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Best Famous Deranged Poems

Here is a collection of the all-time best famous Deranged poems. This is a select list of the best famous Deranged poetry. Reading, writing, and enjoying famous Deranged poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of deranged poems.

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Written by Ralph Waldo Emerson | Create an image from this poem

Initial Love

 Venus, when her son was lost,
Cried him up and down the coast,
In hamlets, palaces, and parks,
And told the truant by his marks,
Golden curls, and quiver, and bow;—
This befell long ago.
Time and tide are strangely changed, Men and manners much deranged; None will now find Cupid latent By this foolish antique patent.
He came late along the waste, Shod like a traveller for haste, With malice dared me to proclaim him, That the maids and boys might name him.
Boy no more, he wears all coats, Frocks, and blouses, capes, capôtes, He bears no bow, or quiver, or wand, Nor chaplet on his head or hand: Leave his weeds and heed his eyes, All the rest he can disguise.
In the pit of his eyes a spark Would bring back day if it were dark, And,—if I tell you all my thought, Though I comprehend it not,— In those unfathomable orbs Every function he absorbs; He doth eat, and drink, and fish, and shoot, And write, and reason, and compute, And ride, and run, and have, and hold, And whine, and flatter, and regret, And kiss, and couple, and beget, By those roving eye-balls bold; Undaunted are their courages, Right Cossacks in their forages; Fleeter they than any creature, They are his steeds and not his feature, Inquisitive, and fierce, and fasting, Restless, predatory, hasting,— And they pounce on other eyes, As lions on their prey; And round their circles is writ, Plainer than the day, Underneath, within, above, Love, love, love, love.
He lives in his eyes, There doth digest, and work, and spin, And buy, and sell, and lose, and win; He rolls them with delighted motion, Joy-tides swell their mimic ocean.
Yet holds he them with tortest rein, That they may seize and entertain The glance that to their glance opposes, Like fiery honey sucked from roses.
He palmistry can understand, Imbibing virtue by his hand As if it were a living root; The pulse of hands will make him mute; With all his force he gathers balms Into those wise thrilling palms.
Cupid is a casuist, A mystic, and a cabalist, Can your lurking Thought surprise, And interpret your device; Mainly versed in occult science, In magic, and in clairvoyance.
Oft he keeps his fine ear strained, And reason on her tiptoe pained, For aery intelligence, And for strange coincidence.
But it touches his quick heart When Fate by omens takes his part, And chance-dropt hints from Nature's sphere Deeply soothe his anxious ear.
Heralds high before him run, He has ushers many a one, Spreads his welcome where he goes, And touches all things with his rose.
All things wait for and divine him,— How shall I dare to malign him, Or accuse the god of sport?— I must end my true report, Painting him from head to foot, In as far as I took note, Trusting well the matchless power Of this young-eyed emperor Will clear his fame from every cloud, With the bards, and with the crowd.
He is wilful, mutable, Shy, untamed, inscrutable, Swifter-fashioned than the fairies, Substance mixed of pure contraries, His vice some elder virtue's token, And his good is evil spoken.
Failing sometimes of his own, He is headstrong and alone; He affects the wood and wild, Like a flower-hunting child, Buries himself in summer waves, In trees, with beasts, in mines, and caves, Loves nature like a horned cow, Bird, or deer, or cariboo.
Shun him, nymphs, on the fleet horses! He has a total world of wit, O how wise are his discourses! But he is the arch-hypocrite, And through all science and all art, Seeks alone his counterpart.
He is a Pundit of the east, He is an augur and a priest, And his soul will melt in prayer, But word and wisdom are a snare; Corrupted by the present toy, He follows joy, and only joy.
There is no mask but he will wear, He invented oaths to swear, He paints, he carves, he chants, he prays, And holds all stars in his embrace, Godlike, —but 'tis for his fine pelf, The social quintessence of self.
Well, said I, he is hypocrite, And folly the end of his subtle wit, He takes a sovran privilege Not allowed to any liege, For he does go behind all law, And right into himself does draw, For he is sovranly allied.
Heaven's oldest blood flows in his side, And interchangeably at one With every king on every throne, That no God dare say him nay, Or see the fault, or seen betray; He has the Muses by the heart, And the Parcæ all are of his part.
His many signs cannot be told, He has not one mode, but manifold, Many fashions and addresses, Piques, reproaches, hurts, caresses, Action, service, badinage, He will preach like a friar, And jump like Harlequin, He will read like a crier, And fight like a Paladin.
Boundless is his memory, Plans immense his term prolong, He is not of counted age, Meaning always to be young.
And his wish is intimacy, Intimater intimacy, And a stricter privacy, The impossible shall yet be done, And being two shall still be one.
As the wave breaks to foam on shelves, Then runs into a wave again, So lovers melt their sundered selves, Yet melted would be twain.


Written by Delmore Schwartz | Create an image from this poem

Prothalamion

 "little soul, little flirting,
 little perverse one
 where are you off to now?
 little wan one, firm one
 little exposed one.
.
.
and never make fun of me again.
" Now I must betray myself.
The feast of bondage and unity is near, And none engaged in that great piety When each bows to the other, kneels, and takes Hand in hand, glance and glance, care and care, None may wear masks or enigmatic clothes, For weakness blinds the wounded face enough.
In sense, see my shocking nakedness.
I gave a girl an apple when five years old, Saying, Will you be sorry when I am gone? Ravenous for such courtesies, my name Is fed like a raving fire, insatiate still.
But do not be afraid.
For I forget myself.
I do indeed Before each genuine beauty, and I will Forget myself before your unknown heart.
I will forget the speech my mother made In a restaurant, trapping my father there At dinner with his whore.
Her spoken rage Struck down the child of seven years With shame for all three, with pity for The helpless harried waiter, with anger for The diners gazing, avid, and contempt And great disgust for every human being.
I will remember this.
My mother's rhetoric Has charmed my various tongue, but now I know Love's metric seeks a rhyme more pure and sure.
For thus it is that I betray myself, Passing the terror of childhood at second hand Through nervous, learned fingertips.
At thirteen when a little girl died, I walked for three weeks neither alive nor dead, And could not understand and still cannot The adult blind to the nearness of the dead, Or carefully ignorant of their own death.
--This sense could shadow all the time's curving fruits, But we will taste of them the whole night long, Forgetting no twelfth night, no fete of June, But in the daylight knowing our nothingness.
Let Freud and Marx be wedding guests indeed! Let them mark out masks that face us there, For of all anguish, weakness, loss and failure, No form is cruel as self-deception, none Shows day-by-day a bad dream long lived And unbroken like the lies We tell each other because we are rich or poor.
Though from the general guilt not free We can keep honor by being poor.
The waste, the evil, the abomination Is interrupted.
the perfect stars persist Small in the guilty night, and Mozart shows The irreducible incorruptible good Risen past birth and death, though he is dead.
Hope, like a face reflected on the windowpane, Remote and dim, fosters a myth or dream, And in that dream, I speak, I summon all Who are our friends somehow and thus I say: "Bid the jewellers come with monocles, Exclaiming, Pure! Intrinsic! Final! Summon the children eating ice cream To speak the chill thrill of immediacy.
Call for the acrobats who tumble The ecstasy of the somersault.
Bid the self-sufficient stars be piercing In the sublime and inexhaustible blue.
"Bring a mathematician, there is much to count, The unending continuum of my attention: Infinity will hurry his multiplied voice! Bring the poised impeccable diver, Summon the skater, precise in figure, He knows the peril of circumstance, The risk of movement and the hard ground.
Summon the florist! And the tobacconist! All who have known a plant-like beauty: Summon the charming bird for ignorant song.
"You, Athena, with your tired beauty, Will you give me away? For you must come In a bathing suit with that white owl Whom, as I walk, I will hold in my hand.
You too, Crusoe, to utter the emotion Of finding Friday, no longer alone; You too, Chaplin, muse of the curbstone, Mummer of hope, you understand!" But this is fantastic and pitiful, And no one comes, none will, we are alone, And what is possible is my own voice, Speaking its wish, despite its lasting fear; Speaking of its hope, its promise and its fear, The voice drunk with itself and rapt in fear, Exaggeration, braggadocio, Rhetoric and hope, and always fear: "For fifty-six or for a thousand years, I will live with you and be your friend, And what your body and what your spirit bears I will like my own body cure and tend.
But you are heavy and my body's weight Is great and heavy: when I carry you I lift upon my back time like a fate Near as my heart, dark when I marry you.
"The voice's promise is easy, and hope Is drunk, and wanton, and unwilled; In time's quicksilver, where our desires grope, The dream is warped or monstrously fulfilled, In this sense, listen, listen, and draw near: Love is inexhaustible and full of fear.
" This life is endless and my eyes are tired, So that, again and again, I touch a chair, Or go to the window, press my face Against it, hoping with substantial touch, Colorful sight, or turning things to gain once more The look of actuality, the certainty Of those who run down stairs and drive a car.
Then let us be each other's truth, let us Affirm the other's self, and be The other's audience, the other's state, Each to the other his sonorous fame.
Now you will be afraid, when, waking up, Before familiar morning, by my mute side Wan and abandoned then, when, waking up, You see the lion or lamb upon my face Or see the daemon breathing heavily His sense of ignorance, his wish to die, For I am nothing because my circus self Divides its love a million times.
I am the octopus in love with God, For thus is my desire inconclusible, Until my mind, deranged in swimming tubes, Issues its own darkness, clutching seas ---O God of my perfect ignorance, Bring the New Year to my only sister soon, Take from me strength and power to bless her head, Give her the magnitude of secular trust, Until she turns to me in her troubled sleep, Seeing me in my wish, free from self-wrongs.
Written by Richard Hugo | Create an image from this poem

Farmer Dying

 for Hank and Nancy

Seven thousand acres of grass have faded yellow
from his cough.
These limp days, his anger, legend forty years from moon to Stevensville, lives on, just barely, in a Great Falls whore.
Cruel times, he cries, cruel winds.
His geese roam unattended in the meadow.
The gold last leaves of cottonwoods ride Burnt Fork creek away.
His geese grow fat without him.
Same old insult.
Same indifferent rise of mountains south, hunters drunk around the fire ten feet from his fence.
What's killing us is something autumn.
Call it war or fever.
You know it when you see it: flare.
Vine and fire and the morning deer come half a century to sip his spring, there, at the far end of his land, wrapped in cellophane by light.
What lives is what he left in air, definite, unseen, hanging where he stood the day he roared.
A bear prowls closer to his barn each day.
Farmers come to watch him die.
They bring crude offerings of wine.
Burnt Fork creek is caroling.
He dies white in final anger.
The bear taps on his pane.
And we die silent, our last days loaded with the scream of Burnt Fork creek, the last cry of that raging farmer.
We have aged ourselves to stone trying to summon mercy for ungrateful daughters.
Let's live him in ourselves, stand deranged on the meadow rim and curse the Baltic back, moon, bear and blast.
And let him shout from his grave for us.
Written by Rg Gregory | Create an image from this poem

the adventures (from frederick and the enchantress – dance drama)

  (i) introduction

  his home in ruins
  his parents gone
  frederick seeks
  to reclaim his throne

   to the golden mountain
   he sets his path
   the enchantress listening
   schemes with wrath

  four desperate trials
  which she takes from store
  to silence frederick
  for ever more

 (ii) the mist

  softly mist suppress all sight
  swirling stealthily as night
  slur the sureness of his steps
  suffocate his sweetest hopes
  swirling curling slip and slide
  persuasively seduce his stride

  from following its essential course
  seal his senses at its source
  bemuse the soil he stands upon
  till power of choice has wholly gone
  seething surreptitious veil
  across the face of light prevail
  against this taciturn and proud
  insurgent - o smother him swift cloud

  yet if you cannot steal his breath
  thus snuffing him to hasty death
  at least in your umbrageous mask
  stifle his ambitious task
  mystify his restless brain
  sweep him swirl him home again


 (iii) the bog

  once more the muffling mists enclose
  frederick in their vaporous throes
  forcing him with unseeing sway
  to veer from his intended way

  back they push and back
  make him fall
  stumble catch
  his foot become
  emmired snatch
  hopelessly at fog
  no grip slip further back
  into the sucking fingers of the bog
  into the slush

  squelching and splotch-
  ing the marsh
  gushes and gurgles
  engulfing foot leg
  chuckling suckles
  the heaving thigh
  the plush slugged waist
  sucking still and still flushing
  with suggestive slurp
  plop slap
  sluggishly upwards
  unctuous lugubrious
  soaking and enjoying
  with spongy gestures
  the swallowed wallowing
  body - the succulence
  of soft shoulder
  squirming
  elbow
  wrist
  then
  all.
.
.
.
.
.
.
but no his desperate palm struggling to forsake the clutches of the swamp finds one stark branch overhanging to fix glad fingers to and out of the maw of the murderous mud safely delivers him (iv) the magic forest safely - distorted joke from bog to twisted forest gnarled trees writhe and fork asphixiated trunks - angular branches hook claw throttle frederick in their creaking joints jagged weird knotted and misshapen petrified maniacal figures frantically contorted grotesque eccentric in the moon-toothed half-light tug clutch struggle with the haggard form zigzag he staggers awe-plagued giddy near-garrotted mind-deranged forcing his sagging limbs through the mangled danger till almost beyond redemption beyond self-care he once again survives to breathe free air (v) the barrier of thorns immediately a barrier of thorns springs up to choke his track thick brier evil bramble twitch stick sharp needles in his skin hag's spite inflicts its bitter sting frederick (provoked to attack stung stabbed by jabbing spines wincing with agony and grief) seeks to hack a clear way through picking swinging at the spiky barricade inch by prickly inch smarting with anger bristling with a thin itch and tingling of success - acute with aching glory the afflicted victim of a witch's pique frederick frederick the king snips hews chops rips slashes cracks cleaves rends pierces pierces and shatters into pointless pieces this mighty barrier of barbs - comes through at last (belzivetta's malignant magic smashed) to freedom peace of mind and dreamless sleep
Written by Delmore Schwartz | Create an image from this poem

For The One Who Would Take Mans Life In His Hands

 Tiger Christ unsheathed his sword,
Threw it down, became a lamb.
Swift spat upon the species, but Took two women to his heart.
Samson who was strong as death Paid his strength to kiss a ****.
Othello that stiff warrior Was broken by a woman's heart.
Troy burned for a sea-tax, also for Possession of a charming whore.
What do all examples show? What must the finished murderer know? You cannot sit on bayonets, Nor can you eat among the dead.
When all are killed, you are alone, A vacuum comes where hate has fed.
Murder's fruit is silent stone, The gun increases poverty.
With what do these examples shine? The soldier turned to girls and wine.
Love is the tact of every good, The only warmth, the only peace.
"What have I said?" asked Socrates.
"Affirmed extremes, cried yes and no, Taken all parts, denied myself, Praised the caress, extolled the blow, Soldier and lover quite deranged Until their motions are exchanged.
-What do all examples show? What can any actor know? The contradiction in every act, The infinite task of the human heart.
"



Book: Shattered Sighs