Written by
John Betjeman |
The bells of waiting Advent ring,
The Tortoise stove is lit again
And lamp-oil light across the night
Has caught the streaks of winter rain
In many a stained-glass window sheen
From Crimson Lake to Hookers Green.
The holly in the windy hedge
And round the Manor House the yew
Will soon be stripped to deck the ledge,
The altar, font and arch and pew,
So that the villagers can say
'The church looks nice' on Christmas Day.
Provincial Public Houses blaze,
Corporation tramcars clang,
On lighted tenements I gaze,
Where paper decorations hang,
And bunting in the red Town Hall
Says 'Merry Christmas to you all'.
And London shops on Christmas Eve
Are strung with silver bells and flowers
As hurrying clerks the City leave
To pigeon-haunted classic towers,
And marbled clouds go scudding by
The many-steepled London sky.
And girls in slacks remember Dad,
And oafish louts remember Mum,
And sleepless children's hearts are glad.
And Christmas-morning bells say 'Come!'
Even to shining ones who dwell
Safe in the Dorchester Hotel.
And is it true,
This most tremendous tale of all,
Seen in a stained-glass window's hue,
A Baby in an ox's stall ?
The Maker of the stars and sea
Become a Child on earth for me ?
And is it true ? For if it is,
No loving fingers tying strings
Around those tissued fripperies,
The sweet and silly Christmas things,
Bath salts and inexpensive scent
And hideous tie so kindly meant,
No love that in a family dwells,
No carolling in frosty air,
Nor all the steeple-shaking bells
Can with this single Truth compare -
That God was man in Palestine
And lives today in Bread and Wine.
|
Written by
Anthony Hecht |
I'm mighty glad to see you, Mrs.
Curtis,
And thank you very kindly for this visit--
Especially now when all the others here
Are having holiday visitors, and I feel
A little conspicuous and in the way.
It's mainly because of Thanksgiving.
All these mothers
And wives and husbands gaze at me soulfully
And feel they should break up their box of chocolates
For a donation, or hand me a chunk of fruitcake.
What they don't understand and never guess
Is that it's better for me without a family;
It's a great blessing.
Though I mean no harm.
And as for visitors, why, I have you,
All cheerful, brisk and punctual every Sunday,
Like church, even if the aisles smell of phenol.
And you always bring even better gifts than any
On your book-trolley.
Though they mean only good,
Families can become a sort of burden.
I've only got my father, and he won't come,
Poor man, because it would be too much for him.
And for me, too, so it's best the way it is.
He knows, you see, that I will predecease him,
Which is hard enough.
It would take a callous man
To come and stand around and watch me failing.
(Now don't you fuss; we both know the plain facts.
)
But for him it's even harder.
He loved my mother.
They say she looked like me; I suppose she may have.
Or rather, as I grew older I came to look
More and more like she must one time have looked,
And so the prospect for my father now
Of losing me is like having to lose her twice.
I know he frets about me.
Dr.
Frazer
Tells me he phones in every single day,
Hoping that things will take a turn for the better.
But with leukemia things don't improve.
It's like a sort of blizzard in the bloodstream,
A deep, severe, unseasonable winter,
Burying everything.
The white blood cells
Multiply crazily and storm around,
Out of control.
The chemotherapy
Hasn't helped much, and it makes my hair fall out.
I know I look a sight, but I don't care.
I care about fewer things; I'm more selective.
It's got so I can't even bring myself
To read through any of your books these days.
It's partly weariness, and partly the fact
That I seem not to care much about the endings,
How things work out, or whether they even do.
What I do instead is sit here by this window
And look out at the trees across the way.
You wouldn't think that was much, but let me tell you,
It keeps me quite intent and occupied.
Now all the leaves are down, you can see the spare,
Delicate structures of the sycamores,
The fine articulation of the beeches.
I have sat here for days studying them,
And I have only just begun to see
What it is that they resemble.
One by one,
They stand there like magnificent enlargements
Of the vascular system of the human brain.
I see them there like huge discarnate minds,
Lost in their meditative silences.
The trunks, branches and twigs compose the vessels
That feed and nourish vast immortal thoughts.
So I've assigned them names.
There, near the path,
Is the great brain of Beethoven, and Kepler
Haunts the wide spaces of that mountain ash.
This view, you see, has become my Hall of Fame,
It came to me one day when I remembered
Mary Beth Finley who used to play with me
When we were girls.
One year her parents gave her
A birthday toy called "The Transparent Man.
"
It was made of plastic, with different colored organs,
And the circulatory system all mapped out
In rivers of red and blue.
She'd ask me over
And the two of us would sit and study him
Together, and do a powerful lot of giggling.
I figure he's most likely the only man
Either of us would ever get to know
Intimately, because Mary Beth became
A Sister of Mercy when she was old enough.
She must be thirty-one; she was a year
Older than I, and about four inches taller.
I used to envy both those advantages
Back in those days.
Anyway, I was struck
Right from the start by the sea-weed intricacy,
The fine-haired, silken-threaded filiations
That wove, like Belgian lace, throughout the head.
But this last week it seems I have found myself
Looking beyond, or through, individual trees
At the dense, clustered woodland just behind them,
Where those great, nameless crowds patiently stand.
It's become a sort of complex, ultimate puzzle
And keeps me fascinated.
My eyes are twenty-twenty,
Or used to be, but of course I can't unravel
The tousled snarl of intersecting limbs,
That mackled, cinder grayness.
It's a riddle
Beyond the eye's solution.
Impenetrable.
If there is order in all that anarchy
Of granite mezzotint, that wilderness,
It takes a better eye than mine to see it.
It set me on to wondering how to deal
With such a thickness of particulars,
Deal with it faithfully, you understand,
Without blurring the issue.
Of course I know
That within a month the sleeving snows will come
With cold, selective emphases, with massings
And arbitrary contrasts, rendering things
Deceptively simple, thickening the twigs
To frosty veins, bestowing epaulets
And decorations on every birch and aspen.
And the eye, self-satisfied, will be misled,
Thinking the puzzle solved, supposing at last
It can look forth and comprehend the world.
That's when you have to really watch yourself.
So I hope that you won't think me plain ungrateful
For not selecting one of your fine books,
And I take it very kindly that you came
And sat here and let me rattle on this way.
|
Written by
Bertolt Brecht |
The industrialist is having his aeroplane serviced.
The priest is wondering what he said in his sermon eight weeks ago
about tithes.
The generals are putting on civvies and looking like bank clerks.
Public officials are getting friendly.
The policeman points out the way to the man in the cloth cap.
The landlord comes to see whether the water supply is working.
The journalists write the word People with capital letters.
The singers sing at the opera for nothing.
Ships' captains check the food in the crew's galley,
Car owners get in beside their chauffeurs.
Doctors sue the insurance companies.
Scholars show their discoveries and hide their decorations.
Farmers deliver potatoes to the barracks.
The revolution has won its first battle:
That's what has happened.
|
Written by
Elizabeth Bishop |
Now can you see the monument? It is of wood
built somewhat like a box.
No.
Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,
four lines of vaguely whittled ornament
over the edges of the boxes
to the ground.
The monument is one-third set against
a sea; two-thirds against a sky.
The view is geared
(that is, the view's perspective)
so low there is no "far away,"
and we are far away within the view.
A sea of narrow, horizontal boards
lies out behind our lonely monument,
its long grains alternating right and left
like floor-boards--spotted, swarming-still,
and motionless.
A sky runs parallel,
and it is palings, coarser than the sea's:
splintery sunlight and long-fibred clouds.
"Why does the strange sea make no sound?
Is it because we're far away?
Where are we? Are we in Asia Minor,
or in Mongolia?"
An ancient promontory,
an ancient principality whose artist-prince
might have wanted to build a monument
to mark a tomb or boundary, or make
a melancholy or romantic scene of it.
.
.
"But that ***** sea looks made of wood,
half-shining, like a driftwood, sea.
And the sky looks wooden, grained with cloud.
It's like a stage-set; it is all so flat!
Those clouds are full of glistening splinters!
What is that?"
It is the monument.
"It's piled-up boxes,
outlined with shoddy fret-work, half-fallen off,
cracked and unpainted.
It looks old.
"
--The strong sunlight, the wind from the sea,
all the conditions of its existence,
may have flaked off the paint, if ever it was painted,
and made it homelier than it was.
"Why did you bring me here to see it?
A temple of crates in cramped and crated scenery,
what can it prove?
I am tired of breathing this eroded air,
this dryness in which the monument is cracking.
"
It is an artifact
of wood.
Wood holds together better
than sea or cloud or and could by itself,
much better than real sea or sand or cloud.
It chose that way to grow and not to move.
The monument's an object, yet those decorations,
carelessly nailed, looking like nothing at all,
give it away as having life, and wishing;
wanting to be a monument, to cherish something.
The crudest scroll-work says "commemorate,"
while once each day the light goes around it
like a prowling animal,
or the rain falls on it, or the wind blows into it.
It may be solid, may be hollow.
The bones of the artist-prince may be inside
or far away on even drier soil.
But roughly but adequately it can shelter
what is within (which after all
cannot have been intended to be seen).
It is the beginning of a painting,
a piece of sculpture, or poem, or monument,
and all of wood.
Watch it closely.
|
Written by
William Cullen Bryant |
TO HIM who in the love of Nature holds
Communion with her visible forms she speaks
A various language; for his gayer hours
She has a voice of gladness and a smile
And eloquence of beauty and she glides 5
Into his darker musings with a mild
And healing sympathy that steals away
Their sharpness ere he is aware.
When thoughts
Of the last bitter hour come like a blight
Over thy spirit and sad images 10
Of the stern agony and shroud and pall
And breathless darkness and the narrow house
Make thee to shudder and grow sick at heart;¡ª
Go forth under the open sky and list
To Nature's teachings while from all around¡ª 15
Earth and her waters and the depths of air¡ª
Comes a still voice¡ªYet a few days and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground
Where thy pale form was laid with many tears 20
Nor in the embrace of ocean shall exist
Thy image.
Earth that nourished thee shall claim
Thy growth to be resolved to earth again
And lost each human trace surrendering up
Thine individual being shalt thou go 25
To mix forever with the elements;
To be a brother to the insensible rock
And to the sluggish clod which the rude swain
Turns with his share and treads upon.
The oak
Shall send his roots abroad and pierce thy mould.
30
Yet not to thine eternal resting-place
Shalt thou retire alone nor couldst thou wish
Couch more magnificent.
Thou shalt lie down
With patriarchs of the infant world ¡ªwith kings
The powerful of the earth ¡ªthe wise the good 35
Fair forms and hoary seers of ages past
All in one mighty sepulchre.
The hills
Rock-ribbed and ancient as the sun; the vales
Stretching in pensive quietness between;
The venerable woods¡ªrivers that move 40
In majesty and the complaining brooks
That make the meadows green; and poured round all
Old Ocean's gray and melancholy waste ¡ª
Are but the solemn decorations all
Of the great tomb of man! The golden sun 45
The planets all the infinite host of heaven
Are shining on the sad abodes of death
Through the still lapse of ages.
All that tread
The globe are but a handful to the tribes
That slumber in its bosom.
¡ªTake the wings 50
Of morning pierce the Barcan wilderness
Or lose thyself in the continuous woods
Where rolls the Oregon and hears no sound
Save his own dashings ¡ªyet the dead are there:
And millions in those solitudes since first 55
The flight of years began have laid them down
In their last sleep¡ªthe dead reign there alone.
So shalt thou rest; and what if thou withdraw
In silence from the living and no friend
Take note of thy departure? All that breathe 60
Will share thy destiny.
The gay will laugh
When thou art gone the solemn brood of care
Plod on and each one as before will chase
His favorite phantom; yet all these shall leave
Their mirth and their employments and shall come 65
And make their bed with thee.
As the long train
Of ages glide away the sons of men
The youth in life's green spring and he who goes
In the full strength of years matron and maid
The speechless babe and the gray-headed man¡ª 70
Shall one by one be gathered to thy side
By those who in their turn shall follow them.
So live that when thy summons comes to join
The innumerable caravan which moves
To that mysterious realm where each shall take 75
His chamber in the silent halls of death
Thou go not like the quarry-slave at night
Scourged to his dungeon but sustained and soothed
By an unfaltering trust approach thy grave
Like one who wraps the drapery of his couch 80
About him and lies down to pleasant dreams.
|
Written by
Robert William Service |
My only medals are the scars
I've won in weary, peacetime wars,
A-fighting for my little brood,
To win them shelter, shoon and food;
But most of all to give them faith
In God's good mercy unto death.
My sons have medals gleaming bright,
Proud trophies won in foreign fight;
But though their crosses bravely shine,
My boys can show no wounds like mine -
Grim gashes dolorously healed,
And inner ailings unrevealed.
Life-lasting has my battle been,
My enemy a fierce machine;
And I am marked by many a blow
In conflict with a tireless foe,
Till warped and bent beneath the beat
Of life's unruth I own defeat.
Yet strip me bare and you will see
A worthy warrior I be;
Although no uniform I've worn,
By wounds of labour I am torn;
Leave the their ribbands and their stars .
.
.
Behold! I proudly prize my scars.
|
Written by
William Topaz McGonagall |
'Twas in the year of 1897, and on the 22nd of June,
Her Majesty's Diamond Jubilee in London caused a great boom;
Because high and low came from afar to see,
The grand celebrations at Her Majesty's Diamond Jubilee.
People were there from almost every foreign land,
Which made the scene really imposing and grand;
Especially the Queen's carriage, drawn by eight coloured bays,
And when the spectators saw it joyous shouts they did raise.
Oh! if was a most gorgeous sight to be seen,
Numerous foreign magnatss were there for to see the queen;
And to the vast multitude there of women and men,
Her Majesty for two hours showed herself to them.
The head of the procession looked very grand -
A party of the Horse Guards with their gold-belaced band;
Which also headed the procession of the Colonial States,
While slowly they rode on until opposite the Palace gates.
Then the sound of the National Anthem was heard quite clear,
And the sound the hearts of the mighty crowd it did cheer;
As they heard the loyal hymning on the morning air,
The scene was most beautiful and surpassing fair.
On the house tops thousands of people were to be seen,
All in eager expectation of seeing the queen;
And all of them seemed to be happy and gay,
Which enhanced the scene during the day.
And when Field Marshal Roberts in the procession passed by,
The cheers from thousands of people arose very high;
And to see him on his war horse was inspiring to see,
Because he rode his charger most splendidly.
The Natal mounted troops were loudly cheered, they looked so grand,
And also the London Irish Emerald Isle Band;
Oh if was a most magnificent sight to see.
The Malta Militia and Artillery,
And the Trinidad Artillery, and also bodies of infantry,
And, as the crowd gazed thereon, it filled their hearts with glee.
Her Majesty looked well considering her years,
And from the vast crowd burst forth joyous cheers;
And Her Majesty bowed to the shouts of acclamation,
And smiled upon the crowd with a loving look of admiration.
His Excellency Chan Yin Hun in his carriage wan a great attraction,
And his Oriental garb seemed to give the people great satisfaction;
While the two little Battenberg's carriage, as it drove along,
Received from the people cheering loud and long.
And when the Dragoon Guards and the Huasars filed past at the walk,
Then loudly in their praise the people did talk;
And the cavalry took forty minutes to trot past,
While the spectators in silent wonder stood aghast.
Her Majesty the Empress Frederick a great sensation made,
She was one of the chief attractions in the whole cavalcade;
And in her carriage was the Princess Louise, the Marchioness of Lorne,
In a beautiful white dress, which did per person adorn.
The scene in Piccadilly caused a great sensation,
The grand decorations there were the theme of admiration;
And the people in St.
James Street were taken by surprise,
Because the lovely decorations dazzled their eyes
The 42nd Highlanders looked very fine,
When they appeared and took up a position on the line;
And the magnificent decorations in the Strand,
As far east as the Griffin wets attractive and grand.
And the grandstand from Buckingham Palace to Temple Bar,
Was crowded with eager eyes from afar,
Looking on the floral decorations and flags unfurled,
Which has been the grandest spectacle ever seen in the world.
The corner building of St.
James Street side was lovely to view,
Ornamented with pink and white bunting and a screen of blue;
And to the eye, the inscription thereon most beautiful seems:
"Thou art alone the Queen of earthly Queens.
"
The welcome given to Commander-in-Chief Lord Wolseley was very flattering,
The people cheered him until the streets did ring;
And the foreign princes were watched with rivetted admiration,
And caused among the sight-seers great consternation,
And private householders seemed to vie with each other,
In the lavishness of their decorations, and considered it no bother;
And never before in the memory of man,
Has there been a national celebration so grand.
And in conclusion, I most earnestly do pray,
May God protect Her Majesty for many a day;
My blessing on her noble form and on her lofty head,
And may she wear a crown of glory hereafter when dead.
|
Written by
Michael Ondaatje |
Since my wife was born
she must have eaten
the equivalent of two-thirds
of the original garden of Eden.
Not the dripping lush fruit
or the meat in the ribs of animals
but the green salad gardens of that place.
The whole arena of green
would have been eradicated
as if the right filter had been removed
leaving only the skeleton of coarse brightness.
All green ends up eventually
churning in her left cheek.
Her mouth is a laundromat of spinning drowning herbs.
She is never in fields
but is sucking the pith out of grass.
I have noticed the very leaves from flower decorations
grow sparse in their week long performance in our house.
The garden is a dust bowl.
On our last day in Eden as we walked out
she nibbled the leaves at her breasts and crotch.
But there's none to touch
none to equal
the Chlorophyll Kiss
|
Written by
W S Merwin |
My friends without shields walk on the target
It is late the windows are breaking
My friends without shoes leave
What they love
Grief moves among them as a fire among
Its bells
My friends without clocks turn
On the dial they turn
They part
My friends with names like gloves set out
Bare handed as they have lived
And nobody knows them
It is they that lay the wreaths at the milestones it is their
Cups that are found at the wells
And are then chained up
My friends without feet sit by the wall
Nodding to the lame orchestra
Brotherhood it says on the decorations
My friend without eyes sits in the rain smiling
With a nest of salt in his hand
My friends without fathers or houses hear
Doors opening in the darkness
Whose halls announce
Behold the smoke has come home
My friends and I have in common
The present a wax bell in a wax belfry
This message telling of
Metals this
Hunger for the sake of hunger this owl in the heart
And these hands one
For asking one for applause
My friends with nothing leave it behind
In a box
My friends without keys go out from the jails it is night
They take the same road they miss
Each other they invent the same banner in the dark
They ask their way only of sentries too proud to breathe
At dawn the stars on their flag will vanish
The water will turn up their footprints and the day will rise
Like a monument to my
Friends the forgotten
|
Written by
William Topaz McGonagall |
Ye sons of Germany, your noble Emperor William now is dead.
Who oft great armies to battle hath led;
He was a man beloved by his subjects all,
Because he never tried them to enthral.
The people of Germany have cause now to mourn,
The loss of their hero, who to them will ne'er return;
But his soul I hope to Heaven has fled away,
To the realms of endless bliss for ever and aye.
He was much respected throughout Europe by the high and the low,
And all over Germany people's hearts are full of woe;
For in the battlefield he was a hero bold,
Nevertheless, a lover of peace, to his credit be it told.
'Twas in the year of 1888, and on March the 16th day,
That the peaceful William's remains were conveyed away
To the royal mausoleum of Charlottenburg, their last resting-place,
The God-fearing man that never did his country disgrace.
The funeral service was conducted in the cathedral by the court chaplain, Dr.
Kogel,
Which touched the hearts of his hearers, as from his lips it fell,
And in conclusion he recited the Lord's Prayer
In the presence of kings, princes, dukes, and counts assembled there.
And at the end of the service the infantry outside fired volley after volley,
While the people inside the cathedral felt melancholy,
As the sound of the musketry smote upon the ear,
In honour of the illustrous William, whom they loved most dear.
Then there was a solemn pause as the kings and princes took their places,
Whilst the hot tears are trickling down their faces,
And the mourners from shedding tears couldn't refrain;
And in respect of the good man, above the gateway glared a bituminous flame.
Then the coffin was placed on the funeral car,
By the kings and princes that came from afar;
And the Crown Prince William heads the procession alone,
While behind him are the four heirs-apparent to the throne.
Then followed the three Kings of Saxony, and the King of the Belgians also,
Together with the Prince of Wales, with their hearts full of woe,
Besides the Prince of Naples and Prince Rudolph of Austria were there,
Also the Czarevitch, and other princes in their order I do declare.
And as the procession passes the palace the blinds are drawn completely,
And every house is half hidden with the sable drapery;
And along the line of march expansive arches were erected,
While the spectators standing by seemed very dejected.
And through the Central Avenue, to make the decorations complete,
There were pedestals erected, rising fourteen to fifteen feet,
And at the foot and top of each pedestal were hung decorations of green bay,
Also beautiful wreaths and evergreen festoons all in grand array.
And there were torches fastened on pieces of wood stuck in the ground;
And as the people gazed on the weird-like scene, their silence was profound;
And the shopkeepers closed their shops, and hotel-keepers closed in the doorways,
And with torchlight and gaslight, Berlin for once was all ablaze.
The authorities of Berlin in honour of the Emperor considered it no sin,
To decorate with crape the beautiful city of Berlin;
Therefore Berlin I declare was a city of crape,
Because few buildings crape decoration did escape.
First in the procession was the Emperor's bodyguard,
And his great love for them nothing could it retard;
Then followed a squadron of the hussars with their band,
Playing "Jesus, Thou my Comfort," most solemn and grand.
And to see the procession passing the sightseers tried their best,
Especially when the cavalry hove in sight, riding four abreast;
Men and officers with their swords drawn, a magnificent sight to see
In the dim sun's rays, their burnished swords glinting dimly.
Then followed the footguards with slow and solemn tread,
Playing the "Dead March in Saul," most appropriate for the dead;
And behind them followed the artillery, with four guns abreast,
Also the ministers and court officials dressed in their best.
The whole distance to the grave was covered over with laurel and bay,
So that the body should be borne along smoothly all the way;
And the thousands of banners in the procession were beautiful to view,
Because they were composed of cream-coloured silk and light blue.
There were thousands of thousands of men and women gathered there,
And standing ankle deep in snow, and seemingly didn't care
So as they got a glimpse of the funeral car,
Especially the poor souls that came from afar.
And when the funeral car appeared there was a general hush,
And the spectators in their anxiety to see began to crush;
And when they saw the funeral car by the Emperor's charger led,
Every hat and cap was lifted reverently from off each head.
And as the procession moved on to the royal mausoleum,
The spectators remained bareheaded and seemingly quite dumb;
And as the coffin was borne into its last resting-place,
Sorrow seemed depicted in each one's face.
And after the burial service the mourners took a last farewell
Of the noble-hearted William they loved so well;
Then rich and poor dispersed quietly that were assembled there,
While two batteries of field-guns fired a salute which did rend the air
In honour of the immortal hero they loved so dear,
The founder of the Fatherland Germany, that he did revere.
|