Written by
Donald Justice |
Turn your head. Look. The light is turning yellow.
The river seems enriched thereby, not to say deepened.
Why this is, I'll never be able to tell you.
Or are Americans half in love with failure?
One used to say so, reading Fitzgerald, as it happened.
(That Viking Portable, all water spotted and yellow--
remember?) Or does mere distance lend a value
to things? --false, it may be, but the view is hardly cheapened.
Why this is, I'll never be able to tell you.
The smoke, those tiny cars, the whole urban milieu--
One can like anything diminishment has sharpened.
Our painter friend, Lang, might show the whole thing yellow
and not be much off. It's nuance that counts, not color--
As in some late James novel, saved up for the long weekend
and vivid with all the Master simply won't tell you.
How frail our generation has got, how sallow
and pinched with just surviving! We all go off the deep end
finally, gold beaten thinly out to yellow.
And why this is, I'll never be able to tell you.
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Written by
Amy Clampitt |
Nothing's certain. Crossing, on this longest day,
the low-tide-uncovered isthmus, scrambling up
the scree-slope of what at high tide
will be again an island,
to where, a decade since well-being staked
the slender, unpremeditated claim that brings us
back, year after year, lugging the
makings of another picnic—
the cucumber sandwiches, the sea-air-sanctified
fig newtons—there's no knowing what the slamming
seas, the gales of yet another winter
may have done. Still there,
the gust-beleaguered single spruce tree,
the ant-thronged, root-snelled moss, grass
and clover tuffet underneath it,
edges frazzled raw
but, like our own prolonged attachment, holding.
Whatever moral lesson might commend itself,
there's no use drawing one,
there's nothing here
to seize on as exemplifying any so-called virtue
(holding on despite adversity, perhaps) or
any no-more-than-human tendency—
stubborn adherence, say,
to a wholly wrongheaded tenet. Though to
hold on in any case means taking less and less
for granted, some few things seem nearly
certain, as that the longest day
will come again, will seem to hold its breath,
the months-long exhalation of diminishment
again begin. Last night you woke me
for a look at Jupiter,
that vast cinder wheeled unblinking
in a bath of galaxies. Watching, we traveled
toward an apprehension all but impossible
to be held onto—
that no point is fixed, that there's no foothold
but roams untethered save by such snells,
such sailor's knots, such stays
and guy wires as are
mainly of our own devising. From such an
empyrean, aloof seraphic mentors urge us
to look down on all attachment,
on any bonding, as
in the end untenable. Base as it is, from
year to year the earth's sore surface
mends and rebinds itself, however
and as best it can, with
thread of cinquefoil, tendril of the magenta
beach pea, trammel of bramble; with easings,
mulchings, fragrances, the gray-green
bayberry's cool poultice—
and what can't finally be mended, the salt air
proceeds to buff and rarefy: the lopped carnage
of the seaward spruce clump weathers
lustrous, to wood-silver.
Little is certain, other than the tide that
circumscribes us that still sets its term
to every picnic—today we stayed too long
again, and got our feet wet—
and all attachment may prove at best, perhaps,
a broken, a much-mended thing. Watching
the longest day take cover under
a monk's-cowl overcast,
with thunder, rain and wind, then waiting,
we drop everything to listen as a
hermit thrush distills its fragmentary,
hesitant, in the end
unbroken music. From what source (beyond us, or
the wells within?) such links perceived arrive—
diminished sequences so uninsistingly
not even human—there's
hardly a vocabulary left to wonder, uncertain
as we are of so much in this existence, this
botched, cumbersome, much-mended,
not unsatisfactory thing.
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