Written by
Amy Clampitt |
cold nights on the farm, a sock-shod
stove-warmed flatiron slid under
the covers, mornings a damascene-
sealed bizarrerie of fernwork
decades ago now
waking in northwest London, tea
brought up steaming, a Peak Frean
biscuit alongside to be nibbled
as blue gas leaps up singing
decades ago now
damp sheets in Dorset, fog-hung
habitat of bronchitis, of long
hot soaks in the bathtub, of nothing
quite drying out till next summer:
delicious to think of
hassocks pulled in close, toasting-
forks held to coal-glow, strong-minded
small boys and big eager sheepdogs
muscling in on bookish profundities
now quite forgotten
the farmhouse long sold, old friends
dead or lost track of, what's salvaged
is this vivid diminuendo, unfogged
by mere affect, the perishing residue
of pure sensation
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Written by
William Matthews |
I was miserable, of course, for I was seventeen
and so I swung into action and wrote a poem
and it was miserable, for that was how I thought
poetry worked: you digested experience shat
literature. It was 1960 at The Showplace, long since
defunct, on West 4th st., and I sat at the bar,
casting beer money from a reel of ones,
the kid in the city, big ears like a puppy.
And I knew Mingus was a genius. I knew two
other things, but as it happens they were wrong.
So I made him look at this poem.
"There's a lot of that going around," he said,
and Sweet Baby Jesus he was right. He glowered
at me but didn't look as if he thought
bad poems were dangerous, the way some poets do.
If they were baseball executives they'd plot
to destroy sandlots everywhere so that the game
could be saved from children. Of course later
that night he fired his pianist in mid-number
and flurried him from the stand.
"We've suffered a diminuendo in personnel,"
he explained, and the band played on.
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Written by
A S J Tessimond |
The sun, a heavy spider, spins in the thirsty sky.
The wind hides under cactus leaves, in doorway corners. Only the wry
Small shadow accompanies Hamlet-Petrouchka's march - the slight
Wry sniggering shadow in front of the morning, turning at noon, behind towards night.
The plumed cavalcade has passed to tomorrow, is lost again;
But the wisecrack-mask, the quick-flick-fanfare of the cane remain.
Diminuendo of footsteps even is done:
Only remain, Don Quixote, hat, cane, smile and sun.
Goliaths fall to our sling, but craftier fates than these
Lie ambushed - malice of open manholes, strings in the dark and falling trees.
God kicks our backsides, scatters peel on the smoothest stair;
And towering centaurs steal the tulip lips, the aureoled hair,
While we, craned from the gallery, throw our cardboard flowers
And our feet jerk to tunes not played for ours.
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