Written by
Ralph Waldo Emerson |
GIVE all to love;
Obey thy heart;
Friends kindred days
Estate good fame
Plans credit and the Muse¡ª 5
Nothing refuse.
'Tis a brave master;
Let it have scope:
Follow it utterly
Hope beyond hope: 10
High and more high
It dives into noon
With wing unspent
Untold intent;
But it is a god 15
Knows its own path
And the outlets of the sky.
It was never for the mean;
It requireth courage stout
Souls above doubt 20
Valour unbending:
Such 'twill reward;¡ª
They shall return
More than they were
And ever ascending.
25
Leave all for love;
Yet hear me yet
One word more thy heart behoved
One pulse more of firm endeavour¡ª
Keep thee to-day 30
To-morrow for ever
Free as an Arab
Of thy beloved.
Cling with life to the maid;
But when the surprise 35
First vague shadow of surmise
Flits across her bosom young
Of a joy apart from thee
Free be she fancy-free;
Nor thou detain her vesture's hem 40
Nor the palest rose she flung
From her summer diadem.
Though thou loved her as thyself
As a self of purer clay;
Though her parting dims the day 45
Stealing grace from all alive;
Heartily know
When half-gods go
The gods arrive.
|
Written by
Charlotte Bronte |
What is she writing? Watch her now,
How fast her fingers move !
How eagerly her youthful brow
Is bent in thought above !
Her long curls, drooping, shade the light,
She puts them quick aside,
Nor knows, that band of crystals bright,
Her hasty touch untied.
It slips adown her silken dress,
Falls glittering at her feet;
Unmarked it falls, for she no less
Pursues her labour sweet.
The very loveliest hour that shines,
Is in that deep blue sky;
The golden sun of June declines,
It has not caught her eye.
The cheerful lawn, and unclosed gate,
The white road, far away,
In vain for her light footsteps wait,
She comes not forth to-day.
There is an open door of glass
Close by that lady's chair,
From thence, to slopes of mossy grass,
Descends a marble stair.
Tall plants of bright and spicy bloom
Around the threshold grow;
Their leaves and blossoms shade the room,
From that sun's deepening glow.
Why does she not a moment glance
Between the clustering flowers,
And mark in heaven the radiant dance
Of evening's rosy hours ?
O look again ! Still fixed her eye,
Unsmiling, earnest, still,
And fast her pen and fingers fly,
Urged by her eager will.
Her soul is in th' absorbing task;
To whom, then, doth she write ?
Nay, watch her still more closely, ask
Her own eyes' serious light;
Where do they turn, as now her pen
Hangs o'er th' unfinished line ?
Whence fell the tearful gleam that then
Did in their dark spheres shine ?
The summer-parlour looks so dark,
When from that sky you turn,
And from th' expanse of that green park,
You scarce may aught discern.
Yet o'er the piles of porcelain rare,
O'er flower-stand, couch, and vase,
Sloped, as if leaning on the air,
One picture meets the gaze.
'Tis there she turns; you may not see
Distinct, what form defines
The clouded mass of mystery
Yon broad gold frame confines.
But look again; inured to shade
Your eyes now faintly trace
A stalwart form, a massive head,
A firm, determined face.
Black Spanish locks, a sunburnt cheek,
A brow high, broad, and white,
Where every furrow seems to speak
Of mind and moral might.
Is that her god ? I cannot tell;
Her eye a moment met
Th' impending picture, then it fell
Darkened and dimmed and wet.
A moment more, her task is done,
And sealed the letter lies;
And now, towards the setting sun
She turns her tearful eyes.
Those tears flow over, wonder not,
For by the inscription, see
In what a strange and distant spot
Her heart of hearts must be !
Three seas and many a league of land
That letter must pass o'er,
E'er read by him to whose loved hand
'Tis sent from England's shore.
Remote colonial wilds detain
Her husband, loved though stern;
She, 'mid that smiling English scene,
Weeps for his wished return.
|
Written by
Robert Browning |
I.
THE FLOWER'S NAME
Here's the garden she walked across,
Arm in my arm, such a short while since:
Hark, now I push its wicket, the moss
Hinders the hinges and makes them wince!
She must have reached this shrub ere she turned,
As back with that murmur the wicket swung;
For she laid the poor snail, my chance foot spurned,
To feed and forget it the leaves among.
II.
Down this side ofthe gravel-walk
She went while her rope's edge brushed the box:
And here she paused in her gracious talk
To point me a moth on the milk-white phlox.
Roses, ranged in valiant row,
I will never think that she passed you by!
She loves you noble roses, I know;
But yonder, see, where the rock-plants lie!
III.
This flower she stopped at, finger on lip,
Stooped over, in doubt, as settling its claim;
Till she gave me, with pride to make no slip,
Its soft meandering Spanish name:
What a name! Was it love or praise?
Speech half-asleep or song half-awake?
I must learn Spanish, one of these days,
Only for that slow sweet name's sake.
IV.
Roses, if I live and do well,
I may bring her, one of these days,
To fix you fast with as fine a spell,
Fit you each with his Spanish phrase;
But do not detain me now; for she lingers
There, like sunshine over the ground,
And ever I see her soft white fingers
Searching after the bud she found.
V.
Flower, you Spaniard, look that you grow not,
Stay as you are and be loved for ever!
Bud, if I kiss you 'tis that you blow not:
Mind, the shut pink mouth opens never!
For while it pouts, her fingers wrestle,
Twinkling the audacious leaves between,
Till round they turn and down they nestle---
Is not the dear mark still to be seen?
VI.
Where I find her not, beauties vanish;
Whither I follow ber, beauties flee;
Is there no method to tell her in Spanish
June's twice June since she breathed it with me?
Come, bud, show me the least of her traces,
Treasure my lady's lightest footfall!
---Ah, you may flout and turn up your faces---
Roses, you are not so fair after all!
II.
SIBRANDUS SCHAFNABURGENSIS.
Plague take all your pedants, say I!
He who wrote what I hold in my hand,
Centuries back was so good as to die,
Leaving this rubbish to cumber the land;
This, that was a book in its time,
Printed on paper and bound in leather,
Last month in the white of a matin-prime
Just when the birds sang all together.
II.
Into the garden I brought it to read,
And under the arbute and laurustine
Read it, so help me grace in my need,
From title-page to closing line.
Chapter on chapter did I count,
As a curious traveller counts Stonehenge;
Added up the mortal amount;
And then proceeded to my revenge.
III.
Yonder's a plum-tree with a crevice
An owl would build in, were he but sage;
For a lap of moss, like a fine pont-levis
In a castle of the Middle Age,
Joins to a lip of gum, pure amber;
When he'd be private, there might he spend
Hours alone in his lady's chamber:
Into this crevice I dropped our friend.
IV.
Splash, went he, as under he ducked,
---At the bottom, I knew, rain-drippings stagnate:
Next, a handful of blossoms I plucked
To bury him with, my bookshelf's magnate;
Then I went in-doors, brought out a loaf,
Half a cheese, and a bottle of Chablis;
Lay on the grass and forgot the oaf
Over a jolly chapter of Rabelais.
V.
Now, this morning, betwixt the moss
And gum that locked our friend in limbo,
A spider had spun his web across,
And sat in the midst with arms akimbo:
So, I took pity, for learning's sake,
And, _de profundis, accentibus ltis,
Cantate!_ quoth I, as I got a rake;
And up I fished his delectable treatise.
VI.
Here you have it, dry in the sun,
With all the binding all of a blister,
And great blue spots where the ink has run,
And reddish streaks that wink and glister
O'er the page so beautifully yellow:
Oh, well have the droppings played their tricks!
Did he guess how toadstools grow, this fellow?
Here's one stuck in his chapter six!
VII.
How did he like it when the live creatures
Tickled and toused and browsed him all over,
And worm, slug, eft, with serious features,
Came in, each one, for his right of trover?
---When the water-beetle with great blind deaf face
Made of her eggs the stately deposit,
And the newt borrowed just so much of the preface
As tiled in the top of his black wife's closet?
VIII.
All that life and fun and romping,
All that frisking and twisting and coupling,
While slowly our poor friend's leaves were swamping
And clasps were cracking and covers suppling!
As if you bad carried sour John Knox
To the play-house at Paris, Vienna or Munich,
Fastened him into a front-row box,
And danced off the ballet with trousers and tunic.
IX.
Come, old martyr! What, torment enough is it?
Back to my room shall you take your sweet self.
Good-bye, mother-beetle; husband-eft, _sufficit!_
See the snug niche I have made on my shelf!
A.
's book shall prop you up, B.
's shall cover you,
Here's C.
to be grave with, or D.
to be gay,
And with E.
on each side, and F.
right over you,
Dry-rot at ease till the Judgment-day!
|
Written by
Victor Hugo |
("Tu domines notre âge; ange ou démon, qu'importe!")
{I. vii.}
Angel or demon! thou,—whether of light
The minister, or darkness—still dost sway
This age of ours; thine eagle's soaring flight
Bears us, all breathless, after it away.
The eye that from thy presence fain would stray,
Shuns thee in vain; thy mighty shadow thrown
Rests on all pictures of the living day,
And on the threshold of our time alone,
Dazzling, yet sombre, stands thy form, Napoleon!
Thus, when the admiring stranger's steps explore
The subject-lands that 'neath Vesuvius be,
Whether he wind along the enchanting shore
To Portici from fair Parthenope,
Or, lingering long in dreamy reverie,
O'er loveliest Ischia's od'rous isle he stray,
Wooed by whose breath the soft and am'rous sea
Seems like some languishing sultana's lay,
A voice for very sweets that scarce can win its way.
Him, whether Paestum's solemn fane detain,
Shrouding his soul with meditation's power;
Or at Pozzuoli, to the sprightly strain
Of tarantella danced 'neath Tuscan tower,
Listening, he while away the evening hour;
Or wake the echoes, mournful, lone and deep,
Of that sad city, in its dreaming bower
By the volcano seized, where mansions keep
The likeness which they wore at that last fatal sleep;
Or be his bark at Posillippo laid,
While as the swarthy boatman at his side
Chants Tasso's lays to Virgil's pleased shade,
Ever he sees, throughout that circuit wide,
From shaded nook or sunny lawn espied,
From rocky headland viewed, or flow'ry shore,
From sea, and spreading mead alike descried,
The Giant Mount, tow'ring all objects o'er,
And black'ning with its breath th' horizon evermore!
Fraser's Magazine
|
Written by
Johann Wolfgang von Goethe |
[This song was intended to be introduced in
a dramatic poem entitled Mahomet, the plan of which was not carried
out by Goethe.
He mentions that it was to have been sung by Ali
towards the end of the piece, in honor of his master, Mahomet, shortly
before his death, and when at the height of his glory, of which
it is typical.
]
SEE the rock-born stream!
Like the gleam
Of a star so bright
Kindly spirits
High above the clouds
Nourished him while youthful
In the copse between the cliffs.
Young and fresh.
From the clouds he danceth
Down upon the marble rocks;
Then tow'rd heaven
Leaps exulting.
Through the mountain-passes
Chaseth he the colour'd pebbles,
And, advancing like a chief,
Tears his brother streamlets with him
In his course.
In the valley down below
'Neath his footsteps spring the flowers,
And the meadow
In his breath finds life.
Yet no shady vale can stay him,
Nor can flowers,
Round his knees all-softly twining
With their loving eyes detain him;
To the plain his course he taketh,
Serpent-winding,
Social streamlets
Join his waters.
And now moves he
O'er the plain in silv'ry glory,
And the plain in him exults,
And the rivers from the plain,
And the streamlets from the mountain,
Shout with joy, exclaiming: "Brother,
Brother, take thy brethren with thee,
With thee to thine aged father,
To the everlasting ocean,
Who, with arms outstretching far,
Waiteth for us;
Ah, in vain those arms lie open
To embrace his yearning children;
For the thirsty sand consumes us
In the desert waste; the sunbeams
Drink our life-blood; hills around us
Into lakes would dam us! Brother,
Take thy brethren of the plain,
Take thy brethren of the mountain
With thee, to thy father's arms!
Let all come, then!--
And now swells he
Lordlier still; yea, e'en a people
Bears his regal flood on high!
And in triumph onward rolling,
Names to countries gives he,--cities
Spring to light beneath his foot.
Ever, ever, on he rushes,
Leaves the towers' flame-tipp'd summits,
Marble palaces, the offspring
Of his fullness, far behind.
Cedar-houses bears the Atlas
On his giant shoulders; flutt'ring
In the breeze far, far above him
Thousand flags are gaily floating,
Bearing witness to his might.
And so beareth he his brethren,
All his treasures, all his children,
Wildly shouting, to the bosom
Of his long-expectant sire.
1774.
|
Written by
Richard Wilbur |
Blow out the candles of your cake.
They will not leave you in the dark,
Who round with grace this dusky arc
Of the grand tour which souls must take.
You who have sounded William Blake,
And the still pool, to Plato's mark,
Blow out the candles of your cake.
They will not leave you in the dark.
Yet, for your friends' benighted sake,
Detain your upward-flying spark;
Get us that wish, though like the lark
You whet your wings till dawn shall break:
Blow out the candles of your cake.
|
Written by
Walt Whitman |
1
FIRST, O songs, for a prelude,
Lightly strike on the stretch’d tympanum, pride and joy in my city,
How she led the rest to arms—how she gave the cue,
How at once with lithe limbs, unwaiting a moment, she sprang;
(O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel!)
How you sprang! how you threw off the costumes of peace with indifferent hand;
How your soft opera-music changed, and the drum and fife were heard in their stead;
How you led to the war, (that shall serve for our prelude, songs of soldiers,)
How Manhattan drum-taps led.
2
Forty years had I in my city seen soldiers parading;
Forty years as a pageant—till unawares, the Lady of this teeming and turbulent city,
Sleepless amid her ships, her houses, her incalculable wealth,
With her million children around her—suddenly,
At dead of night, at news from the south,
Incens’d, struck with clench’d hand the pavement.
A shock electric—the night sustain’d it;
Till with ominous hum, our hive at day-break pour’d out its myriads.
From the houses then, and the workshops, and through all the doorways,
Leapt they tumultuous—and lo! Manhattan arming.
3
To the drum-taps prompt,
The young men falling in and arming;
The mechanics arming, (the trowel, the jack-plane, the blacksmith’s hammer, tost
aside
with
precipitation;)
The lawyer leaving his office, and arming—the judge leaving the court;
The driver deserting his wagon in the street, jumping down, throwing the reins abruptly
down on
the
horses’ backs;
The salesman leaving the store—the boss, book-keeper, porter, all leaving;
Squads gather everywhere by common consent, and arm;
The new recruits, even boys—the old men show them how to wear their
accoutrements—they
buckle the straps carefully;
Outdoors arming—indoors arming—the flash of the musket-barrels;
The white tents cluster in camps—the arm’d sentries around—the sunrise
cannon,
and
again at sunset;
Arm’d regiments arrive every day, pass through the city, and embark from the wharves;
(How good they look, as they tramp down to the river, sweaty, with their guns on their
shoulders!
How I love them! how I could hug them, with their brown faces, and their clothes and
knapsacks
cover’d with dust!)
The blood of the city up—arm’d! arm’d! the cry everywhere;
The flags flung out from the steeples of churches, and from all the public buildings and
stores;
The tearful parting—the mother kisses her son—the son kisses his mother;
(Loth is the mother to part—yet not a word does she speak to detain him;)
The tumultuous escort—the ranks of policemen preceding, clearing the way;
The unpent enthusiasm—the wild cheers of the crowd for their favorites;
The artillery—the silent cannons, bright as gold, drawn along, rumble lightly over
the
stones;
(Silent cannons—soon to cease your silence!
Soon, unlimber’d, to begin the red business;)
All the mutter of preparation—all the determin’d arming;
The hospital service—the lint, bandages, and medicines;
The women volunteering for nurses—the work begun for, in earnest—no mere parade
now;
War! an arm’d race is advancing!—the welcome for battle—no turning away;
War! be it weeks, months, or years—an arm’d race is advancing to welcome it.
4
Mannahatta a-march!—and it’s O to sing it well!
It’s O for a manly life in the camp!
And the sturdy artillery!
The guns, bright as gold—the work for giants—to serve well the guns:
Unlimber them! no more, as the past forty years, for salutes for courtesies merely;
Put in something else now besides powder and wadding.
5
And you, Lady of Ships! you Mannahatta!
Old matron of this proud, friendly, turbulent city!
Often in peace and wealth you were pensive, or covertly frown’d amid all your
children;
But now you smile with joy, exulting old Mannahatta!
|
Written by
Mary Darby Robinson |
Ye, who in alleys green and leafy bow'rs,
Sport, the rude children of fantastic birth;
Where frolic nymphs, and shaggy tribes of mirth,
In clam'rous revels waste the midnight hours;
Who, link'd in flaunting bands of mountain flow'rs,
Weave your wild mazes o'er the dewy earth,
Ere the fierce Lord of Lustre rushes forth,
And o'er the world his beamy radiance pours!
Oft has your clanking cymbal's madd'ning strain,
Loud ringing through the torch-illumin'd grove,
Lur'd my lov'd Phaon from the youthful train,
Through rugged dells, o'er craggy rocks to rove;
Then how can she his vagrant heart detain,
Whose Lyre throbs only to the touch of Love!
|
Written by
Rudyard Kipling |
Dawn off the Foreland--the young flood making
Jumbled and short and steep--
Black in the hollows and bright where it's breaking--
Awkward water to sweep.
"Mines reported in the fairway,
"Warn all traffic and detain.
"'Sent up Unity, Cralibel, Assyrian, Stormcock, and Golden
Gain.
"
Noon off the Foreland--the first ebb making
Lumpy and strong in the bight.
Boom after boom, and the golf-hut shaking
And the jackdaws wild with fright!
"Mines located in the fairway,
"Boats now working up the chain,
"Sweepers--Unity, Claribel, Assyrian, Stormcock, and Golden
Gain.
"
Dusk off the Foreland--the last light going
And the traffic crowding through,
And five damned trawlers with their syreens blowing
Heading the whole review!
"Sweep completed in the fairway.
"No more mines remain.
"'Sent back Unity, Claribel, Assyrian, Stormcock, and Golden
Gain.
"
|
Written by
Kahlil Gibran |
Leave me, my blamer,
For the sake of the love
Which unites your soul with
That of your beloved one;
For the sake of that which
Joins spirit with mothers
Affection, and ties your
Heart with filial love.
Go,
And leave me to my own
Weeping heart.
Let me sail in the ocean of
My dreams; Wait until Tomorrow
Comes, for tomorrow is free to
Do with me as he wishes.
Your
Laying is naught but shadow
That walks with the spirit to
The tomb of abashment, and shows
Heard the cold, solid earth.
I have a little heart within me
And I like to bring him out of
His prison and carry him on the
Palm of my hand to examine him
In depth and extract his secret.
Aim not your arrows at him, lest
He takes fright and vanish 'ere he
Pours the secrets blood as a
Sacrifice at the altar of his
Own faith, given him by Deity
When he fashioned him of love and beauty.
The sun is rising and the nightingale
Is singing, and the myrtle is
Breathing its fragrance into space.
I want to free myself from the
Quilted slumber of wrong.
Do not
Detain me, my blamer!
Cavil me not by mention of the
Lions of the forest or the
Snakes of the valley, for
Me soul knows no fear of earth and
Accepts no warning of evil before
Evil comes.
Advise me not, my blamer, for
Calamities have opened my heart and
Tears have cleanses my eyes, and
Errors have taught me the language
Of the hearts.
Talk not of banishment, for conscience
Is my judge and he will justify me
And protect me if I am innocent, and
Will deny me of life if I am a criminal.
Love's procession is moving;
Beauty is waving her banner;
Youth is sounding the trumpet of joy;
Disturb not my contrition, my blamer.
Let me walk, for the path is rich
With roses and mint, and the air
Is scented with cleanliness.
Relate not the tales of wealth and
Greatness, for my soul is rich
With bounty and great with God's glory.
Speak not of peoples and laws and
Kingdoms, for the whole earth is
My birthplace and all humans are
My brothers.
Go from me, for you are taking away
Life - giving repentance and bringing
Needless words.
|