Written by
Emma Lazarus |
I
A dream of interlinking hands, of feet
Tireless to spin the unseen, fairy woof
Of the entangling waltz.
Bright eyebeams meet,
Gay laughter echoes from the vaulted roof.
Warm perfumes rise; the soft unflickering glow
Of branching lights sets off the changeful charms
Of glancing gems, rich stuffs, the dazzling snow
Of necks unkerchieft, and bare, clinging arms.
Hark to the music! How beneath the strain
Of reckless revelry, vibrates and sobs
One fundamental chord of constant pain,
The pulse-beat of the poet's heart that throbs.
So yearns, though all the dancing waves rejoice,
The troubled sea's disconsolate, deep voice.
II
Who shall proclaim the golden fable false
Of Orpheus' miracles? This subtle strain
Above our prose-world's sordid loss and gain
Lightly uplifts us.
With the rhythmic waltz,
The lyric prelude, the nocturnal song
Of love and languor, varied visions rise,
That melt and blend to our enchanted eyes.
The Polish poet who sleeps silenced long,
The seraph-souled musician, breathes again
Eternal eloquence, immortal pain.
Revived the exalted face we know so well,
The illuminated eyes, the fragile frame,
Slowly consuming with its inward flame,
We stir not, speak not, lest we break the spell.
III
A voice was needed, sweet and true and fine
As the sad spirit of the evening breeze,
Throbbing with human passion, yet devine
As the wild bird's untutored melodies.
A voice for him 'neath twilight heavens dim,
Who mourneth for his dead, while round him fall
The wan and noiseless leaves.
A voice for him
Who sees the first green sprout, who hears the call
Of the first robin on the first spring day.
A voice for all whom Fate hath set apart,
Who, still misprized, must perish by the way,
Longing with love, for that they lack the art
Of their own soul's expression.
For all these
Sing the unspoken hope, the vague, sad reveries.
IV
Then Nature shaped a poet's heart--a lyre
From out whose chords the lightest breeze that blows
Drew trembling music, wakening sweet desire.
How shall she cherish him? Behold! she throws
This precious, fragile treasure in the whirl
Of seething passions; he is scourged and stung,
Must dive in storm-vext seas, if but one pearl
Of art or beauty therefrom may be wrung.
No pure-browed pensive nymph his Muse shall be,
An amazon of thought with sovereign eyes,
Whose kiss was poison, man-brained, worldy-wise,
Inspired that elfin, delicate harmony.
Rich gain for us! But with him is it well?
The poet who must sound earth, heaven, and hell!
|
Written by
Robert William Service |
I deem that there are lyric days
So ripe with radiance and cheer,
So rich with gratitude and praise
That they enrapture all the year.
And if there is a God babove,
(As they would tell me in the Kirk,)
How he must look with pride and love
Upon his perfect handiwork!
To-day has been a lyric day
I hope I shall remember long,
Of meadow dance and roundelay,
Of woodland glee, of glow and song.
Such joy I saw in maidens eyes,
In mother gaze such tender bliss .
.
.
How earth would rival paradise
If every day could be like this!
Why die, say I? Let us live on
In lyric world of song and shine,
With ecstasy from dawn to dawn,
Until we greet the dawn Devine.
For I believe, with star and sun,
With peak and plain, with sea and sod,
Inextricably we are one,
Bound in the Wholeness - God.
|
Written by
Andrew Barton Paterson |
The news came down on the Castlereagh, and went to the world at large,
That twenty thousand travelling sheep, with Saltbush Bill in charge,
Were drifting down from a dried-out run to ravage the Castlereagh;
And the squatters swore when they heard the news, and wished they were well away:
For the name and the fame of Saltbush Bill were over the country-side
For the wonderful way that he fed his sheep, and the dodges and tricks he tried.
He would lose his way on a Main Stock Route, and stray to the squatters' grass;
He would come to a run with the boss away, and swear he had leave to pass;
And back of all and behind it all, as well the squatters knew,
If he had to fight, he would fight all day, so long as his sheep got through:
But this is the story of Stingy Smith, the owner of Hard Times Hill,
And the way that he chanced on a fighting man to reckon with Saltbush Bill.
'Twas Stingy Smith on his stockyard sat, and prayed for an early Spring,
When he started at sight of a clean-shaved tramp, who walked with a jaunty swing;
For a clean-shaved tramp with a jaunty walk a-swinging along the track
Is as rare a thing as a feathered frog on the desolate roads out back.
So the tramp he made for the travellers' hut, to ask could he camp the night;
But Stingy Smith had a bright idea, and called to him, "Can you fight?"
"Why, what's the game?" said the clean-shaved tramp, as he looked at him up and down;
"If you want a battle, get off that fence, and I'll kill you for half-a-crown!
But, Boss, you'd better not fight with me -- it wouldn't be fair nor right;
I'm Stiffener Joe, from the Rocks Brigade, and I killed a man in a fight:
I served two years for it, fair and square, and now I'm trampin' back,
To look for a peaceful quiet life away on the outside track.
"
"Oh, it's not myself, but a drover chap," said Stingy Smith with glee,
"A bullying fellow called Saltbush Bill, and you are the man for me.
He's on the road with his hungry sheep, and he's certain to raise a row,
For he's bullied the whole of the Castlereagh till he's got them under cow --
Just pick a quarrel and raise a fight, and leather him good and hard,
And I'll take good care that his wretched sheep don't wander a half a yard.
It's a five-pound job if you belt him well -- do anything short of kill,
For there isn't a beak on the Castlereagh will fine you for Saltbush Bill.
"
"I'll take the job," said the fighting man; "and, hot as this cove appears,
He'll stand no chance with a bloke like me, what's lived on the game for years;
For he's maybe learnt in a boxing school, and sparred for a round or so,
But I've fought all hands in a ten-foot ring each night in a travelling show;
They earned a pound if they stayed three rounds, and they tried for it every night.
In a ten-foot ring! Oh, that's the game that teaches a bloke to fight,
For they'd rush and clinch -- it was Dublin Rules, and we drew no colour line;
And they all tried hard for to earn the pound, but they got no pound of mine.
If I saw no chance in the opening round I'd slog at their wind, and wait
Till an opening came -- and it always came -- and I settled 'em, sure as fate;
Left on the ribs and right on the jaw -- and, when the chance comes, make sure!
And it's there a professional bloke like me gets home on an amateur:
For it's my experience every day, and I make no doubt it's yours,
That a third-class pro is an over-match for the best of the amateurs --"
"Oh, take your swag to the travellers' hut," said Smith, "for you waste your breath;
You've a first-class chance, if you lose the fight, of talking your man to death.
I'll tell the cook you're to have your grub, and see that you eat your fill,
And come to the scratch all fit and well to leather this Saltbush Bill.
"
'Twas Saltbush Bill, and his travelling sheep were wending their weary way
On the Main Stock Route, through the Hard Times Run, on their six-mile stage a day;
And he strayed a mile from the Main Stock Route, and started to feed along,
And when Stingy Smith came up Bill said that the Route was surveyed wrong;
And he tried to prove that the sheep had rushed and strayed from their camp at night,
But the fighting man he kicked Bill's dog, and of course that meant a fight.
So they sparred and fought, and they shifted ground, and never a sound was heard
But the thudding fists on their brawny ribs, and the seconds' muttered word,
Till the fighting man shot home his left on the ribs with a mighty clout,
And his right flashed up with a half-arm blow -- and Saltbush Bill "went out".
He fell face down, and towards the blow; and their hearts with fear were filled,
For he lay as still as a fallen tree, and they thought that he must be killed.
So Stingy Smith and the fighting man, they lifted him from the ground,
And sent back home for a brandy-flask, and they slowly fetched him round;
But his head was bad, and his jaw was hurt -- in fact, he could scarcely speak --
So they let him spell till he got his wits; and he camped on the run a week,
While the travelling sheep went here and there, wherever they liked to stray,
Till Saltbush Bill was fit once more for the track to the Castlereagh.
Then Stingy Smith he wrote a note, and gave to the fighting man:
'Twas writ to the boss of the neighbouring run, and thus the missive ran:
"The man with this is a fighting man, one Stiffener Joe by name;
He came near murdering Saltbush Bill, and I found it a costly game:
But it's worth your while to employ the chap, for there isn't the slightest doubt
You'll have no trouble from Saltbush Bill while this man hangs about.
"
But an answer came by the next week's mail, with news that might well appal:
"The man you sent with a note is not a fighting man at all!
He has shaved his beard, and has cut his hair, but I spotted him at a look;
He is Tom Devine, who has worked for years for Saltbush Bill as cook.
Bill coached him up in the fighting yard, and taught him the tale by rote,
And they shammed to fight, and they got your grass, and divided your five-pound note.
'Twas a clean take-in; and you'll find it wise -- 'twill save you a lot of pelf --
When next you're hiring a fighting man, just fight him a round yourself.
"
And the teamsters out on the Castlereagh, when they meet with a week of rain,
And the waggon sinks to its axle-tree, deep down in the black-soil plain,
When the bullocks wade in a sea of mud, and strain at the load of wool,
And the cattle-dogs at the bullocks' heels are biting to make them pull,
When the off-side driver flays the team, and curses tham while he flogs,
And the air is thick with the language used, and the clamour of men and dogs --
The teamsters say, as they pause to rest and moisten each hairy throat,
They wish they could swear like Stingy Smith when he read that neighbour's note.
|
Written by
Paul Valery |
Tes pas, enfants de mon silence,
Saintement, lentement placés,
Vers le lit de ma vigilance
Procèdent muets et glacés.
Personne pure, ombre divine,
Qu'ils sont doux, tes pas retenus !
Dieux !.
.
.
tous les dons que je devine
Viennent à moi sur ces pieds nus !
Si, de tes lèvres avancées,
Tu prépares pour l'apaiser,
A l'habitant de mes pensées
La nourriture d'un baiser,
Ne hâte pas cet acte tendre,
Douceur d'être et de n'être pas,
Car j'ai vécu de vous attendre,
Et mon coeur n'était que vos pas.
|
Written by
Eugene Field |
The mountain brook sung lonesomelike, and loitered on its way
Ez if it waited for a child to jine it in its play;
The wild-flowers uv the hillside bent down their heads to hear
The music uv the little feet that had somehow grown so dear;
The magpies, like winged shadders, wuz a-flutterin' to an' fro
Among the rocks an' holler stumps in the ragged gulch below;
The pines an' hemlocks tosst their boughs (like they wuz arms) and made
Soft, sollum music on the slope where he had often played;
But for these lonesome, sollum voices on the mountain-side,
There wuz no sound the summer day that Marthy's younkit died.
We called him Marthy's younkit, for Marthy wuz the name
Uv her ez wuz his mar, the wife uv Sorry Tom,--the same
Ez taught the school-house on the hill, way back in '69,
When she marr'd Sorry Tom, wich owned the Gosh-all-Hemlock mine!
And Marthy's younkit wuz their first, wich, bein' how it meant
The first on Red Hoss Mountain, wuz truly a' event!
The miners sawed off short on work ez soon ez they got word
That Dock Devine allowed to Casey what had just occurred;
We loaded up an' whooped around until we all wuz hoarse
Salutin' the arrival, wich weighed ten pounds, uv course!
Three years, and sech a pretty child!--his mother's counterpart!
Three years, an' sech a holt ez he had got on every heart!
A peert an' likely little tyke with hair ez red ez gold,
A-laughin', toddlin' everywhere,--'nd only three years old!
Up yonder, sometimes, to the store, an' sometimes down the hill
He kited (boys is boys, you know,--you couldn't keep him still!)
An' there he'd play beside the brook where purpul wild-flowers grew,
An' the mountain pines an' hemlocks a kindly shadder threw,
An' sung soft, sollum toons to him, while in the gulch below
The magpies, like strange sperrits, went flutterin' to an' fro.
Three years, an' then the fever come,--it wuzn't right, you know,
With all us old ones in the camp, for that little child to go;
It's right the old should die, but that a harmless little child
Should miss the joy uv life an' love,--that can't be reconciled!
That's what we thought that summer day, an' that is what we said
Ez we looked upon the piteous face uv Marthy's younkit dead.
But for his mother's sobbin', the house wuz very still,
An' Sorry Tom wuz lookin', through the winder, down the hill,
To the patch beneath the hemlocks where his darlin' used to play,
An' the mountain brook sung lonesomelike an' loitered on its way.
A preacher come from Roarin' Crick to comfort 'em an' pray,
'Nd all the camp wuz present at the obsequies next day;
A female teacher staged it twenty miles to sing a hymn,
An' we jined her in the chorus,--big, husky men an' grim
Sung "Jesus, Lover uv my Soul," an' then the preacher prayed,
An' preacht a sermon on the death uv that fair blossom laid
Among them other flowers he loved,--wich sermon set sech weight
On sinners bein' always heeled against the future state,
That, though it had been fashionable to swear a perfec' streak,
There warn't no swearin' in the camp for pretty nigh a week!
Last thing uv all, four strappin' men took up the little load
An' bore it tenderly along the windin', rocky road,
To where the coroner had dug a grave beside the brook,
In sight uv Marthy's winder, where the same could set an' look
An' wonder if his cradle in that green patch, long an' wide,
Wuz ez soothin' ez the cradle that wuz empty at her side;
An' wonder if the mournful songs the pines wuz singin' then
Wuz ez tender ez the lullabies she'd never sing again,
'Nd if the bosom of the earth in wich he lay at rest
Wuz half ez lovin' 'nd ez warm ez wuz his mother's breast.
The camp is gone; but Red Hoss Mountain rears its kindly head,
An' looks down, sort uv tenderly, upon its cherished dead;
'Nd I reckon that, through all the years, that little boy wich died
Sleeps sweetly an' contentedly upon the mountain-side;
That the wild-flowers uv the summer-time bend down their heads to hear
The footfall uv a little friend they know not slumbers near;
That the magpies on the sollum rocks strange flutterin' shadders make,
An' the pines an' hemlocks wonder that the sleeper doesn't wake;
That the mountain brook sings lonesomelike an' loiters on its way
Ez if it waited for a child to jine it in its play.
|
Written by
Andrew Barton Paterson |
"I'll introduce a friend!" he said,
"And if you've got a vacant pen
You'd better take him in the shed
And start him shearing straight ahead;
He's one of these here quiet men.
"He never strikes -- that ain't his game;
No matter what the others try
He goes on shearing just the same.
I never rightly knew his name --
We always call him 'Gundagai!'"
Our flashest shearer then had gone
To train a racehorse for a race;
And, while his sporting fit was on
He couldn't be relied upon,
So Gundagai shore in his place.
Alas for man's veracity!
For reputations false and true!
This Gundagai turned out to be
For strife and all-round villainy
The very worst I ever knew!
He started racing Jack Devine,
And grumbled when I made him stop.
The pace he showed was extra fine,
But all those pure-bred ewes of mine
Were bleeding like a butcher's shop.
He cursed the sheep, he cursed the shed,
From roof to rafter, floor to shelf:
As for my mongrel ewes, he said,
I ought to get a razor-blade
And shave the blooming things myself.
On Sundays he controlled a "school",
And played "two-up" the livelong day;
And many a young confiding fool
He shore of his financial wool;
And when he lost he would not pay.
He organised a shearers' race,
And "touched" me to provide the prize.
His pack-horse showed surprising pace
And won hands down -- he was The Ace,
A well-known racehorse in disguise.
Next day the bruiser of the shed
Displayed an opal-tinted eye,
With large contusions on his head,
He smiled a sickly smile, and said
He's "had a cut at Gundagai!"
But, just as we were getting full
Of Gundagai and all his ways,
A telgram for "Henry Bull"
Arrived.
Said he, "That's me -- all wool!
Let's see what this here message says.
"
He opened it; his face grew white,
He dropped the shears and turned away
It ran, "Your wife took bad last night;
Come home at once -- no time to write,
We fear she may not last the day.
"
He got his cheque -- I didn't care
To dock him for my mangled ewes;
His store account, we called it square,
Poor wretch! he had enough to bear,
Confronted by such dreadful news.
The shearers raised a little purse
To help a mate, as shearers will.
"To pay the doctor and the nurse.
And, if there should be something worse,
To pay the undertaker's bill.
"
They wrung his hand in sympathy,
He rode away without a word,
His head hung down in misery .
.
.
A wandering hawker passing by
Was told of what had just occurred.
"Well! that's a curious thing," he siad,
"I've known that feller all his life --
He's had the loan of this here shed!
I know his wife ain't nearly dead,
Because he hasn't got a wife!"
You should have heard the whipcord crack
As angry shearers galloped by;
In vain they tried to fetch him back --
A little dust along the track
Was all they saw of "Gundagai".
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