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Best Famous Desert Poems

Here is a collection of the all-time best famous Desert poems. This is a select list of the best famous Desert poetry. Reading, writing, and enjoying famous Desert poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of desert poems.

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Written by Percy Bysshe Shelley | Create an image from this poem

Ozymandias

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”


Written by Edgar Allan Poe | Create an image from this poem

The Raven

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”

    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!
Written by Kahlil Gibran | Create an image from this poem

Laughter and Tears IX

 As the Sun withdrew his rays from the garden, and the moon threw cushioned beams upon the flowers, I sat under the trees pondering upon the phenomena of the atmosphere, looking through the branches at the strewn stars which glittered like chips of silver upon a blue carpet; and I could hear from a distance the agitated murmur of the rivulet singing its way briskly into the valley. 

When the birds took shelter among the boughs, and the flowers folded their petals, and tremendous silence descended, I heard a rustle of feet though the grass. I took heed and saw a young couple approaching my arbor. The say under a tree where I could see them without being seen. 

After he looked about in every direction, I heard the young man saying, "Sit by me, my beloved, and listen to my heart; smile, for your happiness is a symbol of our future; be merry, for the sparkling days rejoice with us. 

"My soul is warning me of the doubt in your heart, for doubt in love is a sin. "Soon you will be the owner of this vast land, lighted by this beautiful moon; soon you will be the mistress of my palace, and all the servants and maids will obey your commands. 

"Smile, my beloved, like the gold smiles from my father's coffers. 

"My heart refuses to deny you its secret. Twelve months of comfort and travel await us; for a year we will spend my father's gold at the blue lakes of Switzerland, and viewing the edifices of Italy and Egypt, and resting under the Holy Cedars of Lebanon; you will meet the princesses who will envy you for your jewels and clothes. 

"All these things I will do for you; will you be satisfied?" 

In a little while I saw them walking and stepping on flowers as the rich step upon the hearts of the poor. As they disappeared from my sight, I commenced to make comparison between love and money, and to analyze their position in the heart. 

Money! The source of insincere love; the spring of false light and fortune; the well of poisoned water; the desperation of old age! 

I was still wandering in the vast desert of contemplation when a forlorn and specter-like couple passed by me and sat on the grass; a young man and a young woman who had left their farming shacks in the nearby fields for this cool and solitary place. 

After a few moments of complete silence, I heard the following words uttered with sighs from weather-bitten lips, "Shed not tears, my beloved; love that opens our eyes and enslaves our hearts can give us the blessing of patience. Be consoled in our delay our delay, for we have taken an oath and entered Love's shrine; for our love will ever grow in adversity; for it is in Love's name that we are suffering the obstacles of poverty and the sharpness of misery and the emptiness of separation. I shall attack these hardships until I triumph and place in your hands a strength that will help over all things to complete the journey of life. 

"Love - which is God - will consider our sighs and tears as incense burned at His altar and He will reward us with fortitude. Good-bye, my beloved; I must leave before the heartening moon vanishes." 

A pure voice, combined of the consuming flame of love, and the hopeless bitterness of longing and the resolved sweetness of patience, said, "Good-bye, my beloved." 

They separated, and the elegy to their union was smothered by the wails of my crying heart. 

I looked upon slumbering Nature, and with deep reflection discovered the reality of a vast and infinite thing -- something no power could demand, influence acquire, nor riches purchase. Nor could it be effaced by the tears of time or deadened by sorrow; a thing which cannot be discovered by the blue lakes of Switzerland or the beautiful edifices of Italy. 

It is something that gathers strength with patience, grows despite obstacles, warms in winter, flourishes in spring, casts a breeze in summer, and bears fruit in autumn -- I found Love.
Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing. 

To think that the sun rose in the east! that men and women were flexible, real, alive!
 that
 everything was alive! 
To think that you and I did not see, feel, think, nor bear our part! 
To think that we are now here, and bear our part!

2
Not a day passes—not a minute or second, without an accouchement! 
Not a day passes—not a minute or second, without a corpse! 

The dull nights go over, and the dull days also, 
The soreness of lying so much in bed goes over, 
The physician, after long putting off, gives the silent and terrible look for an answer,
The children come hurried and weeping, and the brothers and sisters are sent for, 
Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) 
The faithful hand of the living does not desert the hand of the dying, 
The twitching lips press lightly on the forehead of the dying, 
The breath ceases, and the pulse of the heart ceases,
The corpse stretches on the bed, and the living look upon it, 
It is palpable as the living are palpable. 

The living look upon the corpse with their eye-sight, 
But without eye-sight lingers a different living, and looks curiously on the corpse. 

3
To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon
 others as
 upon us now—yet not act upon us! 
To think of all these wonders of city and country, and others taking great interest in
 them—and we taking no interest in them! 

To think how eager we are in building our houses! 
To think others shall be just as eager, and we quite indifferent! 

(I see one building the house that serves him a few years, or seventy or eighty years at
 most,
I see one building the house that serves him longer than that.) 

Slow-moving and black lines creep over the whole earth—they never cease—they are
 the
 burial lines, 
He that was President was buried, and he that is now President shall surely be buried. 

4
A reminiscence of the vulgar fate, 
A frequent sample of the life and death of workmen,
Each after his kind: 
Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in
 the
 streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, 
A hearse and stages—other vehicles give place—the funeral of an old Broadway
 stage-driver, the cortege mostly drivers. 

Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the
 new-dug grave is halted at, the living alight, the hearse uncloses, 
The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin,
 the
 earth is swiftly shovel’d in,
The mound above is flatted with the spades—silence, 
A minute—no one moves or speaks—it is done, 
He is decently put away—is there anything more? 

He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to
 take his
 own part, witty, sensitive to a slight, ready with life or death for a friend, fond of
 women,
 gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited
 toward
 the last, sicken’d, was help’d by a contribution, died, aged forty-one
 years—and
 that was his funeral. 

Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip
 carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing
 on
 somebody, headway, man before and man behind, good day’s work, bad day’s work,
 pet
 stock, mean stock, first out, last out, turning-in at night;
To think that these are so much and so nigh to other drivers—and he there takes no
 interest in them! 

5
The markets, the government, the working-man’s wages—to think what account they
 are
 through our nights and days! 
To think that other working-men will make just as great account of them—yet we make
 little
 or no account! 

The vulgar and the refined—what you call sin, and what you call goodness—to
 think how
 wide a difference! 
To think the difference will still continue to others, yet we lie beyond the difference.

To think how much pleasure there is! 
Have you pleasure from looking at the sky? have you pleasure from poems? 
Do you enjoy yourself in the city? or engaged in business? or planning a nomination and
 election? or with your wife and family? 
Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares?

—These also flow onward to others—you and I flow onward,
But in due time, you and I shall take less interest in them. 

Your farm, profits, crops,—to think how engross’d you are! 
To think there will still be farms, profits, crops—yet for you, of what avail? 

6
What will be, will be well—for what is, is well, 
To take interest is well, and not to take interest shall be well.

The sky continues beautiful, 
The pleasure of men with women shall never be sated, nor the pleasure of women with men,
 nor
 the pleasure from poems, 
The domestic joys, the daily housework or business, the building of houses—these are
 not
 phantasms—they have weight, form, location; 
Farms, profits, crops, markets, wages, government, are none of them phantasms, 
The difference between sin and goodness is no delusion,
The earth is not an echo—man and his life, and all the things of his life, are
 well-consider’d. 

You are not thrown to the winds—you gather certainly and safely around yourself; 
Yourself! Yourself! Yourself, forever and ever! 

7
It is not to diffuse you that you were born of your mother and father—it is to
 identify
 you; 
It is not that you should be undecided, but that you should be decided;
Something long preparing and formless is arrived and form’d in you, 
You are henceforth secure, whatever comes or goes. 

The threads that were spun are gather’d, the weft crosses the warp, the pattern is
 systematic. 

The preparations have every one been justified, 
The orchestra have sufficiently tuned their instruments—the baton has given the
 signal.

The guest that was coming—he waited long, for reasons—he is now housed, 
He is one of those who are beautiful and happy—he is one of those that to look upon
 and be
 with is enough. 

The law of the past cannot be eluded, 
The law of the present and future cannot be eluded, 
The law of the living cannot be eluded—it is eternal,
The law of promotion and transformation cannot be eluded, 
The law of heroes and good-doers cannot be eluded, 
The law of drunkards, informers, mean persons—not one iota thereof can be eluded. 

8
Slow moving and black lines go ceaselessly over the earth, 
Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and
 they
 on the Pacific, and they between, and all through the Mississippi country, and all over
 the
 earth.

The great masters and kosmos are well as they go—the heroes and good-doers are well, 
The known leaders and inventors, and the rich owners and pious and distinguish’d, may
 be
 well, 
But there is more account than that—there is strict account of all. 

The interminable hordes of the ignorant and wicked are not nothing, 
The barbarians of Africa and Asia are not nothing,
The common people of Europe are not nothing—the American aborigines are not nothing, 
The infected in the immigrant hospital are not nothing—the murderer or mean person is
 not
 nothing, 
The perpetual successions of shallow people are not nothing as they go, 
The lowest prostitute is not nothing—the mocker of religion is not nothing as he
 goes. 

9
Of and in all these things,
I have dream’d that we are not to be changed so much, nor the law of us changed, 
I have dream’d that heroes and good-doers shall be under the present and past law, 
And that murderers, drunkards, liars, shall be under the present and past law, 
For I have dream’d that the law they are under now is enough. 

If otherwise, all came but to ashes of dung,
If maggots and rats ended us, then Alarum! for we are betray’d! 
Then indeed suspicion of death. 

Do you suspect death? If I were to suspect death, I should die now, 
Do you think I could walk pleasantly and well-suited toward annihilation? 

10
Pleasantly and well-suited I walk,
Whither I walk I cannot define, but I know it is good, 
The whole universe indicates that it is good, 
The past and the present indicate that it is good. 

How beautiful and perfect are the animals! 
How perfect the earth, and the minutest thing upon it!

What is called good is perfect, and what is called bad is just as perfect, 
The vegetables and minerals are all perfect, and the imponderable fluids are perfect; 
Slowly and surely they have pass’d on to this, and slowly and surely they yet pass
 on. 

11
I swear I think now that everything without exception has an eternal Soul! 
The trees have, rooted in the ground! the weeds of the sea have! the animals!

I swear I think there is nothing but immortality! 
That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is
 for
 it; 
And all preparation is for it! and identity is for it! and life and materials are
 altogether
 for it
Written by Paul Eluard | Create an image from this poem

The Human Face

 I. Soon 

Of all the springtimes of the world 
This one is the ugliest 
Of all of my ways of being 
To be trusting is the best 

Grass pushes up snow 
Like the stone of a tomb 
But I sleep within the storm 
And awaken eyes bright 

Slowness, brief time ends 
Where all streets must pass 
Through my innermost recesses 
So that I would meet someone 

I don’t listen to monsters 
I know them and all that they say 
I see only beautiful faces 
Good faces, sure of themselves 
Certain soon to ruin their masters 

II. The women’s role 

As they sing, the maids dash forward 
To tidy up the killing fields 
Well-powdered girls, quickly to their knees 

Their hands -- reaching for the fresh air -- 
Are blue like never before 
What a glorious day! 

Look at their hands, the dead 
Look at their liquid eyes 

This is the toilet of transience 
The final toilet of life 
Stones sink and disappear 
In the vast, primal waters 
The final toilet of time 

Hardly a memory remains 
the dried-up well of virtue 
In the long, oppressive absences 
One surrenders to tender flesh 
Under the spell of weakness 

III. As deep as the silence 

As deep as the silence 
Of a corpse under ground 
With nothing but darkness in mind 

As dull and deaf 
As autumn by the pond 
Covered with stale shame 

Poison, deprived of its flower 
And of its golden beasts 
out its night onto man 

IV. Patience 

You, my patient one 
My patience 
My parent 
Head held high and proudly 
Organ of the sluggish night 
Bow down 
Concealing all of heaven 
And its favor 
Prepare for vengeance 
A bed where I'll be born 

V. First march, the voice of another 

Laughing at sky and planets 
Drunk with their confidence 
The wise men wish for sons 
And for sons from their sons 

Until they all perish in vain 
Time burdens only fools 
While Hell alone prospers 
And the wise men are absurd 

VI. A wolf 

Day surprises me and night scares me 
haunts me and winter follows me 
An animal walking on the snow has placed 
Its paws in the sand or in the mud 

Its paws have traveled 
From further afar than my own steps 
On a path where death 
Has the imprints of life 

VII. A flawless fire 

The threat under the red sky 
Came from below -- jaws 
And scales and links 
Of a slippery, heavy chain 

Life was spread about generously 
So that death took seriously 
The debt it was paid without a thought 

Death was the God of love 
And the conquerors in a kiss 
Swooned upon their victims 
Corruption gained courage 

And yet, beneath the red sky 
Under the appetites for blood 
Under the dismal starvation 
The cavern closed 

The kind earth filled 
The graves dug in advance 
Children were no longer afraid 
Of maternal depths 

And madness and stupidity 
And vulgarity make way 
For humankind and brotherhood 
No longer fighting against life -- 
For an everlasting humankind 

VIII. Liberty 

On my school notebooks 
On my desk, on the trees 
On the sand, on the snow 
I write your name 
On all the read pages 
On all the empty pages 
Stone, blood, paper or ash 
I write your name 

On the golden images 
On the weapons of warriors 
On the crown of kings 
I write your name 

On the jungle and the desert 
On the nests, on the broom 
On the echo of my childhood 
I write your name 

On the wonders of nights 
On the white bread of days 
On the seasons betrothed 
I write your name 

d'azur On all my blue rags 
On the sun-molded pond 
On the moon-enlivened lake 
I write your name 

On the fields, on the horizon 
On the wings of birds 
And on the mill of shadows 
I write your name 

On every burst of dawn 
On the sea, on the boats 
On the insane mountain 
I write your name 

On the foam of clouds 
On the sweat of the storm 
On the rain, thick and insipid 
I write your name 

On the shimmering shapes 
On the colorful bells 
On the physical truth 
I write your name

On the alert pathways 
On the wide-spread roads 
On the overflowing places 
I write your name 

On the lamp that is ignited 
On the lamp that is dimmed 
On my reunited houses 
I write your name 

On the fruit cut in two 
Of the mirror and of my room 
On my bed, an empty shell 
I write your name 

On my dog, young and greedy 
On his pricked-up ears 
On his clumsy paw 
I write your name 

On the springboard of my door 
On the familiar objects 
On the wave of blessed fire 
I write your name 

On all harmonious flesh 
On the face of my friends 
On every out-stretched hand 
I write your name 

On the window-pane of surprises 
On the careful lips 
Well-above silence 
I write your name 

On my destroyed shelter 
On my collapsed beacon 
On the walls of my weariness 
I write your name 

On absence without want 
On naked solitude 
On the steps of death 
I write your name 

On regained health 
On vanished risk 
On hope free from memory 
I write your name 

And by the power of one word 
I begin my life again 
I am born to know you 

To call you by name: Liberty!


Written by Wystan Hugh (W H) Auden | Create an image from this poem

As I Walked Out One Evening

As I walked out one evening,Walking down Bristol Street,The crowds upon the pavementWere fields of harvest wheat. And down by the brimming riverI heard a lover singUnder an arch of the railway:'Love has no ending. 'I'll love you, dear, I'll love youTill China and Africa meet,And the river jumps over the mountainAnd the salmon sing in the street, 'I'll love you till the oceanIs folded and hung up to dryAnd the seven stars go squawkingLike geese about the sky. 'The years shall run like rabbits,For in my arms I holdThe Flower of the Ages,And the first love of the world.' But all the clocks in the cityBegan to whirr and chime:'O let not Time deceive you,You cannot conquer Time. 'In the burrows of the NightmareWhere Justice naked is,Time watches from the shadowAnd coughs when you would kiss. 'In headaches and in worryVaguely life leaks away,And Time will have his fancyTo-morrow or to-day. 'Into many a green valleyDrifts the appalling snow;Time breaks the threaded dancesAnd the diver's brilliant bow. 'O plunge your hands in water,Plunge them in up to the wrist;Stare, stare in the basinAnd wonder what you've missed. 'The glacier knocks in the cupboard,The desert sighs in the bed,And the crack in the tea-cup opensA lane to the land of the dead. 'Where the beggars raffle the banknotesAnd the Giant is enchanting to Jack,And the Lily-white Boy is a Roarer,And Jill goes down on her back. 'O look, look in the mirror,O look in your distress:Life remains a blessingAlthough you cannot bless. 'O stand, stand at the windowAs the tears scald and start;You shall love your crooked neighbourWith your crooked heart.' It was late, late in the evening,The lovers they were gone;The clocks had ceased their chiming,And the deep river ran on.
Written by Rudyard Kipling | Create an image from this poem

The Ballad of the Red Earl

 (It is not for them to criticize too minutely
the methods the Irish followed, though they might deplore some of
their results. During the past few years Ireland had been going
through what was tantamount to a revolution. -- EARL SPENCER)



Red Earl, and will ye take for guide
 The silly camel-birds,
That ye bury your head in an Irish thorn,
 On a desert of drifting words?

Ye have followed a man for a God, Red Earl,
 As the Lod o' Wrong and Right;
But the day is done with the setting sun
 Will ye follow into the night?

He gave you your own old words, Red Earl,
 For food on the wastrel way;
Will ye rise and eat in the night, Red Earl,
 That fed so full in the day?

Ye have followed fast, ye have followed far,
 And where did the wandering lead?
From the day that ye praised the spoken word
 To the day ye must gloss the deed.

And as ye have given your hand for gain,
 So must ye give in loss;
And as ye ha' come to the brink of the pit,
 So must ye loup across.

For some be rogues in grain, Red Earl,
 And some be rogues in fact,
And rogues direct and rogues elect;
 But all be rogues in pact.

Ye have cast your lot with these, Red Earl;
 Take heed to where ye stand.
Ye have tied a knot with your tongue, Red Earl,
 That ye cannot loose with your hand.

Ye have travelled fast, ye have travelled far,
 In the grip of a tightening tether,
Till ye find at the end ye must take for friend
 The quick and their dead together.

Ye have played with the Law between your lips,
 And mouthed it daintilee;
But the gist o' the speech is ill to teach,
 For ye say: "Let wrong go free."

Red Earl, ye wear the Garter fair,
 And gat your place from a King:
Do ye make Rebellion of no account,
 And Treason a little thing?

And have ye weighed your words, Red Earl,
 That stand and speak so high?
And is it good that the guilt o' blood,
 Be cleared at the cost of a sigh?

And is it well for the sake of peace,
 Our tattered Honour to sell,
And higgle anew with a tainted crew --
 Red Earl, and is it well?

Ye have followed fast, ye have followed far,
 On a dark and doubtful way,
 And the road is hard, is hard, Red Earl,
 And the price is yet to pay.

Ye shall pay that price as ye reap reward
 For the toil of your tongue and pen --
In the praise of the blamed and the thanks of the shamed,
 And the honour o' knavish men.

They scarce shall veil their scorn, Red Earl,
 And the worst at the last shall be,
When you tell your heart that it does not know
 And your eye that it does not see.
Written by Edna St. Vincent Millay | Create an image from this poem

Travel

 I should like to rise and go 
Where the golden apples grow;-- 
Where below another sky 
Parrot islands anchored lie, 
And, watched by cockatoos and goats, 
Lonely Crusoes building boats;-- 
Where in sunshine reaching out 
Eastern cities, miles about, 
Are with mosque and minaret 
Among sandy gardens set, 
And the rich goods from near and far 
Hang for sale in the bazaar;-- 
Where the Great Wall round China goes, 
And on one side the desert blows, 
And with the voice and bell and drum, 
Cities on the other hum;-- 
Where are forests hot as fire, 
Wide as England, tall as a spire, 
Full of apes and cocoa-nuts 
And the ***** hunters' huts;-- 
Where the knotty crocodile 
Lies and blinks in the Nile, 
And the red flamingo flies 
Hunting fish before his eyes;-- 
Where in jungles near and far, 
Man-devouring tigers are, 
Lying close and giving ear 
Lest the hunt be drawing near, 
Or a comer-by be seen 
Swinging in the palanquin;-- 
Where among the desert sands 
Some deserted city stands, 
All its children, sweep and prince, 
Grown to manhood ages since, 
Not a foot in street or house, 
Not a stir of child or mouse, 
And when kindly falls the night, 
In all the town no spark of light. 
There I'll come when I'm a man 
With a camel caravan; 
Light a fire in the gloom 
Of some dusty dining-room; 
See the pictures on the walls, 
Heroes fights and festivals; 
And in a corner find the toys 
Of the old Egyptian boys.
Written by Kahlil Gibran | Create an image from this poem

Giving chapter V

 Then said a rich man, "Speak to us of Giving." 

And he answered: 

You give but little when you give of your possessions. 

It is when you give of yourself that you truly give. 

For what are your possessions but things you keep and guard for fear you may need them tomorrow? 

And tomorrow, what shall tomorrow bring to the overprudent dog burying bones in the trackless sand as he follows the pilgrims to the holy city? 

And what is fear of need but need itself? 

Is not dread of thirst when your well is full, thirst that is unquenchable? 

There are those who give little of the much which they have - and they give it for recognition and their hidden desire makes their gifts unwholesome. 

And there are those who have little and give it all. 

These are the believers in life and the bounty of life, and their coffer is never empty. 

There are those who give with joy, and that joy is their reward. 

And there are those who give with pain, and that pain is their baptism. 

And there are those who give and know not pain in giving, nor do they seek joy, nor give with mindfulness of virtue; 

They give as in yonder valley the myrtle breathes its fragrance into space. 

Though the hands of such as these God speaks, and from behind their eyes He smiles upon the earth. 

It is well to give when asked, but it is better to give unasked, through understanding; 

And to the open-handed the search for one who shall receive is joy greater than giving 

And is there aught you would withhold? 

All you have shall some day be given; 

Therefore give now, that the season of giving may be yours and not your inheritors'. 

You often say, "I would give, but only to the deserving." 

The trees in your orchard say not so, nor the flocks in your pasture. 

They give that they may live, for to withhold is to perish. 

Surely he who is worthy to receive his days and his nights is worthy of all else from you. 

And he who has deserved to drink from the ocean of life deserves to fill his cup from your little stream. 

And what desert greater shall there be than that which lies in the courage and the confidence, nay the charity, of receiving? 

And who are you that men should rend their bosom and unveil their pride, that you may see their worth naked and their pride unabashed? 

See first that you yourself deserve to be a giver, and an instrument of giving. 

For in truth it is life that gives unto life - while you, who deem yourself a giver, are but a witness. 

And you receivers - and you are all receivers - assume no weight of gratitude, lest you lay a yoke upon yourself and upon him who gives. 

Rather rise together with the giver on his gifts as on wings; 

For to be overmindful of your debt, is to doubt his generosity who has the free-hearted earth for mother, and God for father.
Written by Gary Snyder | Create an image from this poem

At Tower Peak

At Tower Peak

 Every tan rolling meadow will turn into housing
 Freeways are clogged all day
 Academies packed with scholars writing papers
 City people lean and dark
 This land most real 
 As its western-tending golden slopes
 And bird-entangled central valley swamps
 Sea-lion, urchin coasts
 Southerly salmon-probes 
 Into the aromatic almost-Mexican hills
 Along a range of granite peaks
 The names forgotten,
 An eastward running river that ends out in desert
 The chipping ground-squirrels in the tumbled blocks
 The gloss of glacier ghost on slab
 Where we wake refreshed from ten hours sleep
 After a long day's walking
 Packing burdens to the snow
 Wake to the same old world of no names,
 No things, new as ever, rock and water,
 Cool dawn birdcalls, high jet contrails.
 A day or two or million, breathing
 A few steps back from what goes down
 In the current realm.
 A kind of ice age, spreading, filling valleys
 Shaving soils, paving fields, you can walk in it
 Live in it, drive through it then 
 It melts away
 For whatever sprouts
 After the age of
 Frozen hearts. Flesh-carved rock
 And gusts on the summit,
 Smoke from forest fires is white,
 The haze above the distant valley like a dusk.
 It's just one world, this spine of rock and streams
 And snow, and the wash of gravels, silts
 Sands, bunchgrasses, saltbrush, bee-fields,
 Twenty million human people, downstream, here below.

Book: Reflection on the Important Things