Written by
Homer |
Achilles' wrath, to Greece the direful spring
Of woes unnumber'd, heavenly goddess, sing!
That wrath which hurl'd to Pluto's gloomy reign
The souls of mighty chiefs untimely slain;
Whose limbs unburied on the naked shore,
Devouring dogs and hungry vultures tore.
(41)
Since great Achilles and Atrides strove,
Such was the sovereign doom, and such the will of Jove!(42)
Declare, O Muse! in what ill-fated hour(43)
Sprung the fierce strife, from what offended power
Latona's son a dire contagion spread,(44)
And heap'd the camp with mountains of the dead;
The king of men his reverent priest defied,(45)
And for the king's offence the people died.
For Chryses sought with costly gifts to gain
His captive daughter from the victor's chain.
Suppliant the venerable father stands;
Apollo's awful ensigns grace his hands
By these he begs; and lowly bending down,
Extends the sceptre and the laurel crown
He sued to all, but chief implored for grace
The brother-kings, of Atreus' royal race(46)
"Ye kings and warriors! may your vows be crown'd,
And Troy's proud walls lie level with the ground.
May Jove restore you when your toils are o'er
Safe to the pleasures of your native shore.
But, oh! relieve a wretched parent's pain,
And give Chryseis to these arms again;
If mercy fail, yet let my presents move,
And dread avenging Phoebus, son of Jove.
"
The Greeks in shouts their joint assent declare,
The priest to reverence, and release the fair.
Not so Atrides; he, with kingly pride,
Repulsed the sacred sire, and thus replied:
"Hence on thy life, and fly these hostile plains,
Nor ask, presumptuous, what the king detains
Hence, with thy laurel crown, and golden rod,
Nor trust too far those ensigns of thy god.
Mine is thy daughter, priest, and shall remain;
And prayers, and tears, and bribes, shall plead in vain;
Till time shall rifle every youthful grace,
And age dismiss her from my cold embrace,
In daily labours of the loom employ'd,
Or doom'd to deck the bed she once enjoy'd
Hence then; to Argos shall the maid retire,
Far from her native soil and weeping sire.
"
|
Written by
Walt Whitman |
A WOMAN waits for me—she contains all, nothing is lacking,
Yet all were lacking, if sex were lacking, or if the moisture of the right man were
lacking.
Sex contains all,
Bodies, Souls, meanings, proofs, purities, delicacies, results, promulgations,
Songs, commands, health, pride, the maternal mystery, the seminal milk;
All hopes, benefactions, bestowals,
All the passions, loves, beauties, delights of the earth,
All the governments, judges, gods, follow’d persons of the earth,
These are contain’d in sex, as parts of itself, and justifications of itself.
Without shame the man I like knows and avows the deliciousness of his sex,
Without shame the woman I like knows and avows hers.
Now I will dismiss myself from impassive women,
I will go stay with her who waits for me, and with those women that are warm-blooded and
sufficient for me;
I see that they understand me, and do not deny me;
I see that they are worthy of me—I will be the robust husband of those women.
They are not one jot less than I am,
They are tann’d in the face by shining suns and blowing winds,
Their flesh has the old divine suppleness and strength,
They know how to swim, row, ride, wrestle, shoot, run, strike, retreat, advance, resist,
defend themselves,
They are ultimate in their own right—they are calm, clear, well-possess’d of
themselves.
I draw you close to me, you women!
I cannot let you go, I would do you good,
I am for you, and you are for me, not only for our own sake, but for others’ sakes;
Envelop’d in you sleep greater heroes and bards,
They refuse to awake at the touch of any man but me.
It is I, you women—I make my way,
I am stern, acrid, large, undissuadable—but I love you,
I do not hurt you any more than is necessary for you,
I pour the stuff to start sons and daughters fit for These States—I press with slow
rude muscle,
I brace myself effectually—I listen to no entreaties,
I dare not withdraw till I deposit what has so long accumulated within me.
Through you I drain the pent-up rivers of myself,
In you I wrap a thousand onward years,
On you I graft the grafts of the best-beloved of me and America,
The drops I distil upon you shall grow fierce and athletic girls, new artists, musicians,
and singers,
The babes I beget upon you are to beget babes in their turn,
I shall demand perfect men and women out of my love-spendings,
I shall expect them to interpenetrate with others, as I and you interpenetrate now,
I shall count on the fruits of the gushing showers of them, as I count on the fruits of
the gushing showers I give now,
I shall look for loving crops from the birth, life, death, immortality, I plant so
lovingly now.
|
Written by
Charles Bukowski |
we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there's something for the touts, the nuns,
the grocery clerks and you .
.
.
something at 8 a.
m.
, something in the library
something in the river,
everything and nothing.
in the slaughterhouse it comes running along
the ceiling on a hook, and you swing it --
one
two
three
and then you've got it, $200 worth of dead
meat, its bones against your bones
something and nothing.
it's always early enough to die and
it's always too late,
and the drill of blood in the basin white
it tells you nothing at all
and the gravediggers playing poker over
5 a.
m.
coffee, waiting for the grass
to dismiss the frost .
.
.
they tell you nothing at all.
we have everything and we have nothing --
days with glass edges and the impossible stink
of river moss -- worse than ****;
checkerboard days of moves and countermoves,
fagged interest, with as much sense in defeat as
in victory; slow days like mules
humping it slagged and sullen and sun-glazed
up a road where a madman sits waiting among
bluejays and wrens netted in and sucked a flakey
grey.
good days too of wine and shouting, fights
in alleys, fat legs of women striving around
your bowels buried in moans,
the signs in bullrings like diamonds hollering
Mother Capri, violets coming out of the ground
telling you to forget the dead armies and the loves
that robbed you.
days when children say funny and brilliant things
like savages trying to send you a message through
their bodies while their bodies are still
alive enough to transmit and feel and run up
and down without locks and paychecks and
ideals and possessions and beetle-like
opinions.
days when you can cry all day long in
a green room with the door locked, days
when you can laugh at the breadman
because his legs are too long, days
of looking at hedges .
.
.
and nothing, and nothing, the days of
the bosses, yellow men
with bad breath and big feet, men
who look like frogs, hyenas, men who walk
as if melody had never been invented, men
who think it is intelligent to hire and fire and
profit, men with expensive wives they possess
like 60 acres of ground to be drilled
or shown-off or to be walled away from
the incompetent, men who'd kill you
because they're crazy and justify it because
it's the law, men who stand in front of
windows 30 feet wide and see nothing,
men with luxury yachts who can sail around
the world and yet never get out of their vest
pockets, men like snails, men like eels, men
like slugs, and not as good .
.
.
and nothing, getting your last paycheck
at a harbor, at a factory, at a hospital, at an
aircraft plant, at a penny arcade, at a
barbershop, at a job you didn't want
anyway.
income tax, sickness, servility, broken
arms, broken heads -- all the stuffing
come out like an old pillow.
we have everything and we have nothing.
some do it well enough for a while and
then give way.
fame gets them or disgust
or age or lack of proper diet or ink
across the eyes or children in college
or new cars or broken backs while skiing
in Switzerland or new politics or new wives
or just natural change and decay --
the man you knew yesterday hooking
for ten rounds or drinking for three days and
three nights by the Sawtooth mountains now
just something under a sheet or a cross
or a stone or under an easy delusion,
or packing a bible or a golf bag or a
briefcase: how they go, how they go! -- all
the ones you thought would never go.
days like this.
like your day today.
maybe the rain on the window trying to
get through to you.
what do you see today?
what is it? where are you? the best
days are sometimes the first, sometimes
the middle and even sometimes the last.
the vacant lots are not bad, churches in
Europe on postcards are not bad.
people in
wax museums frozen into their best sterility
are not bad, horrible but not bad.
the
cannon, think of the cannon, and toast for
breakfast the coffee hot enough you
know your tongue is still there, three
geraniums outside a window, trying to be
red and trying to be pink and trying to be
geraniums, no wonder sometimes the women
cry, no wonder the mules don't want
to go up the hill.
are you in a hotel room
in Detroit looking for a cigarette? one more
good day.
a little bit of it.
and as
the nurses come out of the building after
their shift, having had enough, eight nurses
with different names and different places
to go -- walking across the lawn, some of them
want cocoa and a paper, some of them want a
hot bath, some of them want a man, some
of them are hardly thinking at all.
enough
and not enough.
arcs and pilgrims, oranges
gutters, ferns, antibodies, boxes of
tissue paper.
in the most decent sometimes sun
there is the softsmoke feeling from urns
and the canned sound of old battleplanes
and if you go inside and run your finger
along the window ledge you'll find
dirt, maybe even earth.
and if you look out the window
there will be the day, and as you
get older you'll keep looking
keep looking
sucking your tongue in a little
ah ah no no maybe
some do it naturally
some obscenely
everywhere.
|
Written by
Phillis Wheatley |
While deep you mourn beneath the cypress-shade
The hand of Death, and your dear daughter laid
In dust, whose absence gives your tears to flow,
And racks your bosom with incessant woe,
Let Recollection take a tender part,
Assuage the raging tortures of your heart,
Still the wild tempest of tumultuous grief,
And pour the heav'nly nectar of relief:
Suspend the sigh, dear Sir, and check the groan,
Divinely bright your daughter's Virtues shone:
How free from scornful pride her gentle mind,
Which ne'er its aid to indigence declin'd!
Expanding free, it sought the means to prove
Unfailing charity, unbounded love!
She unreluctant flies to see no more
Her dear-lov'd parents on earth's dusky shore:
Impatient heav'n's resplendent goal to gain,
She with swift progress cuts the azure plain,
Where grief subsides, where changes are no more,
And life's tumultuous billows cease to roar;
She leaves her earthly mansion for the skies,
Where new creations feast her wond'ring eyes.
To heav'n's high mandate cheerfully resign'd
She mounts, and leaves the rolling globe behind;
She, who late wish'd that Leonard might return,
Has ceas'd to languish, and forgot to mourn;
To the same high empyreal mansions come,
She joins her spouse, and smiles upon the tomb:
And thus I hear her from the realms above:
"Lo! this the kingdom of celestial love!
"Could ye, fond parents, see our present bliss,
"How soon would you each sigh, each fear dismiss?
"Amidst unutter'd pleasures whilst I play
"In the fair sunshine of celestial day,
"As far as grief affects an happy soul
"So far doth grief my better mind controul,
"To see on earth my aged parents mourn,
"And secret wish for T-----! to return:
"Let brighter scenes your ev'ning-hours employ:
"Converse with heav'n, and taste the promis'd joy"
|
Written by
G K Chesterton |
Some say that Guy of Warwick
The man that killed the Cow,
And brake the mighty Boar alive
Beyond the bridge at Slough;
Went up against a Loathly Worm
That wasted all the Downs,
And so the roads they twist and squirm
(If a may be allowed the term)
From the writhing of the stricken Worm
That died in seven towns.
I see no scientific proof
That this idea is sound,
And I should say they wound about
To find the town of Roundabout,
The merry town of Roundabout,
That makes the world go round.
Some say that Robin Goodfellow,
Whose lantern lights the meads
(To steal a phrase Sir Walter Scott
In heaven no longer needs),
Such dance around the trysting-place
The moonstruck lover leads;
Which superstition I should scout
There is more faith in honest doubt
(As Tennyson has pointed out)
Than in those nasty creeds.
But peace and righteousness (St John)
In Roundabout can kiss,
And since that's all that's found about
The pleasant town of Roundabout,
The roads they simply bound about
To find out where it is.
Some say that when Sir Lancelot
Went forth to find the Grail,
Grey Merlin wrinkled up the roads
For hope that he would fail;
All roads lead back to Lyonesse
And Camelot in the Vale,
I cannot yield assent to this
Extravagant hypothesis,
The plain, shrewd Briton will dismiss
Such rumours (Daily Mail).
But in the streets of Roundabout
Are no such factions found,
Or theories to expound about,
Or roll upon the ground about,
In the happy town of Roundabout,
That makes the world go round.
|
Written by
Phillis Wheatley |
NO more the flow'ry scenes of pleasure rife,
Nor charming prospects greet the mental eyes,
No more with joy we view that lovely face
Smiling, disportive, flush'd with ev'ry grace.
The tear of sorrow flows from ev'ry eye,
Groans answer groans, and sighs to sighs reply;
What sudden pangs shot thro' each aching heart,
When, Death, thy messenger dispatch'd his dart?
Thy dread attendants, all-destroying Pow'r,
Hurried the infant to his mortal hour.
Could'st thou unpitying close those radiant eyes?
Or fail'd his artless beauties to surprise?
Could not his innocence thy stroke controul,
Thy purpose shake, and soften all thy soul?
The blooming babe, with shades of Death o'er-
spread,
No more shall smile, no more shall raise its head,
But, like a branch that from the tree is torn,
Falls prostrate, wither'd, languid, and forlorn.
"Where flies my James?" 'tis thus I seem to hear
The parent ask, "Some angel tell me where
"He wings his passage thro' the yielding air?"
Methinks a cherub bending from the skies
Observes the question, and serene replies,
"In heav'ns high palaces your babe appears:
"Prepare to meet him, and dismiss your tears.
"
Shall not th' intelligence your grief restrain,
And turn the mournful to the cheerful strain?
Cease your complaints, suspend each rising sigh,
Cease to accuse the Ruler of the sky.
Parents, no more indulge the falling tear:
Let Faith to heav'n's refulgent domes repair,
There see your infant, like a seraph glow:
What charms celestial in his numbers flow
Melodious, while the foul-enchanting strain
Dwells on his tongue, and fills th' ethereal plain?
Enough--for ever cease your murm'ring breath;
Not as a foe, but friend converse with Death,
Since to the port of happiness unknown
He brought that treasure which you call your own.
The gift of heav'n intrusted to your hand
Cheerful resign at the divine command:
Not at your bar must sov'reign Wisdom stand.
|
Written by
Dale Harcombe |
Frail as smoke, she drifts
through the crowded train,
bringing with her
the cold ashes of poverty.
Without a word, her bruise-blue eyes
try to niggle each passenger
to part with coins or a note.
The sign pleads her story:
Three children in foster care.
Like promises of happier times, some
passengers toss hard-edged confetti
at her, before hiding behind
newspapers or over-loud
conversations.
Others dismiss
her like an errant child
with swift, silent shakes of their heads.
I look at her canescent face
and know I have seen her before,
on a grey, Sydney day in George Street.
‘Homeless, hungry, and cold’
her sign read then, as she curled
like a cloud on the footpath
near Town Hall.
In the dusk of a blustery day,
people, toting bags emblazoned
with designer labels, walked past.
Their gaze sliding away from her like water,
they turned toward the nimbus
of lights across the street, glittering
like angels in the trees.
I walked on too, then wished I had
turned back.
But the tide
flowed against me.
With nothing else to give
I came home and wrote a poem.
© May 2003 Dale Harcombe
First published Artlook February 2005
|
Written by
Robert Louis Stevenson |
LO, now, my guest, if aught amiss were said,
Forgive it and dismiss it from your head.
For me, for you, for all, to close the date,
Pass now the ev'ning sponge across the slate;
And to that spirit of forgiveness keep
Which is the parent and the child of sleep.
|
Written by
William Cowper |
Thus heav'nward all things tend.
For all were once
Perfect, and all must be at length restor'd.
So God has greatly purpos'd; who would else
In his dishonour'd works himself endure
Dishonour, and be wrong'd without redress.
Haste then, and wheel away a shatter'd world,
Ye slow-revolving seasons! We would see
(A sight to which our eyes are strangers yet)
A world that does not dread and hate his laws,
And suffer for its crime: would learn how fair
The creature is that God pronounces good,
How pleasant in itself what pleases him.
Here ev'ry drop of honey hides a sting;
Worms wind themselves into our sweetest flow'rs,
And ev'n the joy, that haply some poor heart
Derives from heav'n, pure as the fountain is,
Is sully'd in the stream; taking a taint
From touch of human lips, at best impure.
Oh for a world in principle as chaste
As this is gross and selfish! over which
Custom and prejudice shall bear no sway,
That govern all things here, should'ring aside
The meek and modest truth, and forcing her
To seek a refuge from the tongue of strife
In nooks obscure, far from the ways of men;
Where violence shall never lift the sword,
Nor cunning justify the proud man's wrong,
Leaving the poor no remedy but tears;
Where he that fills an office shall esteem
The occasion it presents of doing good
More than the perquisite; where law shall speak
Seldom, and never but as wisdom prompts,
And equity; not jealous more to guard
A worthless form, than to decide aright;
Where fashion shall not sanctify abuse,
Nor smooth good-breeding (supplemental grace)
With lean performance ape the work of love.
.
.
.
He is the happy man, whose life ev'n now
Shows somewhat of that happier life to come:
Who, doom'd to an obscure but tranquil state,
Is pleas'd with it, and, were he free to choose,
Would make his fate his choice; whom peace, the fruit
Of virtue, and whom virtue, fruit of faith,
Prepare for happiness; bespeak him one
Content indeed to sojourn while he must
Below the skies, but having there his home.
The world o'eriooks him in her busy search
Of objects more illustrious in her view;
And occupied as earnestly as she,
Though more sublimely, he o'erlooks the world.
She scorns his pleasures, for she knows them not;
He seeks not hers, for he has prov'd them vain.
He cannot skim the ground like summer birds
Pursuing gilded flies, and such he deems
Her honours, her emoluments, her joys.
Therefore in contemplation is his bliss,
Whose pow'r is such, that whom she lifts from earth
She makes familiar with a heav'n unseen,
And shows him glories yet to be reveal'd.
.
.
.
So life glides smoothly and by stealth away,
More golden than that age of fabled gold
Renown'd in ancient song; not vex'd with care
Or stain'd with guilt, beneficent, approv'd
Of God and man, and peaceful in its end.
So glide my life away! and so at last
My share of duties decently fulfill'd,
May some disease, not tardy to perform
Its destin'd office, yet with gentle stroke,
Dismiss me weary to a safe retreat,
Beneath a turf that I have often trod.
It shall not grieve me, then, that once, when call'd
To dress a sofa with the flow'rs of verse,
I play'd awhile, obedient to the fair,
With that light task; but soon, to please her more,
Whom flow'rs alone I knew would little please,
Let fall th' unfinish'd wreath, and rov'd for fruit;
Rov'd far, and gather'd much: some harsh, 'tis true,
Pick'd from the thorns and briars of reproof,
But wholesome, well digested; grateful some
To palates that can taste immortal truth,
Insipid else, and sure to be despis'd.
But all is in his hand whose praise I seek.
In vain the poet sings, and the world hears,
If he regard not, though divine the theme.
'Tis not in artful measures, in the chime
And idle tinkling of a minstrel's lyre,
To charm his ear whose eye is on the heart;
Whose frown can disappoint the proudest strain,
Whose approbation--prosper ev'n mine.
|
Written by
Victor Hugo |
("Non! je n'y puis tenir.")
{CROMWELL, Act III. sc. iv.}
Stay! I no longer can contain myself,
But cry you: Look on John, who bares his mind
To Oliver—to Cromwell, Milton speaks!
Despite a kindling eye and marvel deep
A voice is lifted up without your leave;
For I was never placed at council board
To speak my promptings. When awed strangers come
Who've seen Fox-Mazarin wince at the stings
In my epistles—and bring admiring votes
Of learned colleges, they strain to see
My figure in the glare—the usher utters,
"Behold and hearken! that's my Lord Protector's
Cousin—that, his son-in-law—that next"—who cares!
Some perfumed puppet! "Milton?" "He in black—
Yon silent scribe who trims their eloquence!"
Still 'chronicling small-beer,'—such is my duty!
Yea, one whose thunder roared through martyr bones
Till Pope and Louis Grand quaked on their thrones,
And echoed "Vengeance for the Vaudois," where
The Sultan slumbers sick with scent of roses.
He is but the mute in this seraglio—
"Pure" Cromwell's Council!
But to be dumb and blind is overmuch!
Impatient Issachar kicks at the load!
Yet diadems are burdens painfuller,
And I would spare thee that sore imposition.
Dear brother Noll, I plead against thyself!
Thou aim'st to be a king; and, in thine heart,
What fool has said: "There is no king but thou?"
For thee the multitude waged war and won—
The end thou art of wrestlings and of prayer,
Of sleepless watch, long marches, hunger, tears
And blood prolifically spilled, homes lordless,
And homeless lords! The mass must always suffer
That one should reign! the collar's but newly clamp'd,
And nothing but the name thereon is changed—
Master? still masters! mark you not the red
Of shame unutterable in my sightless white?
Still hear me, Cromwell, speaking for your sake!
These fifteen years, we, to you whole-devoted,
Have sought for Liberty—to give it thee?
To make our interests your huckster gains?
The king a lion slain that you may flay,
And wear the robe—well, worthily—I say't,
For I will not abase my brother!
No! I would keep him in the realm serene,
My own ideal of heroes! loved o'er Israel,
And higher placed by me than all the others!
And such, for tinkling titles, hollow haloes
Like that around yon painted brow—thou! thou!
Apostle, hero, saint-dishonor thyself!
And snip and trim the flag of Naseby-field
As scarf on which the maid-of-honor's dog
Will yelp, some summer afternoon! That sword
Shrink into a sceptre! brilliant bauble! Thou,
Thrown on a lonely rock in storm of state,
Brain-turned by safety's miracle, thou risest
Upon the tott'ring stone whilst ocean ebbs,
And, reeking of no storms to come to-morrow,
Or to-morrow—deem that a certain pedestal
Whereon thou'lt be adored for e'er—e'en while
It shakes—o'ersets the rider! Tremble, thou!
For he who dazzles, makes men Samson-blind,
Will see the pillars of his palace kiss
E'en at the whelming ruin! Then, what word
Of answer from your wreck when I demand
Account of Cromwell! glory of the people
Smothered in ashes! through the dust thou'lt hear;
"What didst thou with thy virtue?" Will it respond:
"When battered helm is doffed, how soft is purple
On which to lay the head, lulled by the praise
Of thousand fluttering fans of flatterers!
Wearied of war-horse, gratefully one glides
In gilded barge, or in crowned, velvet car,
From gay Whitehall to gloomy Temple Bar—"
(Where—had you slipt, that head were bleaching now!
And that same rabble, splitting for a hedge,
Had joined their rows to cheer the active headsman;
Perchance, in mockery, they'd gird the skull
With a hop-leaf crown! Bitter the brewing, Noll!)
Are crowns the end-all of ambition? Remember
Charles Stuart! and that they who make can break!
This same Whitehall may black its front with crape,
And this broad window be the portal twice
To lead upon a scaffold! Frown! or laugh!
Laugh on as they did at Cassandra's speech!
But mark—the prophetess was right! Still laugh,
Like the credulous Ethiop in his faith in stars!
But give one thought to Stuart, two for yourself!
In his appointed hour, all was forthcoming—
Judge, axe, and deathsman veiled! and my poor eyes
Descry—as would thou saw'st!—a figure veiled,
Uplooming there—afar, like sunrise, coming!
With blade that ne'er spared Judas 'midst free brethren!
Stretch not the hand of Cromwell for the prize
Meant not for him, nor his! Thou growest old,
The people are ever young! Like her i' the chase
Who drave a dart into her lover, embowered,
Piercing the incense-clouds, the popular shaft
May slay thee in a random shot at Tyranny!
Man, friend, remain a Cromwell! in thy name,
Rule! and if thy son be worthy, he and his,
So rule the rest for ages! be it grander thus
To be a Cromwell than a Carolus.
No lapdog combed by wantons, but the watch
Upon the freedom that we won! Dismiss
Your flatterers—let no harpings, no gay songs
Prevent your calm dictation of good laws
To guard, to fortify, and keep enlinked
England and Freedom! Be thine old self alone!
And make, above all else accorded me,
My most desired claim on all posterity,
That thou in Milton's verse wert foremost of the free!
|