Written by
Philip Levine |
Rain filled the streets
once a year, rising almost
to door and window sills,
battering walls and roofs
until it cleaned away the mess
we'd made. My father told
me this, he told me it ran
downtown and spilled into
the river, which in turn
emptied finally into the sea.
He said this only once
while I sat on the arm
of his chair and stared out
at the banks of gray snow
melting as the March rain
streaked past. All the rest
of that day passed on
into childhood, into nothing,
or perhaps some portion hung
on in a tiny corner of thought.
Perhaps a clot of cinders
that peppered the front yard
clung to a spar of old weed
or the concrete lip of the curb
and worked its way back under
the new growth spring brought
and is a part of that yard
still. Perhaps light falling
on distant houses becomes
those houses, hunching them
down at dusk like sheep
browsing on a far hillside,
or at daybreak gilds
the roofs until they groan
under the new weight, or
after rain lifts haloes
of steam from the rinsed,
white aluminum siding,
and those houses and all
they contain live that day
in the sight of heaven.
II
In the blue, winking light
of the International Institute
of Social Revolution
I fell asleep one afternoon
over a book of memoirs
of a Spanish priest who'd
served his own private faith
in a long forgotten war.
An Anarchist and a Catholic,
his remembrances moved
inexplicably from Castilian
to Catalan, a language I
couldn't follow. That dust,
fine and gray, peculiar
to libraries, slipped
between the glossy pages
and my sight, a slow darkness
calmed me, and I forgot
the agony of those men
I'd come to love, forgot
the battles lost and won,
forgot the final trek
over hopeless mountain roads,
defeat, surrender, the vows
to live on. I slept until
the lights came on and off.
A girl was prodding my arm,
for the place was closing.
A slender Indonesian girl
in sweater and American jeans,
her black hair falling
almost to my eyes, she told
me in perfect English
that I could come back,
and she swept up into a folder
the yellowing newspaper stories
and photos spilled out before
me on the desk, the little
chronicles of death themselves
curling and blurring
into death, and took away
the book still unfinished
of a man more confused
even than I, and switched off
the light, and left me alone.
III
In June of 1975 I wakened
one late afternoon in Amsterdam
in a dim corner of a library.
I had fallen asleep over a book
and was roused by a young girl
whose hand lay on my hand.
I turned my head up and stared
into her brown eyes, deep
and gleaming. She was crying.
For a second I was confused
and started to speak, to offer
some comfort or aid, but I
kept still, for she was crying
for me, for the knowledge
that I had wakened to a life
in which loss was final.
I closed my eyes a moment.
When I opened them she'd gone,
the place was dark. I went
out into the golden sunlight;
the cobbled streets gleamed
as after rain, the street cafes
crowded and alive. Not
far off the great bell
of the Westerkirk tolled
in the early evening. I thought
of my oldest son, who years
before had sailed from here
into an unknown life in Sweden,
a life which failed, of how
he'd gone alone to Copenhagen,
Bremen, where he'd loaded trains,
Hamburg, Munich, and finally
-- sick and weary -- he'd returned
to us. He slept in a corner
of the living room for days,
and woke gaunt and quiet,
still only seventeen, his face
in its own shadows. I thought
of my father on the run
from an older war, and wondered
had he passed through Amsterdam,
had he stood, as I did now,
gazing up at the pale sky,
distant and opaque, for the sign
that never comes. Had he drifted
in the same winds of doubt
and change to another continent,
another life, a family, some
years of peace, an early death.
I walked on by myself for miles
and still the light hung on
as though the day would
never end. The gray canals
darkened slowly, the sky
above the high, narrow houses
deepened into blue, and one
by one the stars began
their singular voyages.
|
Written by
Billy Collins |
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
"Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
why wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
"Absolutely," they shout
to Duns Scotus and James Baldwin.
"Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird signing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
"Pardon the egg salad stains, but I'm in love."
|
Written by
Philip Levine |
All afternoon my father drove the country roads
between Detroit and Lansing. What he was looking for
I never learned, no doubt because he never knew himself,
though he would grab any unfamiliar side road
and follow where it led past fields of tall sweet corn
in August or in winter those of frozen sheaves.
Often he'd leave the Terraplane beside the highway
to enter the stunned silence of mid-September,
his eyes cast down for a sign, the only music
his own breath or the wind tracking slowly through
the stalks or riding above the barren ground. Later
he'd come home, his dress shoes coated with dust or mud,
his long black overcoat stained or tattered
at the hem, sit wordless in his favorite chair,
his necktie loosened, and stare at nothing. At first
my brothers and I tried conversation, questions
only he could answer: Why had he gone to war?
Where did he learn Arabic? Where was his father?
I remember none of this. I read it all later,
years later as an old man, a grandfather myself,
in a journal he left my mother with little drawings
of ruined barns and telephone poles, receding
toward a future he never lived, aphorisms
from Montaigne, Juvenal, Voltaire, and perhaps a few
of his own: "He who looks for answers finds questions."
Three times he wrote, "I was meant to be someone else,"
and went on to describe the perfumes of the damp fields.
"It all starts with seeds," and a pencil drawing
of young apple trees he saw somewhere or else dreamed.
I inherited the book when I was almost seventy
and with it the need to return to who we were.
In the Detroit airport I rented a Taurus;
the woman at the counter was bored or crazy:
Did I want company? she asked; she knew every road
from here to Chicago. She had a slight accent,
Dutch or German, long black hair, and one frozen eye.
I considered but decided to go alone,
determined to find what he had never found.
Slowly the autumn morning warmed, flocks of starlings
rose above the vacant fields and blotted out the sun.
I drove on until I found the grove of apple trees
heavy with fruit, and left the car, the motor running,
beside a sagging fence, and entered his life
on my own for maybe the first time. A crow welcomed
me home, the sun rode above, austere and silent,
the early afternoon was cloudless, perfect.
When the crow dragged itself off to another world,
the shade deepened slowly in pools that darkened around
the trees; for a moment everything in sight stopped.
The wind hummed in my good ear, not words exactly,
not nonsense either, nor what I spoke to myself,
just the language creation once wakened to.
I took off my hat, a mistake in the presence
of my father's God, wiped my brow with what I had,
the back of my hand, and marveled at what was here:
nothing at all except the stubbornness of things.
|
Written by
Donald Justice |
Turn your head. Look. The light is turning yellow.
The river seems enriched thereby, not to say deepened.
Why this is, I'll never be able to tell you.
Or are Americans half in love with failure?
One used to say so, reading Fitzgerald, as it happened.
(That Viking Portable, all water spotted and yellow--
remember?) Or does mere distance lend a value
to things? --false, it may be, but the view is hardly cheapened.
Why this is, I'll never be able to tell you.
The smoke, those tiny cars, the whole urban milieu--
One can like anything diminishment has sharpened.
Our painter friend, Lang, might show the whole thing yellow
and not be much off. It's nuance that counts, not color--
As in some late James novel, saved up for the long weekend
and vivid with all the Master simply won't tell you.
How frail our generation has got, how sallow
and pinched with just surviving! We all go off the deep end
finally, gold beaten thinly out to yellow.
And why this is, I'll never be able to tell you.
|
Written by
William Butler Yeats |
King Eochaid came at sundown to a wood
Westward of Tara. Hurrying to his queen
He had outridden his war-wasted men
That with empounded cattle trod the mire,
And where beech-trees had mixed a pale green light
With the ground-ivy's blue, he saw a stag
Whiter than curds, its eyes the tint of the sea.
Because it stood upon his path and seemed
More hands in height than any stag in the world
He sat with tightened rein and loosened mouth
Upon his trembling horse, then drove the spur;
But the stag stooped and ran at him, and passed,
Rending the horse's flank. King Eochaid reeled,
Then drew his sword to hold its levelled point
Against the stag. When horn and steel were met
The horn resounded as though it had been silver,
A sweet, miraculous, terrifying sound.
Horn locked in sword, they tugged and struggled there
As though a stag and unicorn were met
Among the African Mountains of the Moon,
Until at last the double horns, drawn backward,
Butted below the single and so pierced
The entrails of the horse. Dropping his sword
King Eochaid seized the horns in his strong hands
And stared into the sea-green eye, and so
Hither and thither to and fro they trod
Till all the place was beaten into mire.
The strong thigh and the agile thigh were met,
The hands that gathered up the might of the world,
And hoof and horn that had sucked in their speed
Amid the elaborate wilderness of the air.
Through bush they plunged and over ivied root,
And where the stone struck fire, while in the leaves
A squirrel whinnied and a bird screamed out;
But when at last he forced those sinewy flanks
Against a beech-bole, he threw down the beast
And knelt above it with drawn knife. On the instant
It vanished like a shadow, and a cry
So mournful that it seemed the cry of one
Who had lost some unimaginable treasure
Wandered between the blue and the green leaf
And climbed into the air, crumbling away,
Till all had seemed a shadow or a vision
But for the trodden mire, the pool of blood,
The disembowelled horse.
King Eochaid ran
Toward peopled Tara, nor stood to draw his breath
Until he came before the painted wall,
The posts of polished yew, circled with bronze,
Of the great door; but though the hanging lamps
Showed their faint light through the unshuttered windows,
Nor door, nor mouth, nor slipper made a noise,
Nor on the ancient beaten paths, that wound
From well-side or from plough-land, was there noisc;
Nor had there been the noise of living thing
Before him or behind, but that far off
On the horizon edge bellowed the herds.
Knowing that silence brings no good to kings,
And mocks returning victory, he passed
Between the pillars with a beating heart
And saw where in the midst of the great hall
pale-faced, alone upon a bench, Edain
Sat upright with a sword before her feet.
Her hands on either side had gripped the bench.
Her eyes were cold and steady, her lips tight.
Some passion had made her stone. Hearing a foot
She started and then knew whose foot it was;
But when he thought to take her in his arms
She motioned him afar, and rose and spoke:
'I have sent among the fields or to the woods
The fighting-men and servants of this house,
For I would have your judgment upon one
Who is self-accused. If she be innocent
She would not look in any known man's face
Till judgment has been given, and if guilty,
Would never look again on known man's face.'
And at these words hc paled, as she had paled,
Knowing that he should find upon her lips
The meaning of that monstrous day.
Then she:
'You brought me where your brother Ardan sat
Always in his one seat, and bid me care him
Through that strange illness that had fixed him there.
And should he die to heap his burial-mound
And catve his name in Ogham.' Eochaid said,
'He lives?' 'He lives and is a healthy man.'
'While I have him and you it matters little
What man you have lost, what evil you have found.'
'I bid them make his bed under this roof
And carried him his food with my own hands,
And so the weeks passed by. But when I said,
"What is this trouble?" he would answer nothing,
Though always at my words his trouble grew;
And I but asked the more, till he cried out,
Weary of many questions: "There are things
That make the heart akin to the dumb stone."
Then I replied, "Although you hide a secret,
Hopeless and dear, or terrible to think on,
Speak it, that I may send through the wide world
For Medicine." Thereon he cried aloud
"Day after day you question me, and I,
Because there is such a storm amid my thoughts
I shall be carried in the gust, command,
Forbid, beseech and waste my breath." Then I:
"Although the thing that you have hid were evil,
The speaking of it could be no great wrong,
And evil must it be, if done 'twere worse
Than mound and stone that keep all virtue in,
And loosen on us dreams that waste our life,
Shadows and shows that can but turn the brain."
but finding him still silent I stooped down
And whispering that none but he should hear,
Said, "If a woman has put this on you,
My men, whether it please her or displease,
And though they have to cross the Loughlan waters
And take her in the middle of armed men,
Shall make her look upon her handiwork,
That she may quench the rick she has fired; and though
She may have worn silk clothes, or worn a crown,
She'II not be proud, knowing within her heart
That our sufficient portion of the world
Is that we give, although it be brief giving,
Happiness to children and to men."
Then he, driven by his thought beyond his thought,
And speaking what he would not though he would,
Sighed, "You, even you yourself, could work the cure!"
And at those words I rose and I went out
And for nine days he had food from other hands,
And for nine days my mind went whirling round
The one disastrous zodiac, muttering
That the immedicable mound's beyond
Our questioning, beyond our pity even.
But when nine days had gone I stood again
Before his chair and bending down my head
I bade him go when all his household slept
To an old empty woodman's house that's hidden
Westward of Tara, among the hazel-trees --
For hope would give his limbs the power -- and await
A friend that could, he had told her, work his cure
And would be no harsh friend.
When night had deepened,
I groped my way from beech to hazel wood,
Found that old house, a sputtering torch within,
And stretched out sleeping on a pile of skins
Ardan, and though I called to him and tried
To Shake him out of sleep, I could not rouse him.
I waited till the night was on the turn,
Then fearing that some labourer, on his way
To plough or pasture-land, might see me there,
Went out.
Among the ivy-covered rocks,
As on the blue light of a sword, a man
Who had unnatural majesty, and eyes
Like the eyes of some great kite scouring the woods,
Stood on my path. Trembling from head to foot
I gazed at him like grouse upon a kite;
But with a voice that had unnatural music,
"A weary wooing and a long," he said,
"Speaking of love through other lips and looking
Under the eyelids of another, for it was my craft
That put a passion in the sleeper there,
And when I had got my will and drawn you here,
Where I may speak to you alone, my craft
Sucked up the passion out of him again
And left mere sleep. He'll wake when the sun wakes,
push out his vigorous limbs and rub his eyes,
And wonder what has ailed him these twelve months."
I cowered back upon the wall in terror,
But that sweet-sounding voice ran on: "Woman,
I was your husband when you rode the air,
Danced in the whirling foam and in the dust,
In days you have not kept in memory,
Being betrayed into a cradle, and I come
That I may claim you as my wife again."
I was no longer terrified -- his voice
Had half awakened some old memory --
Yet answered him, "I am King Eochaid's wife
And with him have found every happiness
Women can find." With a most masterful voice,
That made the body seem as it were a string
Under a bow, he cried, "What happiness
Can lovers have that know their happiness
Must end at the dumb stone? But where we build
Our sudden palaces in the still air
pleasure itself can bring no weariness.
Nor can time waste the cheek, nor is there foot
That has grown weary of the wandering dance,
Nor an unlaughing mouth, but mine that mourns,
Among those mouths that sing their sweethearts' praise,
Your empty bed." "How should I love," I answered,
"Were it not that when the dawn has lit my bed
And shown my husband sleeping there, I have sighcd,
'Your strength and nobleness will pass away'?
Or how should love be worth its pains were it not
That when he has fallen asleep within my atms,
Being wearied out, I love in man the child?
What can they know of love that do not know
She builds her nest upon a narrow ledge
Above a windy precipice?" Then he:
"Seeing that when you come to the deathbed
You must return, whether you would or no,
This human life blotted from memory,
Why must I live some thirty, forty years,
Alone with all this useless happiness?"
Thereon he seized me in his arms, but I
Thrust him away with both my hands and cried,
"Never will I believe there is any change
Can blot out of my memory this life
Sweetened by death, but if I could believe,
That were a double hunger in my lips
For what is doubly brief."
And now the shape
My hands were pressed to vanished suddenly.
I staggered, but a beech-tree stayed my fall,
And clinging to it I could hear the cocks
Crow upon Tara.'
King Eochaid bowed his head
And thanked her for her kindness to his brother,
For that she promised, and for that refused.
Thereon the bellowing of the empounded herds
Rose round the walls, and through the bronze-ringed door
Jostled and shouted those war-wasted men,
And in the midst King Eochaid's brother stood,
And bade all welcome, being ignorant.
|
Written by
Philip Levine |
The first purple wisteria
I recall from boyhood hung
on a wire outside the windows
of the breakfast room next door
at the home of Steve Pisaris.
I loved his tall, skinny daughter,
or so I thought, and I would wait
beside the back door, prostrate,
begging to be taken in. Perhaps
it was only the flowers of spring
with their sickening perfumes
that had infected me. When Steve
and Sophie and the three children
packed up and made the move west,
I went on spring after spring,
leaden with desire, half-asleep,
praying to die. Now I know
those prayers were answered.
That boy died, the brick houses
deepened and darkened with rain,
age, use, and finally closed
their eyes and dreamed the sleep
of California. I learned this
only today. Wakened early
in an empty house not lately
battered by storms, I looked
for nothing. On the surface
of the rain barrel, the paled,
shredded blossoms floated.
|
Written by
Fannie Isabelle Sherrick |
She stood by my side with a queenly air,
Her face it was young and proud and fair;
She held my rose in her hands of snow;
It crimsoned her face with a deeper glow;
The sunlight drooped in her eyes of fire
And quickened my heart to a wild desire;
I envied the rose in her hands so fair,
I envied the flowers that gleamed in her hair.
Ah! many a suitor I knew before
Had knelt at her feet in the days of yore;
And many a lover as foolish as I,
Had proudly boasted to win or die.
She had scorned them all with a careless grace
And a woman's scorn on her beautiful face.
Yet now in the summer I knelt at her feet,
And dreamed a dream that was fair and sweet.
The roses drooped in her gold-brown hair,
And quivered and glowed in the sun-lit air;
The jewels gleamed on her hands of snow
And dazzled my eyes with their fitful glow.
A river of gold ran low at our feet,
And echoed the words I cannot repeat.
Oh! life was fair that I loved the sun!
And love was so sweet when the day was done!
The sun in her velvety eyes looked down
And deepened their glow to a warmer brown.
I loved this woman, this woman so fair,
With her sun-lit eyes and her gleaming hair;
I drank in her beauty as men drink wine,—
It filled my soul with a love divine.
The touch of her hand was madness to me;
Oh, my love was as great as love could be!
I kissed the roses that drooped in her hair,
I pressed the dews from her lips so fair;
I held her hands in my own once more;
Oh, never was woman so loved before!
And what did we care that the sun was low,
And the hills were bright with the sunset glow?
The purple that glowed in the skies above,
Was the royal banner of hope and love.
One perfumed breath from her lips so fair,
One sacred kiss on her sun-lit hair,
And then we parted as lovers meet—
I gathered the roses that lay at her feet,
And fastened them in, with a lover's prayer,
Where she loved them best, in her silken hair;
For the things she loved were as dear to me
As the shining stars to the watching sea.
On lake and river, the sun lay low
Where we parted that night in the summer glow
And the hanging clouds were steeped in red,
That rivaled the gold of her sun-crowned head.
And I loved her best as I saw her last.
With the beautiful colors floating past,
And the soft warm light in her velvety eyes,
Reflecting the glow of the sun-kissed skies.
* * * * * * * * * * * * * * *
I stood on the shore when the moon hung low
And shone on the clouds like the sun on snow;
And a midnight silence filled the air
As I gazed on the river, calm and fair.
I stood alone where the dark reeds quiver,
And the lilies pale in the night-winds shiver.
I dreamed of my love that was fair as the day,
Oh, the beautiful love that would last for aye!
Oh! what is that—in the river there—
Is it the gleam of the lilies tall and fair,
Or only the branch of some fallen tree,
By the constant wash of the waves set free?
Oh, see! how strange it looks and how white.
How it glistens and gleams in the shining light!
It dazzles my eyes—Oh, what can it be?
It is nearing the shore—it is coming to me!
My God! that my eyes could be blind to-night
To shut out forever that dreadful sight!
Oh, God! am I mad—or can it be
That the woman I loved is thus coming to me?
That bright thing drifting down with the tide,
Is all that is left of my beautiful bride!
Oh, pitiless moon with your pale cold light,
Grow dark for one instant and shut out that sight,
Till my eyes, grown dim with the tears unshed
Shall look no more on the face of my dead.
The pale lilies circle around her head
And whisper slowly—my love is dead.
The dark weeds lie in her tangled hair,
Where I last saw the roses gleaming there.
The cold winds shiver and moan in the night
As they sweep 'round her brow in the shining light.
Oh, God! is it I who am standing alone
Where the night-winds shiver and creep and moan,
Filling my soul with a grief so mad
That I hate the things that are living and glad?
Fear not, my love, you shall welcome be,
For even in death you have come to me.
The dead and the living shall lie to-night.
'Neath the pitiless waves of that river bright.
I grasp her robe as it sweeps me by—
We have lived together, together we die;
Her face is so white—is it a woman I see,
Or only a phantom drifting past me?
Her hand is so near—it touches my own—
My God! it is gone—I am standing alone.
Oh, why did I love when the sun was high,
And the clouds lay piled in the glittering sky!
Oh, why did I love when the sun lay low
And the heavens were red with the blood-red glow!
And why do I live when the purple light
Is faded forever from out of my sight.
Oh, beautiful demon, that men call love,
As fair as the angels that smile above!
'T were better that men should never be born
Than see thy face in the dewy morn.
'T were better that women should stand afar,
And worship in vain some cold, proud star;
Than drink in thy beauty with passionate breath
That brings to them only sorrow and death.
|
Written by
Rabindranath Tagore |
No, my friends, I shall never be an
ascetic, whatever you may say.
I shall never be and ascetic if she
does not take the vow with me.
It is my firm resolve that if I
cannot find a shady shelter and a
companion for my penance, I shall
never turn ascetic.
No, my friends, I shall never leave
my hearth and home, and retire into
the forest solitude, if rings no merry
laughter in its echoing shade and if
the end of no saffron mantle flutters
in the wind; if its silence is not
deepened by soft whispers.
I shall never be an ascetic.
|
Written by
Lucy Maud Montgomery |
We were out on the hills that night
To watch our sheep;
Drowsily by the fire we lay
Where the waning flame did flicker and leap,
And some were weary and half asleep,
And some talked low of their flocks and the fright
Of a lion that day.
But I had drawn from the others apart;
I was only a lad,
And the night's great silence so filled my heart
That I dared not talk and I dared not jest;
The moon had gone down behind the hill
And even the wind of the desert was still;
As the touch of death the air was cold,
And the world seemed all outworn and old;
Yet a poignant delight in my soul was guest,
And I could not be sad.
Still were my thoughts the thoughts of youth
Under the skies:
I dreamed of the holy and tender truth
That shone for me in my mother's eyes;
Of my little sister's innocent grace,
And the mirthful lure in the olive face
Of a maid I had seen at the well that day,
Singing low as I passed that way,
And so sweet and wild were the notes of her song,
That I listened long.
Was it the dawn that silvered and broke
Over the hill?
Each at the other looked in amaze,
And never a breathless word we spoke.
Fast into rose and daffodil
Deepened that splendor; athwart its blaze
That pierced like a sword the gulf of night
We saw a form that was shaped of the light,
And we veiled our faces in awe and dread
To hearken the tidings the Bright One told
Oh! wonderful were the words he said
Of a Child in Bethlehem's manger old.
The stars were drowned in that orient glow;
The sky was abloom like a meadow in spring;
But each blossom there was a radiant face
And each flash of glory a shining wing;
They harped of peace and great good will,
And such was their music that well I know
There can never again in my soul be space
For a sound of ill.
The light died out as the sunset dies
In the western skies;
Swift went we to the Bethlehem khan,
Many our questions laughed to scorn,
But one, a gray and wrinkled man,
With strange, deep eyes that searched the heart,
Led us down to the child new-born
In a dim-lighted cave apart.
There on the straw the mother lay
Wan and white,
But her look was so holy and rapt and mild
That it seemed to shed a marvellous light,
Faint as the first rare gleam of day,
Around the child.
It was as other children are
Saving for something in the eyes,
Starlike and clear and strangely wise
Then came a sudden thought to me
Of a lamb I had found on the waste afar;
Lost and sick with hunger and cold,
I had brought it back in my arms to the fold
For tender ministry.
Dawn had flooded the east as a wave
When we left the cave;
All the world suddenly seemed to be
Young and pure and joyous again;
The others lingered to talk with the men,
Full of wonder and rapture still;
But I hastened back to the fold on the hill
To tend the lamb that had need of me.
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Written by
Emily Dickinson |
My first well Day -- since many ill --
I asked to go abroad,
And take the Sunshine in my hands,
And see the things in Pod --
A 'blossom just when I went in
To take my Chance with pain --
Uncertain if myself, or He,
Should prove the strongest One.
The Summer deepened, while we strove --
She put some flowers away --
And Redder cheeked Ones -- in their stead --
A fond -- illusive way --
To cheat Herself, it seemed she tried --
As if before a child
To fade -- Tomorrow -- Rainbows held
The Sepulchre, could hide.
She dealt a fashion to the Nut --
She tied the Hoods to Seeds --
She dropped bright scraps of Tint, about --
And left Brazilian Threads
On every shoulder that she met --
Then both her Hands of Haze
Put up -- to hide her parting Grace
From our unfitted eyes.
My loss, by sickness -- Was it Loss?
Or that Ethereal Gain
One earns by measuring the Grave --
Then -- measuring the Sun --
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