Written by
George Herbert |
When my devotions could not pierce
Thy silent ears;
Then was my heart broken, as was my verse:
My breast was full of fears
And disorder:
My bent thoughts, like a brittle bow,
Did fly asunder:
Each took his way; some would to pleasures go,
Some to the wars and thunder
Of alarms.
As good go any where, they say,
As to benumb
Both knees and heart, in crying night and day,
Come, come, my God, O come,
But no hearing.
O that thou shouldst give dust a tongue
To cry to thee,
And then not hear it crying! all day long
My heart was in my knee,
But no hearing.
Therefore my soul lay out of sight,
Untuned, unstrung:
My feeble spirit, unable to look right,
Like a nipped blossom, hung
Discontented.
O cheer and tune my heartless breast,
Defer no time;
That so thy favors granting my request,
They and my mind may chime,
And mend my rime.
|
Written by
Erica Jong |
Now, moving in, cartons on the floor,
the radio playing to bare walls,
picture hooks left stranded
in the unsoiled squares where paintings were,
and something reminding us
this is like all other moving days;
finding the dirty ends of someone else's life,
hair fallen in the sink, a peach pit,
and burned-out matches in the corner;
things not preserved, yet never swept away
like fragments of disturbing dreams
we stumble on all day.
.
.
in ordering our lives, we will discard them,
scrub clean the floorboards of this our home
lest refuse from the lives we did not lead
become, in some strange, frightening way, our own.
And we have plans that will not tolerate
our fears-- a year laid out like rooms
in a new house--the dusty wine glasses
rinsed off, the vases filled, and bookshelves
sagging with heavy winter books.
Seeing the room always as it will be,
we are content to dust and wait.
We will return here from the dark and silent
streets, arms full of books and food,
anxious as we always are in winter,
and looking for the Good Life we have made.
I see myself then: tense, solemn,
in high-heeled shoes that pinch,
not basking in the light of goals fulfilled,
but looking back to now and seeing
a lazy, sunburned, sandaled girl
in a bare room, full of promise
and feeling envious.
Now we plan, postponing, pushing our lives forward
into the future--as if, when the room
contains us and all our treasured junk
we will have filled whatever gap it is
that makes us wander, discontented
from ourselves.
The room will not change:
a rug, or armchair, or new coat of paint
won't make much difference;
our eyes are fickle
but we remain the same beneath our suntans,
pale, frightened,
dreaming ourselves backward and forward in time,
dreaming our dreaming selves.
I look forward and see myself looking back.
|
Written by
Conrad Aiken |
From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write .
.
.
The clock, behind ticks softly.
It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,
We cannot say .
.
.
I've just re-read your letter—
Not through forgetfulness, but more for pleasure—
Pondering much on all you say in it
Of mystic consciousness—divine conversion—
The sense of oneness with the infinite,—
Faith in the world, its beauty, and its purpose .
.
.
Well, you believe one must have faith, in some sort,
If one's to talk through this dark world contented.
But is the world so dark? Or is it rather
Our own brute minds,—in which we hurry, trembling,
Through streets as yet unlighted? This, I think.
You have been always, let me say, "romantic,"—
Eager for color, for beauty, soon discontented
With a world of dust and stones and flesh too ailing:
Even before the question grew to problem
And drove you bickering into metaphysics,
You met on lower planes the same great dragon,
Seeking release, some fleeting satisfaction,
In strange aesthetics .
.
.
You tried, as I remember,
One after one, strange cults, and some, too, morbid,
The cruder first, more violent sensations,
Gorgeously carnal things, conceived and acted
With splendid animal thirst .
.
.
Then, by degrees,—
Savoring all more delicate gradations
In all that hue and tone may play on flesh,
Or thought on brain,—you passed, if I may say so,
From red and scarlet through morbid greens to mauve.
Let us regard ourselves, you used to say,
As instruments of music, whereon our lives
Will play as we desire: and let us yield
These subtle bodies and subtler brains and nerves
To all experience plays .
.
.
And so you went
From subtle tune to subtler, each heard once,
Twice or thrice at the most, tiring of each;
And closing one by one your doors, drew in
Slowly, through darkening labyrinths of feeling,
Towards the central chamber .
.
.
Which now you've reached.
What, then's, the secret of this ultimate chamber—
Or innermost, rather? If I see it clearly
It is the last, and cunningest, resort
Of one who has found this world of dust and flesh,—
This world of lamentations, death, injustice,
Sickness, humiliation, slow defeat,
Bareness, and ugliness, and iteration,—
Too meaningless; or, if it has a meaning,
Too tiresomely insistent on one meaning:
Futility .
.
.
This world, I hear you saying,—
With lifted chin, and arm in outflung gesture,
Coldly imperious,—this transient world,
What has it then to give, if not containing
Deep hints of nobler worlds? We know its beauties,—
Momentary and trivial for the most part,
Perceived through flesh, passing like flesh away,—
And know how much outweighed they are by darkness.
We are like searchers in a house of darkness,
A house of dust; we creep with little lanterns,
Throwing our tremulous arcs of light at random,
Now here, now there, seeing a plane, an angle,
An edge, a curve, a wall, a broken stairway
Leading to who knows what; but never seeing
The whole at once .
.
.
We grope our way a little,
And then grow tired.
No matter what we touch,
Dust is the answer—dust: dust everywhere.
If this were all—what were the use, you ask?
But this is not: for why should we be seeking,
Why should we bring this need to seek for beauty,
To lift our minds, if there were only dust?
This is the central chamber you have come to:
Turning your back to the world, until you came
To this deep room, and looked through rose-stained windows,
And saw the hues of the world so sweetly changed.
Well, in a measure, so only do we all.
I am not sure that you can be refuted.
At the very last we all put faith in something,—
You in this ghost that animates your world,
This ethical ghost,—and I, you'll say, in reason,—
Or sensuous beauty,—or in my secret self .
.
.
Though as for that you put your faith in these,
As much as I do—and then, forsaking reason,—
Ascending, you would say, to intuition,—
You predicate this ghost of yours, as well.
Of course, you might have argued,—and you should have,—
That no such deep appearance of design
Could shape our world without entailing purpose:
For can design exist without a purpose?
Without conceiving mind? .
.
.
We are like children
Who find, upon the sands, beside a sea,
Strange patterns drawn,—circles, arcs, ellipses,
Moulded in sand .
.
.
Who put them there, we wonder?
Did someone draw them here before we came?
Or was it just the sea?—We pore upon them,
But find no answer—only suppositions.
And if these perfect shapes are evidence
Of immanent mind, it is but circumstantial:
We never come upon him at his work,
He never troubles us.
He stands aloof—
Well, if he stands at all: is not concerned
With what we are or do.
You, if you like,
May think he broods upon us, loves us, hates us,
Conceives some purpose of us.
In so doing
You see, without much reason, will in law.
I am content to say, 'this world is ordered,
Happily so for us, by accident:
We go our ways untroubled save by laws
Of natural things.
' Who makes the more assumption?
If we were wise—which God knows we are not—
(Notice I call on God!) we'd plumb this riddle
Not in the world we see, but in ourselves.
These brains of ours—these delicate spinal clusters—
Have limits: why not learn them, learn their cravings?
Which of the two minds, yours or mine, is sound?
Yours, which scorned the world that gave it freedom,
Until you managed to see that world as omen,—
Or mine, which likes the world, takes all for granted,
Sorrow as much as joy, and death as life?—
You lean on dreams, and take more credit for it.
I stand alone .
.
.
Well, I take credit, too.
You find your pleasure in being at one with all things—
Fusing in lambent dream, rising and falling
As all things rise and fall .
.
.
I do that too—
With reservations.
I find more varied pleasure
In understanding: and so find beauty even
In this strange dream of yours you call the truth.
Well, I have bored you.
And it's growing late.
For household news—what have you heard, I wonder?
You must have heard that Paul was dead, by this time—
Of spinal cancer.
Nothing could be done—
We found it out too late.
His death has changed me,
Deflected much of me that lived as he lived,
Saddened me, slowed me down.
Such things will happen,
Life is composed of them; and it seems wisdom
To see them clearly, meditate upon them,
And understand what things flow out of them.
Otherwise, all goes on here much as always.
Why won't you come and see us, in the spring,
And bring old times with you?—If you could see me
Sitting here by the window, watching Venus
Go down behind my neighbor's poplar branches,—
Just where you used to sit,—I'm sure you'd come.
This year, they say, the springtime will be early.
|
Written by
Jane Taylor |
"I think I want some pies this morning,"
Said Dick, stretching himself and yawning;
So down he threw his slate and books,
And saunter'd to the pastry-cook's.
And there he cast his greedy eyes
Round on the jellies and the pies,
So to select, with anxious care,
The very nicest that was there.
At last the point was thus decided:
As his opinion was divided
'Twixt pie and jelly, being loth
Either to leave, he took them both.
Now Richard never could be pleased
To stop when hunger was appeased,
But would go on to eat still more
When he had had an ample store.
"No, not another now," said Dick;
"Dear me, I feel extremely sick:
I cannot even eat this bit;
I wish I had not tasted it.
"
Then slowing rising from his seat,
He threw his cheesecake in the street,
And left the tempting pastry-cook's
With very discontented looks.
Just then a man with wooden leg
Met Dick, and held his hat to beg;
And while he told his mournful case,
Look'd at him with imploring face.
Dick, wishing to relieve his pain,
His pockets search'd, but search'd in vain;
And so at last he did declare,
He had not left a farthing there.
The beggar turn'd with face of grief,
And look of patient unbelief,
While Richard now his folly blamed,
And felt both sorry and ashamed.
"I wish," said he (but wishing's vain),
"I had my money back again,
And had not spent my last, to pay
For what I only threw away.
"Another time, I'll take advice,
And not buy things because they're nice;
But rather save my little store,
To give to those who want it more.
"
|
Written by
Alexander Pope |
But anxious cares the pensive nymph oppress'd,
And secret passions labour'd in her breast.
Not youthful kings in battle seiz'd alive,
Not scornful virgins who their charms survive,
Not ardent lovers robb'd of all their bliss,
Not ancient ladies when refus'd a kiss,
Not tyrants fierce that unrepenting die,
Not Cynthia when her manteau's pinn'd awry,
E'er felt such rage, resentment, and despair,
As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew,
And Ariel weeping from Belinda flew,
Umbriel, a dusky, melancholy sprite,
As ever sullied the fair face of light,
Down to the central earth, his proper scene,
Repair'd to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome,
And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows,
The dreaded East is all the wind that blows.
Here, in a grotto, shelter'd close from air,
And screen'd in shades from day's detested glare,
She sighs for ever on her pensive bed,
Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place,
But diff'ring far in figure and in face.
Here stood Ill Nature like an ancient maid,
Her wrinkled form in black and white array'd;
With store of pray'rs, for mornings, nights, and noons,
Her hand is fill'd; her bosom with lampoons.
There Affectation, with a sickly mien,
Shows in her cheek the roses of eighteen,
Practis'd to lisp, and hang the head aside,
Faints into airs, and languishes with pride,
On the rich quilt sinks with becoming woe,
Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these,
When each new night-dress gives a new disease.
A constant vapour o'er the palace flies;
Strange phantoms, rising as the mists arise;
Dreadful, as hermit's dreams in haunted shades,
Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires,
Pale spectres, gaping tombs, and purple fires:
Now lakes of liquid gold, Elysian scenes,
And crystal domes, and angels in machines.
Unnumber'd throngs on ev'ry side are seen,
Of bodies chang'd to various forms by Spleen.
Here living teapots stand, one arm held out,
One bent; the handle this, and that the spout:
A pipkin there, like Homer's tripod walks;
Here sighs a jar, and there a goose pie talks;
Men prove with child, as pow'rful fancy works,
And maids turn'd bottles, call aloud for corks.
Safe pass'd the Gnome through this fantastic band,
A branch of healing spleenwort in his hand.
Then thus address'd the pow'r: "Hail, wayward Queen!
Who rule the sex to fifty from fifteen:
Parent of vapours and of female wit,
Who give th' hysteric, or poetic fit,
On various tempers act by various ways,
Make some take physic, others scribble plays;
Who cause the proud their visits to delay,
And send the godly in a pet to pray.
A nymph there is, that all thy pow'r disdains,
And thousands more in equal mirth maintains.
But oh! if e'er thy gnome could spoil a grace,
Or raise a pimple on a beauteous face,
Like citron waters matrons' cheeks inflame,
Or change complexions at a losing game;
If e'er with airy horns I planted heads,
Or rumpled petticoats, or tumbled beds,
Or caus'd suspicion when no soul was rude,
Or discompos'd the head-dress of a prude,
Or e'er to costive lap-dog gave disease,
Which not the tears of brightest eyes could ease:
Hear me, and touch Belinda with chagrin;
That single act gives half the world the spleen.
"
The goddess with a discontented air
Seems to reject him, though she grants his pray'r.
A wondrous bag with both her hands she binds,
Like that where once Ulysses held the winds;
There she collects the force of female lungs,
Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears,
Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away,
Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris' arms the nymph he found,
Her eyes dejected and her hair unbound.
Full o'er their heads the swelling bag he rent,
And all the Furies issu'd at the vent.
Belinda burns with more than mortal ire,
And fierce Thalestris fans the rising fire.
"Oh wretched maid!" she spread her hands, and cried,
(While Hampton's echoes, "Wretched maid!" replied,
"Was it for this you took such constant care
The bodkin, comb, and essence to prepare?
For this your locks in paper durance bound,
For this with tort'ring irons wreath'd around?
For this with fillets strain'd your tender head,
And bravely bore the double loads of lead?
Gods! shall the ravisher display your hair,
While the fops envy, and the ladies stare!
Honour forbid! at whose unrivall'd shrine
Ease, pleasure, virtue, all, our sex resign.
Methinks already I your tears survey,
Already hear the horrid things they say,
Already see you a degraded toast,
And all your honour in a whisper lost!
How shall I, then, your helpless fame defend?
'Twill then be infamy to seem your friend!
And shall this prize, th' inestimable prize,
Expos'd through crystal to the gazing eyes,
And heighten'd by the diamond's circling rays,
On that rapacious hand for ever blaze?
Sooner shall grass in Hyde Park Circus grow,
And wits take lodgings in the sound of Bow;
Sooner let earth, air, sea, to chaos fall,
Men, monkeys, lap-dogs, parrots, perish all!"
She said; then raging to Sir Plume repairs,
And bids her beau demand the precious hairs:
(Sir Plume, of amber snuff-box justly vain,
And the nice conduct of a clouded cane)
With earnest eyes, and round unthinking face,
He first the snuffbox open'd, then the case,
And thus broke out--"My Lord, why, what the devil?
Z{-}{-}{-}ds! damn the lock! 'fore Gad, you must be civil!
Plague on't! 'tis past a jest--nay prithee, pox!
Give her the hair"--he spoke, and rapp'd his box.
"It grieves me much," replied the peer again,
"Who speaks so well should ever speak in vain.
But by this lock, this sacred lock I swear,
(Which never more shall join its parted hair;
Which never more its honours shall renew,
Clipp'd from the lovely head where late it grew)
That while my nostrils draw the vital air,
This hand, which won it, shall for ever wear.
"
He spoke, and speaking, in proud triumph spread
The long-contended honours of her head.
But Umbriel, hateful gnome! forbears not so;
He breaks the vial whence the sorrows flow.
Then see! the nymph in beauteous grief appears,
Her eyes half-languishing, half-drown'd in tears;
On her heav'd bosom hung her drooping head,
Which, with a sigh, she rais'd; and thus she said:
"For ever curs'd be this detested day,
Which snatch'd my best, my fav'rite curl away!
Happy! ah ten times happy, had I been,
If Hampton Court these eyes had never seen!
Yet am not I the first mistaken maid,
By love of courts to num'rous ills betray'd.
Oh had I rather unadmir'd remain'd
In some lone isle, or distant northern land;
Where the gilt chariot never marks the way,
Where none learn ombre, none e'er taste bohea!
There kept my charms conceal'd from mortal eye,
Like roses, that in deserts bloom and die.
What mov'd my mind with youthful lords to roam?
Oh had I stay'd, and said my pray'rs at home!
'Twas this, the morning omens seem'd to tell,
Thrice from my trembling hand the patch-box fell;
The tott'ring china shook without a wind,
Nay, Poll sat mute, and Shock was most unkind!
A Sylph too warn'd me of the threats of fate,
In mystic visions, now believ'd too late!
See the poor remnants of these slighted hairs!
My hands shall rend what ev'n thy rapine spares:
These, in two sable ringlets taught to break,
Once gave new beauties to the snowy neck.
The sister-lock now sits uncouth, alone,
And in its fellow's fate foresees its own;
Uncurl'd it hangs, the fatal shears demands
And tempts once more thy sacrilegious hands.
Oh hadst thou, cruel! been content to seize
Hairs less in sight, or any hairs but these!"
|
Written by
Ella Wheeler Wilcox |
The Wife
The house is like a garden,
The children are the flowers,
The gardener should come methinks
And walk among his bowers,
Oh! lock the door on worry
And shut your cares away,
Not time of year, but love and cheer,
Will make a holiday.
The Husband
Impossible! You women do not know
The toil it takes to make a business grow.
I cannot join you until very late,
So hurry home, nor let the dinner wait.
The Wife
The feast will be like Hamlet
Without a Hamlet part:
The home is but a house, dear,
Till you supply the heart.
The Xmas gift I long for
You need not toil to buy;
Oh! give me back one thing I lack –
The love-light in your eye.
The Husband
Of course I love you, and the children too.
Be sensible, my dear, it is for you
I work so hard to make my business pay.
There, now, run home, enjoy your holiday.
The Wife (turning)
He does not mean to wound me,
I know his heart is kind.
Alas! that man can love us
And be so blind, so blind.
A little time for pleasure,
A little time for play;
A word to prove the life of love
And frighten care away!
Tho’ poor my lot in some small cot
That were a holiday.
The Husband (musing)
She has not meant to wound me, nor to vex –
Zounds! but ‘tis difficult to please the sex.
I’ve housed and gowned her like a very queen
Yet there she goes, with discontented mien.
I gave her diamonds only yesterday:
Some women are like that, do what you may.
|
Written by
Anne Killigrew |
I.
HOw comes the Day orecast ? the Flaming Sun
Darkn'd at Noon, as if his Course were run ?
He never rose more proud, more glad, more gay,
Ne're courted Daphne with a brighter Ray !
And now in Clouds he wraps his Head,
As if not Daphne, but himself were dead !
And all the little Winged Troop
Forbear to sing, and sit and droop;
The Flowers do languish on their Beds,
And fading hang their Mourning Heads;
The little Cupids discontented, shew,
In Grief and Rage one breaks his Bow,
An other tares his Cheeks and Haire,
A third sits blubring in Despaire,
Confessing though, in Love, he be,
A Powerful, Dreadful Deitie,
A Child, in Wrath, can do as much as he:
Whence is this Evil hurl'd,
On all the sweetness of the World ?
Among those Things with Beauty shine,
(Both Humane natures, and Divine)
There was not so much sorrow spi'd,
No, no that Day the sweet Adonis died !
II.
Ambitious both to know the Ill, and to partake,
The little Weeping Gods I thus bespake.
Ye Noblest Pow'rs and Gentlest that Above,
Govern us Men, but govern still with Love,
Vouchsafe to tell, what can that Sorrow be,
Disorders Heaven, and wounds a Deitie.
My Prayer not spoken out,
One of the Winged Rout,
With Indignation great,
Sprung from his Airie-Seat,
And mounting to a Higher Cloud,
With Thunder, or a Voice as loud
Cried, Mortal there, there seek the Grief o'th'Gods,
Where thou findst Plagues, and their revengeful Rods !
And in the Instant that the Thing was meant,
He bent his Bow, his Arrow plac't, and to the mark it sent !
I follow'd with my watchful Eye,
To the Place where the Shaft did flie,
But O unheard-of Prodigy.
It was retorted back again,
And he that sent it, felt the pain,
Alas! I think the little God was therewith slain !
But wanton Darts ne're pierce where Honours found,
And those that shoot them, do their own Breasts wound.
III.
The Place from which the Arrow did return,
Swifter than sent, and with the speed did burn,
Was a Proud Pile which Marble Columnes bare,
Tarrast beneath, and open to the Aire,
On either side, Cords of wove Gold did tie
A purfl'd Curtain, hanging from on high,
To clear the Prospect of the stately Bower,
And boast the Owners Dignity and Power !
This shew'd the Scene from whence Loves grief arose,
And Heaven and Nature both did discompose,
A little Nymph whose Limbs divinely bright,
Lay like a Body of Collected Light,
But not to Love and Courtship so disclos'd,
But to the Rigour of a Dame oppos'd,
Who instant on the Faire with Words and Blows,
Now chastens Error, and now Virtue shews.
IV.
But O thou no less Blind,
Than Wild and Savage Mind,
Who Discipline dar'st name,
Thy Outrage and thy shame,
And hop'st a Radiant Crown to get
All Stars and Glory to thy Head made fit,
Know that this Curse alone shall Serpent-like incircle it!
May'st thou henceforth, be ever seen to stand,
Grasping a Scourge of Vipers in thy Hand,
Thy Hand, that Furie like------But see!
By Apollos Sacred Tree,
By his ever Tuneful Lyre,
And his bright Image the Eternal Fire,
Eudoras she has done this Deed
And made the World thus in its Darling bleed !
I know the Cruel Dame,
Too well instructed by my Flame !
But see her shape ! But see her Face !
In her Temple such is Diana's Grace !
Behold her Lute upon the Pavement lies,
When Beautie's wrong'd, no wonder Musick dies !
V.
What blood of Centaurs did thy Bosom warme,
And boyle the Balsome there up to a Storme ?
Nay Balsome flow'd not with so soft a Floud,
As thy Thoughts Evenly Virtuous, Mildly Good !
How could thy Skilful and Harmonious Hand,
That Rage of Seas, and People could command,
And calme Diseases with the Charming strings,
Such Discords make in the whole Name of Things ?
But now I see the Root of thy Rash Pride,
Because thou didst Excel the World beside,
And it in Beauty and in Fame out-shine,
Thou would'st compare thy self to things Divine !
And 'bove thy Standard what thou there didst see,
Thou didst Condemn, because 'twas unlike thee,
And punisht in the Lady as unfit,
What Bloomings were of a Diviner Wit.
Divine she is, or else Divine must be,
A Borne or else a Growing Deitie !
VI.
While thus I did exclaime,
And wildly rage and blame,
Behold the Sylvan-Quire
Did all at one conspire,
With shrill and cheerful Throats,
T'assume their chirping Notes;
The Heav'ns refulgent Eye
Dance't in the clear'd-up Skie,
And so triumphant shon,
As seven-days Beams he had on !
The little Loves burn'd with nobler fier.
Each chang'd his wanton Bow, and took a Lyre,
Singing chast Aires unto the tuneful strings,
And time'd soft Musick with their downy Wings.
I turn'd the little Nymph to view,
She singing and did smiling shew;
Eudora led a heav'nly strain,
Her Angels Voice did eccho it again !
I then decreed no Sacriledge was wrought,
But neerer Heav'n this Piece of Heaven was brought.
She also brighter seem'd, than she had been,
Vertue darts forth a Light'ning 'bove the Skin.
Eudora also shew'd as heretofore,
When her soft Graces I did first adore.
I saw, what one did Nobly Will,
The other sweetly did fulfil;
Their Actions all harmoniously did sute,
And she had only tun'd the Lady like her Lute.
|
Written by
Siegfried Sassoon |
You've heard me, scornful, harsh, and discontented,
Mocking and loathing War: you've asked me why
Of my old, silly sweetness I've repented--
My ecstasies changed to an ugly cry.
You are aware that once I sought the Grail,
Riding in armour bright, serene and strong;
And it was told that through my infant wail
There rose immortal semblances of song.
But now I've said good-bye to Galahad,
And am no more the knight of dreams and show:
For lust and senseless hatred make me glad,
And my killed friends are with me where I go.
Wound for red wound I burn to smite their wrongs;
And there is absolution in my songs.
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Written by
William Butler Yeats |
I bade, because the wick and oil are spent
And frozen are the channels of the blood,
My discontented heart to draw content
From beauty that is cast out of a mould
In bronze, or that in dazzling marble appears,
Appears, but when wc have gone is gone again,
Being more indifferent to our solitude
Than 'twere an apparition.
O heart, we are old;
The living beauty is for younger men:
We cannot pay its rribute of wild tears.
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Written by
Robert William Service |
In London City I evade
For charming Burlington Arcade -
For thee in youth I met a maid
By name of Mazie,
Who lost no time in telling me
The Ritz put up a topping tea,
But having only shillings three
My smile was hazy.
:Instead," said I, "it might be sport
To take a bus to Hampton Court,"
(Her manner, I remarked, was short,)
But she assented.
We climbed on top, and all the way
I held her hand, I felt quite gay,
Bu Mazie, I regret to say,
Seemed discontented.
In fact we almost had a tiff.
It's true it rained and she was stiff,
And all she did was sneeze and sniff
And shudder coldly.
So I said: "Mazzie, there's the maze;
Let's frolic in its leafy ways,"
And buying tickets where one pays
I entered boldly.
The, as the game is, we were lots;
We dashed and darted, crissed and crossed,
But Mazie she got vexed and sauced
Me rather smartly.
There wasn't but us two about;
We hollered, no one heard our shout;
The rain poured down: "Oh let's get out,"
Cried Mazie tartly.
"Keep cool, says I.
"You fool," says she;
"I'm sopping wet, I want my tea,
Please take me home," she wailed to me
In accents bitter.
Again we tried, this way and that,
Yet came to where we started at,
And Mazie acted like a cat,
A champion spitter.
She stomped and romped till all was blue,
Then sought herself to find the clue,
And when I saw her next 'twas through
A leafy screening;
"Come on, she cooed, "and join me here;
You'll take me to the Savoy, dear,
And Heidsieck shall our spirits cheer.
"
I got her meaning.
And yet I sought her everywhere;
I hurried here, I scurried there,
I took each likely lane, I swar,
As I surmised it:
The suddenly I saw once more,
Confronting me, the exit door,
And I was dashing through before
I realized it.
And there I spied a passing bus.
Thinks I: "It's mean to leave her thus,
But after all her fret and fuss
I can't abide her.
So I sped back to London town
And grubbed alone for half-a-crown,
On steak and kidney pie washed down
With sparkling cider.
But since I left that damsel fair,
The thought she may have perished there,
Of cold, starvation and dispair
Nigh drives me crazy.
So, stranger, if you should invade
The charming Burlington Arcade,
Tell me if you behold a shade,
Ghost of a most unhappy maid
By name of Mazie.
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