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Best Famous Definitions Poems

Here is a collection of the all-time best famous Definitions poems. This is a select list of the best famous Definitions poetry. Reading, writing, and enjoying famous Definitions poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of definitions poems.

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Written by Anne Kingsmill Finch | Create an image from this poem

The King and the Shepherd

 Through ev'ry Age some Tyrant Passion reigns: 
Now Love prevails, and now Ambition gains 
Reason's lost Throne, and sov'reign Rule maintains. 
Tho' beyond Love's, Ambition's Empire goes; 
For who feels Love, Ambition also knows, 
And proudly still aspires to be possest 
Of Her, he thinks superior to the rest. 

As cou'd be prov'd, but that our plainer Task 
Do's no such Toil, or Definitions ask; 
But to be so rehears'd, as first 'twas told, 
When such old Stories pleas'd in Days of old. 


A King, observing how a Shepherd's Skill 
Improv'd his Flocks, and did the Pastures fill, 
That equal Care th' assaulted did defend, 
And the secur'd and grazing Part attend, 
Approves the Conduct, and from Sheep and Curs 
Transfers the Sway, and changed his Wool to Furrs. 
Lord-Keeper now, as rightly he divides 
His just Decrees, and speedily decides; 
When his sole Neighbor, whilst he watch'd the Fold, 
A Hermit poor, in Contemplation old, 
Hastes to his Ear, with safe, but lost Advice, 
Tells him such Heights are levell'd in a trice, 
Preferments treach'rous, and her Paths of Ice: 
And that already sure 't had turn'd his Brain, 
Who thought a Prince's Favour to retain. 
Nor seem'd unlike, in this mistaken Rank, 
The sightless Wretch, who froze upon a Bank 
A Serpent found, which for a Staff he took, 
And us'd as such (his own but lately broke) 
Thanking the Fates, who thus his Loss supply'd, 
Nor marking one, that with amazement cry'd, 
Throw quickly from thy Hand that sleeping Ill; 
A Serpent 'tis, that when awak'd will kill.

A Serpent this! th' uncaution'd Fool replies: 
A Staff it feels, nor shall my want of Eyes 
Make me believe, I have no Senses left, 
And thro' thy Malice be of this bereft; 
Which Fortune to my Hand has kindly sent 
To guide my Steps, and stumbling to prevent. 
No Staff, the Man proceeds; but to thy harm 
A Snake 'twill prove: The Viper, now grown warm 
Confirm'd it soon, and fasten'd on his Arm. 

Thus wilt thou find, Shepherd believe it true, 
Some Ill, that shall this seeming Good ensue; 
Thousand Distastes, t' allay thy envy'd Gains, 
Unthought of, on the parcimonious Plains. 
So prov'd the Event, and Whisp'rers now defame 
The candid Judge, and his Proceedings blame. 
By Wrongs, they say, a Palace he erects, 
The Good oppresses, and the Bad protects. 
To view this Seat the King himself prepares, 
Where no Magnificence or Pomp appears, 
But Moderation, free from each Extream, 
Whilst Moderation is the Builder's Theme. 
Asham'd yet still the Sycophants persist, 
That Wealth he had conceal'd within a Chest, 
Which but attended some convenient Day, 
To face the Sun, and brighter Beams display. 
The Chest unbarr'd, no radiant Gems they find, 
No secret Sums to foreign Banks design'd, 
But humble Marks of an obscure Recess, 
Emblems of Care, and Instruments of Peace; 
The Hook, the Scrip, and for unblam'd Delight 
The merry Bagpipe, which, ere fall of Night, 
Cou'd sympathizing Birds to tuneful Notes invite. 
Welcome ye Monuments of former Joys! 
Welcome! to bless again your Master's Eyes, 
And draw from Courts, th' instructed Shepherd cries. 
No more dear Relicks! we no more will part, 
You shall my Hands employ, who now revive my Heart. 
No Emulations, nor corrupted Times 
Shall falsely blacken, or seduce to Crimes 
Him, whom your honest Industry can please, 
Who on the barren Down can sing from inward Ease. 


How's this! the Monarch something mov'd rejoins. 
With such low Thoughts, and Freedom from Designs, 
What made thee leave a Life so fondly priz'd, 
To be in Crouds, or envy'd, or despis'd? 

Forgive me, Sir, and Humane Frailty see, 
The Swain replies, in my past State and Me; 
All peaceful that, to which I vow return. 
But who alas! (tho' mine at length I mourn) 
Was e'er without the Curse of some Ambition born.


Written by William Butler Yeats | Create an image from this poem

The People

 'What have I earned for all that work,' I said,
'For all that I have done at my own charge?
The daily spite of this unmannerly town,
Where who has served the most is most defaned,
The reputation of his lifetime lost
Between the night and morning. I might have lived,
And you know well how great the longing has been,
Where every day my footfall Should have lit
In the green shadow of Ferrara wall;
Or climbed among the images of the past --
The unperturbed and courtly images --
Evening and morning, the steep street of Urbino
To where the Duchess and her people talked
The stately midnight through until they stood
In their great window looking at the dawn;
I might have had no friend that could not mix
Courtesy and passion into one like those
That saw the wicks grow yellow in the dawn;
I might have used the one substantial right
My trade allows: chosen my company,
And chosen what scenery had pleased me best.
Thereon my phoenix answered in reproof,
'The drunkards, pilferers of public funds,
All the dishonest crowd I had driven away,
When my luck changed and they dared meet my face,
Crawled from obscurity, and set upon me
Those I had served and some that I had fed;
Yet never have I, now nor any time,
Complained of the people.'

 All I could reply
Was: 'You, that have not lived in thought but deed,
Can have the purity of a natural force,
But I, whose virtues are the definitions
Of the analytic mind, can neither close
The eye of the mind nor keep my tongue from speech.'
And yet, because my heart leaped at her words,
I was abashed, and now they come to mind
After nine years, I sink my head abashed.
Written by Robert Burns | Create an image from this poem

260. Sketch in Verse inscribed to the Right Hon. C. J. Fox

 HOW wisdom and Folly meet, mix, and unite,
How Virtue and Vice blend their black and their white,
How Genius, th’ illustrious father of fiction,
Confounds rule and law, reconciles contradiction,
I sing: If these mortals, the critics, should bustle,
I care not, not I—let the Critics go whistle!


 But now for a Patron whose name and whose glory,
At once may illustrate and honour my story.


 Thou first of our orators, first of our wits;
Yet whose parts and acquirements seem just lucky hits;
With knowledge so vast, and with judgment so strong,
No man with the half of ’em e’er could go wrong;
With passions so potent, and fancies so bright,
No man with the half of ’em e’er could go right;
A sorry, poor, misbegot son of the Muses,
For using thy name, offers fifty excuses.
Good L—d, what is Man! for as simple he looks,
Do but try to develop his hooks and his crooks;
With his depths and his shallows, his good and his evil,
All in all he’s a problem must puzzle the devil.


 On his one ruling passion Sir Pope hugely labours,
That, like th’ old Hebrew walking-switch, eats up its neighbours:
Mankind are his show-box—a friend, would you know him?
Pull the string, Ruling Passion the picture will show him,
What pity, in rearing so beauteous a system,
One trifling particular, Truth, should have miss’d him;
For, spite of his fine theoretic positions,
Mankind is a science defies definitions.


 Some sort all our qualities each to its tribe,
And think human nature they truly describe;
Have you found this, or t’other? There’s more in the wind;
As by one drunken fellow his comrades you’ll find.
But such is the flaw, or the depth of the plan,
In the make of that wonderful creature called Man,
No two virtues, whatever relation they claim.
Nor even two different shades of the same,
Though like as was ever twin brother to brother,
Possessing the one shall imply you’ve the other.


 But truce with abstraction, and truce with a Muse
Whose rhymes you’ll perhaps, Sir, ne’er deign to peruse:
Will you leave your justings, your jars, and your quarrels,
Contending with Billy for proud-nodding laurels?
My much-honour’d Patron, believe your poor poet,
Your courage, much more than your prudence, you show it:
In vain with Squire Billy for laurels you struggle:
He’ll have them by fair trade, if not, he will smuggle:
Not cabinets even of kings would conceal ’em,
He’d up the back stairs, and by G—, he would steal ’em,
Then feats like Squire Billy’s you ne’er can achieve ’em;
It is not, out-do him—the task is, out-thieve him!
Written by Ben Jonson | Create an image from this poem

To Sir Annual Tilter

XXIX. ? TO SIR ANNUAL TILTER.     TILTER, the most may admire thee, though not I ;  And thou, right guiltless, may'st plead to it,               Why ? For thy late sharp device.  I say 'tis fit  All brains, at times of triumph, should run wit : For then our water-conduits do run wine ;  But that's put in, thou'lt say.  Why, so is thine. [AJ Notes:put in...thine, playing on two different definitions of "put in":          first, "interjected", second, "stored away". ]

Book: Reflection on the Important Things