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Best Famous Discard Poems

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Written by Walt Whitman | Create an image from this poem

As a Strong Bird on Pinions Free

 1
AS a strong bird on pinions free, 
Joyous, the amplest spaces heavenward cleaving, 
Such be the thought I’d think to-day of thee, America, 
Such be the recitative I’d bring to-day for thee. 

The conceits of the poets of other lands I bring thee not,
Nor the compliments that have served their turn so long, 
Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library; 
But an odor I’d bring to-day as from forests of pine in the north, in Maine—or
 breath
 of an Illinois prairie, 
With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or
 Florida’s glades, 
With presentment of Yellowstone’s scenes, or Yosemite;
And murmuring under, pervading all, I’d bring the rustling sea-sound, 
That endlessly sounds from the two great seas of the world. 

And for thy subtler sense, subtler refrains, O Union! 
Preludes of intellect tallying these and thee—mind-formulas fitted for
 thee—real, and
 sane, and large as these and thee; 
Thou, mounting higher, diving deeper than we knew—thou transcendental Union!
By thee Fact to be justified—blended with Thought; 
Thought of Man justified—blended with God: 
Through thy Idea—lo! the immortal Reality! 
Through thy Reality—lo! the immortal Idea! 

2
Brain of the New World! what a task is thine!
To formulate the Modern.....Out of the peerless grandeur of the modern, 
Out of Thyself—comprising Science—to recast Poems, Churches, Art, 
(Recast—may-be discard them, end them—May-be their work is done—who knows?)

By vision, hand, conception, on the background of the mighty past, the dead, 
To limn, with absolute faith, the mighty living present.

(And yet, thou living, present brain! heir of the dead, the Old World brain! 
Thou that lay folded, like an unborn babe, within its folds so long! 
Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest
 it; 
It to eventuate in thee—the essence of the by-gone time contain’d in thee; 
Its poems, churches, arts, unwitting to themselves, destined with reference to thee,
The fruit of all the Old, ripening to-day in thee.) 

3
Sail—sail thy best, ship of Democracy! 
Of value is thy freight—’tis not the Present only, 
The Past is also stored in thee! 
Thou holdest not the venture of thyself alone—not of thy western continent alone;
Earth’s résumé entire floats on thy keel, O ship—is
 steadied by
 thy spars; 
With thee Time voyages in trust—the antecedent nations sink or swim with thee; 
With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the
 other
 continents; 
Theirs, theirs as much as thine, the destination-port triumphant: 
—Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great
 companions,
Venerable, priestly Asia sails this day with thee, 
And royal, feudal Europe sails with thee. 

4
Beautiful World of new, superber Birth, that rises to my eyes, 
Like a limitless golden cloud, filling the western sky; 
Emblem of general Maternity, lifted above all;
Sacred shape of the bearer of daughters and sons; 
Out of thy teeming womb, thy giant babes in ceaseless procession issuing, 
Acceding from such gestation, taking and giving continual strength and life; 
World of the Real! world of the twain in one! 
World of the Soul—born by the world of the real alone—led to identity, body, by
 it
 alone;
Yet in beginning only—incalculable masses of composite, precious materials, 
By history’s cycles forwarded—by every nation, language, hither sent, 
Ready, collected here—a freer, vast, electric World, to be constructed here, 
(The true New World—the world of orbic Science, Morals, Literatures to come,) 
Thou Wonder World, yet undefined, unform’d—neither do I define thee;
How can I pierce the impenetrable blank of the future? 
I feel thy ominous greatness, evil as well as good; 
I watch thee, advancing, absorbing the present, transcending the past; 
I see thy light lighting and thy shadow shadowing, as if the entire globe; 
But I do not undertake to define thee—hardly to comprehend thee;
I but thee name—thee prophecy—as now! 
I merely thee ejaculate! 

Thee in thy future; 
Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring
 spirit; 
Thee as another equally needed sun, America—radiant, ablaze, swift-moving,
 fructifying
 all;
Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity! 
(Scattering for good the cloud that hung so long—that weigh’d so long upon the
 mind
 of man, 
The doubt, suspicion, dread, of gradual, certain decadence of man;) 
Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral,
 spiritual,
 South, North, West, East, 
(To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike,
 forever
 equal;)
Thee in thy own musicians, singers, artists, unborn yet, but certain; 
Thee in thy moral wealth and civilization (until which thy proudest material wealth and
 civilization must remain in vain;) 
Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour,
 merely,

Thy saviours countless, latent within thyself—thy bibles incessant, within thyself,
 equal
 to any, divine as any; 
Thee in an education grown of thee—in teachers, studies, students, born of thee;
Thee in thy democratic fetes, en masse—thy high original festivals, operas,
 lecturers,
 preachers; 
Thee in thy ultimata, (the preparations only now completed—the edifice on sure
 foundations
 tied,) 
Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love,
 and
 godlike aspiration, 
In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal
 bards—kosmic savans, 
These! these in thee, (certain to come,) to-day I prophecy.

5
Land tolerating all—accepting all—not for the good alone—all good for thee;

Land in the realms of God to be a realm unto thyself; 
Under the rule of God to be a rule unto thyself. 

(Lo! where arise three peerless stars, 
To be thy natal stars, my country—Ensemble—Evolution—Freedom,
Set in the sky of Law.) 

Land of unprecedented faith—God’s faith! 
Thy soil, thy very subsoil, all upheav’d; 
The general inner earth, so long, so sedulously draped over, now and hence for what it is,
 boldly laid bare, 
Open’d by thee to heaven’s light, for benefit or bale.

Not for success alone; 
Not to fair-sail unintermitted always; 
The storm shall dash thy face—the murk of war, and worse than war, shall cover thee
 all
 over; 
(Wert capable of war—its tug and trials? Be capable of peace, its trials; 
For the tug and mortal strain of nations come at last in peace—not war;)
In many a smiling mask death shall approach, beguiling thee—thou in disease shalt
 swelter;

The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike
 thee
 deep within; 
Consumption of the worst—moral consumption—shall rouge thy face with hectic: 
But thou shalt face thy fortunes, thy diseases, and surmount them all, 
Whatever they are to-day, and whatever through time they may be,
They each and all shall lift, and pass away, and cease from thee; 
While thou, Time’s spirals rounding—out of thyself, thyself still extricating,
 fusing, 
Equable, natural, mystical Union thou—(the mortal with immortal blent,) 
Shalt soar toward the fulfilment of the future—the spirit of the body and the mind, 
The Soul—its destinies.

The Soul, its destinies—the real real, 
(Purport of all these apparitions of the real;) 
In thee, America, the Soul, its destinies; 
Thou globe of globes! thou wonder nebulous! 
By many a throe of heat and cold convuls’d—(by these thyself solidifying;)
Thou mental, moral orb! thou New, indeed new, Spiritual World! 
The Present holds thee not—for such vast growth as thine—for such
 unparallel’d
 flight as thine, 
The Future only holds thee, and can hold thee.


Written by Charles Bukowski | Create an image from this poem

His Wife The Painter

 There are sketches on the walls of men and women and ducks,
and outside a large green bus swerves through traffic like
insanity sprung from a waving line; Turgenev, Turgenev,
says the radio, and Jane Austin, Jane Austin, too.
"I am going to do her portrait on the 28th, while you are
at work."
He is just this edge of fat and he walks constantly, he
fritters; they have him; they are eating him hollow like 
a webbed fly, and his eyes are red-suckled with anger-fear.
He feels hatred and discard of the world, sharper than
his razor, and his gut-feel hangs like a wet polyp; and he 
self-decisions himself defeated trying to shake his
hung beard from razor in water (like life), not warm enough.
Daumier. Rue Transonian, le 15 Avril, 1843. (lithograph.)
Paris, Bibliotheque Nationale.
"She has a face unlike that of any woman I have ever known."
"What is it? A love affair?"
"Silly. I can't love a woman. Besides, she's pregnant."
I can paint- a flower eaten by a snake; that sunlight is a 
lie; and that markets smell of shoes and naked boys clothed,
and that under everything some river, some beat, some twist that
clambers along the edge of my temple and bites nip-dizzy. . .
men drive cars and paint their houses,
but they are mad; men sit in barber chairs; buy hats.
Corot. Recollection of Mortefontaine.
Paris, Louvre.
"I must write Kaiser, though I think he's a homosexual."
"Are you still reading Freud?"
"Page 299."
She made a little hat and he fastened two snaps under one
arm, reaching up from the bed like a long feeler from the
snail, and she went to church, and he thought now I h've
time and the dog.
About church: the trouble with a mask is it 
never changes.
So rude the flowers that grow and do not grow beautiful.
So magic the chair on the patio that does not hold legs
and belly and arm and neck and mouth that bites into the 
wind like the ned of a tunnel.
He turned in bed and thought: I am searching for some 
segment in the air. It floats about the peoples heads.
When it rains on the trees it sits between the branches
warmer and more blood-real than the dove.
Orozco. Christ Destroying the Cross.
Hanover, Dartmouth College, Baker Library.
He burned away in his sleep.
Written by John Dryden | Create an image from this poem

Heroic Stanzas

 Consecrated to the Glorious Memory of His 
Most Serene and Renowned Highness, Oliver,
Late Lord Protector of This Commonwealth, etc.
(Oliver Cromwell)

Written After the Celebration of his Funeral 


1

And now 'tis time; for their officious haste, 
Who would before have borne him to the sky, 
Like eager Romans ere all rites were past 
Did let too soon the sacred eagle fly. 

2

Though our best notes are treason to his fame 
Join'd with the loud applause of public voice; 
Since Heav'n, what praise we offer to his name, 
Hath render'd too authentic by its choice; 

3

Though in his praise no arts can liberal be, 
Since they whose Muses have the highest flown 
Add not to his immortal memory, 
But do an act of friendship to their own; 

4

Yet 'tis our duty and our interest too 
Such monuments as we can build to raise, 
Lest all the world prevent what we should do 
And claim a title in him by their praise. 

5

How shall I then begin, or where conclude 
To draw a fame so truly circular? 
For in a round what order can be shew'd, 
Where all the parts so equal perfect are? 

6

His grandeur he deriv'd from Heav'n alone, 
For he was great ere fortune made him so, 
And wars like mists that rise against the sun 
Made him but greater seem, not greater grown. 

7

No borrow'd bays his temples did adorn, 
But to our crown he did fresh jewels bring. 
Nor was his virtue poison'd soon as born 
With the too early thoughts of being king. 

8

Fortune (that easy mistress of the young 
But to her ancient servant coy and hard) 
Him at that age her favorites rank'd among 
When she her best-lov'd Pompey did discard. 

9

He, private, mark'd the faults of others' sway, 
And set as sea-marks for himself to shun, 
Not like rash monarchs who their youth betray 
By acts their age too late would wish undone. 

10

And yet dominion was not his design; 
We owe that blessing not to him but Heaven, 
Which to fair acts unsought rewards did join, 
Rewards that less to him than us were given. 

11

Our former chiefs like sticklers of the war 
First sought t'inflame the parties, then to poise, 
The quarrel lov'd, but did the cause abhor, 
And did not strike to hurt but make a noise. 

12

War, our consumption, was their gainfull trade; 
We inward bled whilst they prolong'd our pain; 
He fought to end our fighting and assay'd 
To stanch the blood by breathing of the vein. 

13

Swift and resistless through the land he pass'd 
Like that bold Greek who did the east subdue, 
And made to battles such heroic haste 
As if on wings of victory he flew. 

14

He fought secure of fortune as of fame, 
Till by new maps the island might be shown, 
Of conquests which he strew'd where'er he came 
Thick as a galaxy with stars is sown. 

15

His palms, though under weights they did not stand, 
Still thriv'd; no winter could his laurels fade; 
Heav'n in his portrait shew'd a workman's hand 
And drew it perfect yet without a shade. 

16

Peace was the prize of all his toils and care, 
Which war had banish'd and did now restore; 
Bologna's walls thus mounted in the air 
To seat themselves more surely than before. 

17

Her safety rescu'd Ireland to him owes, 
And treacherous Scotland, to no int'rest true, 
Yet bless'd that fate which did his arms dispose 
Her land to civilize as to subdue. 

18

Nor was he like those stars which only shine 
When to pale mariners they storms portend; 
He had his calmer influence, and his mien 
Did love and majesty together blend. 

19

'Tis true, his count'nance did imprint an awe, 
And naturally all souls to his did bow, 
As wands of divination downward draw 
And points to beds where sov'reign gold doth grow. 

20

When past all offerings to Feretrian Jove, 
He Mars depos'd and arms to gowns made yield; 
Successful councils did him soon approve 
As fit for close intrigues as open field. 

21

To suppliant Holland he vouchsaf'd a peace, 
Our once bold rival in the British main, 
Now tamely glad her unjust claim to cease 
And buy our friendship with her idol, gain. 

22

Fame of th' asserted sea through Europe blown 
Made France and Spain ambitious of his love; 
Each knew that side must conquer he would own, 
And for him fiercely as for empire strove. 

23

No sooner was the Frenchman's cause embrac'd 
Than the light monsieur the grave don outweigh'd; 
His fortune turn'd the scale where it was cast, 
Though Indian mines were in the other laid. 

24

When absent, yet we conquer'd in his right, 
For though some meaner artist's skill were shown 
In mingling colours, or in placing light, 
Yet still the fair designment was his own. 

25

For from all tempers he could service draw; 
The worth of each with its alloy he knew, 
And as the confidant of Nature saw 
How she complexions did divide and brew. 

26

Or he their single virtues did survey 
By intuition in his own large breast, 
Where all the rich ideas of them lay, 
That were the rule and measure to the rest. 

27

When such heroic virtue Heav'n sets out, 
The stars like Commons sullenly obey, 
Because it drains them when it comes about, 
And therefore is a tax they seldom pay. 

28

From this high spring our foreign conquests flow, 
Which yet more glorious triumphs do portend, 
Since their commencement to his arms they owe, 
If springs as high as fountains may ascend. 

29

He made us freemen of the continent 
Whom Nature did like captives treat before, 
To nobler preys the English lion sent, 
And taught him first in Belgian walks to roar. 

30

That old unquestion'd pirate of the land, 
Proud Rome, with dread the fate of Dunkirk heard, 
And trembling wish'd behind more Alps to stand, 
Although an Alexander were here guard. 

31

By his command we boldly cross'd the line 
And bravely fought where southern stars arise, 
We trac'd the far-fetch'd gold unto the mine 
And that which brib'd our fathers made our prize. 

32

Such was our prince; yet own'd a soul above 
The highest acts it could produce to show: 
Thus poor mechanic arts in public move 
Whilst the deep secrets beyond practice go. 

33

Nor di'd he when his ebbing fame went less, 
But when fresh laurels courted him to live; 
He seem'd but to prevent some new success, 
As if above what triumphs earth could give. 

34

His latest victories still thickest came, 
As near the center motion does increase, 
Till he, press'd down by his own weighty name, 
Did, like the vestal, under spoils decrease. 

35

But first the ocean as a tribute sent 
That giant prince of all her watery herd, 
And th' isle when her protecting genius went 
Upon his obsequies loud sighs conferr'd. 

36

No civil broils have since his death arose, 
But faction now by habit does obey, 
And wars have that respect for his repose, 
As winds for halycons when they breed at sea. 

37

His ashes in a peaceful urn shall rest; 
His name a great example stands to show 
How strangely high endeavours may be blest, 
Where piety and valour jointly go.
Written by Carolyn Kizer | Create an image from this poem

Mud Soup

 1.

Had the ham bone, had the lentils,
Got to meat store for the salt pork,
Got to grocery for the celery.
Had the onions, had the garlic,
Borrowed carrots from the neighbor.
Had the spices, had the parsley.
One big kettle I had not got;
Borrowed pot and lid from landlord.

2.

Dice the pork and chop the celery,
Chop the onions, chop the carrots,
Chop the tender index finger.
Put the kettle on the burner,
Drop the lentils into kettle:
Two quarts water, two cups lentils.
Afternoon is wearing on.

3. 

Sauté pork and add the veggies,
Add the garlic, cook ten minutes,
Add to lentils, add to ham bone;
Add the bayleaf, cloves in cheesecloth,
Add the cayenne! Got no cayenne!
Got paprika, salt and pepper.
Bring to boil, reduce heat, simmer.
Did I say that this is summer?
Simmer, summer, summer, simmer.
Mop the floor and suck the finger.
Mop the brow with old potholder.

4. 

Time is up! Discard the cheesecloth.
Force the mixture thru the foodmill
(having first discarded ham bone).
Add the lean meat from the ham bone;
Reheat soup and chop the parsley.
Now that sweating night has fallen,
Try at last the finished product:

5.

Tastes like mud, the finished product.
Looks like mud, the finished product.
Consistency of mud the dinner.
(Was it lentils, Claiborne, me?)
Flush the dinner down disposall,
Say to hell with ham bone, lentils,
New York Times's recipe.
Purchase Campbell's. Just add water.
Concentrate on poetry:
By the shores of Gitche Gumee
You can bet the banks were muddy,
Not like Isle of Innisfree.
Written by Erica Jong | Create an image from this poem

Autumn Perspective

 Now, moving in, cartons on the floor,
the radio playing to bare walls,
picture hooks left stranded
in the unsoiled squares where paintings were,
and something reminding us
this is like all other moving days;
finding the dirty ends of someone else's life,
hair fallen in the sink, a peach pit,
and burned-out matches in the corner;
things not preserved, yet never swept away
like fragments of disturbing dreams
we stumble on all day. . .
in ordering our lives, we will discard them,
scrub clean the floorboards of this our home
lest refuse from the lives we did not lead
become, in some strange, frightening way, our own.
And we have plans that will not tolerate
our fears-- a year laid out like rooms
in a new house--the dusty wine glasses
rinsed off, the vases filled, and bookshelves
sagging with heavy winter books.
Seeing the room always as it will be,
we are content to dust and wait.
We will return here from the dark and silent
streets, arms full of books and food,
anxious as we always are in winter,
and looking for the Good Life we have made.

I see myself then: tense, solemn,
in high-heeled shoes that pinch,
not basking in the light of goals fulfilled,
but looking back to now and seeing
a lazy, sunburned, sandaled girl
in a bare room, full of promise
and feeling envious.

Now we plan, postponing, pushing our lives forward
into the future--as if, when the room
contains us and all our treasured junk
we will have filled whatever gap it is
that makes us wander, discontented
from ourselves.

The room will not change:
a rug, or armchair, or new coat of paint
won't make much difference;
our eyes are fickle
but we remain the same beneath our suntans,
pale, frightened,
dreaming ourselves backward and forward in time,
dreaming our dreaming selves.

I look forward and see myself looking back.


Written by Rainer Maria Rilke | Create an image from this poem

Duino Elegies: The First Elegy

 Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them suddenly
pressed me against his heart, I would perish
in the embrace of his stronger existence.
For beauty is nothing but the beginning of terror
which we are barely able to endure and are awed
because it serenely disdains to annihilate us.
Each single angel is terrifying.
And so I force myself, swallow and hold back
the surging call of my dark sobbing.
Oh, to whom can we turn for help?
Not angels, not humans;
and even the knowing animals are aware that we feel
little secure and at home in our interpreted world.
There remains perhaps some tree on a hillside
daily for us to see; yesterday's street remains for us
stayed, moved in with us and showed no signs of leaving.
Oh, and the night, the night, when the wind
full of cosmic space invades our frightened faces.
Whom would it not remain for -that longed-after,
gently disenchanting night, painfully there for the
solitary heart to achieve? Is it easier for lovers?
Don't you know yet ? Fling out of your arms the 
emptiness into the spaces we breath -perhaps the birds
will feel the expanded air in their more ferven flight.

Yes, the springtime were in need of you. Often a star
waited for you to espy it and sense its light.
A wave rolled toward you out of the distant past,
or as you walked below an open window,
a violin gave itself to your hearing.
All this was trust. But could you manage it?
Were you not always distraught by expectation,
as if all this were announcing the arrival
of a beloved? (Where would you find a place
to hide her, with all your great strange thoughts 
coming and going and often staying for the night.)
When longing overcomes you, sing of women in love;
for their famous passion is far from immortal enough.
Those whom you almost envy, the abandoned and
desolate ones, whom you found so much more loving
than those gratified. Begin ever new again
the praise you cannot attain; remember:
the hero lives on and survives; even his downfall
was for him only a pretext for achieving
his final birth. But nature, exhausted, takes lovers
back into itself, as if such creative forces could never be
achieved a second time.
Have you thought of Gaspara Stampa sufficiently:

that any girl abandoned by her lover may feel
from that far intenser example of loving:
"Ah, might I become like her!" Should not their oldest
sufferings finally become more fruitful for us?
Is it not time that lovingly we freed ourselves
from the beloved and, quivering, endured:
as the arrow endures the bow-string's tension,
and in this tense release becomes more than itself.
For staying is nowhere.

Voices, voices. Listen my heart, as only saints
have listened: until the gigantic call lifted them
clear off the ground. Yet they went on, impossibly,
kneeling, completely unawares: so intense was
their listening. Not that you could endure
the voice of God -far from it! But listen
to the voice of the wind and the ceaseless message
that forms itself out of silence. They sweep
toward you now from those who died young.
Whenever they entered a church in Rome or Naples,
did not their fate quietly speak to you as recently
as the tablet did in Santa Maria Formosa?
What do they want of me? to quietly remove
the appearance of suffered injustice that,
at times, hinders a little their spirits from
freely proceeding onward.

Of course, it is strange to inhabit the earth no longer,
to no longer use skills on had barely time to acquire;
not to observe roses and other things that promised
so much in terms of a human future, no longer
to be what one was in infinitely anxious hands;
to even discard one's own name as easily as a child
abandons a broken toy.
Strange, not to desire to continue wishing one's wishes.
Strange to notice all that was related, fluttering
so loosely in space. And being dead is hard work
and full of retrieving before one can gradually feel a
trace of eternity. -Yes, but the liviing make
the mistake of drawing too sharp a distinction.
Angels (they say) are often unable to distinguish
between moving among the living or the dead.
The eternal torrent whirls all ages along with it,
through both realms forever, and their voices are lost in
its thunderous roar.

In the end the early departed have no longer
need of us. One is gently weaned from things
of this world as a child outgrows the need
of its mother's breast. But we who have need 
of those great mysteries, we for whom grief is
so often the source of spiritual growth,
could we exist without them?
Is the legend vain that tells of music's beginning
in the midst of the mourning for Linos?
the daring first sounds of song piercing
the barren numbness, and how in that stunned space
an almost godlike youth suddenly left forever,
and the emptiness felt for the first time
those harmonious vibrations which now enrapture
and comfort and help us.
Written by Kahlil Gibran | Create an image from this poem

Freedom XIV

 And an orator said, "Speak to us of Freedom." 

And he answered: 

At the city gate and by your fireside I have seen you prostrate yourself and worship your own freedom, 

Even as slaves humble themselves before a tyrant and praise him though he slays them. 

Ay, in the grove of the temple and in the shadow of the citadel I have seen the freest among you wear their freedom as a yoke and a handcuff. 

And my heart bled within me; for you can only be free when even the desire of seeking freedom becomes a harness to you, and when you cease to speak of freedom as a goal and a fulfillment. 

You shall be free indeed when your days are not without a care nor your nights without a want and a grief, 

But rather when these things girdle your life and yet you rise above them naked and unbound. 

And how shall you rise beyond your days and nights unless you break the chains which you at the dawn of your understanding have fastened around your noon hour? 

In truth that which you call freedom is the strongest of these chains, though its links glitter in the sun and dazzle the eyes. 

And what is it but fragments of your own self you would discard that you may become free? 

If it is an unjust law you would abolish, that law was written with your own hand upon your own forehead. 

You cannot erase it by burning your law books nor by washing the foreheads of your judges, though you pour the sea upon them. 

And if it is a despot you would dethrone, see first that his throne erected within you is destroyed. 

For how can a tyrant rule the free and the proud, but for a tyranny in their own freedom and a shame in their won pride? 

And if it is a care you would cast off, that care has been chosen by you rather than imposed upon you. 

And if it is a fear you would dispel, the seat of that fear is in your heart and not in the hand of the feared. 

Verily all things move within your being in constant half embrace, the desired and the dreaded, the repugnant and the cherished, the pursued and that which you would escape. 

These things move within you as lights and shadows in pairs that cling. 

And when the shadow fades and is no more, the light that lingers becomes a shadow to another light. 

And thus your freedom when it loses its fetters becomes itself the fetter of a greater freedom.
Written by Jean Cocteau | Create an image from this poem

Preamble (A Rough Draft For An Ars Poetica)

 ...Preamble

A rough draft 
for an ars poetica

. . . . . . . 

Let's get our dreams unstuck

The grain of rye
free from the prattle of grass
et loin de arbres orateurs

I 

plant

it

It will sprout


But forget about 
the rustic festivities

For the explosive word 
falls harmlessly
eternal through
the compact generations 

and except for you

 nothing 
 denotates

its sweet-scented dynamite

Greetings
I discard eloquence
the empty sail
and the swollen sail
which cause the ship 
to lose her course

My ink nicks
and there

and there

 and there

and
there

sleeps 
deep poetry

The mirror-paneled wardrobe 
washing down ice-floes
the little eskimo girl

dreaming
in a heap 
of moist *******
her nose was
 flattened
against the window-pane 
of dreary Christmases

A white bear
adorned with chromatic moire

dries himself in the midnight sun

Liners

The huge luxury item

Slowly founders
all its lights aglow

and so
sinks the evening-dress ball
into the thousand mirrors 
of the palace hotel

And now
it is I

the thin Columbus of phenomena
alone 
in the front 
of a mirror-paneled wardrobe
full of linen
and locking with a key

The obstinate miner
of the void
exploits
his fertile mine

the potential in the rough
glitters there
mingling with its white rock

 Oh
 princess of the mad sleep
listen to my horn
 and my pack of hounds

I deliver you
from the forest
where we came upon the spell

Here we are
by the pen
one with the other
wedded
on the page

Isles sobs of Ariadne

Ariadnes
 dragging along
 Aridnes seals

for I betray you my fair stanzas
to 
run and awaken
elsewhere

I plan no architecture

Simply
deaf
like you Beethoven

blind
like you
Homer
numberless old man

born everywhere

I elaborate
in the prairies of inner
silence

and the work of the mission
and the poem of the work
and the stanza of the poem
and the group of the stanza
and the words of the group
and the letters of the word
and the least
loop of the letters

it's your foot
of attentive satin
that I place in position
pink
tightrope walker
sucked up by the void

to the left to the right
the god gives a shake
and I walk
towards the other side
 with infinite precaution
Written by Du Fu | Create an image from this poem

Facing Snow

Battle cry many new ghosts Worry and grieve alone old man Disorder cloud low dusk Rapid snow dance return wind Gourd ladle discard cup without green Stove remain fire like red Many place news broken Worry sit straight book empty
After the battle, many new ghosts cry, The solitary old man worries and grieves. Ragged clouds are low amid the dusk, Snow dances quickly in the whirling wind. The ladle's cast aside, the cup not green, The stove still looks as if a fiery red. To many places, communications are broken, I sit, but cannot read my books for grief.
Written by Marge Piercy | Create an image from this poem

Always Unsuitable

 She wore little teeth of pearls around her neck.
They were grinning politely and evenly at me.
Unsuitable they smirked. It is true

I look a stuffed turkey in a suit. Breasts
too big for the silhouette. She knew
at once that we had sex, lots of it

as if I had strolled into her diningroom
in a dirty negligee smelling gamy
smelling fishy and sporting a strawberry

on my neck. I could never charm
the mothers, although the fathers ogled
me. I was exactly what mothers had warned

their sons against. I was quicksand
I was trouble in the afternoon. I was
the alley cat you don't bring home.

I was the dirty book you don't leave out
for your mother to see. I was the center-
fold you masturbate with then discard.

Where I came from, the nights I had wandered
and survived, scared them, and where
I would go they never imagined.

Ah, what you wanted for your sons
were little ladies hatched from the eggs
of pearls like pink and silver lizards

cool, well behaved and impervious
to desire and weather alike. Mostly
that's who they married and left.

Oh, mamas, I would have been your friend.
I would have cooked for you and held you.
I might have rattled the windows

of your sorry marriages, but I would
have loved you better than you know
how to love yourselves, bitter sisters.

Book: Reflection on the Important Things