Written by
Bertolt Brecht |
Who built Thebes of the seven gates?
In the books you will find the names of kings.
Did the kings haul up the lumps of rock?
And Babylon, many times demolished
Who raised it up so many times? In what houses
of gold-glittering Lima did the builders live?
Where, the evening that the Wall of China was finnished
Did the masons go? Great Rome
Is full of triumphal arches.
Who erected them? Over whom
Did the Caesars triumph? Had Byzantium, much praised in song
Only palaces for its inhabitans? Even in fabled Atlantis
The night the ocean engulfed it
The drowning still bawled for their slaves.
The young Alexander conquered India.
Was he alone?
Caesar beat the Gauls.
Did he not have even a cook with him?
Philip of Spain wept when his armada
Went down.
Was he the only one to weep?
Frederick the Second won the Seven Year's War.
Who
Else won it?
Every page a victory.
Who cooked the feast for the victors?
Every ten years a great man?
Who paid the bill?
So many reports.
So many questions.
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Written by
Barry Tebb |
(To Paul Sykes, author of 'Sweet Agony')
He demolished five doors at a sitting
And topped it off with an outsize window
One Christmas afternoon, when drunk;
Sober he smiled like an angel, bowed,
Kissed ladies’ hands and courtesy
Was his middle name.
She tried to pass for thirty at fifty-six,
Called him "My Sweet piglet" and laid out
Dainty doylies for his teatime treats; always
She wore black from toe to top and especially
Underneath, her hair dyed black, stuck up in a
Bun, her lipstick caked and smeared, drawling
From the corner of her mouth like a
Thirties gangsters’ moll, her true ambition.
"Kill him, kill him, the bastard!" she’d scream
As all Wakefield watched, "It’s Grotty,
Grotty’s at it again!" as pubs and clubs
Banned them, singly or together and they
Moved lodgings yet again, landlords and
Landladies left reeling behind broken doors.
Blood-smeared walls covered with a shiny
Patina of carefully applied deceits! "It was
The cat, the kids, them druggies, lads from
Football", anyone, anywhere but him and her.
Once I heard them fight, "Barry, Barry, get
The police," she thumped my door, double
Five-lever mortice locked against them,
"Call t’ police ‘e’s murderin’ me!" I went
And calmed her down, pathetic in black
Underwear and he, suddenly sober, sorry,
Muttering, "Elaine, Elaine, it were only fun,
Give me a kiss, just one.
"
Was this her fourth or fifth husband, I’d
Lost count and so had she, each one she said
Was worse than the last, they’d all pulled her
Down, one put her through a Dorothy Perkins
Plate-glass window in Wakefield’s midnight,
Leaving her strewn amongst the furs and
Bridal gowns, blood everywhere, such perfection
Of evidence they nearly let her bleed to death
Getting all the photographs.
Rumour flew and grew around her, finally
They said it was all in a book one ‘husband’
Wrote in prison, how she’d had a great house,
Been a brothel madame, had servants even.
For years I chased that book, "Lynch," they
Told me, "It’s by Paul Lynch" but it wasn’t,
Then finally, "I remember, Sykes, they allus
Called him Sykesy" and so it was, Sweet Agony,
Written in prison by one Paul Sykes, her most
Famous inamorato, amateur boxing champion
Of all England, twenty years inside, fly-pitcher
Supreme, king of spielers; how she hated you
For beating her, getting it all down on paper,
Even making money for doing it, "That bastard
Cheated me, writing lying filth about me and
I never saw a penny!" she’d mutter, side-mouthed,
To her pals.
But that book, that bloody book, was no pub myth,
It even won an Arthur Koestler Literary Award
And is compulsive reading; hardly, as a poet,
My cup of tea but I couldn’t put it down.
Paul Sykes, I salute you, immortaliser of Elaine,
Your book became and is my sweetest pain.
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Written by
Robert Southey |
Faint gleams the evening radiance thro' the sky,
The sober twilight dimly darkens round;
In short quick circles the shrill bat flits by,
And the slow vapour curls along the ground.
Now the pleas'd eye from yon lone cottage sees
On the green mead the smoke long-shadowing play;
The Red-breast on the blossom'd spray
Warbles wild her latest lay,
And sleeps along the dale the silent breeze.
Calm CONTEMPLATION,'tis thy favorite hour!
Come fill my bosom, tranquillizing Power.
Meek Power! I view thee on the calmy shore
When Ocean stills his waves to rest;
Or when slow-moving on the surge's hoar
Meet with deep hollow roar
And whiten o'er his breast;
For lo! the Moon with softer radiance gleams,
And lovelier heave the billows in her beams.
When the low gales of evening moan along,
I love with thee to feel the calm cool breeze,
And roam the pathless forest wilds among,
Listening the mellow murmur of the trees
Full-foliaged as they lift their arms on high
And wave their shadowy heads in wildest melody.
Or lead me where amid the tranquil vale
The broken stream flows on in silver light,
And I will linger where the gale
O'er the bank of violets sighs,
Listening to hear its soften'd sounds arise;
And hearken the dull beetle's drowsy flight,
And watch the horn-eyed snail
Creep o'er his long moon-glittering trail,
And mark where radiant thro' the night
Moves in the grass-green hedge the glow-worms living light.
Thee meekest Power! I love to meet,
As oft with even solitary pace
The scatter'd Abbeys hallowed rounds I trace
And listen to the echoings of my feet.
Or on the half demolished tomb,
Whole warning texts anticipate my doom:
Mark the clear orb of night
Cast thro' the storying glass a faintly-varied light.
Nor will I not in some more gloomy hour
Invoke with fearless awe thine holier power,
Wandering beneath the sainted pile
When the blast moans along the darksome aisle,
And clattering patters all around
The midnight shower with dreary sound.
But sweeter 'tis to wander wild
By melancholy dreams beguil'd,
While the summer moon's pale ray
Faintly guides me on my way
To the lone romantic glen
Far from all the haunts of men,
Where no noise of uproar rude
Breaks the calm of solitude.
But soothing Silence sleeps in all
Save the neighbouring waterfall,
Whose hoarse waters falling near
Load with hollow sounds the ear,
And with down-dasht torrent white
Gleam hoary thro' the shades of night.
Thus wandering silent on and slow
I'll nurse Reflection's sacred woe,
And muse upon the perish'd day
When Hope would weave her visions gay,
Ere FANCY chill'd by adverse fate
Left sad REALITY my mate.
O CONTEMPLATION! when to Memory's eyes
The visions of the long-past days arise,
Thy holy power imparts the best relief,
And the calm'd Spirit loves the joy of grief.
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Written by
Alec Derwent (A D) Hope |
A Nation of trees, drab green and desolate grey
In the field uniform of modern wars,
Darkens her hills, those endless, outstretched paws
Of Sphinx demolished or stone lion worn away.
They call her a young country, but they lie:
She is the last of lands, the emptiest,
A woman beyond her change of life, a breast
Still tender but within the womb is dry.
Without songs, architecture, history:
The emotions and superstitions of younger lands,
Her rivers of water drown among inland sands,
The river of her immense stupidity
Floods her monotonous tribes from Cairns to Perth.
In them at last the ultimate men arrive
Whose boast is not: "we live" but "we survive",
A type who will inhabit the dying earth.
And her five cities, like five teeming sores,
Each drains her: a vast parasite robber-state
Where second hand Europeans pullulate
Timidly on the edge of alien shores.
Yet there are some like me turn gladly home
From the lush jungle of modern thought, to find
The Arabian desert of the human mind,
Hoping, if still from the deserts the prophets come,
Such savage and scarlet as no green hills dare
Springs in that waste, some spirit which escapes
The learned doubt, the chatter of cultured apes
Which is called civilization over there.
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Written by
Robert Browning |
1 It once might have been, once only:
2 We lodged in a street together,
3 You, a sparrow on the housetop lonely,
4 I, a lone she-bird of his feather.
5 Your trade was with sticks and clay,
6 You thumbed, thrust, patted and polished,
7 Then laughed 'They will see some day
8 Smith made, and Gibson demolished.
'
9 My business was song, song, song;
10 I chirped, cheeped, trilled and twittered,
11 'Kate Brown's on the boards ere long,
12 And Grisi's existence embittered!'
13 I earned no more by a warble
14 Than you by a sketch in plaster;
15 You wanted a piece of marble,
16 I needed a music-master.
17 We studied hard in our styles,
18 Chipped each at a crust like Hindoos,
19 For air looked out on the tiles,
20 For fun watched each other's windows.
21 You lounged, like a boy of the South,
22 Cap and blouse--nay, a bit of beard too;
23 Or you got it, rubbing your mouth
24 With fingers the clay adhered to.
25 And I--soon managed to find
26 Weak points in the flower-fence facing,
27 Was forced to put up a blind
28 And be safe in my corset-lacing.
29 No harm! It was not my fault
30 If you never turned your eye's tail up
31 As I shook upon E in alt,
32 Or ran the chromatic scale up:
33 For spring bade the sparrows pair,
34 And the boys and girls gave guesses,
35 And stalls in our street looked rare
36 With bulrush and watercresses.
37 Why did not you pinch a flower
38 In a pellet of clay and fling it?
39 Why did not I put a power
40 Of thanks in a look, or sing it?
41 I did look, sharp as a lynx,
42 (And yet the memory rankles,)
43 When models arrived, some minx
44 Tripped up-stairs, she and her ankles.
45 But I think I gave you as good!
46 'That foreign fellow,--who can know
47 How she pays, in a playful mood,
48 For his tuning her that piano?'
49 Could you say so, and never say
50 'Suppose we join hands and fortunes,
51 And I fetch her from over the way,
52 Her, piano, and long tunes and short tunes?'
53 No, no: you would not be rash,
54 Nor I rasher and something over:
55 You've to settle yet Gibson's hash,
56 And Grisi yet lives in clover.
57 But you meet the Prince at the Board,
58 I'm queen myself at bals-par?,
59 I've married a rich old lord,
60 And you're dubbed knight and an R.
A.
61 Each life unfulfilled, you see;
62 It hangs still, patchy and scrappy:
63 We have not sighed deep, laughed free,
64 Starved, feasted, despaired,--been happy.
65 And nobody calls you a dunce,
66 And people suppose me clever:
67 This could but have happened once,
68 And we missed it, lost it for ever.
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Written by
Bertolt Brecht |
The critical attitude
Strikes many people as unfruitful
That is because they find the state
Impervious to their criticism
But what in this case is an unfruitful attitude
Is merely a feeble attitude.
Give criticism arms
And states can be demolished by it.
Canalising a river
Grafting a fruit tree
Educating a person
Transforming a state
These are instances of fruitful criticism
And at the same time instances of art.
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Written by
John Wilmot |
As some brave admiral, in former war,
Deprived of force, but pressed with courage still,
Two rival fleets appearing from afar,
Crawls to the top of an adjacent hill;
From whence (with thoughts full of concern) he views
The wise and daring conduct of the fight,
And each bold action to his mind renews
His present glory, and his past delight;
From his fierce eyes, flashes of rage he throws,
As from black clouds when lightning breaks away,
Transported, thinks himself amidst his foes,
And absent yet enjoys the bloody day;
So when my days of impotence approach,
And I'm by pox and wine's unlucky chance,
Driven from the pleasing billows of debauch,
On the dull shore of lazy temperance,
My pains at last some respite shall afford,
Whilst I behold the battles you maintain,
When fleets of glasses sail about the board,
From whose broadsides volleys of wit shall rain.
Nor shall the sight of honourable scars,
Which my too-forward valour did procure,
Frighten new-listed soldiers from the wars.
Past joys have more than paid what I endure.
Should hopeful youths (worth being drunk) prove nice,
And from their fair inviters meanly shrink,
'Twould please the ghost of my departed vice,
If at my counsel they repent and drink.
Or should some cold-complexioned set forbid,
With his dull morals, our night's brisk alarms,
I'll fire his blood by telling what I did,
When I was strong and able to bear arms.
I'll tell of whores attacked, their lords at home,
Bawds' quarters beaten up, and fortress won,
Windows demolished, watches overcome,
And handsome ills by my contrivance done.
Nor shall our love-fits, Cloris, be forgot,
When each the well-looked link-boy strove t'enjoy,
And the best kiss was the deciding lot:
Whether the boy fucked you, or I the boy.
With tales like these I will such heat inspire,
As to important mischief shall incline.
I'll make them long some ancient church to fire,
And fear no lewdness they're called to by wine.
Thus statesman-like, I'll saucily impose,
And safe from danger valiantly advise,
Sheltered in impotence, urge you to blows,
And being good for nothing else, be wise.
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Written by
John Clare |
On Lolham Brigs in wild and lonely mood
I've seen the winter floods their gambols play
Through each old arch that trembled while I stood
Bent o'er its wall to watch the dashing spray
As their old stations would be washed away
Crash came the ice against the jambs and then
A shudder jarred the arches—yet once more
It breasted raving waves and stood agen
To wait the shock as stubborn as before
- White foam brown crested with the russet soil
As washed from new plough lands would dart beneath
Then round and round a thousand eddies boil
On tother side—then pause as if for breath
One minute—and engulphed—like life in death
Whose wrecky stains dart on the floods away
More swift than shadows in a stormy day
Straws trail and turn and steady—all in vain
The engulfing arches shoot them quickly through
The feather dances flutters and again
Darts through the deepest dangers still afloat
Seeming as faireys whisked it from the view
And danced it o'er the waves as pleasures boat
Light hearted as a thought in May -
Trays—uptorn bushes—fence demolished rails
Loaded with weeds in sluggish motions stray
Like water monsters lost each winds and trails
Till near the arches—then as in affright
It plunges—reels—and shudders out of sight
Waves trough—rebound—and fury boil again
Like plunging monsters rising underneath
Who at the top curl up a shaggy main
A moment catching at a surer breath
Then plunging headlong down and down—and on
Each following boil the shadow of the last
And other monsters rise when those are gone
Crest their fringed waves—plunge onward and are past
- The chill air comes around me ocean blea
From bank to bank the waterstrife is spread
Strange birds like snow spots o'er the huzzing sea
Hang where the wild duck hurried past and fled
On roars the flood—all restless to be free
Like trouble wandering to eternity
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