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Best Famous Dismayed Poems

Here is a collection of the all-time best famous Dismayed poems. This is a select list of the best famous Dismayed poetry. Reading, writing, and enjoying famous Dismayed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of dismayed poems.

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Written by Alfred Lord Tennyson | Create an image from this poem

The Charge of the Light Brigade

Half a league, half a league, 
Half a league onward, 
All in the valley of Death 
Rode the six hundred.
"Forward, the Light Brigade! Charge for the guns!" he said: Into the valley of Death Rode the six hundred.
"Forward, the Light Brigade!" Was there a man dismayed? Not though the soldier knew Some one had blundered: Their's not to make reply, Their's not to reason why, Their's but to do and die: Into the valley of Death Rode the six hundred.
Cannon to right of them, Cannon to left of them, Cannon in front of them Volleyed and thundered; Stormed at with shot and shell, Boldly they rode and well, Into the jaws of Death, Into the mouth of Hell Rode the six hundred.
Flashed all their sabres bare, Flashed as they turned in air Sabring the gunners there, Charging an army, while All the world wondered: Plunged in the battery-smoke Right through the line they broke; Cossack and Russian Reeled from the sabre-stroke Shattered and sundered.
Then they rode back, but not, Not the six hundred.
Cannon to right of them, Cannon to left of them, Cannon behind them Volleyed and thundered; Stormed at with shot and shell, While horse and hero fell, They that had fought so well Came through the jaws of Death Back from the mouth of Hell, All that was left of them, Left of six hundred.
When can their glory fade? O the wild charge they made! All the world wondered.
Honour the charge they made! Honour the Light Brigade, Noble six hundred!


Written by Robert William Service | Create an image from this poem

Courage

 Ten little brown chicks scattered and scuffled,
Under the blue-berries hiding in fear;
Mother-grouse cackling, feathers all ruffled,
Dashed to defend them as we drew near.
Heart of a heroine, how I admired her! Of such devotion great poets have sung; Homes have been blest by the love that inspired her, Risking her life for the sake of her young.
Ten little chicks on her valour reliant, Peered with bright eyes from the bilberry spray; Fiercely she faced us, dismayed but defiant, Rushed at us bravely to scare us away.
Then my companion, a crazy young devil (After, he told me he'd done it for fun) Pretended to tremble, and raised his arm level, And ere I could check him he blazed with his gun.
Headless she lay, from her neck the blood spouted, And dappled her plumage, the poor, pretty thing! Ten little chicks - oh, I know for I counted, Came out and they tried to creep under her wing.
Sickened I said: "Here's an end to my killing; I swear, nevermore bird or beast will I slay; Starving I may be, but no more blood-spilling .
.
.
" That oath I have kept, and I keep it to-day.
Written by William Butler Yeats | Create an image from this poem

A Friends Illness

 Sickness brought me this
Thought, in that scale of his:
Why should I be dismayed
Though flame had burned the whole
World, as it were a coal,
Now I have seen it weighed
Against a soul?
Written by Edwin Arlington Robinson | Create an image from this poem

Ballad by the Fire

 Slowly I smoke and hug my knee, 
The while a witless masquerade 
Of things that only children see 
Floats in a mist of light and shade: 
They pass, a flimsy cavalcade, 
And with a weak, remindful glow, 
The falling embers break and fade, 
As one by one the phantoms go.
Then, with a melancholy glee To think where once my fancy strayed, I muse on what the years may be Whose coming tales are all unsaid, Till tongs and shovel, snugly laid Within their shadowed niches, grow By grim degrees to pick and spade, As one by one the phantoms go.
But then, what though the mystic Three Around me ply their merry trade? -- And Charon soon may carry me Across the gloomy Stygian glade? -- Be up, my soul! nor be afraid Of what some unborn year may show; But mind your human debts are paid, As one by one the phantoms go.
ENVOY Life is the game that must be played: This truth at least, good friend, we know; So live and laugh, nor be dismayed As one by one the phantoms go.
Written by William Topaz McGonagall | Create an image from this poem

Burning of the Exeter Theatre

 'Twas in the year of 1887, which many people will long remember,
The burning of the Theatre at Exeter on the 5th of September,
Alas! that ever-to-be-remembered and unlucky night,
When one hundred and fifty lost their lives, a most agonising sight.
The play on this night was called "Romany Rye," And at act four, scene third, Fire! Fire! was the cry; And all in a moment flames were seen issuing from the stage, Then the women screamed frantically, like wild beasts in a cage.
Then a panic ensued, and each one felt dismayed, And from the burning building a rush was made; And soon the theatre was filled with a blinding smoke, So that the people their way out had to grope.
The shrieks of those trying to escape were fearful to hear, Especially the cries of those who had lost their friends most dear; Oh, the scene was most painful in the London Inn Square, To see them wringing their hands and tearing their hair! And as the flames spread, great havoc they did make, And the poor souls fought heroically in trying to make their escape; Oh, it was horrible to see men and women trying to reach the door! But in many cases death claimed the victory, and their struggles were o'er.
Alas! 'twas pitiful the shrieks of the audience to hear, Especially as the flames to them drew near; Because on every face were depicted despair and woe, And many of them jumped from the windows into the street below.
The crushed and charred bodies were carried into London Hotel yard, And to alleviate their sufferings the doctors tried hard; But, alas! their attendance on many was thrown away, But those that survived were conveyed to Exeter Hospital without delay.
And all those that had their wounds dressed proceeded home, Accompanied by their friends, and making a loud moan; While the faces and necks of others were sickening to behold, Enough to chill one's blood, and make the heart turn cold.
Alas! words fail to describe the desolation, And in many homes it will cause great lamentation; Because human remains are beyond all identification, Which will cause the relatives of the sufferers to be in great tribulation.
Oh, Heaven! it must have been an awful sight, To see the poor souls struggling hard with all their might, Fighting hard their lives to save, While many in the smoke and burning flame did madly rave! It was the most sickening sight that ever anybody saw, Human remains, beyond recognition, covered with a heap of straw; And here and there a body might be seen, and a maimed hand, Oh, such a sight, that the most hard-hearted person could hardly withstand! The number of people in the theatre was between seven and eight thousand, But alas! one hundred and fifty by the fire have been found dead; And the most lives were lost on the stairs leading from the gallery, And these were roasted to death, which was sickening to see.
The funerals were conducted at the expense of the local authority, And two hours and more elapsed at the mournful ceremony; And at one grave there were two thousand people, a very great crowd, And most of the men were bareheaded ad weeping aloud.
Alas! many poor children have been bereft of their fathers and mothers, Who will be sorely missed by little sisters and brothers; But, alas! unto them they can ne'er return again, Therefore the poor little innocents must weep for them in vain.
I hope all kind Christian souls will help the friends of the dead, Especially those that have lost the winners of their bread; And if they do, God surely will them bless, Because pure Christianity is to help the widows and orphans in distress.
I am very glad to see Henry Irving has sent a hundred pounds, And I hope his brother actors will subscribe their mite all round; And if they do it will add honour to their name, Because whatever is given towards a good cause they will it regain.


Written by Lascelles Abercrombie | Create an image from this poem

The Voices in the Dream (Ryton Firs)

Follow my heart, my dancing feet,
Dance as blithe as my heart can beat.
Only can dancing understand What a heavenly way we pass Treading the green and golden land, Daffodillies and grass.
I had a song, too, on my road, But mine was in my eyes; For Malvern Hills were with me all the way, Singing loveliest visible melodies Blue as a south-sea bay; And ruddy as wine of France Breadths of new-turn'd ploughland under them glowed.
'Twas my heart then must dance To dwell in my delight; No need to sing when all in song my sight Moved over hills so musically made And with such colour played.
— And only yesterday it was I saw Veil'd in streamers of grey wavering smoke My shapely Malvern Hills.
That was the last hail-storm to trouble spring: He came in gloomy haste, Pusht in front of the white clouds quietly basking, In such a hurry he tript against the hills And stumbling forward spilt over his shoulders All his black baggage held, Streaking downpour of hail.
Then fled dismayed, and the sun in golden glee And the high white clouds laught down his dusky ghost.
For all that's left of winter Is moisture in the ground.
When I came down the valley last, the sun Just thawed the grass and made me gentle turf, But still the frost was bony underneath.
Now moles take burrowing jaunts abroad, and ply Their shovelling hands in earth As nimbly as the strokes Of a swimmer in a long dive under water.
The meadows in the sun are twice as green For all the scatter of fresh red mounded earth, The mischief of the moles: No dullish red, Glostershire earth new-delved In April! And I think shows fairest where These rummaging small rogues have been at work.
If you will look the way the sunlight slants Making the grass one great green gem of light, Bright earth, crimson and even Scarlet, everywhere tracks The rambling underground affairs of moles: Though 'tis but kestrel-bay Looking against the sun.
But here's the happiest light can lie on ground, Grass sloping under trees Alive with yellow shine of daffodils! If quicksilver were gold, And troubled pools of it shaking in the sun It were not such a fancy of bickering gleam As Ryton daffodils when the air but stirs.
And all the miles and miles of meadowland The spring makes golden ways, Lead here, for here the gold Grows brightest for our eyes, And for our hearts lovelier even than love.
So here, each spring, our daffodil festival.
How smooth and quick the year Spins me the seasons round! How many days have slid across my mind Since we had snow pitying the frozen ground! Then winter sunshine cheered The bitter skies; the snow, Reluctantly obeying lofty winds, Drew off in shining clouds, Wishing it still might love With its white mercy the cold earth beneath.
But when the beautiful ground Lights upward all the air, Noon thaws the frozen eaves, And makes the rime on post and paling steam Silvery blue smoke in the golden day.
And soon from loaded trees in noiseless woods The snows slip thudding down, Scattering in their trail Bright icy sparkles through the glittering air; And the fir-branches, patiently bent so long, Sigh as they lift themselves to rights again.
Then warm moist hours steal in, Such as can draw the year's First fragrance from the sap of cherry wood Or from the leaves of budless violets; And travellers in lanes Catch the hot tawny smell Reynard's damp fur left as he sneakt marauding Across from gap to gap: And in the larch woods on the highest boughs The long-eared owls like grey cats sitting still Peer down to quiz the passengers below.
Light has killed the winter and all dark dreams.
Now winds live all in light, Light has come down to earth and blossoms here, And we have golden minds.
From out the long shade of a road high-bankt, I came on shelving fields; And from my feet cascading, Streaming down the land, Flickering lavish of daffodils flowed and fell; Like sunlight on a water thrill'd with haste, Such clear pale quivering flame, But a flame even more marvellously yellow.
And all the way to Ryton here I walkt Ankle-deep in light.
It was as if the world had just begun; And in a mind new-made Of shadowless delight My spirit drank my flashing senses in, And gloried to be made Of young mortality.
No darker joy than this Golden amazement now Shall dare intrude into our dazzling lives: Stain were it now to know Mists of sweet warmth and deep delicious colour, Those lovable accomplices that come Befriending languid hours.
Written by Marilyn Hacker | Create an image from this poem

Desesperanto

 After Joseph Roth

Parce que c'était lui; parce que c'était moi.
Montaigne, De L'amitië The dream's forfeit was a night in jail and now the slant light is crepuscular.
Papers or not, you are a foreigner whose name is always difficult to spell.
You pack your one valise.
You ring the bell.
Might it not be prudent to disappear beneath that mauve-blue sky above the square fronting your cosmopolitan hotel? You know two short-cuts to the train station which could get you there, on foot, in time.
The person who's apprised of your intention and seems to be your traveling companion is merely the detritus of a dream.
You cross the lobby and go out alone.
You crossed the lobby and went out alone through the square, where two red-headed girls played hopscotch on a chalk grid, now in the shade, of a broad-leafed plane tree, now in the sun.
The lively, lovely, widowed afternoon disarmed, uncoupled, shuffled and disarrayed itself; despite itself, dismayed you with your certainties, your visa, gone from your breast-pocket, or perhaps expired.
At the reception desk, no one inquired if you'd be returning.
Now you wonder why.
When the stout conductor comes down the aisle mustached, red-faced, at first jovial, and asks for your passport, what will you say? When they ask for your passport, will you say that town's name they'd find unpronounceable which resonates, when uttered, like a bell in your mind's tower, as it did the day you carried your green schoolbag down the gray fog-cobbled street, past church, bakery, shul past farm women setting up market stalls it was so early.
"I am on my way to school in .
" You were part of the town now, not the furnished rooms you shared with Mutti, since the others disappeared.
Your knees were red with cold; your itchy wool socks had inched down, so you stooped to pull them up, a student and a citizen.
You are a student and a citizen of whatever state is transient.
You are no more or less the resident of a hotel than you were of that town whose borders were disputed and redrawn.
A prince conceded to a president.
Another language became relevant to merchants on that street a child walked down whom you remember, in the corridors of cities you inhabit, polyglot as the distinguished scholar you were not to be.
A slight accent sets you apart, but it would mark you on that peddlers'-cart street now.
Which language, after all, is yours? Which language, after all these streets, is yours, and why are you here, waiting for a train? You could have run a hot bath, read Montaigne.
But would footsteps beyond the bathroom door's bolt have disturbed the nondescript interior's familiarity, shadowed the plain blue draperies? You reflect, you know no one who would, of you, echo your author's "Because it was he; because it was I," as a unique friendship's non sequitur.
No footsteps and no friend: that makes you free.
The train approaches, wreathed in smoke like fur around the shoulders of a dowager with no time for sentimentality.
With no time for sentimentality, mulling a twice-postponed book-review, you take an empty seat.
Opposite you a voluble immigrant family is already unwrapping garlicky sausages—an unshaven man and his two red-eared sons.
You once wrote: it is true, awful, and unimportant, finally that if the opportunity occurs some of the exiles become storm-troopers; and you try, culpably, to project these three into some torch-lit future, filtering out their wrangling (one of your languages) about the next canto in their short odyssey.
The next canto in your short odyssey will open, you know this, in yet another hotel room.
They have become your mother country: benevolent anonymity of rough starched sheets, dim lamp, rickety escritoire, one window.
Your neighbors gather up their crusts and rinds.
Out of a leather satchel, the man takes their frayed identity cards, examines them.
The sons watch, pale and less talkative.
A border, passport control, draw near: rubber stamp or interrogation? You hope the customs officer lunched well; reflect on the recurrent implication of the dream's forfeit.
One night in jail?
Written by Rudyard Kipling | Create an image from this poem

A Song of the English

 Fair is our lot -- O goodly is our heritage!
(Humble ye, my people, and be fearful in your mirth!)
 For the Lord our God Most High
 He hath made the deep as dry,
He hath smote for us a pathway to the ends of all the Earth!

Yea, though we sinned -- and our rulers went from righteousness --
Deep in all dishonour though we stained our garments' hem.
Oh be ye not dismayed, Though we stumbled and we strayed, We were led by evil counsellors -- the Lord shall deal with them! Hold ye the Faith -- the Faith our Fathers seal]ed us; Whoring not with visions -- overwise and overstale.
Except ye pay the Lord Single heart and single sword, Of your children in their bondage shall He ask them treble-tale! Keep ye the Law -- be swift in all obedience -- Clear the land of evil, drive the road and bridge the ford.
Make ye sure to each his own That he reap where he hath sown; By the peace among Our peoples let men know we serve the Lord! .
.
.
.
.
Hear now a song -- a song of broken interludes -- A song of little cunning; of a singer nothing worth.
Through the naked words and mean May ye see the truth between As the singer knew and touched it in the ends of all the Earth!
Written by Galway Kinnell | Create an image from this poem

The Bear

1
In late winter 
I sometimes glimpse bits of steam
coming up from
some fault in the old snow 
and bend close and see it is lung-colored 
and put down my nose
and know
the chilly, enduring odor of bear.
2 I take a wolf's rib and whittle it sharp at both ends and coil it up and freeze it in blubber and place it out on the fairway of the bears.
And when it has vanished I move out on the bear tracks, roaming in circles until I come to the first, tentative, dark splash on the earth.
And I set out running, following the splashes of blood wandering over the world.
At the cut, gashed resting places I stop and rest, at the crawl-marks where he lay out on his belly to overpass some stretch of bauchy ice I lie out dragging myself forward with bear-knives in my fists.
3 On the third day I begin to starve, at nightfall I bend down as I knew I would at a turd sopped in blood, and hesitate, and pick it up, and thrust it in my mouth, and gnash it down, and rise and go on running.
4 On the seventh day, living by now on bear blood alone, I can see his upturned carcass far out ahead, a scraggled, steamy hulk, the heavy fur riffling in the wind.
I come up to him and stare at the narrow-spaced, petty eyes, the dismayed face laid back on the shoulder, the nostrils flared, catching perhaps the first taint of me as he died.
I hack a ravine in his thigh, and eat and drink, and tear him down his whole length and open him and climb in and close him up after me, against the wind, and sleep.
5 And dream of lumbering flatfooted over the tundra, stabbed twice from within, splattering a trail behind me, splattering it out no matter which way I lurch, no matter which parabola of bear-transcendence, which dance of solitude I attempt, which gravity-clutched leap, which trudge, which groan.
6 Until one day I totter and fall -- fall on this stomach that has tried so hard to keep up, to digest the blood as it leaked in, to break up and digest the bone itself: and now the breeze blows over me, blows off the hideous belches of ill-digested bear blood and rotted stomach and the ordinary, wretched odor of bear, blows across my sore, lolled tongue a song or screech, until I think I must rise up and dance.
And I lie still.
7 I awaken I think.
Marshlights reappear, geese come trailing again up the flyway.
In her ravine under old snow the dam-bear lies, licking lumps of smeared fur and drizzly eyes into shapes with her tongue.
And one hairy-soled trudge stuck out before me, the next groaned out, the next, the next, the rest of my days I spend wandering: wondering what, anyway, was that sticky infusion, that rank flavor of blood, that poetry, by which I lived? from Body Rags, Galway Kinnell (Boston: Houghton Mifflin, 1967).
Written by Helen Hunt Jackson | Create an image from this poem

A Calendar of Sonnets: January

 O Winter! frozen pulse and heart of fire, 
What loss is theirs who from thy kingdom turn 
Dismayed, and think thy snow a sculptured urn 
Of death! Far sooner in midsummer tire 
The streams than under ice.
June could not hire Her roses to forego the strength they learn In sleeping on thy breast.
No fires can burn The bridges thou dost lay where men desire In vain to build.
O Heart, when Love's sun goes To northward, and the sounds of singing cease, Keep warm by inner fires, and rest in peace.
Sleep on content, as sleeps the patient rose.
Walk boldly on the white untrodden snows, The winter is the winter's own release.

Book: Reflection on the Important Things