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Best Famous Dill Poems

Here is a collection of the all-time best famous Dill poems. This is a select list of the best famous Dill poetry. Reading, writing, and enjoying famous Dill poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of dill poems.

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Written by Edgar Bowers | Create an image from this poem

Elegy: Walking the Line

 Every month or so, Sundays, we walked the line,
The limit and the boundary.
Past the sweet gum Superb above the cabin, along the wall— Stones gathered from the level field nearby When first we cleared it.
(Angry bumblebees Stung the two mules.
They kicked.
Thirteen, I ran.
) And then the field: thread-leaf maple, deciduous Magnolia, hybrid broom, and, further down, In light shade, one Franklinia Alatamaha In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother Later would make preserves of, to give to friends Or sell, in autumn, with the foxgrape, quince, Elderberry, and muscadine.
Around The granite overhang, moist den of foxes; Gradually up a long hill, high in pine, Park-like, years of dry needles on the ground, And dogwood, slopes the settlers terraced; pine We cut at Christmas, berries, hollies, anise, And cones for sale in Mister Haymore’s yard In town, below the Courthouse Square.
James Haymore, One of the two good teachers at Boys’ High, Ironic and demanding, chemistry; Mary Lou Culver taught us English: essays, Plot summaries, outlines, meters, kinds of clauses (Noun, adjective, and adverb, five at a time), Written each day and then revised, and she Up half the night to read them once again Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers Set a house, unpainted, the porch fallen in, The road a red clay strip without a bridge, A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon Out of the gluey mire, earth’s rust.
Then, here And there, back from the road, the specimen Shrubs and small trees my father planted, some Taller than we were, some in bloom, some berried, And some we still brought water to.
We always Paused at the weed-filled hole beside the beech That, one year, brought forth beech nuts by the thousands, A hole still reminiscent of the man Chewing tobacco in among his whiskers My father happened on, who, discovered, told Of dreaming he should dig there for the gold And promised to give half of what he found.
During the wars with Germany and Japan, Descendents of the settlers, of Oliver Brand And of that man built Flying Fortresses For Lockheed, in Atlanta; now they build Brick mansions in the woods they left, with lawns To paved and lighted streets, azaleas, camellias Blooming among the pines and tulip trees— Mercedes Benz and Cadillac Republicans.
There was another stream further along Divided through a marsh, lined by the fence We stretched to posts with Mister Garner’s help The time he needed cash for his son’s bail And offered all his place.
A noble spring Under the oak root cooled his milk and butter.
He called me “honey,” working with us there (My father bought three acres as a gift), His wife pale, hair a country orange, voice Uncanny, like a ghost’s, through the open door Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid Sliver and grey, red comb and long sharp spurs, Once chased Aunt Jennie as far as the daphne bed The two big king snakes were familiars of.
My father’s dog would challenge him sometimes To laughter and applause.
Once, in Stone Mountain, Travelers, stopped for gas, drove off with Smokey; Angrily, grievingly, leaving his work, my father Traced the car and found them way far south, Had them arrested and, bringing Smokey home, Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy, Grey Junior, down to meet us.
The rose trees, Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog, Camellias cracked and blackened by the freeze, Bay tree, mimosa, mountain laurel, apple, Monkey pine twenty feet high, banana shrub, The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block, Smooth concrete floor, roof pale aluminum Half-covered by a clematis, the pump Thirty feet down the mountain’s granite foot.
Mort was the hired man sent to us by Fortune, Childlike enough to lead us.
He brought home, Although he could not even drive a tractor, Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages, Frank Guess, the judge, Grandmother’s longtime neighbor, Whose children my mother taught in Cradle Roll, Heard Mort’s examination, he broke in As if in disbelief on the bank’s attorneys: “Gentlemen, must we continue this charade?” Finally, past the compost heap, the garden, Tomatoes and sweet corn for succotash, Okra for frying, Kentucky Wonders, limas, Cucumbers, squashes, leeks heaped round with soil, Lavender, dill, parsley, and rosemary, Tithonia and zinnias between the rows; The greenhouse by the rock wall, used for cuttings In late spring, frames to grow them strong for planting Through winter into summer.
Early one morning Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia We planted as a stem divides the path The others lie, too young, at Silver Hill, Except my mother.
Ninety-five, she lives Three thousand miles away, beside the bare Pacific, in rooms that overlook the Mission, The Riviera, and the silver range La Cumbre east.
Magnolia grandiflora And one druidic live oak guard the view.
Proudly around the walls, she shows her paintings Of twenty years ago: the great oak’s arm Extended, Zeuslike, straight and strong, wisteria Tangled among the branches, amaryllis Around the base; her cat, UC, at ease In marigolds; the weeping cherry, pink And white arms like a blessing to the blue Bird feeder Mort made; cabin, scarlet sweet gum Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind, Active, ready for laughter, open to fear, Pity, and wonder that such things may be, Some Sundays, I think, she must walk the line, Aunt Jennie, too, if she were still alive, And Eleanor, whose story is untold, Their presences like muses, prompting me In my small study, all listening to the sea, All of one mind, the true posterity.


Written by Sappho | Create an image from this poem

I have not had one word from her

I have not had one word from her 

Frankly I wish I were dead
When she left she wept 

a great deal; she said to me This parting must be
endured, Sappho. I go unwillingly.  

I said Go, and be happy
but remember (you know 
well) whom you leave shackled by love 

If you forget me think
of our gifts to Aphrodite
and all the loveliness that we shared 

all the violet tiaras,
braided rosebuds, dill and
crocus twined around your young neck 

myrrh poured on your head
and on soft mats girls with
all that they most wished for beside them 

while no voices chanted
choruses without ours,
no woodlot bloomed in spring without song...  

--Translated by Mary Barnard 
Written by Hayden Carruth | Create an image from this poem

The Curtain

 Just over the horizon a great machine of death is roaring and

 rearing.
One can hear it always.
Earthquake, starvation, the ever- renewing field of corpse-flesh.
In this valley the snow falls silently all day and out our window We see the curtain of it shifting and folding, hiding us away in our little house, We see earth smoothened and beautified, made like a fantasy, the snow-clad trees So graceful in a dream of peace.
In our new bed, which is big enough to seem like the north pasture almost With our two cats, Cooker and Smudgins, lying undisturbed in the southeastern and southwestern corners, We lie loving and warm, looking out from time to time.
"Snowbound," we say.
We speak of the poet Who lived with his young housekeeper long ago in the mountains of the western province, the kingdom Of complete cruelty, where heads fell like wilted flowers and snow fell for many months across the mouth Of the pass and drifted deep in the vale.
In our kitchen the maple-fire murmurs In our stove.
We eat cheese and new-made bread and jumbo Spanish olives That have been steeped in our special brine of jalapeños and garlic and dill and thyme.
We have a nip or two from the small inexpensive cognac that makes us smile and sigh.
For a while we close the immense index of images which is Our lives--for instance, the child on the Mescalero reservation in New Mexico in 1966 Sitting naked in the dirt outside his family's hut of tin and cardboard, Covered with sores, unable to speak.
But of course the child is here with us now, We cannot close the index.
How will we survive? We don't and cannot know.
Beyond the horizon a great unceasing noise is undeniable.
The machine May break through and come lurching into our valley at any moment, at any moment.
Cheers, baby.
Here's to us.
See how the curtain of snow wavers and falls back.
Credit: Copyright © 1995 by Hayden Carruth.
Used with the permission of Copper Canyon Press, www.
coppercanyonpress.
org

Book: Shattered Sighs