clap)
but in the tough fusion of blood and bone
dreams may be soured in the drab confusion
but everywhere's the making of a map
charting today's unimaginable zone
42
what appals me daily is the unintelligence of those
who sit on the commodes of power debowelling scented ****
public- and grammar-school yokels wet-nursed oxbridge bums
(meet them where your own world breathes you'd have the urge to spit)
their great debates are full of puff their insights comatose
but they concoct the standards in their painted kingdom-comes
they pass down the judgments draped in tongues of holy writ
the people are a mass disease an untissued runny nose
disdained (but somehow soared above) as they subscribe their wit
to the culture of the stately tree (and to pilfering its plums)
they've got there by a rancid myth - that a nation's wisdom blows
from the arseholes of the clever (the odiferously fit)
as they guzzle in their spotlit windows tossing off the crumbs
65
far deeper than the wounds on egdon heath
its proud moroseness scales across the time
tinting all after-thought - where hardy gloomed
(wringing ironic bloodtones from sublime)
a host of worms have nibbled through belief
faith-riddled souls have other faiths exhumed
a pagan dissonance has reached for rhyme
a void (dismissed) has sprouted from the wreath
that science laid - a self-inflicted crime
unknifes itself and bleaker hope has bloomed
what hardy touched on sombre egdon heath
the wasted world now touches - midnights prime
the last condition be frugal or be doomed
|
Written by
Andrew Barton Paterson |
I say 'e isn't Remorse!
'Ow do I know?
Saw 'im on Riccarton course
Two year ago!
Think I'd forget any 'orse?
Course 'e's The Crow!
Bumper Maginnis and I
After a "go",
Walkin' our 'orses to dry,
I says "Hello!
What's that old black goin' by?"
Bumper says "Oh!
That's an old cuddy of Flanagan's --
Runs as The Crow!"
Now they make out 'e's Remorse.
Well, but I know.
Soon as I came on the course
I says "'Ello!
'Ere's the old Crow."
Once a man's seen any 'orse,
Course 'e must know.
Sure as there's wood in this table,
I say 'e's The Crow.
(Cross-examied by the Committee.)
'Ow do I know the moke
After one sight?
S'posin' you meet a bloke
Down town at night,
Wouldn't you know 'im again when you meet 'im?
That's 'im all right!
What was the brand on 'is 'ide?
I couldn't say,
Brands can be transmogrified.
That ain't the way --
It's the look of a 'orse and the way that 'e moves
That I'd know any day.
What was the boy on 'is back?
Why, 'e went past
All of a minute, and off down the track.
-- "The 'orse went as fast?"
True, so 'e did! But my eyes, what a treat!
'Ow can I notice the 'ands and the seat
Of each bumble-faced kid of a boy that I meet?
Lor'! What a question to ast!
(Protest Dismissed)
|
Written by
Thomas Hardy |
I
In Casterbridge there stood a noble pile,
Wrought with pilaster, bay, and balustrade
In tactful times when shrewd Eliza swayed. -
On burgher, squire, and clown
It smiled the long street down for near a mile
II
But evil days beset that domicile;
The stately beauties of its roof and wall
Passed into sordid hands. Condemned to fall
Were cornice, quoin, and cove,
And all that art had wove in antique style.
III
Among the hired dismantlers entered there
One till the moment of his task untold.
When charged therewith he gazed, and answered bold:
"Be needy I or no,
I will not help lay low a house so fair!
IV
"Hunger is hard. But since the terms be such -
No wage, or labour stained with the disgrace
Of wrecking what our age cannot replace
To save its tasteless soul -
I'll do without your dole. Life is not much!
V
Dismissed with sneers he backed his tools and went,
And wandered workless; for it seemed unwise
To close with one who dared to criticize
And carp on points of taste:
To work where they were placed rude men were meant.
VI
Years whiled. He aged, sank, sickened, and was not:
And it was said, "A man intractable
And curst is gone." None sighed to hear his knell,
None sought his churchyard-place;
His name, his rugged face, were soon forgot.
VII
The stones of that fair hall lie far and wide,
And but a few recall its ancient mould;
Yet when I pass the spot I long to hold
As truth what fancy saith:
"His protest lives where deathless things abide!"
|
Written by
Les Murray |
Sprawl is the quality
of the man who cut down his Rolls-Royce
into a farm utility truck, and sprawl
is what the company lacked when it made repeated efforts
to buy the vehicle back and repair its image.
Sprawl is doing your farm work by aeroplane, roughly,
or driving a hitchhiker that extra hundred miles home.
It is the rococo of being your own still centre.
It is never lighting cigars with ten dollar notes:
that's idiot ostentation and murder of starving people.
Nor can it be bought with the ash of million dollar deeds.
Sprawl lengthens the legs; it trains greyhounds on liver and beer.
Sprawl almost never says, Why not?, with palms comically raised
nor can it be dressed for, not even in running shoes worn
with mink and a nose ring. That is Society. That's Style.
Sprawl is more like the thirteenth banana in a dozen
or anyway the fourteenth.
Sprawl is Hank Stamper in Never Give an Inch
bisecting an obstructive official's desk with a chain saw.
Not harming the official. Sprawl is never brutal,
though it's often intransigent. Sprawl is never Simon de Montfort
at a town-storming: Kill them all! God will know His own.
Knowing the man's name this was said to might be sprawl.
Sprawl occurs in art. The fifteenth to twenty-first
lines in a sonnet, for example. And in certain paintings.
I have sprawl enough to have forgotten which paintings.
Turner's glorious Burning of the Houses of Parliament
comes to mind, a doubling bannered triumph of sprawl -
except he didn't fire them.
Sprawl gets up the noses of many kinds of people
(every kind that comes in kinds) whose futures don't include it.
Some decry it as criminal presumption, silken-robed Pope Alexander
dividing the new world between Spain and Portugal.
If he smiled in petto afterwards, perhaps the thing did have sprawl.
Sprawl is really classless, though. It is John Christopher Frederick Murray
asleep in his neighbours' best bed in spurs and oilskins,
but not having thrown up:
sprawl is never Calum, who, in the loud hallway of our house
reinvented the Festoon. Rather
it's Beatrice Miles going twelve hundred ditto in a taxi,
No Lewd Advances, no Hitting Animals, no Speeding,
on the proceeds of her two-bob-a-sonnet Shakespeare readings.
An image of my country. And would thatit were more so.
No, sprawl is full gloss murals on a council-house wall.
Sprawl leans on things. It is loose-limbed in its mind.
Reprimanded and dismissed,
it listens with a grin and one boot up on the rail
of possibility. It may have to leave the Earth.
Being roughly Christian, it scratches the other cheek
And thinks it unlikely. Though people have been shot for sprawl.
|
Written by
Paul Laurence Dunbar |
I never shall furgit that night when father hitched up Dobbin,
An' all us youngsters clambered in an' down the road went bobbin'
To school where we was kep' at work in every kind o' weather,
But where that night a spellin'-bee was callin' us together.
'Twas one o' Heaven's banner nights, the stars was all a glitter,
The moon was shinin' like the hand o' God had jest then lit her.[Pg 43]
The ground was white with spotless snow, the blast was sort o' stingin';
But underneath our round-abouts, you bet our hearts was singin'.
That spellin'-bee had be'n the talk o' many a precious moment,
The youngsters all was wild to see jes' what the precious show meant,
An' we whose years was in their teens was little less desirous
O' gittin' to the meetin' so 's our sweethearts could admire us.
So on we went so anxious fur to satisfy our mission
That father had to box our ears, to smother our ambition.
But boxin' ears was too short work to hinder our arrivin',
He jest turned roun' an' smacked us all, an' kep' right on a-drivin'.
Well, soon the schoolhouse hove in sight, the winders beamin' brightly;
The sound o' talkin' reached our ears, and voices laffin' lightly.
It puffed us up so full an' big 'at I 'll jest bet a dollar,
There wa'n't a feller there but felt the strain upon his collar.
So down we jumped an' in we went ez sprightly ez you make 'em,
But somethin' grabbed us by the knees an' straight began to shake 'em.
Fur once within that lighted room, our feelin's took a canter,
An' scurried to the zero mark ez quick ez Tam O'Shanter.
'Cause there was crowds o' people there, both sexes an' all stations;
It looked like all the town had come an' brought all their relations.
The first I saw was Nettie Gray, I thought that girl was dearer
'N' gold; an' when I got a chance, you bet I aidged up near her.
An' Farmer Dobbs's girl was there, the one 'at Jim was sweet on,
An' Cyrus Jones an' Mandy Smith an' Faith an' Patience Deaton.
Then Parson Brown an' Lawyer Jones were present—all attention,
An' piles on piles of other folks too numerous to mention.
The master rose an' briefly said: "Good friends, dear brother Crawford,
To spur the pupils' minds along, a little prize has offered.
To him who spells the best to-night—or 't may be 'her'—no tellin'[Pg 44]—
He offers ez a jest reward, this precious work on spellin'."
A little blue-backed spellin'-book with fancy scarlet trimmin';
We boys devoured it with our eyes—so did the girls an' women.
He held it up where all could see, then on the table set it,
An' ev'ry speller in the house felt mortal bound to get it.
At his command we fell in line, prepared to do our dooty,
Outspell the rest an' set 'em down, an' carry home the booty.
'T was then the merry times began, the blunders, an' the laffin',
The nudges an' the nods an' winks an' stale good-natured chaffin'.
Ole Uncle Hiram Dane was there, the clostest man a-livin',
Whose only bugbear seemed to be the dreadful fear o' givin'.
His beard was long, his hair uncut, his clothes all bare an' dingy;
It wasn't 'cause the man was pore, but jest so mortal stingy;
An' there he sot by Sally Riggs a-smilin' an' a-smirkin',
An' all his children lef' to home a diggin' an' a-workin'.
A widower he was, an' Sal was thinkin' 'at she 'd wing him;
I reckon he was wond'rin' what them rings o' hern would bring him.
An' when the spellin'-test commenced, he up an' took his station,
A-spellin' with the best o' them to beat the very nation.
An' when he 'd spell some youngster down, he 'd turn to look at Sally,
An' say: "The teachin' nowadays can't be o' no great vally."
But true enough the adage says, "Pride walks in slipp'ry places,"
Fur soon a thing occurred that put a smile on all our faces.
The laffter jest kep' ripplin' 'roun' an' teacher could n't quell it,
Fur when he give out "charity" ole Hiram could n't spell it.
But laffin' 's ketchin' an' it throwed some others off their bases,
An' folks 'u'd miss the very word that seemed to fit their cases.
Why, fickle little Jessie Lee come near the house upsettin'
By puttin' in a double "kay" to spell the word "coquettin'."
An' when it come to Cyrus Jones, it tickled me all over—
Him settin' up to Mandy Smith an' got sot down on "lover."[Pg 45]
But Lawyer Jones of all gone men did shorely look the gonest,
When he found out that he 'd furgot to put the "h" in "honest."
An' Parson Brown, whose sermons were too long fur toleration,
Caused lots o' smiles by missin' when they give out "condensation."
So one by one they giv' it up—the big words kep' a-landin',
Till me an' Nettie Gray was left, the only ones a-standin',
An' then my inward strife began—I guess my mind was petty—
I did so want that spellin'-book; but then to spell down Nettie
Jest sort o' went ag'in my grain—I somehow could n't do it,
An' when I git a notion fixed, I 'm great on stickin' to it.
So when they giv' the next word out—I had n't orter tell it,
But then 't was all fur Nettie's sake—I missed so's she could spell it.
She spelt the word, then looked at me so lovin'-like an' mello',
I tell you 't sent a hunderd pins a shootin' through a fello'.
O' course I had to stand the jokes an' chaffin' of the fello's,
But when they handed her the book I vow I was n't jealous.
We sung a hymn, an' Parson Brown dismissed us like he orter,
Fur, la! he 'd learned a thing er two an' made his blessin' shorter.
'T was late an' cold when we got out, but Nettie liked cold weather,
An' so did I, so we agreed we 'd jest walk home together.
We both wuz silent, fur of words we nuther had a surplus,
'Till she spoke out quite sudden like, "You missed that word on purpose."
Well, I declare it frightened me; at first I tried denyin',
But Nettie, she jest smiled an' smiled, she knowed that I was lyin'.
Sez she: "That book is yourn by right;" sez I: "It never could be—
I—I—you—ah—" an' there I stuck, an' well she understood me.
So we agreed that later on when age had giv' us tether,
We 'd jine our lots an' settle down to own that book together.[Pg 46]
|
Written by
Robert William Service |
"The aristocratic ne'er-do-well in Canada frequently finds his way
into the ranks of the Royal North-West Mounted Police." -- Extract.
Hark to the ewe that bore him:
"What has muddied the strain?
Never his brothers before him
Showed the hint of a stain."
Hark to the tups and wethers;
Hark to the old gray ram:
"We're all of us white, but he's black as night,
And he'll never be worth a damn."
I'm up on the bally wood-pile at the back of the barracks yard;
"A damned disgrace to the force, sir", with a comrade standing guard;
Making the bluff I'm busy, doing my six months hard.
"Six months hard and dismissed, sir." Isn't that rather hell?
And all because of the liquor laws and the wiles of a native belle--
Some "hooch" I gave to a siwash brave who swore that he wouldn't tell.
At least they say that I did it. It's so in the town report.
All that I can recall is a night of revel and sport,
When I woke with a "head" in the guard-room, and they dragged me sick into court.
And the O. C. said: "You are guilty", and I said never a word;
For, hang it, you see I couldn't--I didn't know what had occurred,
And, under the circumstances, denial would be absurd.
But the one that cooked my bacon was Grubbe, of the City Patrol.
He fagged for my room at Eton, and didn't I devil his soul!
And now he is getting even, landing me down in the hole.
Plugging away on the wood-pile; doing chores round the square.
There goes an officer's lady--gives me a haughty stare--
Me that's an earl's own nephew--that is the hardest to bear.
To think of the poor old mater awaiting her prodigal son.
Tho' I broke her heart with my folly, I was always the white-haired one.
(That fatted calf that they're cooking will surely be overdone.)
I'll go back and yarn to the Bishop; I'll dance with the village belle;
I'll hand round tea to the ladies, and everything will be well.
Where I have been won't matter; what I have seen I won't tell.
I'll soar to their ken like a comet. They'll see me with never a stain;
But will they reform me? --far from it. We pay for our pleasure with pain;
But the dog will return to his vomit, the hog to his wallow again.
I've chewed on the rind of creation, and bitter I've tasted the same;
Stacked up against hell and damnation, I've managed to stay in the game;
I've had my moments of sorrow; I've had my seasons of shame.
That's past; when one's nature's a cracked one, it's too jolly hard to mend.
So long as the road is level, so long as I've cash to spend.
I'm bound to go to the devil, and it's all the same in the end.
The bugle is sounding for stables; the men troop off through the gloom;
An orderly laying the tables sings in the bright mess-room.
(I'll wash in the prison bucket, and brush with the prison broom.)
I'll lie in my cell and listen; I'll wish that I couldn't hear
The laugh and the chaff of the fellows swigging the canteen beer;
The nasal tone of the gramophone playing "The Bandolier".
And it seems to me, though it's misty, that night of the flowing bowl,
That the man who potlatched the whiskey and landed me into the hole
Was Grubble, that unmerciful bounder, Grubble, of the City Patrol.
|