Written by
Charles Bukowski |
I see you drinking at a fountain with tiny
blue hands, no, your hands are not tiny
they are small, and the fountain is in France
where you wrote me that last letter and
I answered and never heard from you again.
you used to write insane poems about
ANGELS AND GOD, all in upper case, and you
knew famous artists and most of them
were your lovers, and I wrote back, it’ all right,
go ahead, enter their lives, I’ not jealous
because we’ never met.
we got close once in
New Orleans, one half block, but never met, never
touched.
so you went with the famous and wrote
about the famous, and, of course, what you found out
is that the famous are worried about
their fame –– not the beautiful young girl in bed
with them, who gives them that, and then awakens
in the morning to write upper case poems about
ANGELS AND GOD.
we know God is dead, they’ told
us, but listening to you I wasn’ sure.
maybe
it was the upper case.
you were one of the
best female poets and I told the publishers,
editors, “ her, print her, she’ mad but she’
magic.
there’ no lie in her fire.
” I loved you
like a man loves a woman he never touches, only
writes to, keeps little photographs of.
I would have
loved you more if I had sat in a small room rolling a
cigarette and listened to you piss in the bathroom,
but that didn’ happen.
your letters got sadder.
your lovers betrayed you.
kid, I wrote back, all
lovers betray.
it didn’ help.
you said
you had a crying bench and it was by a bridge and
the bridge was over a river and you sat on the crying
bench every night and wept for the lovers who had
hurt and forgotten you.
I wrote back but never
heard again.
a friend wrote me of your suicide
3 or 4 months after it happened.
if I had met you
I would probably have been unfair to you or you
to me.
it was best like this.
|
Written by
Sidney Lanier |
or, The First Steamboat up the Alabama.
You, Dinah! Come and set me whar de ribber-roads does meet.
De Lord, HE made dese black-jack roots to twis' into a seat.
Umph, dar! De Lord have mussy on dis blin' ole ******'s feet.
It 'pear to me dis mornin' I kin smell de fust o' June.
I 'clar', I b'lieve dat mockin'-bird could play de fiddle soon!
Dem yonder town-bells sounds like dey was ringin' in de moon.
Well, ef dis ****** IS been blind for fo'ty year or mo',
Dese ears, DEY sees the world, like, th'u' de cracks dat's in de do'.
For de Lord has built dis body wid de windows 'hind and 'fo'.
I know my front ones IS stopped up, and things is sort o' dim,
But den, th'u' DEM, temptation's rain won't leak in on ole Jim!
De back ones show me earth enough, aldo' dey's mons'ous slim.
And as for Hebben, -- bless de Lord, and praise His holy name --
DAT shines in all de co'ners of dis cabin jes' de same
As ef dat cabin hadn't nar' a plank upon de frame!
Who CALL me? Listen down de ribber, Dinah! Don't you hyar
Somebody holl'in' "Hoo, Jim, hoo?" My Sarah died las' y'ar;
IS dat black angel done come back to call ole Jim f'om hyar?
My stars, dat cain't be Sarah, shuh! Jes' listen, Dinah, NOW!
What KIN be comin' up dat bend, a-makin' sich a row?
Fus' bellerin' like a pawin' bull, den squealin' like a sow?
De Lord 'a' mussy sakes alive, jes' hear, -- ker-woof, ker-woof --
De Debble's comin' round dat bend, he's comin' shuh enuff,
A-splashin' up de water wid his tail and wid his hoof!
I'se pow'ful skeered; but neversomeless I ain't gwine run away:
I'm gwine to stand stiff-legged for de Lord dis blessed day.
YOU screech, and swish de water, Satan! I'se a gwine to pray.
O hebbenly Marster, what thou willest, dat mus' be jes' so,
And ef Thou hast bespoke de word, some ******'s bound to go.
Den, Lord, please take ole Jim, and lef young Dinah hyar below!
'Scuse Dinah, 'scuse her, Marster; for she's sich a little chile,
She hardly jes' begin to scramble up de homeyard stile,
But dis ole traveller's feet been tired dis many a many a mile.
I'se wufless as de rotten pole of las' year's fodder-stack.
De rheumatiz done bit my bones; you hear 'em crack and crack?
I cain'st sit down 'dout gruntin' like 'twas breakin' o' my back.
What use de wheel, when hub and spokes is warped and split, and rotten?
What use dis dried-up cotton-stalk, when Life done picked my cotton?
I'se like a word dat somebody said, and den done been forgotten.
But, Dinah! Shuh dat gal jes' like dis little hick'ry tree,
De sap's jes' risin in her; she do grow owdaciouslee --
Lord, ef you's clarin' de underbrush, don't cut her down, cut me!
I would not proud persume -- but I'll boldly make reques';
Sence Jacob had dat wrastlin'-match, I, too, gwine do my bes';
When Jacob got all underholt, de Lord he answered Yes!
And what for waste de vittles, now, and th'ow away de bread,
Jes' for to strength dese idle hands to scratch dis ole bald head?
T'ink of de 'conomy, Marster, ef dis ole Jim was dead!
Stop; -- ef I don't believe de Debble's gone on up de stream!
Jes' now he squealed down dar; -- hush; dat's a mighty weakly scream!
Yas, sir, he's gone, he's gone; -- he snort way off, like in a dream!
O glory hallelujah to de Lord dat reigns on high!
De Debble's fai'ly skeered to def, he done gone flyin' by;
I know'd he couldn' stand dat pra'r, I felt my Marster nigh!
You, Dinah; ain't you 'shamed, now, dat you didn' trust to grace?
I heerd you thrashin' th'u' de bushes when he showed his face!
You fool, you think de Debble couldn't beat YOU in a race?
I tell you, Dinah, jes' as shuh as you is standin' dar,
When folks starts prayin', answer-angels drops down th'u' de a'r.
YAS, DINAH, WHAR 'OULD YOU BE NOW, JES' 'CEPTIN' FUR DAT PRA'R?
|
Written by
Paul Laurence Dunbar |
Caught Susanner whistlin'; well,
It's most nigh too good to tell.
'Twould 'a' b'en too good to see
Ef it had n't b'en fur me,
Comin' up so soft an' sly
That she didn' hear me nigh.
I was pokin' 'round that day,
An' ez I come down the way,
First her whistle strikes my ears,—
Then her gingham dress appears;
So with soft step up I slips.
Oh, them dewy, rosy lips!
Ripe ez cherries, red an' round,
Puckered up to make the sound.
She was lookin' in the spring,
Whistlin' to beat anything,—
"Kitty Dale" er "In the Sweet."
I was jest so mortal beat
That I can't quite ricoleck
What the toon was, but I 'speck
'T was some hymn er other, fur
Hymny things is jest like her.
Well she went on fur awhile
With her face all in a smile,
An' I never moved, but stood
Stiller 'n a piece o' wood—
Would n't wink ner would n't stir,
But a-gazin' right at her,
Tell she turns an' sees me—my!
Thought at first she 'd try to fly.
But she blushed an' stood her ground.
Then, a-slyly lookin' round,
She says: "Did you hear me, Ben?"
"Whistlin' woman, crowin' hen,"
Says I, lookin' awful stern.
Then the red commenced to burn
In them cheeks o' hern. Why, la!
Reddest red you ever saw—
Pineys wa'n't a circumstance.[Pg 150]
You 'd 'a' noticed in a glance
She was pow'rful shamed an' skeart;
But she looked so sweet an' peart,
That a idee struck my head;
So I up an' slowly said:
"Woman whistlin' brings shore harm,
Jest one thing 'll break the charm."
"And what's that?" "Oh, my!" says I,
"I don't like to tell you." "Why?"
Says Susanner. "Well, you see
It would kinder fall on me."
Course I knowed that she 'd insist,—
So I says: "You must be kissed
By the man that heard you whistle;
Everybody says that this 'll
Break the charm and set you free
From the threat'nin' penalty."
She was blushin' fit to kill,
But she answered, kinder still:
"I don't want to have no harm,
Please come, Ben, an' break the charm."
Did I break that charm?—oh, well,
There's some things I must n't tell.
I remember, afterwhile,
Her a-sayin' with a smile:
"Oh, you quit,—you sassy dunce,
You jest caught me whistlin' once."
Ev'ry sence that when I hear
Some one whistlin' kinder clear,
I most break my neck to see
Ef it 's Susy; but, dear me,
I jest find I 've b'en to chase
Some blamed boy about the place.
Dad 's b'en noticin' my way,
An' last night I heerd him say:
"We must send fur Dr. Glenn,
Mother; somethin 's wrong with Ben!"
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