Written by
Adrienne Rich |
Something spreading underground won't speak to us
under skin won't declare itself
not all life-forms want dialogue with the
machine-gods in their drama hogging down
the deep bush clear-cutting refugees
from ancient or transient villages into
our opportunistic fervor to search
crazily for a host a lifeboat
Suddenly instead of art we're eyeing
organisms traced and stained on cathedral transparencies
cruel blues embroidered purples succinct yellows
a beautiful tumor
•
I guess you're not alone I fear you're alone
There's, of course, poetry:
awful bridge rising over naked air: I first
took it as just a continuation of the road:
"a masterpiece of engineering
praised, etc." then on the radio:
"incline too steep for ease of, etc."
Drove it nonetheless because I had to
this being how— So this is how
I find you: alive and more
•
As if (how many conditionals must we suffer?)
I'm driving to your side
—an intimate collusion—
packed in the trunk my bag of foils for fencing with pain
glasses of varying spectrum for sun or fog or sun-struck
rain or bitterest night my sack of hidden
poetries, old glue shredding from their spines
my time exposure of the Leonids
over Joshua Tree
As if we're going to win this O because
•
If you have a sister I am not she
nor your mother nor you my daughter
nor are we lovers or any kind of couple
except in the intensive care
of poetry and
death's master plan architecture-in-progress
draft elevations of a black-and-white mosaic dome
the master left on your doorstep
with a white card in black calligraphy:
Make what you will of this
As if leaving purple roses
•
If (how many conditionals must we suffer?)
I tell you a letter from the master
is lying on my own doorstep
glued there with leaves and rain
and I haven't bent to it yet
if I tell you I surmise
he writes differently to me:
Do as you will, you have had your life
many have not
signing it in his olden script:
Meister aus Deutschland
•
In coldest Europe end of that war
frozen domes iron railings frozen stoves lit in the
streets
memory banks of cold
the Nike of Samothrace
on a staircase wings in blazing
backdraft said to me
: : to everyone she met
Displaced, amputated never discount me
Victory
indented in disaster striding
at the head of stairs
for Tory Dent
|
Written by
Margaret Atwood |
Cruising these residential Sunday
streets in dry August sunlight:
what offends us is
the sanities:
the houses in pedantic rows, the planted
sanitary trees, assert
levelness of surface like a rebuke
to the dent in our car door.
No shouting here, or
shatter of glass; nothing more abrupt
than the rational whine of a power mower
cutting a straight swath in the discouraged grass.
But though the driveways neatly
sidestep hysteria
by being even, the roofs all display
the same slant of avoidance to the hot sky,
certain things:
the smell of spilled oil a faint
sickness lingering in the garages,
a splash of paint on brick surprising as a bruise,
a plastic hose poised in a vicious
coil; even the too-fixed stare of the wide windows
give momentary access to
the landscape behind or under
the future cracks in the plaster
when the houses, capsized, will slide
obliquely into the clay seas, gradual as glaciers
that right now nobody notices.
That is where the City Planners
with the insane faces of political conspirators
are scattered over unsurveyed
territories, concealed from each other,
each in his own private blizzard;
guessing directions, they sketch
transitory lines rigid as wooden borders
on a wall in the white vanishing air
tracing the panic of suburb
order in a bland madness of snows
|
Written by
Thomas Chatterton |
O SING unto my roundelay,
O drop the briny tear with me;
Dance no more at holyday,
Like a running river be:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Black his cryne as the winter night,
White his rode as the summer snow,
Red his face as the morning light,
Cold he lies in the grave below:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Sweet his tongue as the throstle's note,
Quick in dance as thought can be,
Deft his tabor, cudgel stout;
O he lies by the willow-tree!
My love is dead,
Gone to his death-bed
All under the willow-tree.
Hark! the raven flaps his wing
In the brier'd dell below;
Hark! the death-owl loud doth sing
To the nightmares, as they go:
My love is dead,
Gone to his death-bed
All under the willow-tree.
See! the white moon shines on high;
Whiter is my true-love's shroud:
Whiter than the morning sky,
Whiter than the evening cloud:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Here upon my true-love's grave
Shall the barren flowers be laid;
Not one holy saint to save
All the coldness of a maid:
My love is dead,
Gone to his death-bed
All under the willow-tree.
With my hands I'll dent the briers
Round his holy corse to gre:
Ouph and fairy, light your fires,
Here my body still shall be:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Come, with acorn-cup and thorn,
Drain my heartes blood away;
Life and all its good I scorn,
Dance by night, or feast by day:
My love is dead,
Gone to his death-bed
All under the willow-tree.
|
Written by
William Butler Yeats |
(For Harry Clifton)
I HAVE heard that hysterical women say
They are sick of the palette and fiddle-bow.
Of poets that are always gay,
For everybody knows or else should know
That if nothing drastic is done
Aeroplane and Zeppelin will come out.
Pitch like King Billy bomb-balls in
Until the town lie beaten flat.
All perform their tragic play,
There struts Hamlet, there is Lear,
That's Ophelia, that Cordelia;
Yet they, should the last scene be there,
The great stage curtain about to drop,
If worthy their prominent part in the play,
Do not break up their lines to weep.
They know that Hamlet and Lear are gay;
Gaiety transfiguring all that dread.
All men have aimed at, found and lost;
Black out; Heaven blazing into the head:
Tragedy wrought to its uttermost.
Though Hamlet rambles and Lear rages,
And all the drop-scenes drop at once
Upon a hundred thousand stages,
It cannot grow by an inch or an ounce.
On their own feet they came, or On shipboard,'
Camel-back; horse-back, ass-back, mule-back,
Old civilisations put to the sword.
Then they and their wisdom went to rack:
No handiwork of Callimachus,
Who handled marble as if it were bronze,
Made draperies that seemed to rise
When sea-wind swept the corner, stands;
His long lamp-chimney shaped like the stem
Of a slender palm, stood but a day;
All things fall and are built again,
And those that build them again are gay.
Two Chinamen, behind them a third,
Are carved in lapis lazuli,
Over them flies a long-legged bird,
A symbol of longevity;
The third, doubtless a serving-man,
Carries a musical instmment.
Every discoloration of the stone,
Every accidental crack or dent,
Seems a water-course or an avalanche,
Or lofty slope where it still snows
Though doubtless plum or cherry-branch
Sweetens the little half-way house
Those Chinamen climb towards, and I
Delight to imagine them seated there;
There, on the mountain and the sky,
On all the tragic scene they stare.
One asks for mournful melodies;
Accomplished fingers begin to play.
Their eyes mid many wrinkles, their eyes,
Their ancient, glittering eyes, are gay.
|
Written by
Michael Drayton |
Fair stood the wind for France,
When we our sails advance;
Nor now to prove our chance
Longer will tarry;
But putting to the main,
At Caux, the mouth of Seine,
With all his martial train
Landed King Harry.
And taking many a fort,
Furnish'd in warlike sort,
Marcheth towards Agincourt
In happy hour;
Skirmishing day by day
With those that stopp'd his way,
Where the French gen'ral lay
With all his power.
Which, in his height of pride,
King Henry to deride,
His ransom to provide
To the King sending;
Which he neglects the while,
As from a nation vile
Yet with an angry smile
Their fall portending.
And turning to his men
Quoth our brave Henry then:
"Though they to one be ten
Be not amazed.
Yet have we well begun:
Battles so bravely won
Have ever to the sun
By Fame been raised!
"And for myself," quoth he,
"This my full rest shall be:
England ne'er mourn for me,
Nor more esteem me;
Victor I will remain,
Or on this earth lie slain;
Never shall she sustain
Loss to redeem me!
"Poitiers and Cressy tell
When most their pride did swell
Under our swords they fell;
No less our skill is
Than when our grandsire great,
Claiming the regal seat,
By many a warlike feat
Lopp'd the French lilies."
The Duke of York so dread
The eager vaward led;
With the main Henry sped
Amongst his henchmen:
Excester had the rear,
A braver man not there
O Lord, how hot they were
On the false Frenchmen!
They now to fight are gone;
Armour on armour shone;
Drum now to drum did groan:
To hear, was wonder;
That, with cries they make,
The very earth did shake;
Trumpet to trumpet spake,
Thunder to thunder.
Well it thine age became,
O noble Erpingham,
Which didst the signal aim
To our hid forces;
When, from a meadow by,
Like a storm suddenly,
The English archery
Stuck the French horses
With Spanish yew so strong,
Arrows a cloth-yard long,
That like to serpents stung,
Piercing the weather.
None from his fellow starts,
But playing manly parts,
And like true English hearts
Stuck close together.
When down their bows they threw,
And forth their bilboes drew,
And on the French they flew,
Not one was tardy;
Arms were from shoulders sent,
Scalps to the teeth were rent,
Down the French peasants went:
Our men were hardy.
This while our noble King,
His broad sword brandishing,
Down the French host did ding,
As to o'erwhelm it.
And many a deep wound lent,
His arms with blood besprent,
And many a cruel dent
Bruised his helmet.
Gloster, that duke so good,
Next of the royal blood,
For famous England stood
With his brave brother.
Clarence, in steel so bright,
Though but a maiden knight,
Yet in that furious fight
Scarce such another!
Warwick in blood did wade,
Oxford the foe invade,
And cruel slaughter made,
Still as they ran up.
Suffolk his axe did ply;
Beaumont and Willoughby
Bare them right doughtily;
Ferrers and Fanhope.
Upon Saint Crispin's Day
Fought was this noble fray,
Which fame did not delay
To England to carry.
O when shall English men
With such acts fill a pen,
Or England breed again
Such a King Harry?
|
Written by
Michael Drayton |
FAIR stood the wind for France
When we our sails advance,
Nor now to prove our chance
Longer will tarry;
But putting to the main,
At Caux, the mouth of Seine,
With all his martial train
Landed King Harry.
And taking many a fort,
Furnish'd in warlike sort,
Marcheth tow'rds Agincourt
In happy hour;
Skirmishing day by day
With those that stopp'd his way,
Where the French gen'ral lay
With all his power.
Which, in his height of pride,
King Henry to deride,
His ransom to provide
Unto him sending;
Which he neglects the while
As from a nation vile,
Yet with an angry smile
Their fall portending.
And turning to his men,
Quoth our brave Henry then,
'Though they to one be ten
Be not amazed:
Yet have we well begun;
Battles so bravely won
Have ever to the sun
By fame been raised.
'And for myself (quoth he)
This my full rest shall be:
England ne'er mourn for me
Nor more esteem me:
Victor I will remain
Or on this earth lie slain,
Never shall she sustain
Loss to redeem me.
'Poitiers and Cressy tell,
When most their pride did swell,
Under our swords they fell:
No less our skill is
Than when our grandsire great,
Claiming the regal seat,
By many a warlike feat
Lopp'd the French lilies.'
The Duke of York so dread
The eager vaward led;
With the main Henry sped
Among his henchmen.
Excester had the rear,
A braver man not there;
O Lord, how hot they were
On the false Frenchmen!
They now to fight are gone,
Armour on armour shone,
Drum now to drum did groan,
To hear was wonder;
That with the cries they make
The very earth did shake:
Trumpet to trumpet spake,
Thunder to thunder.
Well it thine age became,
O noble Erpingham,
Which didst the signal aim
To our hid forces!
When from a meadow by,
Like a storm suddenly
The English archery
Stuck the French horses.
With Spanish yew so strong,
Arrows a cloth-yard long
That like to serpents stung,
Piercing the weather;
None from his fellow starts,
But playing manly parts,
And like true English hearts
Stuck close together.
When down their bows they threw,
And forth their bilbos drew,
And on the French they flew,
Not one was tardy;
Arms were from shoulders sent,
Scalps to the teeth were rent,
Down the French peasants went--
Our men were hardy.
This while our noble king,
His broadsword brandishing,
Down the French host did ding
As to o'erwhelm it;
And many a deep wound lent,
His arms with blood besprent,
And many a cruel dent
Bruised his helmet.
Gloster, that duke so good,
Next of the royal blood,
For famous England stood
With his brave brother;
Clarence, in steel so bright,
Though but a maiden knight,
Yet in that furious fight
Scarce such another.
Warwick in blood did wade,
Oxford the foe invade,
And cruel slaughter made
Still as they ran up;
Suffolk his axe did ply,
Beaumont and Willoughby
Bare them right doughtily,
Ferrers and Fanhope.
Upon Saint Crispin's Day
Fought was this noble fray,
Which fame did not delay
To England to carry.
O when shall English men
With such acts fill a pen?
Or England breed again
Such a King Harry?
|
Written by
Donald Hall |
All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.
In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;
and after noon's heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.
Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.
When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,
and lay the shotgun's muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.
For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground - old toilers, soil makers:
O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
|
Written by
Emily Dickinson |
The Spirit lasts -- but in what mode --
Below, the Body speaks,
But as the Spirit furnishes --
Apart, it never talks --
The Music in the Violin
Does not emerge alone
But Arm in Arm with Touch, yet Touch
Alone -- is not a Tune --
The Spirit lurks within the Flesh
Like Tides within the Sea
That make the Water live, estranged
What would the Either be?
Does that know -- now -- or does it cease --
That which to this is done,
Resuming at a mutual date
With every future one?
Instinct pursues the Adamant,
Exacting this Reply --
Adversity if it may be, or
Wild Prosperity,
The Rumor's Gate was shut so tight
Before my Mind was sown,
Not even a Prognostic's Push
Could make a Dent thereon --
|
Written by
Emily Dickinson |
This Me -- that walks and works -- must die,
Some fair or stormy Day,
Adversity if it may be
Or wild prosperity
The Rumor's Gate was shut so tight
Before my mind was born
Not even a Prognostic's push
Can make a Dent thereon --
|
Written by
James Whitcomb Riley |
OH! the old swimmin'-hole! whare the crick so still and deep
Looked like a baby-river that was laying half asleep,
And the gurgle of the worter round the drift jest below
Sounded like the laugh of something we onc't ust to know
Before we could remember anything but the eyes
Of the angels lookin' out as we left Paradise;
But the merry days of youth is beyond our controle,
And it's hard to part ferever with the old swimmin'-hole.
Oh! the old swimmin'-hole! In the happy days of yore,
When I ust to lean above it on the old sickamore,
Oh! it showed me a face in its warm sunny tide
That gazed back at me so gay and glorified,
It made me love myself, as I leaped to caress
My shadder smilin' up at me with sich tenderness.
But them days is past and gone, and old Time's tuck his toll
From the old man come back to the old swimmin'-hole.
Oh! the old swimmin'-hole! In the long, lazy days
When the humdrum of school made so many run-a-ways,
How plesant was the jurney down the old dusty lane,
Whare the tracks of our bare feet was all printed so plane
You could tell by the dent of the heel and the sole
They was lots o' fun on hands at the old swimmin'-hole.
But the lost joys is past! Let your tears in sorrow roll
Like the rain that ust to dapple up the old swimmin'-hole.
Thare the bullrushes growed, and the cattails so tall,
And the sunshine and shadder fell over it all;
And it mottled the worter with amber and gold
Tel the glad lilies rocked in the ripples that rolled;
And the snake-feeder's four gauzy wings fluttered by
Like the ghost of a daisy dropped out of the sky,
Or a wownded apple-blossom in the breeze's controle
As it cut acrost some orchard to'rds the old swimmin'-hole.
Oh! the old swimmin'-hole! When I last saw the place,
The scenes was all changed, like the change in my face;
The bridge of the railroad now crosses the spot
Whare the old divin'-log lays sunk and fergot.
And I stray down the banks whare the trees ust to be--
But never again will theyr shade shelter me!
And I wish in my sorrow I could strip to the soul,
And dive off in my grave like the old swimmin'-hole.
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