Written by
Emily Dickinson |
Mine Enemy is growing old --
I have at last Revenge --
The Palate of the Hate departs --
If any would avenge
Let him be quick -- the Viand flits --
It is a faded Meat --
Anger as soon as fed is dead --
'Tis starving makes it fat --
|
Written by
Charlotte Bronte |
The room is quiet, thoughts alone
People its mute tranquillity;
The yoke put on, the long task done,
I am, as it is bliss to be,
Still and untroubled.
Now, I see,
For the first time, how soft the day
O'er waveless water, stirless tree,
Silent and sunny, wings its way.
Now, as I watch that distant hill,
So faint, so blue, so far removed,
Sweet dreams of home my heart may fill,
That home where I am known and loved:
It lies beyond; yon azure brow
Parts me from all Earth holds for me;
And, morn and eve, my yearnings flow
Thitherward tending, changelessly.
My happiest hours, aye ! all the time,
I love to keep in memory,
Lapsed among moors, ere life's first prime
Decayed to dark anxiety.
Sometimes, I think a narrow heart
Makes me thus mourn those far away,
And keeps my love so far apart
From friends and friendships of to-day;
Sometimes, I think 'tis but a dream
I measure up so jealously,
All the sweet thoughts I live on seem
To vanish into vacancy:
And then, this strange, coarse world around
Seems all that's palpable and true;
And every sight, and every sound,
Combines my spirit to subdue
To aching grief, so void and lone
Is Life and Earthso worse than vain,
The hopes that, in my own heart sown,
And cherished by such sun and rain
As Joy and transient Sorrow shed,
Have ripened to a harvest there:
Alas ! methinks I hear it said,
"Thy golden sheaves are empty air.
"
All fades away; my very home
I think will soon be desolate;
I hear, at times, a warning come
Of bitter partings at its gate;
And, if I should return and see
The hearth-fire quenched, the vacant chair;
And hear it whispered mournfully,
That farewells have been spoken there,
What shall I do, and whither turn ?
Where look for peace ? When cease to mourn ?
'Tis not the air I wished to play,
The strain I wished to sing;
My wilful spirit slipped away
And struck another string.
I neither wanted smile nor tear,
Bright joy nor bitter woe,
But just a song that sweet and clear,
Though haply sad, might flow.
A quiet song, to solace me
When sleep refused to come;
A strain to chase despondency,
When sorrowful for home.
In vain I try; I cannot sing;
All feels so cold and dead;
No wild distress, no gushing spring
Of tears in anguish shed;
But all the impatient gloom of one
Who waits a distant day,
When, some great task of suffering done,
Repose shall toil repay.
For youth departs, and pleasure flies,
And life consumes away,
And youth's rejoicing ardour dies
Beneath this drear delay;
And Patience, weary with her yoke,
Is yielding to despair,
And Health's elastic spring is broke
Beneath the strain of care.
Life will be gone ere I have lived;
Where now is Life's first prime ?
I've worked and studied, longed and grieved,
Through all that rosy time.
To toil, to think, to long, to grieve,
Is such my future fate ?
The morn was dreary, must the eve
Be also desolate ?
Well, such a life at least makes Death
A welcome, wished-for friend;
Then, aid me, Reason, Patience, Faith,
To suffer to the end !
|
Written by
Siegfried Sassoon |
There seemed a smell of autumn in the air
At the bleak end of night; he shivered there
In a dank, musty dug-out where he lay,
Legs wrapped in sand-bags,—lumps of chalk and clay
Spattering his face.
Dry-mouthed, he thought, ‘To-day
We start the damned attack; and, Lord knows why,
Zero’s at nine; how bloody if I’m done in
Under the freedom of that morning sky!’
And then he coughed and dozed, cursing the din.
Was it the ghost of autumn in that smell
Of underground, or God’s blank heart grown kind,
That sent a happy dream to him in hell?—
Where men are crushed like clods, and crawl to find
Some crater for their wretchedness; who lie
In outcast immolation, doomed to die
Far from clean things or any hope of cheer,
Cowed anger in their eyes, till darkness brims
And roars into their heads, and they can hear
Old childish talk, and tags of foolish hymns.
He sniffs the chilly air; (his dreaming starts),
He’s riding in a dusty Sussex lane
In quiet September; slowly night departs;
And he’s a living soul, absolved from pain.
Beyond the brambled fences where he goes
Are glimmering fields with harvest piled in sheaves,
And tree-tops dark against the stars grown pale;
Then, clear and shrill, a distant farm-cock crows;
And there’s a wall of mist along the vale
Where willows shake their watery-sounding leaves,
He gazes on it all, and scarce believes
That earth is telling its old peaceful tale;
He thanks the blessed world that he was born.
.
.
Then, far away, a lonely note of the horn.
They’re drawing the Big Wood! Unlatch the gate,
And set Golumpus going on the grass;
He knows the corner where it’s best to wait
And hear the crashing woodland chorus pass;
The corner where old foxes make their track
To the Long Spinney; that’s the place to be.
The bracken shakes below an ivied tree,
And then a cub looks out; and ‘Tally-o-back!’
He bawls, and swings his thong with volleying crack,—
All the clean thrill of autumn in his blood,
And hunting surging through him like a flood
In joyous welcome from the untroubled past;
While the war drifts away, forgotten at last.
Now a red, sleepy sun above the rim
Of twilight stares along the quiet weald,
And the kind, simple country shines revealed
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light,
Then stretches down his head to crop the green.
All things that he has loved are in his sight;
The places where his happiness has been
Are in his eyes, his heart, and they are good.
.
.
.
.
Hark! there’s the horn: they’re drawing the Big Wood.
|
Written by
Walt Whitman |
GIVE me your hand, old Revolutionary;
The hill-top is nigh—but a few steps, (make room, gentlemen;)
Up the path you have follow’d me well, spite of your hundred and extra years;
You can walk, old man, though your eyes are almost done;
Your faculties serve you, and presently I must have them serve me.
Rest, while I tell what the crowd around us means;
On the plain below, recruits are drilling and exercising;
There is the camp—one regiment departs to-morrow;
Do you hear the officers giving the orders?
Do you hear the clank of the muskets?
Why, what comes over you now, old man?
Why do you tremble, and clutch my hand so convulsively?
The troops are but drilling—they are yet surrounded with smiles;
Around them, at hand, the well-drest friends, and the women;
While splendid and warm the afternoon sun shines down;
Green the midsummer verdure, and fresh blows the dallying breeze,
O’er proud and peaceful cities, and arm of the sea between.
But drill and parade are over—they march back to quarters;
Only hear that approval of hands! hear what a clapping!
As wending, the crowds now part and disperse—but we, old man,
Not for nothing have I brought you hither—we must remain;
You to speak in your turn, and I to listen and tell.
THE CENTENARIAN.
When I clutch’d your hand, it was not with terror;
But suddenly, pouring about me here, on every side,
And below there where the boys were drilling, and up the slopes they ran,
And where tents are pitch’d, and wherever you see, south and south-east and
south-west,
Over hills, across lowlands, and in the skirts of woods,
And along the shores, in mire (now fill’d over), came again, and suddenly raged,
As eighty-five years agone, no mere parade receiv’d with applause of friends,
But a battle, which I took part in myself—aye, long ago as it is, I took part in it,
Walking then this hill-top, this same ground.
Aye, this is the ground;
My blind eyes, even as I speak, behold it re-peopled from graves;
The years recede, pavements and stately houses disappear;
Rude forts appear again, the old hoop’d guns are mounted;
I see the lines of rais’d earth stretching from river to bay;
I mark the vista of waters, I mark the uplands and slopes:
Here we lay encamp’d—it was this time in summer also.
As I talk, I remember all—I remember the Declaration;
It was read here—the whole army paraded—it was read to us here;
By his staff surrounded, the General stood in the middle—he held up his
unsheath’d
sword,
It glitter’d in the sun in full sight of the army.
’Twas a bold act then;
The English war-ships had just arrived—the king had sent them from over the sea;
We could watch down the lower bay where they lay at anchor,
And the transports, swarming with soldiers.
A few days more, and they landed—and then the battle.
Twenty thousand were brought against us,
A veteran force, furnish’d with good artillery.
I tell not now the whole of the battle;
But one brigade, early in the forenoon, order’d forward to engage the red-coats;
Of that brigade I tell, and how steadily it march’d,
And how long and how well it stood, confronting death.
Who do you think that was, marching steadily, sternly confronting death?
It was the brigade of the youngest men, two thousand strong,
Rais’d in Virginia and Maryland, and many of them known personally to the General.
Jauntily forward they went with quick step toward Gowanus’ waters;
Till of a sudden, unlook’d for, by defiles through the woods, gain’d at night,
The British advancing, wedging in from the east, fiercely playing their guns,
That brigade of the youngest was cut off, and at the enemy’s mercy.
The General watch’d them from this hill;
They made repeated desperate attempts to burst their environment;
Then drew close together, very compact, their flag flying in the middle;
But O from the hills how the cannon were thinning and thinning them!
It sickens me yet, that slaughter!
I saw the moisture gather in drops on the face of the General;
I saw how he wrung his hands in anguish.
Meanwhile the British maneuver’d to draw us out for a pitch’d battle;
But we dared not trust the chances of a pitch’d battle.
We fought the fight in detachments;
Sallying forth, we fought at several points—but in each the luck was against us;
Our foe advancing, steadily getting the best of it, push’d us back to the works on
this
hill;
Till we turn’d, menacing, here, and then he left us.
That was the going out of the brigade of the youngest men, two thousand strong;
Few return’d—nearly all remain in Brooklyn.
That, and here, my General’s first battle;
No women looking on, nor sunshine to bask in—it did not conclude with applause;
Nobody clapp’d hands here then.
But in darkness, in mist, on the ground, under a chill rain,
Wearied that night we lay, foil’d and sullen;
While scornfully laugh’d many an arrogant lord, off against us encamp’d,
Quite within hearing, feasting, klinking wine-glasses together over their victory.
So, dull and damp, and another day;
But the night of that, mist lifting, rain ceasing,
Silent as a ghost, while they thought they were sure of him, my General retreated.
I saw him at the river-side,
Down by the ferry, lit by torches, hastening the embarcation;
My General waited till the soldiers and wounded were all pass’d over;
And then, (it was just ere sunrise,) these eyes rested on him for the last time.
Every one else seem’d fill’d with gloom;
Many no doubt thought of capitulation.
But when my General pass’d me,
As he stood in his boat, and look’d toward the coming sun,
I saw something different from capitulation.
TERMINUS.
Enough—the Centenarian’s story ends;
The two, the past and present, have interchanged;
I myself, as connecter, as chansonnier of a great future, am now speaking.
And is this the ground Washington trod?
And these waters I listlessly daily cross, are these the waters he cross’d,
As resolute in defeat, as other generals in their proudest triumphs?
It is well—a lesson like that, always comes good;
I must copy the story, and send it eastward and westward;
I must preserve that look, as it beam’d on you, rivers of Brooklyn.
See! as the annual round returns, the phantoms return;
It is the 27th of August, and the British have landed;
The battle begins, and goes against us—behold! through the smoke, Washington’s
face;
The brigade of Virginia and Maryland have march’d forth to intercept the enemy;
They are cut off—murderous artillery from the hills plays upon them;
Rank after rank falls, while over them silently droops the flag,
Baptized that day in many a young man’s bloody wounds,
In death, defeat, and sisters’, mothers’ tears.
Ah, hills and slopes of Brooklyn! I perceive you are more valuable than your owners
supposed;
Ah, river! henceforth you will be illumin’d to me at sunrise with something besides
the
sun.
Encampments new! in the midst of you stands an encampment very old;
Stands forever the camp of the dead brigade.
|
Written by
D. H. Lawrence |
I
Now it is autumn and the falling fruit
and the long journey towards oblivion.
The apples falling like great drops of dew
to bruise themselves an exit from themselves.
And it is time to go, to bid farewell
to one's own self, and find an exit
from the fallen self.
II
Have you built your ship of death, O have you?
O build your ship of death, for you will need it.
The grim frost is at hand, when the apples will fall
thick, almost thundrous, on the hardened earth.
And death is on the air like a smell of ashes!
Ah! can't you smell it?
And in the bruised body, the frightened soul
finds itself shrinking, wincing from the cold
that blows upon it through the orifices.
III
And can a man his own quietus make
with a bare bodkin?
With daggers, bodkins, bullets, man can make
a bruise or break of exit for his life;
but is that a quietus, O tell me, is it quietus?
Surely not so! for how could murder, even self-murder
ever a quietus make?
IV
O let us talk of quiet that we know,
that we can know, the deep and lovely quiet
of a strong heart at peace!
How can we this, our own quietus, make?
V
Build then the ship of death, for you must take
the longest journey, to oblivion.
And die the death, the long and painful death
that lies between the old self and the new.
Already our bodies are fallen, bruised, badly bruised,
already our souls are oozing through the exit
of the cruel bruise.
Already the dark and endless ocean of the end
is washing in through the breaches of our wounds,
Already the flood is upon us.
Oh build your ship of death, your little ark
and furnish it with food, with little cakes, and wine
for the dark flight down oblivion.
VI
Piecemeal the body dies, and the timid soul
has her footing washed away, as the dark flood rises.
We are dying, we are dying, we are all of us dying
and nothing will stay the death-flood rising within us
and soon it will rise on the world, on the outside world.
We are dying, we are dying, piecemeal our bodies are dying
and our strength leaves us,
and our soul cowers naked in the dark rain over the flood,
cowering in the last branches of the tree of our life.
VII
We are dying, we are dying, so all we can do
is now to be willing to die, and to build the ship
of death to carry the soul on the longest journey.
A little ship, with oars and food
and little dishes, and all accoutrements
fitting and ready for the departing soul.
Now launch the small ship, now as the body dies
and life departs, launch out, the fragile soul
in the fragile ship of courage, the ark of faith
with its store of food and little cooking pans
and change of clothes,
upon the flood's black waste
upon the waters of the end
upon the sea of death, where still we sail
darkly, for we cannot steer, and have no port.
There is no port, there is nowhere to go
only the deepening blackness darkening still
blacker upon the soundless, ungurgling flood
darkness at one with darkness, up and down
and sideways utterly dark, so there is no direction any more
and the little ship is there; yet she is gone.
She is not seen, for there is nothing to see her by.
She is gone! gone! and yet
somewhere she is there.
Nowhere!
VIII
And everything is gone, the body is gone
completely under, gone, entirely gone.
The upper darkness is heavy as the lower,
between them the little ship
is gone
It is the end, it is oblivion.
IX
And yet out of eternity a thread
separates itself on the blackness,
a horizontal thread
that fumes a little with pallor upon the dark.
Is it illusion? or does the pallor fume
A little higher?
Ah wait, wait, for there's the dawn
the cruel dawn of coming back to life
out of oblivion
Wait, wait, the little ship
drifting, beneath the deathly ashy grey
of a flood-dawn.
Wait, wait! even so, a flush of yellow
and strangely, O chilled wan soul, a flush of rose.
A flush of rose, and the whole thing starts again.
X
The flood subsides, and the body, like a worn sea-shell
emerges strange and lovely.
And the little ship wings home, faltering and lapsing
on the pink flood,
and the frail soul steps out, into the house again
filling the heart with peace.
Swings the heart renewed with peace
even of oblivion.
Oh build your ship of death.
Oh build it!
for you will need it.
For the voyage of oblivion awaits you.
|
Written by
Philip Levine |
The doctor fingers my bruise.
"Magnificent," he says, "black
at the edges and purple
cored.
" Seated, he spies for clues,
gingerly probing the slack
flesh, while I, standing, fazed, pull
for air, losing the battle.
Faced by his aged diploma,
the heavy head of the X-
ray, and the iron saddle,
I grow lonely.
He finds my
secrets common and my sex
neither objectionable
nor lovely, though he is on
the hunt for significance.
The shelved cutlery twinkles
behind glass, and I am on
the way out, "an instance
of the succumbed through extreme
fantasy.
" He is alarmed
at last, and would raise me, but
I am floorward in a dream
of lowered trousers, unarmed
and weakly fighting to shut
the window of my drawers.
There are others in the room,
voices of women above
white oxfords; and the old floor,
the friendly linoleum,
departs.
I whisper, "my love,"
and am safe, tabled, sniffing
spirits of ammonia
in the land of my fellows.
"Open house!" my openings
sing: pores, nose, anus let go
their charges, a shameless flow
into the outer world;
and the ceiling, equipped with
intelligence, surveys my
produce.
The doctor is thrilled
by my display, for he is half
the slave of necessity;
I, enormous in my need,
justify his sciences.
"We have alternatives," he
says, "Removal.
.
.
" (And my blood
whitens as on their dull trays
the tubes dance.
I must study
the dark bellows of the gas
machine, the painless maker.
)
".
.
.
and learning to live with it.
"
Oh, but I am learning fast
to live with any pain, ache,
growth to keep myself intact;
and in imagination
I hug my bruise like an old
Pooh Bear, already attuned
to its moods.
"Oh, my dark one,
tell of the coming of cold
and of Kings, ancient and ruined.
"
|
Written by
D. H. Lawrence |
At evening, sitting on this terrace,
When the sun from the west, beyond Pisa, beyond the mountains of Carrara
Departs, and the world is taken by surprise .
.
.
When the tired flower of Florence is in gloom beneath the glowing
Brown hills surrounding .
.
.
When under the arches of the Ponte Vecchio
A green light enters against stream, flush from the west,
Against the current of obscure Arno .
.
.
Look up, and you see things flying
Between the day and the night;
Swallows with spools of dark thread sewing the shadows together.
A circle swoop, and a quick parabola under the bridge arches
Where light pushes through;
A sudden turning upon itself of a thing in the air.
A dip to the water.
And you think:
"The swallows are flying so late!"
Swallows?
Dark air-life looping
Yet missing the pure loop .
.
.
A twitch, a twitter, an elastic shudder in flight
And serrated wings against the sky,
Like a glove, a black glove thrown up at the light,
And falling back.
Never swallows!
Bats!
The swallows are gone.
At a wavering instant the swallows gave way to bats
By the Ponte Vecchio .
.
.
Changing guard.
Bats, and an uneasy creeping in one's scalp
As the bats swoop overhead!
Flying madly.
Pipistrello!
Black piper on an infinitesimal pipe.
Little lumps that fly in air and have voices indefinite, wildly vindictive;
Wings like bits of umbrella.
Bats!
Creatures that hang themselves up like an old rag, to sleep;
And disgustingly upside down.
Hanging upside down like rows of disgusting old rags
And grinning in their sleep.
Bats!
Not for me!
|
Written by
Victor Hugo |
("Je suis la Charité.")
{February, 1837.}
"Lo! I am Charity," she cries,
"Who waketh up before the day;
While yet asleep all nature lies,
God bids me rise and go my way."
How fair her glorious features shine,
Whereon the hand of God hath set
An angel's attributes divine,
With all a woman's sweetness met.
Above the old man's couch of woe
She bows her forehead, pure and even.
There's nothing fairer here below,
There's nothing grander up in heaven,
Than when caressingly she stands
(The cold hearts wakening 'gain their beat),
And holds within her holy hands
The little children's naked feet.
To every den of want and toil
She goes, and leaves the poorest fed;
Leaves wine and bread, and genial oil,
And hopes that blossom in her tread,
And fire, too, beautiful bright fire,
That mocks the glowing dawn begun,
Where, having set the blind old sire,
He dreams he's sitting in the sun.
Then, over all the earth she runs,
And seeks, in the cold mists of life,
Those poor forsaken little ones
Who droop and weary in the strife.
Ah, most her heart is stirred for them,
Whose foreheads, wrapped in mists obscure,
Still wear a triple diadem—
The young, the innocent, the poor.
And they are better far than we,
And she bestows a worthier meed;
For, with the loaf of charity,
She gives the kiss that children need.
She gives, and while they wondering eat
The tear-steeped bread by love supplied,
She stretches round them in the street
Her arm that passers push aside.
If, with raised head and step alert,
She sees the rich man stalking by,
She touches his embroidered skirt,
And gently shows them where they lie.
She begs for them of careless crowd,
Of earnest brows and narrow hearts,
That when it hears her cry aloud,
Turns like the ebb-tide and departs.
O miserable he who sings
Some strain impure, whose numbers fall
Along the cruel wind that brings
Death to some child beneath his wall.
O strange and sad and fatal thing,
When, in the rich man's gorgeous hall,
The huge fire on the hearth doth fling
A light on some great festival,
To see the drunkard smile in state,
In purple wrapt, with myrtle crowned,
While Jesus lieth at the gate
With only rags to wrap him round.
Dublin University Magazine
|
Written by
Anne Kingsmill Finch |
THE Queen of Birds, t'encrease the Regal Stock,
Had hatch'd her young Ones in a stately Oak,
Whose Middle-part was by a Cat possest,
And near the Root with Litter warmly drest,
A teeming Sow had made her peaceful Nest.
(Thus Palaces are cramm'd from Roof to Ground,
And Animals, as various, in them found.
)
When to the Sow, who no Misfortune fear'd,
Puss with her fawning Compliments appear'd,
Rejoicing much at her Deliv'ry past,
And that she 'scap'd so well, who bred so fast.
Then every little Piglin she commends,
And likens them to all their swinish Friends;
Bestows good Wishes, but with Sighs implies,
That some dark Fears do in her Bosom rise.
Such Tempting Flesh, she cries, will Eagles spare?
Methinks, good Neighbour, you should live in Care:
Since I, who bring not forth such dainty Bits,
Tremble for my unpalatable Chits;
And had I but foreseen, the Eagle's Bed
Was in this fatal Tree to have been spread;
I sooner wou'd have kitten'd in the Road,
Than made this Place of Danger my abode.
I heard her young Ones lately cry for Pig,
And pity'd you, that were so near, and big.
In Friendship this I secretly reveal,
Lest Pettitoes shou'd make th' ensuing Meal;
Or else, perhaps, Yourself may be their aim,
For a Sow's Paps has been a Dish of Fame.
No more the sad, affrighted Mother hears,
But overturning all with boist'rous Fears,
She from her helpless Young in haste departs,
Whilst Puss ascends, to practice farther Arts.
The Anti-chamber pass'd, she scratch'd the Door;
The Eagle, ne'er alarum'd so before,
Bids her come in, and look the Cause be great,
That makes her thus disturb the Royal Seat;
Nor think, of Mice and Rats some pest'ring Tale
Shall, in excuse of Insolence, prevail.
Alas! my Gracious Lady, quoth the Cat,
I think not of such Vermin; Mouse, or Rat
To me are tasteless grown; nor dare I stir
To use my Phangs, or to expose my Fur.
A Foe intestine threatens all around,
And ev'n this lofty Structure will confound;
A Pestilential Sow, a meazel'd Pork
On the Foundation has been long at work,
Help'd by a Rabble, issu'd from her Womb,
Which she has foster'd in that lower Room;
Who now for Acorns are so madly bent,
That soon this Tree must fall, for their Content.
I wou'd have fetch'd some for th' unruly Elves;
But 'tis the Mob's delight to help Themselves:
Whilst your high Brood must with the meanest drop,
And steeper be their Fall, as next the Top;
Unless you soon to Jupiter repair,
And let him know, the Case demands his Care.
Oh! May the Trunk but stand, 'till you come back!
But hark! already sure, I hear it crack.
Away, away---The Eagle, all agast,
Soars to the Sky, nor falters in her haste:
Whilst crafty Puss, now o'er the Eyry reigns,
Replenishing her Maw with treach'rous Gains.
The Sow she plunders next, and lives alone;
The Pigs, the Eaglets, and the House her own.
Curs'd Sycophants! How wretched is the Fate
Of those, who know you not, till 'tis too late!
|
Written by
John Milton |
OH how comely it is and how reviving
To the Spirits of just men long opprest!
When God into the hands of thir deliverer
Puts invincible might
To quell the mighty of the Earth, th' oppressour,
The brute and boist'rous force of violent men
Hardy and industrious to support
Tyrannic power, but raging to pursue
The righteous and all such as honour Truth;
He all thir Ammunition
And feats of War defeats
With plain Heroic magnitude of mind
And celestial vigour arm'd,
Thir Armories and Magazins contemns,
Renders them useless, while
With winged expedition
Swift as the lightning glance he executes
His errand on the wicked, who surpris'd
Lose thir defence distracted and amaz'd.
ALL is best, though we oft doubt,
What th' unsearchable dispose
Of highest wisdom brings about,
And ever best found in the close.
Oft he seems to hide his face,
But unexpectedly returns
And to his faithful Champion hath in place
Bore witness gloriously; whence Gaza mourns
And all that band them to resist
His uncontroulable intent.
His servants he with new acquist
Of true experience from this great event
With peace and consolation hath dismist,
And calm of mind all passion spent.
O FOR some honest lover's ghost,
Some kind unbodied post
Sent from the shades below!
I strangely long to know
Whether the noble chaplets wear
Those that their mistress' scorn did bear
Or those that were used kindly.
For whatsoe'er they tell us here
To make those sufferings dear,
'Twill there, I fear, be found
That to the being crown'd
T' have loved alone will not suffice,
Unless we also have been wise
And have our loves enjoy'd.
What posture can we think him in
That, here unloved, again
Departs, and 's thither gone
Where each sits by his own?
Or how can that Elysium be
Where I my mistress still must see
Circled in other's arms?
For there the judges all are just,
And Sophonisba must
Be his whom she held dear,
Not his who loved her here.
The sweet Philoclea, since she died,
Lies by her Pirocles his side,
Not by Amphialus.
Some bays, perchance, or myrtle bough
For difference crowns the brow
Of those kind souls that were
The noble martyrs here:
And if that be the only odds
(As who can tell?), ye kinder gods,
Give me the woman here!
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