Written by
Marianne Moore |
Man looking into the sea,
taking the view from those who have as much right to it as
you have to it yourself,
it is human nature to stand in the middle of a thing,
but you cannot stand in the middle of this;
the sea has nothing to give but a well excavated grave.
The firs stand in a procession, each with an emerald turkey—
foot at the top,
reserved as their contours, saying nothing;
repression, however, is not the most obvious characteristic of
the sea;
the sea is a collector, quick to return a rapacious look.
There are others besides you who have worn that look—
whose expression is no longer a protest; the fish no longer
investigate them
for their bones have not lasted:
men lower nets, unconscious of the fact that they are
desecrating a grave,
and row quickly away-the blades of the oars
moving together like the feet of water-spiders as if there were
no such thing as death.
The wrinkles progress among themselves in a phalanx—
beautiful under networks of foam,
and fade breathlessly while the sea rustles in and out of the
seaweed;
the birds swim through the air at top speed, emitting cat-calls
as heretofore—
the tortoise-shell scourges about the feet of the cliffs, in motion
beneath them;
and the ocean, under the pulsation of lighthouses and noise of
bell-bouys,
advances as usual, looking as if it were not that ocean in which
dropped things are bound to sink—
in which if they turn and twist, it is neither with volition nor
consciousness.
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Written by
Rudyard Kipling |
Too late, alas! the song
To remedy the wrong; --
The rooms are taken from us, swept and
garnished for their fate.
But these tear-besprinkled pages
Shall attest to future ages
That we cried against the crime of it --
too late, alas! too late!
"What have we ever done to bear this grudge?"
Was there no room save only in Benmore
For docket, duftar, and for office drudge,
That you usurp our smoothest dancing floor?
Must babus do their work on polished teak?
Are ball-rooms fittest for the ink you spill?
Was there no other cheaper house to seek?
You might have left them all at Strawberry Hill.
We never harmed you! Innocent our guise,
Dainty our shining feet, our voices low;
And we revolved to divers melodies,
And we were happy but a year ago.
To-night, the moon that watched our lightsome wiles --
That beamed upon us through the deodars --
Is wan with gazing on official files,
And desecrating desks disgust the stars.
Nay! by the memory of tuneful nights --
Nay! by the witchery of flying feet --
Nay! by the glamour of foredone delights --
By all things merry, musical, and meet --
By wine that sparkled, and by sparkling eyes --
By wailing waltz -- by reckless gallop's strain --
By dim verandas and by soft replies,
Give us our ravished ball-room back again!
Or -- hearken to the curse we lay on you!
The ghosts of waltzes shall perplex your brain,
And murmurs of past merriment pursue
Your 'wildered clerks that they indite in vain;
And when you count your poor Provincial millions,
The only figures that your pen shall frame
Shall be the figures of dear, dear cotillions
Danced out in tumult long before you came.
Yea! "See Saw" shall upset your estimates,
"Dream Faces" shall your heavy heads bemuse,
Because your hand, unheeding, desecrates
Our temple; fit for higher, worthier use.
And all the long verandas, eloquent
With echoes of a score of Simla years,
Shall plague you with unbidden sentiment --
Babbling of kisses, laughter, love, and tears.
So shall you mazed amid old memories stand,
So shall you toil, and shall accomplish nought,
And ever in your ears a phantom Band
Shall blare away the staid official thought.
Wherefore -- and ere this awful curse he spoken,
Cast out your swarthy sacrilegious train,
And give -- ere dancing cease and hearts be broken --
Give us our ravished ball-room back again!
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