Written by
Sylvia Plath |
How this tart fable instructs
And mocks! Here's the parody of that moral mousetrap
Set in the proverbs stitched on samplers
Approving chased girls who get them to a tree
And put on bark's nun-black
Habit which deflects
All amorous arrows. For to sheathe the virgin shape
In a scabbard of wood baffles pursuers,
Whether goat-thighed or god-haloed. Ever since that first Daphne
Switched her incomparable back
For a bay-tree hide, respect's
Twined to her hard limbs like ivy: the puritan lip
Cries: 'Celebrate Syrinx whose demurs
Won her the frog-colored skin, pale pith and watery
Bed of a reed. Look:
Pine-needle armor protects
Pitys from Pan's assault! And though age drop
Their leafy crowns, their fame soars,
Eclipsing Eva, Cleo and Helen of Troy:
For which of those would speak
For a fashion that constricts
White bodies in a wooden girdle, root to top
Unfaced, unformed, the nipple-flowers
Shrouded to suckle darkness? Only they
Who keep cool and holy make
A sanctum to attract
Green virgins, consecrating limb and lip
To chastity's service: like prophets, like preachers,
They descant on the serene and seraphic beauty
Of virgins for virginity's sake.'
Be certain some such pact's
Been struck to keep all glory in the grip
Of ugly spinsters and barren sirs
As you etch on the inner window of your eye
This virgin on her rack:
She, ripe and unplucked, 's
Lain splayed too long in the tortuous boughs: overripe
Now, dour-faced, her fingers
Stiff as twigs, her body woodenly
Askew, she'll ache and wake
Though doomsday bud. Neglect's
Given her lips that lemon-tasting droop:
Untongued, all beauty's bright juice sours.
Tree-twist will ape this gross anatomy
Till irony's bough break.
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Written by
Sylvia Plath |
It is no night to drown in:
A full moon, river lapsing
Black beneath bland mirror-sheen,
The blue water-mists dropping
Scrim after scrim like fishnets
Though fishermen are sleeping,
The massive castle turrets
Doubling themselves in a glass
All stillness. Yet these shapes float
Up toward me, troubling the face
Of quiet. From the nadir
They rise, their limbs ponderous
With richness, hair heavier
Than sculptured marble. They sing
Of a world more full and clear
Than can be. Sisters, your song
Bears a burden too weighty
For the whorled ear's listening
Here, in a well-steered country,
Under a balanced ruler.
Deranging by harmony
Beyond the mundane order,
Your voices lay siege. You lodge
On the pitched reefs of nightmare,
Promising sure harborage;
By day, descant from borders
Of hebetude, from the ledge
Also of high windows. Worse
Even than your maddening
Song, your silence. At the source
Of your ice-hearted calling --
Drunkenness of the great depths.
O river, I see drifting
Deep in your flux of silver
Those great goddesses of peace.
Stone, stone, ferry me down there.
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Written by
William Butler Yeats |
Speech after long silence; it is right,
All other lovers being estranged or dead,
Unfriendly lamplight hid under its shade,
The curtains drawn upon unfriendly night,
That we descant and yet again descant
Upon the supreme theme of Art and Song:
Bodily decrepitude is wisdom; young
We loved each other and were ignorant.
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Written by
Les Murray |
I starred that night, I shone:
I was footwork and firework in one,
a rocket that wriggled up and shot
darkness with a parasol of brilliants
and a peewee descant on a flung bit;
I was blusters of glitter-bombs expanding
to mantle and aurora from a crown,
I was fouéttes, falls of blazing paint,
para-flares spot-welding cloudy heaven,
loose gold off fierce toeholds of white,
a finale red-tongued as a haka leap:
that too was a butt of all right!
As usual after any triumph, I was
of course, inconsolable.
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Written by
William Strode |
Now the declining sun 'gan downwards bend
From higher heavens, and from his locks did send
A milder flame, when near to Tiber's flow
A lutinist allay'd his careful woe
With sounding charms, and in a greeny seat
Of shady oake took shelter from the heat.
A Nightingale oreheard him, that did use
To sojourn in the neighbour groves, the muse
That fill'd the place, the Syren of the wood;
Poore harmless Syren, stealing neare she stood
Close lurking in the leaves attentively
Recording that unwonted melody:
Shee cons it to herselfe and every strayne
His finger playes her throat return'd again.
The lutinist perceives an answeare sent
From th' imitating bird and was content
To shewe her play; more fully then in hast
He tries his lute, and (giving her a tast
Of the ensuing quarrel) nimbly beats
On all his strings; as nimbly she repeats,
And (wildely ranging ore a thousand keys)
Sends a shrill warning of her after-layes.
With rolling hand the Lutinist then plies
His trembling threads; sometimes in scornful wise
He brushes down the strings and keemes them all
With one even stroke; then takes them severall
And culles them ore again. His sparkling joynts
(With busy descant mincing on the points)
Reach back with busy touch: that done hee stayes,
The bird replies, and art with art repayes,
Sometimes as one unexpert or in doubt
How she might wield her voice, shee draweth out
Her tone at large and doth at first prepare
A solemne strayne not weav'd with sounding ayre,
But with an equall pitch and constant throate
Makes clear the passage of her gliding noate;
Then crosse division diversly shee playes,
And loudly chanting out her quickest layes
Poises the sounds, and with a quivering voice
Falls back again: he (wondering how so choise,
So various harmony should issue out
From such a little throate) doth go about
Some harder lessons, and with wondrous art
Changing the strings, doth upp the treble dart,
And downwards smites the base; with painefull stroke
Hee beats, and as the trumpet doth provoke
Sluggards to fight, even so his wanton skill
With mingled discords joynes the hoarse and shrill:
The Bird this also tunes, and while she cutts
Sharp notes with melting voice, and mingled putts
Measures of middle sound, then suddenly
Shee thunders deepe, and juggs it inwardly,
With gentle murmurs, cleare and dull shee sings,
By course, as when the martial warning rings:
Beleev't the minstrel blusht; with angry mood
Inflam'd, quoth hee, thou chauntresse of the wood,
Either from thee Ile beare the prize away,
Or vanquisht break my lute without delay.
Inimitable accents then hee straynes;
His hand flyes ore the strings: in one hee chaynes
Four different numbers, chasing here and there,
And all the strings belabour'd everywhere:
Both flatt and sharpe hee strikes, and stately grows
To prouder straynes, and backwards as he goes
Doubly divides, and closing upp his layes
Like a full quire a shouting consort playes;
Then pausing stood in expectation
If his corrival now dares answeare on;
But shee when practice long her throate had whett,
Induring not to yield, at once doth sett
Her spiritt all of worke, and all in vayne;
For while shee labours to express againe
With nature's simple touch such diverse keyes,
With slender pipes such lofty noates as these,
Orematcht with high designes, orematcht with woe,
Just at the last encounter of her foe
Shee faintes, shee dies, falls on his instrument
That conquer'd her; a fitting monument.
So far even little soules are driven on,
Struck with a vertuous emulation.
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Written by
Joseph Brodsky |
There is a meadow in Sweden
where I lie smitten,
eyes stained with clouds'
white ins and outs.
And about that meadow
roams my widow
plaiting a clover
wreath for her lover.
I took her in marriage
in a granite parish.
The snow lent her whiteness,
a pine was a witness.
She'd swim in the oval
lake whose opal
mirror, framed by bracken,
felt happy, broken.
And at night the stubborn
sun of her auburn
hair shone from my pillow
at post and pillar.
Now in the distance
I hear her descant.
She sings "Blue Swallow,"
but I can't follow.
The evening shadow
robs the meadow
of width and color.
It's getting colder.
As I lie dying
here, I'm eyeing
stars. Here's Venus;
no one between us..
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Written by
Thomas Gray |
In vain to me the smiling mornings shine,
And redd'ning Phoebus lifts his golden fire:
The birds in vain their amorous descant join;
Or cheerful fields resume their green attire:
These ears, alas! for other notes repine,
A different object do these eyes require:
My lonely anguish melts no heart but mine;
And in my breast the imperfect joys expire.
Yet morning smiles the busy race to cheer,
And new-born pleasure brings to happier men:
The fields to all their wonted tribute bear;
To warm their little loves the birds complain:
I fruitless mourn to him that cannot hear,
And weep the more, because I weep in vain.
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Written by
Francis Thompson |
What is the song the stars sing?
(And a million songs are as song of one)
This is the song the stars sing:
(Sweeter song's none)
One to set, and many to sing,
(And a million songs are as song of one)
One to stand, and many to cling,
The many things, and the one Thing,
The one that runs not, the many that run.
The ever new weaveth the ever old,
(And a million songs are as song of one)
Ever telling the never told;
The silver saith, and the said is gold,
And done ever the never done.
The chase that's chased is the Lord o' the chase,
(And a million songs are as song of one)
And the pursued cries on the race;
And the hounds in leash are the hounds that run.
Hidden stars by the shown stars' sheen:
(And a million suns are but as one)
Colours unseen by the colours seen,
And sounds unheard heard sounds between,
And a night is in the light of the sun.
An ambuscade of lights in night,
(And a million secrets are but as one)
And anight is dark in the sun's light,
And a world in the world man looks upon.
Hidden stars by the shown stars' wings,
(And a million cycles are but as one)
And a world with unapparent strings
Knits the stimulant world of things;
Behold, and vision thereof is none.
The world above in the world below,
(And a million worlds are but as one)
And the One in all; as the sun's strength so
Strives in all strength, glows in all glow
Of the earth that wits not, and man thereon.
Braced in its own fourfold embrace
(And a million strengths are as strength of one)
And round it all God's arms of grace,
The world, so as the Vision says,
Doth with great lightning-tramples run.
And thunder bruiteth into thunder,
(And a million sounds are as sound of one)
From stellate peak to peak is tossed a voice of wonder,
And the height stoops down to the depths thereunder,
And sun leans forth to his brother-sun.
And the more ample years unfold
(With a million songs as song of one)
A little new of the ever old,
A little told of the never told,
Added act of the never done.
Loud the descant, and low the theme,
(A million songs are as song of one)
And the dream of the world is dream in dream,
But the one Is is, or nought could seem;
And the song runs round to the song begun.
This is the song the stars sing,
(Tonèd all in time)
Tintinnabulous, tuned to ring
A multitudinous-single thing
(Rung all in rhyme).
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Written by
Edmund Spenser |
WAke now my loue, awake; for it is time,
The Rosy Morne long since left Tithones bed,
All ready to her siluer coche to clyme,
And Phoebus gins to shew his glorious hed.
Hark how the cheerefull birds do chaunt theyr laies
And carroll of loues praise.
The merry Larke hir mattins sings aloft,
The thrush replyes, the Mauis descant playes,
The Ouzell shrills, the Ruddock warbles soft,
So goodly all agree with sweet content,
To this dayes merriment.
Ah my deere loue why doe ye sleepe thus long,
When meeter were that ye should now awake,
T'awayt the comming of your ioyous make,
And hearken to the birds louelearned song,
The deawy leaues among.
For they of ioy and pleasance to you sing,
That all the woods them answer & theyr eccho ring.
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Written by
Robert Burns |
NO more, ye warblers of the wood! no more;
Nor pour your descant grating on my soul;
Thou young-eyed Spring! gay in thy verdant stole,
More welcome were to me grim Winter’s wildest roar.
How can ye charm, ye flowers, with all your dyes?
Ye blow upon the sod that wraps my friend!
How can I to the tuneful strain attend?
That strain flows round the untimely tomb where Riddell lies.
Yes, pour, ye warblers! pour the notes of woe,
And soothe the Virtues weeping o’er his bier:
The man of worth—and hath not left his peer!
Is in his “narrow house,” for ever darkly low.
Thee, Spring! again with joy shall others greet;
Me, memory of my loss will only meet.
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