Written by
Marianne Moore |
I, too, dislike it: there are things that are important beyond all
this fiddle.
Reading it, however, with a perfect contempt for it, one
discovers in
it after all, a place for the genuine.
Hands that can grasp, eyes
that can dilate, hair that can rise
if it must, these things are important not because a
high-sounding interpretation can be put upon them but because
they are
useful. When they become so derivative as to become
unintelligible,
the same thing may be said for all of us, that we
do not admire what
we cannot understand: the bat
holding on upside down or in quest of something to
eat, elephants pushing, a wild horse taking a roll, a tireless wolf
under
a tree, the immovable critic twitching his skin like a horse that
feels a
flea, the base-
ball fan, the statistician--
nor is it valid
to discriminate against 'business documents and
school-books'; all these phenomena are important. One must
make a distinction
however: when dragged into prominence by half poets, the
result is not poetry,
nor till the poets among us can be
'literalists of
the imagination'--above
insolence and triviality and can present
for inspection, 'imaginary gardens with real toads in them', shall
we have
it. In the meantime, if you demand on the one hand,
the raw material of poetry in
all its rawness and
that which is on the other hand
genuine, you are interested in poetry.
|
Written by
Robert Browning |
I.
All I believed is true!
I am able yet
All I want, to get
By a method as strange as new:
Dare I trust the same to you?
II.
If at night, when doors are shut,
And the wood-worm picks,
And the death-watch ticks,
And the bar has a flag of smut,
And a cat's in the water-butt---
III.
And the socket floats and flares,
And the house-beams groan,
And a foot unknown
Is surmised on the garret-stairs,
And the locks slip unawares---
IV.
And the spider, to serve his ends,
By a sudden thread,
Arms and legs outspread,
On the table's midst descends,
Comes to find, God knows what friends!---
V.
If since eve drew in, I say,
I have sat and brought
(So to speak) my thought
To bear on the woman away,
Till I felt my hair turn grey---
VI.
Till I seemed to have and hold,
In the vacancy
'Twixt the wall and me,
From the hair-plait's chestnut gold
To the foot in its muslin fold---
VII.
Have and hold, then and there,
Her, from head to foot,
Breathing and mute,
Passive and yet aware,
In the grasp of my steady stare---
VIII.
Hold and have, there and then,
All her body and soul
That completes my whole,
All that women add to men,
In the clutch of my steady ken---
IX.
Having and holding, till
I imprint her fast
On the void at last
As the sun does whom he will
By the calotypist's skill---
X.
Then,---if my heart's strength serve,
And through all and each
Of the veils I reach
To her soul and never swerve,
Knitting an iron nerve---
XI.
Command her soul to advance
And inform the shape
Which has made escape
And before my countenance
Answers me glance for glance---
XII.
I, still with a gesture fit
Of my hands that best
Do my soul's behest,
Pointing the power from it,
While myself do steadfast sit---
XIII.
Steadfast and still the same
On my object bent,
While the hands give vent
To my ardour and my aim
And break into very flame---
XIV.
Then I reach, I must believe,
Not her soul in vain,
For to me again
It reaches, and past retrieve
Is wound in the toils I weave;
XV.
And must follow as I require,
As befits a thrall,
Bringing flesh and all,
Essence and earth-attire,
To the source of the tractile fire:
XVI.
Till the house called hers, not mine,
With a growing weight
Seems to suffocate
If she break not its leaden line
And escape from its close confine.
XVII.
Out of doors into the night!
On to the maze
Of the wild wood-ways,
Not turning to left nor right
From the pathway, blind with sight---
XVIII.
Making thro' rain and wind
O'er the broken shrubs,
'Twixt the stems and stubs,
With a still, composed, strong mind,
Nor a care for the world behind---
XIX.
Swifter and still more swift,
As the crowding peace
Doth to joy increase
In the wide blind eyes uplift
Thro' the darkness and the drift!
XX.
While I---to the shape, I too
Feel my soul dilate
Nor a whit abate,
And relax not a gesture due,
As I see my belief come true.
XXI.
For, there! have I drawn or no
Life to that lip?
Do my fingers dip
In a flame which again they throw
On the cheek that breaks a-glow?
XXII.
Ha! was the hair so first?
What, unfilleted,
Made alive, and spread
Through the void with a rich outburst,
Chestnut gold-interspersed?
XXTII.
Like the doors of a casket-shrine,
See, on either side,
Her two arms divide
Till the heart betwixt makes sign,
Take me, for I am thine!
XXIV.
``Now---now''---the door is heard!
Hark, the stairs! and near---
Nearer---and here---
``Now!'' and at call the third
She enters without a word.
XXV.
On doth she march and on
To the fancied shape;
It is, past escape,
Herself, now: the dream is done
And the shadow and she are one.
XXVI.
First I will pray. Do Thou
That ownest the soul,
Yet wilt grant control
To another, nor disallow
For a time, restrain me now!
XXVII.
I admonish me while I may,
Not to squander guilt,
Since require Thou wilt
At my hand its price one day
What the price is, who can say?
|
Written by
Anne Sexton |
Take away your knowledge, Doktor.
It doesn't butter me up.
You say my heart is sick unto.
You ought to have more respect!
you with the goo on the suction cup.
You with your wires and electrodes
fastened at my ankle and wrist,
sucking up the biological breast.
You with your zigzag machine
playing like the stock market up and down.
Give me the Phi Beta key you always twirl
and I will make a gold crown for my molar.
I will take a slug if you please
and make myself a perfectly good appendix.
Give me a fingernail for an eyeglass.
The world was milky all along.
I will take an iron and press out
my slipped disk until it is flat.
But take away my mother's carcinoma
for I have only one cup of fetus tears.
Take away my father's cerebral hemorrhage
for I have only a jigger of blood in my hand.
Take away my sister's broken neck
for I have only my schoolroom ruler for a cure.
Is there such a device for my heart?
I have only a gimmick called magic fingers.
Let me dilate like a bad debt.
Here is a sponge. I can squeeze it myself.
O heart, tobacco red heart,
beat like a rock guitar.
I am at the ship's prow.
I am no longer the suicide
with her raft and paddle.
Herr Doktor! I'll no longer die
to spite you, you wallowing
seasick grounded man.
|
Written by
Robert William Service |
Oh happy he who cannot see
With scientific eyes;
Who does not know how flowers grow,
And is not planet wise;
Content to find with simple mind
Joys as they are:
To whom a rose is just a rose,
A star--a star.
It is not good, I deem, to brood
On things beyond our ken;
A rustic I would live and die,
Aloof from learned men;
And laugh and sing with zest of Spring
In life's exultant scene,--
For vain my be philosophy,
And what does meaning mean?
I'm talking rot,--I'm really not
As dumb as I pretend;
But happiness, I dimly guess,
Is what counts in the end.
To educate is to dilate
The nerves of pain:
So let us give up books and live
Like hinds again.
The best of wisdom surely is
To be not overwise;
For may not thought be evil fraught,
And truth less kind than lies?
So let me praise the golden days
I played a gay guitar,
And deemed a rose was just a rose,
A star--a star.
|
Written by
Conrad Aiken |
You see that porcelain ranged there in the window—
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
They're works of art—minutely seen and felt,
Each petal done devoutly. Is it failure
To spend your blood like this?
Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal—
My brain unfolding! There you'll see me sitting
Day after day, close to a certain window,
Looking down, sometimes, to see the people . . .
Sometimes my wife comes there to speak to me . . .
Sometimes the grey cat waves his tail around me . . .
Goldfish swim in a bowl, glisten in sunlight,
Dilate to a gorgeous size, blow delicate bubbles,
Drowse among dark green weeds. On rainy days,
You'll see a gas-light shedding light behind me—
An eye-shade round my forehead. There I sit,
Twirling the tiny brushes in my paint-cups,
Painting the pale pink rosebuds, minute violets,
Exquisite wreaths of dark green ivy leaves.
On this leaf, goes a dream I dreamed last night
Of two soft-patterned toads—I thought them stones,
Until they hopped! And then a great black spider,—
Tarantula, perhaps, a hideous thing,—
It crossed the room in one tremendous leap.
Here,—as I coil the stems between two leaves,—
It is as if, dwindling to atomy size,
I cried the secret between two universes . . .
A friend of mine took hasheesh once, and said
Just as he fell asleep he had a dream,—
Though with his eyes wide open,—
And felt, or saw, or knew himself a part
Of marvelous slowly-wreathing intricate patterns,
Plane upon plane, depth upon coiling depth,
Amazing leaves, folding one on another,
Voluted grasses, twists and curves and spirals—
All of it darkly moving . . . as for me,
I need no hasheesh for it—it's too easy!
Soon as I shut my eyes I set out walking
In a monstrous jungle of monstrous pale pink roseleaves,
Violets purple as death, dripping with water,
And ivy-leaves as big as clouds above me.
Here, in a simple pattern of separate violets—
With scalloped edges gilded—here you have me
Thinking of something else. My wife, you know,—
There's something lacking—force, or will, or passion,
I don't know what it is—and so, sometimes,
When I am tired, or haven't slept three nights,
Or it is cloudy, with low threat of rain,
I get uneasy—just like poplar trees
Ruffling their leaves—and I begin to think
Of poor Pauline, so many years ago,
And that delicious night. Where is she now?
I meant to write—but she has moved, by this time,
And then, besides, she might find out I'm married.
Well, there is more—I'm getting old and timid—
The years have gnawed my will. I've lost my nerve!
I never strike out boldly as I used to—
But sit here, painting violets, and remember
That thrilling night. Photographers, she said,
Asked her to pose for them; her eyes and forehead,—
Dark brown eyes, and a smooth and pallid forehead,—
Were thought so beautiful.—And so they were.
Pauline . . . These violets are like words remembered . . .
Darling! she whispered . . . Darling! . . . Darling! . . . Darling!
Well, I suppose such days can come but once.
Lord, how happy we were! . . .
Here, if you only knew it, is a story—
Here, in these leaves. I stopped my work to tell it,
And then, when I had finished, went on thinking:
A man I saw on a train . . . I was still a boy . . .
Who killed himself by diving against a wall.
Here is a recollection of my wife,
When she was still my sweetheart, years ago.
It's funny how things change,—just change, by growing,
Without an effort . . . And here are trivial things,—
A chill, an errand forgotten, a cut while shaving;
A friend of mine who tells me he is married . . .
Or is that last so trivial? Well, no matter!
This is the sort of thing you'll see of me,
If you look hard enough. This, in its way,
Is a kind of fame. My life arranged before you
In scrolls of leaves, rosebuds, violets, ivy,
Clustered or wreathed on plate and cup and platter . . .
Sometimes, I say, I'm just like John the Baptist—
You have my head before you . . . on a platter.
|
Written by
Robert William Service |
The General now lives in town;
He's eighty odd, they say;
You'll see him strolling up and down
The Prada any day.
He goes to every football game,
The bull-ring knows his voice,
And when the people cheer his name
Moscardo must rejoice.
Yet does he, in the gaiety
Of opera and ball,
A dingy little cellar see,
A picture on a wall?
A portrait of a laughing boy
Of sixteen singing years . . .
Oh does his heart dilate with joy,
Or dim his eyes with tears?
And can he hear a wistful lad
Speak on the telephone?
"Hello! How is it with you, Dad?
That's right - I'm all alone.
They say they'll shoot me at the dawn
If you do not give in . . .
But never mind, Dad - carry on:
You know we've got to win."
And so they shot him at the dawn.
No bandage irked his eyes,
A lonely lad, so wistful wan,
He made his sacrifice.
he saw above the Citadel
His flag of glory fly,
And crying: "long live Spain!" he fell
And died as heroes die.
|
Written by
Walt Whitman |
1
THOUGHT of the Infinite—the All!
Be thou my God.
2
Lover Divine, and Perfect Comrade!
Waiting, content, invisible yet, but certain,
Be thou my God.
3
Thou—thou, the Ideal Man!
Fair, able, beautiful, content, and loving,
Complete in Body, and dilate in Spirit,
Be thou my God.
4
O Death—(for Life has served its turn;)
Opener and usher to the heavenly mansion!
Be thou my God.
5
Aught, aught, of mightiest, best, I see, conceive, or know,
(To break the stagnant tie—thee, thee to free, O Soul,)
Be thou my God.
6
Or thee, Old Cause, when’er advancing;
All great Ideas, the races’ aspirations,
All that exalts, releases thee, my Soul!
All heroisms, deeds of rapt enthusiasts,
Be ye my Gods!
7
Or Time and Space!
Or shape of Earth, divine and wondrous!
Or shape in I myself—or some fair shape, I, viewing, worship,
Or lustrous orb of Sun, or star by night:
Be ye my Gods.
|
Written by
George (Lord) Byron |
When coldness wraps this suffering clay,
Ah! whither strays the immortal mind?
It cannot die, it cannot stay,
But leaves its darken'd dust behind.
Then, unembodied, doth it trace
By steps each planet's heavenly way?
Or fill at once the realms of space,
A thing of eyes, that all survey?
Eternal, boundless, undecay'd,
A thought unseen, but seeing all,
All, all in earth or skies display'd,
Shall it survey, shall it recall:
Each fainter trace that memory holds
So darkly of departed years,
In one broad glance the soul beholds,
And all, that was, at once appears.
Before Creation peopled earth,
Its eye shall roll through chaos back;
And where the farthest heaven had birth,
The spirit trace its rising track.
And where the future mars or makes,
Its glance dilate o'er all to be,
While sun is quench'd or system breaks,
Fix'd in its own eternity.
Above or Love, Hope, Hate, or Fear,
It lives all passionless and pure:
An age shall fleet like earthly year;
Its years as moments shall endure.
Away, away, without a wing,
O'er all, through all, its thought shall fly,
A nameless and eternal thing,
Forgetting what it was to die.
|
Written by
Algernon Charles Swinburne |
At the time when the stars are grey,
And the gold of the molten moon
Fades, and the twilight is thinned,
And the sun leaps up, and the wind,
A light rose, not of the day,
A stronger light than of noon.
As the light of a face much loved
Was the face of the light that clomb;
As a mother's whitened with woes
Her adorable head that arose;
As the sound of a God that is moved,
Her voice went forth upon Rome.
At her lips it fluttered and failed
Twice, and sobbed into song,
And sank as a flame sinks under;
Then spake, and the speech was thunder,
And the cheek as he heard it paled
Of the wrongdoer grown grey with the wrong.
"Is it time, is it time appointed,
Angel of time, is it near?
For the spent night aches into day
When the kings shall slay not or pray,
And the high-priest, accursed and anointed,
Sickens to deathward with fear.
"For the bones of my slain are stirred,
And the seed of my earth in her womb
Moves as the heart of a bud
Beating with odorous blood
To the tune of the loud first bird
Burns and yearns into bloom.
"I lay my hand on her bosom,
My hand on the heart of my earth,
And I feel as with shiver and sob
The triumphant heart in her throb,
The dead petals dilate into blossom,
The divine blood beat into birth.
"O my earth, are the springs in thee dry?
O sweet, is thy body a tomb?
Nay, springs out of springs derive,
And summers from summers alive,
And the living from them that die;
No tomb is here, but a womb.
"O manifold womb and divine,
Give me fruit of my children, give!
I have given thee my dew for thy root,
Give thou me for my mouth of thy fruit;
Thine are the dead that are mine,
And mine are thy sons that live.
"O goodly children, O strong
Italian spirits, that wear
My glories as garments about you,
Could time or the world misdoubt you,
Behold, in disproof of the wrong,
The field of the grave-pits there.
"And ye that fell upon sleep,
We have you too with us yet.
Fairer than life or than youth
Is this, to die for the truth:
No death can sink you so deep
As their graves whom their brethren forget.
"Were not your pains as my pains?
As my name are your names not divine?
Was not the light in your eyes
Mine, the light of my skies,
And the sweet shed blood of your veins,
O my beautiful martyrs, mine?
"Of mine earth were your dear limbs made,
Of mine air was your sweet life's breath;
At the breasts of my love ye were fed,
O my children, my chosen, my dead,
At my breasts where again ye are laid,
At the old mother's bosom, in death.
"But ye that live, O their brothers,
Be ye to me as they were;
Give me, my children that live,
What these dead grudged not to give,
Who alive were sons of your mother's,
Whose lips drew breath of your air.
"Till darkness by dawn be cloven,
Let youth's self mourn and abstain;
And love's self find not an hour,
And spring's self wear not a flower,
And Lycoris, with hair unenwoven,
Hail back to the banquet in vain.
"So sooner and surer the glory
That is not with us shall be,
And stronger the hands that smite
The heads of the sons of night,
And the sound throughout earth of our story
Give all men heart to be free."
|
Written by
Walt Whitman |
FOR him I sing,
(As some perennial tree, out of its roots, the present on the past:)
With time and space I him dilate—and fuse the immortal laws,
To make himself, by them, the law unto himself.
|