Written by
Walt Whitman |
1
PROUD music of the storm!
Blast that careers so free, whistling across the prairies!
Strong hum of forest tree-tops! Wind of the mountains!
Personified dim shapes! you hidden orchestras!
You serenades of phantoms, with instruments alert,
Blending, with Nature’s rhythmus, all the tongues of nations;
You chords left us by vast composers! you choruses!
You formless, free, religious dances! you from the Orient!
You undertone of rivers, roar of pouring cataracts;
You sounds from distant guns, with galloping cavalry!
Echoes of camps, with all the different bugle-calls!
Trooping tumultuous, filling the midnight late, bending me powerless,
Entering my lonesome slumber-chamber—Why have you seiz’d me?
2
Come forward, O my Soul, and let the rest retire;
Listen—lose not—it is toward thee they tend;
Parting the midnight, entering my slumber-chamber,
For thee they sing and dance, O Soul.
A festival song!
The duet of the bridegroom and the bride—a marriage-march,
With lips of love, and hearts of lovers, fill’d to the brim with love;
The red-flush’d cheeks, and perfumes—the cortege swarming, full of friendly
faces,
young and old,
To flutes’ clear notes, and sounding harps’ cantabile.
3
Now loud approaching drums!
Victoria! see’st thou in powder-smoke the banners torn but flying? the rout of the
baffled?
Hearest those shouts of a conquering army?
(Ah, Soul, the sobs of women—the wounded groaning in agony,
The hiss and crackle of flames—the blacken’d ruins—the embers of cities,
The dirge and desolation of mankind.
)
4
Now airs antique and medieval fill me!
I see and hear old harpers with their harps, at Welsh festivals:
I hear the minnesingers, singing their lays of love,
I hear the minstrels, gleemen, troubadours, of the feudal ages.
5
Now the great organ sounds,
Tremulous—while underneath, (as the hid footholds of the earth,
On which arising, rest, and leaping forth, depend,
All shapes of beauty, grace and strength—all hues we know,
Green blades of grass, and warbling birds—children that gambol and play—the
clouds of
heaven above,)
The strong base stands, and its pulsations intermits not,
Bathing, supporting, merging all the rest—maternity of all the rest;
And with it every instrument in multitudes,
The players playing—all the world’s musicians,
The solemn hymns and masses, rousing adoration,
All passionate heart-chants, sorrowful appeals,
The measureless sweet vocalists of ages,
And for their solvent setting, Earth’s own diapason,
Of winds and woods and mighty ocean waves;
A new composite orchestra—binder of years and climes—ten-fold renewer,
As of the far-back days the poets tell—the Paradiso,
The straying thence, the separation long, but now the wandering done,
The journey done, the Journeyman come home,
And Man and Art, with Nature fused again.
6
Tutti! for Earth and Heaven!
The Almighty Leader now for me, for once has signal’d with his wand.
The manly strophe of the husbands of the world,
And all the wives responding.
The tongues of violins!
(I think, O tongues, ye tell this heart, that cannot tell itself;
This brooding, yearning heart, that cannot tell itself.
)
7
Ah, from a little child,
Thou knowest, Soul, how to me all sounds became music;
My mother’s voice, in lullaby or hymn;
(The voice—O tender voices—memory’s loving voices!
Last miracle of all—O dearest mother’s, sister’s, voices;)
The rain, the growing corn, the breeze among the long-leav’d corn,
The measur’d sea-surf, beating on the sand,
The twittering bird, the hawk’s sharp scream,
The wild-fowl’s notes at night, as flying low, migrating north or south,
The psalm in the country church, or mid the clustering trees, the open air camp-meeting,
The fiddler in the tavern—the glee, the long-strung sailor-song,
The lowing cattle, bleating sheep—the crowing cock at dawn.
8
All songs of current lands come sounding ’round me,
The German airs of friendship, wine and love,
Irish ballads, merry jigs and dances—English warbles,
Chansons of France, Scotch tunes—and o’er the rest,
Italia’s peerless compositions.
Across the stage, with pallor on her face, yet lurid passion,
Stalks Norma, brandishing the dagger in her hand.
I see poor crazed Lucia’s eyes’ unnatural gleam;
Her hair down her back falls loose and dishevell’d.
I see where Ernani, walking the bridal garden,
Amid the scent of night-roses, radiant, holding his bride by the hand,
Hears the infernal call, the death-pledge of the horn.
To crossing swords, and grey hairs bared to heaven,
The clear, electric base and baritone of the world,
The trombone duo—Libertad forever!
From Spanish chestnut trees’ dense shade,
By old and heavy convent walls, a wailing song,
Song of lost love—the torch of youth and life quench’d in despair,
Song of the dying swan—Fernando’s heart is breaking.
Awaking from her woes at last, retriev’d Amina sings;
Copious as stars, and glad as morning light, the torrents of her joy.
(The teeming lady comes!
The lustrious orb—Venus contralto—the blooming mother,
Sister of loftiest gods—Alboni’s self I hear.
)
9
I hear those odes, symphonies, operas;
I hear in the William Tell, the music of an arous’d and angry people;
I hear Meyerbeer’s Huguenots, the Prophet, or Robert;
Gounod’s Faust, or Mozart’s Don Juan.
10
I hear the dance-music of all nations,
The waltz, (some delicious measure, lapsing, bathing me in bliss;)
The bolero, to tinkling guitars and clattering castanets.
I see religious dances old and new,
I hear the sound of the Hebrew lyre,
I see the Crusaders marching, bearing the cross on high, to the martial clang of cymbals;
I hear dervishes monotonously chanting, interspers’d with frantic shouts, as they
spin
around, turning always towards Mecca;
I see the rapt religious dances of the Persians and the Arabs;
Again, at Eleusis, home of Ceres, I see the modern Greeks dancing,
I hear them clapping their hands, as they bend their bodies,
I hear the metrical shuffling of their feet.
I see again the wild old Corybantian dance, the performers wounding each other;
I see the Roman youth, to the shrill sound of flageolets, throwing and catching their
weapons,
As they fall on their knees, and rise again.
I hear from the Mussulman mosque the muezzin calling;
I see the worshippers within, (nor form, nor sermon, argument, nor word,
But silent, strange, devout—rais’d, glowing heads—extatic faces.
)
11
I hear the Egyptian harp of many strings,
The primitive chants of the Nile boatmen;
The sacred imperial hymns of China,
To the delicate sounds of the king, (the stricken wood and stone;)
Or to Hindu flutes, and the fretting twang of the vina,
A band of bayaderes.
12
Now Asia, Africa leave me—Europe, seizing, inflates me;
To organs huge, and bands, I hear as from vast concourses of voices,
Luther’s strong hymn, Eine feste Burg ist unser Gott;
Rossini’s Stabat Mater dolorosa;
Or, floating in some high cathedral dim, with gorgeous color’d windows,
The passionate Agnus Dei, or Gloria in Excelsis.
13
Composers! mighty maestros!
And you, sweet singers of old lands—Soprani! Tenori! Bassi!
To you a new bard, carolling free in the west,
Obeisant, sends his love.
(Such led to thee, O Soul!
All senses, shows and objects, lead to thee,
But now, it seems to me, sound leads o’er all the rest.
)
14
I hear the annual singing of the children in St.
Paul’s Cathedral;
Or, under the high roof of some colossal hall, the symphonies, oratorios of Beethoven,
Handel,
or Haydn;
The Creation, in billows of godhood laves me.
Give me to hold all sounds, (I, madly struggling, cry,)
Fill me with all the voices of the universe,
Endow me with their throbbings—Nature’s also,
The tempests, waters, winds—operas and chants—marches and dances,
Utter—pour in—for I would take them all.
15
Then I woke softly,
And pausing, questioning awhile the music of my dream,
And questioning all those reminiscences—the tempest in its fury,
And all the songs of sopranos and tenors,
And those rapt oriental dances, of religious fervor,
And the sweet varied instruments, and the diapason of organs,
And all the artless plaints of love, and grief and death,
I said to my silent, curious Soul, out of the bed of the slumber-chamber,
Come, for I have found the clue I sought so long,
Let us go forth refresh’d amid the day,
Cheerfully tallying life, walking the world, the real,
Nourish’d henceforth by our celestial dream.
And I said, moreover,
Haply, what thou hast heard, O Soul, was not the sound of winds,
Nor dream of raging storm, nor sea-hawk’s flapping wings, nor harsh scream,
Nor vocalism of sun-bright Italy,
Nor German organ majestic—nor vast concourse of voices—nor layers of harmonies;
Nor strophes of husbands and wives—nor sound of marching soldiers,
Nor flutes, nor harps, nor the bugle-calls of camps;
But, to a new rhythmus fitted for thee,
Poems, bridging the way from Life to Death, vaguely wafted in night air, uncaught,
unwritten,
Which, let us go forth in the bold day, and write.
|
Written by
William Topaz McGonagall |
Ye Sons of Great Britain, pray list to me,
And I'll tell ye of a great victory.
Where the British defeated the Dervishes, without delay,
At the Battle of Atbara, without dismay.
The attack took place, 'twas on the 8th of April, in the early morning dawn,
And the British behaved manfully to a man;
And Mahmud's front was raked fearfully, before the assault began,
By the disposition of the force under Colonel Long :
Because the cannonading of their guns was very strong.
The main attack was made by General Gatacre's British Brigade,
And a heroic display they really made;
And General Macdonald's and General Maxwell's Brigade looked very fine,
And the Cameron Highlanders were extended along the line.
And behind them came the Lincolnshire Regiment, on the right,
And the Seaforth Highlanders in the centre, 'twas a most gorgeous sight,
And the Warwickshire Regiment were on the left,
And many of the Dervishes' heads by them were cleft.
General Macdonald's Brigade was on the right centre in similar formation,
And the 9th Battalion also in line in front rotation;
Then the whole force arrived about four o'clock,
And each man's courage was as firm as the rock.
At first the march was over a ridge of gravel,
But it didn't impede the noble heroes' travel;
No, they were as steady as when marching in the valley below,
And each man was eager to attack the foe.
And as the sun shone out above the horizon,
The advancing army, with banners flying, came boldly marching on;
The spectacle was really imposing to see,
And a dead silence was observed throughout the whole army.
Then Colonel Murray addressed the Seaforth Highlanders, and said,
"Come now my lads, don't be afraid,
For the news of the victory must be in London to-night,
So ye must charge the enemy with your bayonets, left and right.
"
General Gatacre also delivered a stirring address,
Which gave courage to the troops, I must confess:
He told the troops to drive the Dervishes into the river,
And go right through the zereba, and do not shiver.
Then the artillery on the right opened fire with shrapnel and percussion shell,
Whereby many of the Dervishes were wounded and fell,
And the cannonading raked the whole of the Dervishes' camp, and did great execution,
Which to Mahmud and his followers has been a great retribution.
Then the artillery ceased fire, and the bugles sounded the advance,
And the Cameron Highlanders at the enemy were eager to get a chance;
So the pipers struck up the March of the Cameron Men,
Which reminded them of the ancient Camerons marching o'er mountain and glen.
The business of this regiment was to clear the front with a rifle fire,
Which to their honour, be it said, was their greatest desire;
Then there was a momentary pause until they reached the zereba,
Then the Dervishes opened fire on them, but it did not them awe.
And with their pipes loudly sounding, and one ringing cheer,
Then the Cameron Highlanders soon did the zereba clear.
And right through the Dervish camp they went without dismay,
And scattered the Dervishes across the desert, far, far away.
Then the victory was complete, and the British gave three cheers,
While adown their cheeks flowed burning tears
For the loss of their commanders and comrades who fell in the fray,
Which they will remember for many a day.
Captain Urquhart's last words were "never mind me my lads, fight on,"
While, no doubt, the Cameron Highlanders felt woebegone
For the loss of their brave captain, who was foremost in the field,
Death or glory was his motto, rather than yield.
There have been 4,000 prisoners taken, including Mahmud himself,
Who is very fond of dancing girls, likewise drink and pelf;
Besides 3,000 of his followers have been found dead,
And the living are scattered o'er the desert with their hearts full of dread.
Long life and prosperity to the British army,
May they always be able to conquer their enemies by land and by sea,
May God enable them to put their enemies to flight,
And to annihilate barbarity, and to establish what is right.
|
Written by
William Topaz McGonagall |
Ye Sons of Great Britain! come join with me
And King in praise of the gallant British Armie,
That behaved right manfully in the Soudan,
At the great battle of Omdurman.
'Twas in the year of 1898, and on the 2nd of September,
Which the Khalifa and his surviving followers will long remember,
Because Sir Herbert Kitchener has annihilated them outright,
By the British troops and Soudanese in the Omdurman fight.
The Sirdar and his Army left the camp in grand array,
And marched on to Omdurman without delay,
Just as the brigades had reached the crest adjoining the Nile,
And became engaged with the enemy in military style.
The Dervishes had re-formed under cover of a rocky eminence,
Which to them, no doubt, was a strong defence,
And they were massed together in battle array
Around the black standard of the Khalifa, which made a grand display.
But General Maxwell's Soudanese brigade seized the eminence in a short time,
And General Macdonald's brigade then joined the firing line;
And in ten minutes, long before the attack could be driven home,
The flower of the Khalifa's army was almost overthrown.
Still manfully the dusky warriors strove to make headway,
But the Soudanese troops and British swept them back without dismay,
And their main body were mown down by their deadly fire-
But still the heroic Dervishes refused to retire.
And defiantly they planted their standards and died by them,
To their honour be it said, just like brave men;
But at last they retired, with their hearts full of woe,
Leaving the field white with corpses, like a meadow dotted with snow.
The chief heroes in the fight were the 21st Lancers;
They made a brilliant charge on the enemy with ringing cheers,
And through the dusky warriors bodies their lances they did thrust,
Whereby many of them were made to lick the dust.
Then at a quarter past eleven the Sirdar sounded the advance,
And the remnant of the Dervishes fled, which was their only chance,
While the cavalry cut off their retreat while they ran;
Then the Sirdar, with the black standard of the Khalifa, headed for Omdurman.
And when the Khalifa saw his noble army cut down,
With rage and grief he did fret and frown;
Then he spurred his noble steed, and swiftly it ran,
While inwardly to himself he cried, "Catch me if you can!"
And Mahdism now has received a crushing blow,
For the Khalifa and his followers have met with a complete overthrow;
And General Gordon has been avenged, the good Christian,
By the defeat of the Khalifa at the battle of Omdurman.
Now since the Khalifa has been defeated and his rule at an end,
Let us thank God that fortunately did send
The brave Sir Herbert Kitchener to conquer that bad man,
The inhuman Khalifa, and his followers at the battle of Omdurman.
Success to Sir Herbert Kitchener! he is a great commander,
And as skilful in military tactics as the great Alexander,
Because he devised a very wise plan,
And by it has captured the town of Omdurman.
I wish success to the British and Soudanese Army,
May God protect them by land and by sea,
May he enable them always to conquer the foe,
And to establish what's right wherever they go.
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