Written by
Galway Kinnell |
1
In late winter
I sometimes glimpse bits of steam
coming up from
some fault in the old snow
and bend close and see it is lung-colored
and put down my nose
and know
the chilly, enduring odor of bear.
2
I take a wolf's rib and whittle
it sharp at both ends
and coil it up
and freeze it in blubber and place it out
on the fairway of the bears.
And when it has vanished
I move out on the bear tracks,
roaming in circles
until I come to the first, tentative, dark
splash on the earth.
And I set out
running, following the splashes
of blood wandering over the world.
At the cut, gashed resting places
I stop and rest,
at the crawl-marks
where he lay out on his belly
to overpass some stretch of bauchy ice
I lie out
dragging myself forward with bear-knives in my fists.
3
On the third day I begin to starve,
at nightfall I bend down as I knew I would
at a turd sopped in blood,
and hesitate, and pick it up,
and thrust it in my mouth, and gnash it down,
and rise
and go on running.
4
On the seventh day,
living by now on bear blood alone,
I can see his upturned carcass far out ahead, a scraggled,
steamy hulk,
the heavy fur riffling in the wind.
I come up to him
and stare at the narrow-spaced, petty eyes,
the dismayed
face laid back on the shoulder, the nostrils
flared, catching
perhaps the first taint of me as he
died.
I hack
a ravine in his thigh, and eat and drink,
and tear him down his whole length
and open him and climb in
and close him up after me, against the wind,
and sleep.
5
And dream
of lumbering flatfooted
over the tundra,
stabbed twice from within,
splattering a trail behind me,
splattering it out no matter which way I lurch,
no matter which parabola of bear-transcendence,
which dance of solitude I attempt,
which gravity-clutched leap,
which trudge, which groan.
6
Until one day I totter and fall --
fall on this
stomach that has tried so hard to keep up,
to digest the blood as it leaked in,
to break up
and digest the bone itself: and now the breeze
blows over me, blows off
the hideous belches of ill-digested bear blood
and rotted stomach
and the ordinary, wretched odor of bear,
blows across
my sore, lolled tongue a song
or screech, until I think I must rise up
and dance. And I lie still.
7
I awaken I think. Marshlights
reappear, geese
come trailing again up the flyway.
In her ravine under old snow the dam-bear
lies, licking
lumps of smeared fur
and drizzly eyes into shapes
with her tongue. And one
hairy-soled trudge stuck out before me,
the next groaned out,
the next,
the next,
the rest of my days I spend
wandering: wondering
what, anyway,
was that sticky infusion, that rank flavor of blood, that
poetry, by which I lived?
from Body Rags, Galway Kinnell (Boston: Houghton Mifflin, 1967).
|
Written by
Eugene Field |
This talk about the journalists that run the East is bosh,
We've got a Western editor that's little, but, O gosh!
He lives here in Mizzoora where the people are so set
In ante-bellum notions that they vote for Jackson yet;
But the paper he is running makes the rusty fossils swear,--
The smartest, likeliest paper that is printed anywhere!
And, best of all, the paragraphs are pointed as a tack,
And that's because they emanate
From little Mack.
In architecture he is what you'd call a chunky man,
As if he'd been constructed on the summer cottage plan;
He has a nose like Bonaparte; and round his mobile mouth
Lies all the sensuous languor of the children of the South;
His dealings with reporters who affect a weekly bust
Have given to his violet eyes a shadow of distrust;
In glorious abandon his brown hair wanders back
From the grand Websterian forehead
Of little Mack.
No matter what the item is, if there's an item in it,
You bet your life he's on to it and nips it in a minute!
From multifarious nations, countries, monarchies, and lands,
From Afric's sunny fountains and India's coral strands,
From Greenland's icy mountains and Siloam's shady rills,
He gathers in his telegrams, and Houser pays the bills;
What though there be a dearth of news, he has a happy knack
Of scraping up a lot of scoops,
Does little Mack.
And learning? Well he knows the folks of every tribe and age
That ever played a part upon this fleeting human stage;
His intellectual system's so extensive and so greedy
That, when it comes to records, he's a walkin' cyclopedy;
For having studied (and digested) all the books a-goin',
It stands to reason he must know about all's worth a-knowin'!
So when a politician with a record's on the track,
We're apt to hear some history
From little Mack.
And when a fellow-journalist is broke and needs a twenty,
Who's allus ready to whack up a portion of his plenty?
Who's allus got a wallet that's as full of sordid gain
As his heart is full of kindness and his head is full of brain?
Whose bowels of compassion will in-va-ri-a-bly move
Their owner to those courtesies which plainly, surely prove
That he's the kind of person that never does go back
On a fellow that's in trouble?
Why, little Mack!
I've heard 'em tell of Dana, and of Bonner, and of Reid,
Of Johnnie Cockerill, who, I'll own, is very smart indeed;
Yet I don't care what their renown or influence may be,
One metropolitan exchange is quite enough for me!
So keep your Danas, Bonners, Reids, your Cockerills, and the rest,
The woods is full of better men all through this woolly West;
For all that sleek, pretentious, Eastern editorial pack
We wouldn't swap the shadow of
Our little Mack!
|
Written by
A E Housman |
CHORUS: O suitably-attired-in-leather-boots
Head of a traveller, wherefore seeking whom
Whence by what way how purposed art thou come
To this well-nightingaled vicinity?
My object in inquiring is to know.
But if you happen to be deaf and dumb
And do not understand a word I say,
Then wave your hand, to signify as much.
ALCMAEON: I journeyed hither a Boetian road.
CHORUS: Sailing on horseback, or with feet for oars?
ALCMAEON: Plying with speed my partnership of legs.
CHORUS: Beneath a shining or a rainy Zeus?
ALCMAEON: Mud's sister, not himself, adorns my shoes.
CHORUS: To learn your name would not displease me much.
ALCMAEON: Not all that men desire do they obtain.
CHORUS: Might I then hear at what thy presence shoots.
ALCMAEON: A shepherd's questioned mouth informed me that--
CHORUS: What? for I know not yet what you will say.
ALCMAEON: Nor will you ever, if you interrupt.
CHORUS: Proceed, and I will hold my speechless tongue.
ALCMAEON: This house was Eriphyle's, no one else's.
CHORUS: Nor did he shame his throat with shameful lies.
ALCMAEON: May I then enter, passing through the door?
CHORUS: Go chase into the house a lucky foot.
And, O my son, be, on the one hand, good,
And do not, on the other hand, be bad;
For that is much the safest plan.
ALCMAEON: I go into the house with heels and speed.
CHORUS
Strophe
In speculation
I would not willingly acquire a name
For ill-digested thought;
But after pondering much
To this conclusion I at last have come:
LIFE IS UNCERTAIN.
This truth I have written deep
In my reflective midriff
On tablets not of wax,
Nor with a pen did I inscribe it there,
For many reasons: LIFE, I say, IS NOT
A STRANGER TO UNCERTAINTY.
Not from the flight of omen-yelling fowls
This fact did I discover,
Nor did the Delphine tripod bark it out,
Nor yet Dodona.
Its native ingunuity sufficed
My self-taught diaphragm.
Antistrophe
Why should I mention
The Inachean daughter, loved of Zeus?
Her whom of old the gods,
More provident than kind,
Provided with four hoofs, two horns, one tail,
A gift not asked for,
And sent her forth to learn
The unfamiliar science
Of how to chew the cud.
She therefore, all about the Argive fields,
Went cropping pale green grass and nettle-tops,
Nor did they disagree with her.
But yet, howe'er nutritious, such repasts
I do not hanker after:
Never may Cypris for her seat select
My dappled liver!
Why should I mention Io? Why indeed?
I have no notion why.
Epode
But now does my boding heart,
Unhired, unaccompanied, sing
A strain not meet for the dance.
Yes even the palace appears
To my yoke of circular eyes
(The right, nor omit I the left)
Like a slaughterhouse, so to speak,
Garnished with woolly deaths
And many sphipwrecks of cows.
I therefore in a Cissian strain lament:
And to the rapid
Loud, linen-tattering thumps upon my chest
Resounds in concert
The battering of my unlucky head.
ERIPHYLE (within): O, I am smitten with a hatchet's jaw;
And that in deed and not in word alone.
CHORUS: I thought I heard a sound within the house
Unlike the voice of one that jumps for joy.
ERIPHYLE: He splits my skull, not in a friendly way,
Once more: he purposes to kill me dead.
CHORUS: I would not be reputed rash, but yet
I doubt if all be gay within the house.
ERIPHYLE: O! O! another stroke! that makes the third.
He stabs me to the heart against my wish.
CHORUS: If that be so, thy state of health is poor;
But thine arithmetic is quite correct.
|
Written by
Brooks Haxton |
I am like a pelican of the wilderness: I am
like an owl of the desert. I watch, and am
as a sparrow alone upon the housetop.
Psalm 102
The pelican in scripture is unclean. It pukes dead fish
onto the hatchlings, and it roosts alone, like Satan
on the Tree of Life. Nobody told me. I liked pelicans.
I liked owls, too. I used to lie awake and listen,
wanting to become an owl, to fly, to see through darkness,
turn my head, and look straight back behind me. I was
happy, as kids go, but I did not belong in human form.
Sparrows peck grain from fresh dung. In this world rich
means filthy. Leopardi, in his high Romantic musings
on the sparrow, does not say the poet is a shitbird, just
that, singing by himself, he acts like one, and wishes
he could feel more like one, unashamed to do so. Here,
the preacher (burning in his bones with fever, puking
half-digested fish, and hooting, sleepless in the ruins
like the baleful dead) cries: O Lord, take me not away.
|
Written by
Andrew Marvell |
Alas, how pleasant are their dayes
With whom the Infant Love yet playes!
Sorted by pairs, they still are seen
By Fountains cool, and Shadows green.
But soon these Flames do lose their light,
Like Meteors of a Summers night:
Nor can they to that Region climb,
To make impression upon Time.
'Twas in a Shipwrack, when the Seas
Rul'd, and the Winds did what they please,
That my poor Lover floting lay,
And, e're brought forth, was cast away:
Till at the last the master-Wave.
Upon the Rock his Mother drave;
And there she split against the Stone,
In a Cesarian Section.
The Sea him lent these bitter Tears
Which at his Eyes he alwaies bears.
And from the Winds the Sighs he bore,
Which through his surging Breast do roar.
No Day he saw but that which breaks,
Through frighted Clouds in forked streaks.
While round the ratling Thunder hurl'd,
As at the Fun'ral of the World.
While Nature to his Birth presents
This masque of quarrelling Elements;
A num'rous fleet of Corm'rants black,
That sail'd insulting o're the Wrack,
Receiv'd into their cruel Care,
Th' unfortunate and abject Heir:
Guardians most fit to entertain
The Orphan of the Hurricane.
They fed him up with Hopes and Air,
Which soon digested to Despair.
And as one Corm'rant fed him, still
Another on his Heart did bill.
Thus while they famish him, and feast,
He both consumed, and increast:
And languished with doubtful Breath,
Th' Amphibium of Life and Death.
And now, when angry Heaven wou'd
Behold a spectacle of Blood,
Fortune and He are call'd to play
At sharp before it all the day:
And Tyrant Love his brest does ply
With all his wing'd Artillery.
Whilst he, betwixt the Flames and Waves,
Like Ajax, the mad Tempest braves.
See how he nak'd and fierce does stand,
Cuffing the Thunder with one hand;
While with the other he does lock,
And grapple, with the stubborn Rock:
From which he with each Wave rebounds,
Torn into Flames, and ragg'd with Wounds.
And all he saies, a Lover drest
In his own Blood does relish best.
This is the only Banneret
That ever Love created yet:
Who though, by the Malignant Starrs,
Forced to live in Storms and Warrs;
Yet dying leaves a Perfume here,
And Musick within every Ear:
And he in Story only rules,
In a Field Sable a Lover Gules.
|
Written by
William Matthews |
I was miserable, of course, for I was seventeen
and so I swung into action and wrote a poem
and it was miserable, for that was how I thought
poetry worked: you digested experience shat
literature. It was 1960 at The Showplace, long since
defunct, on West 4th st., and I sat at the bar,
casting beer money from a reel of ones,
the kid in the city, big ears like a puppy.
And I knew Mingus was a genius. I knew two
other things, but as it happens they were wrong.
So I made him look at this poem.
"There's a lot of that going around," he said,
and Sweet Baby Jesus he was right. He glowered
at me but didn't look as if he thought
bad poems were dangerous, the way some poets do.
If they were baseball executives they'd plot
to destroy sandlots everywhere so that the game
could be saved from children. Of course later
that night he fired his pianist in mid-number
and flurried him from the stand.
"We've suffered a diminuendo in personnel,"
he explained, and the band played on.
|
Written by
Anne Sexton |
I've been going right on, page by page,
since we last kissed, two long dolls in a cage,
two hunger-mongers throwing a myth in and out,
double-crossing out lives with doubt,
leaving us separate now, fogy with rage.
But then I've told my readers what I think
and scrubbed out the remainder with my shrink,
have placed my bones in a jar as if possessed,
have pasted a black wing over my left breast,
have washed the white out of the moon at my sink,
have eaten The Cross, have digested its lore,
indeed, have loved that eggless man once more,
have placed my own head in the kettle because
in the end death won't settle for my hypochondrias,
because this errand we're on goes to one store.
That shopkeeper may put up barricades,
and he may advertise cognac and razor blades,
he may let you dally at Nice or the Tuileries,
he may let the state of our bowels have ascendancy,
he may let such as we flaunt our escapades,
swallow down our portion of whisky and dex,
salvage the day with some soup or some sex,
juggle our teabags as we inch down the hall,
let the blood out of our fires with phenobarbital,
lick the headlines for Starkweathers and Specks,
let us be folk of the literary set,
let us deceive with words the critics regret,
let us dog down the streets for each invitation,
typing out our lives like a Singer sewing sublimation,
letting our delicate bottoms settle and yet
they were spanked alive by some doctor of folly,
given a horn or a dish to get by with, by golly,
exploding with blood in this errand called life,
dumb with snow and elbows, rubber man, a mother wife,
tongues to waggle out of the words, mistletoe and holly,
tables to place our stones on, decades of disguises,
wntil the shopkeeper plants his boot in our eyes,
and unties our bone and is finished with the case,
and turns to the next customer, forgetting our face
or how we knelt at the yellow bulb with sighs
like moth wings for a short while in a small place.
|
Written by
William Cowper |
Thus heav'nward all things tend. For all were once
Perfect, and all must be at length restor'd.
So God has greatly purpos'd; who would else
In his dishonour'd works himself endure
Dishonour, and be wrong'd without redress.
Haste then, and wheel away a shatter'd world,
Ye slow-revolving seasons! We would see
(A sight to which our eyes are strangers yet)
A world that does not dread and hate his laws,
And suffer for its crime: would learn how fair
The creature is that God pronounces good,
How pleasant in itself what pleases him.
Here ev'ry drop of honey hides a sting;
Worms wind themselves into our sweetest flow'rs,
And ev'n the joy, that haply some poor heart
Derives from heav'n, pure as the fountain is,
Is sully'd in the stream; taking a taint
From touch of human lips, at best impure.
Oh for a world in principle as chaste
As this is gross and selfish! over which
Custom and prejudice shall bear no sway,
That govern all things here, should'ring aside
The meek and modest truth, and forcing her
To seek a refuge from the tongue of strife
In nooks obscure, far from the ways of men;
Where violence shall never lift the sword,
Nor cunning justify the proud man's wrong,
Leaving the poor no remedy but tears;
Where he that fills an office shall esteem
The occasion it presents of doing good
More than the perquisite; where law shall speak
Seldom, and never but as wisdom prompts,
And equity; not jealous more to guard
A worthless form, than to decide aright;
Where fashion shall not sanctify abuse,
Nor smooth good-breeding (supplemental grace)
With lean performance ape the work of love....
He is the happy man, whose life ev'n now
Shows somewhat of that happier life to come:
Who, doom'd to an obscure but tranquil state,
Is pleas'd with it, and, were he free to choose,
Would make his fate his choice; whom peace, the fruit
Of virtue, and whom virtue, fruit of faith,
Prepare for happiness; bespeak him one
Content indeed to sojourn while he must
Below the skies, but having there his home.
The world o'eriooks him in her busy search
Of objects more illustrious in her view;
And occupied as earnestly as she,
Though more sublimely, he o'erlooks the world.
She scorns his pleasures, for she knows them not;
He seeks not hers, for he has prov'd them vain.
He cannot skim the ground like summer birds
Pursuing gilded flies, and such he deems
Her honours, her emoluments, her joys.
Therefore in contemplation is his bliss,
Whose pow'r is such, that whom she lifts from earth
She makes familiar with a heav'n unseen,
And shows him glories yet to be reveal'd....
So life glides smoothly and by stealth away,
More golden than that age of fabled gold
Renown'd in ancient song; not vex'd with care
Or stain'd with guilt, beneficent, approv'd
Of God and man, and peaceful in its end.
So glide my life away! and so at last
My share of duties decently fulfill'd,
May some disease, not tardy to perform
Its destin'd office, yet with gentle stroke,
Dismiss me weary to a safe retreat,
Beneath a turf that I have often trod.
It shall not grieve me, then, that once, when call'd
To dress a sofa with the flow'rs of verse,
I play'd awhile, obedient to the fair,
With that light task; but soon, to please her more,
Whom flow'rs alone I knew would little please,
Let fall th' unfinish'd wreath, and rov'd for fruit;
Rov'd far, and gather'd much: some harsh, 'tis true,
Pick'd from the thorns and briars of reproof,
But wholesome, well digested; grateful some
To palates that can taste immortal truth,
Insipid else, and sure to be despis'd.
But all is in his hand whose praise I seek.
In vain the poet sings, and the world hears,
If he regard not, though divine the theme.
'Tis not in artful measures, in the chime
And idle tinkling of a minstrel's lyre,
To charm his ear whose eye is on the heart;
Whose frown can disappoint the proudest strain,
Whose approbation--prosper ev'n mine.
|
Written by
Paul Laurence Dunbar |
When August days are hot an' dry,
When burning copper is the sky,
I 'd rather fish than feast or fly
In airy realms serene and high.
I 'd take a suit not made for looks,
Some easily digested books,
Some flies, some lines, some bait, some hooks,
Then would I seek the bays and brooks.
I would eschew mine every task,
In Nature's smiles my soul should bask,
And I methinks no more could ask,
Except—perhaps—one little flask.
In case of accident, you know,
Or should the wind come on to blow,
Or I be chilled or capsized, so,
A flask would be the only go.
Then could I spend a happy time,—
A bit of sport, a bit of rhyme
(A bit of lemon, or of lime,
To make my bottle's contents prime).
When August days are hot an' dry,
I won't sit by an' sigh or die,
I 'll get my bottle (on the sly)
And go ahead, and fish, and lie![Pg 131]
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