Written by
Olu Oguibe |
Song of Sorrow
for rosa diez
si només, però, aquesta
llum parada poguès durar
I shall sing you a song of
Sorrow when the moment comes.
It is the way of poets.
He will come bearing along his voice
Like the lament of an old guitar.
Only night shall fall; another day dawn.
I shall sing you a tearful song.
In the desert the rain fell on me.
Bushfires danced their way through
The undergrowth of my verse.
Your footfall soft as felt, you
Stepped into the light and
Asked the poet for a song.
I shall sing you a lyric of pain.
The blue moon peers through the foliage
Of your eyelashes.
The minstrel hawks
His tears through the streets of night.
A household god is asking for water;
An old god is pleading at your door.
There's a white rose on your breast.
It is the fortune of poets;
I shall sing you a song.
Untie the fresh leaves of dawn,
I want to make my journey short.
I will go upon the hill and cast my little net,
Decorate the river of your morning with petals;
I shall speak the words of songs.
It is the destiny of poets.
I shall sing you
A song of sorrow
When the moment comes.
|
Written by
Mary Darby Robinson |
O, let me seize thy pen sublime
That paints, in melting dulcet rhyme,
The glowing pow'r, the magic art,
Th' extatic raptures of the Heart;
Soft Beauty's timid smile serene,
The dimples of Love's sportive mien;
The sweet descriptive tale to trace;
To picture Nature's winning grace;
To steal the tear from Pity's eye;
To catch the sympathetic sigh;
O teach me, with swift light'nings force
To watch wild passion's varying course;
To mark th' enthusiast's vivid fire,
Or calmly touch thy golden lyre,
While gentle Reason mildly sings
Responsive to the trembling strings.
SWEET Nymph, enchanting Poetry!
I dedicate my mind to Thee.
Oh! from thy bright Parnassian bow'rs
Descend, to bless my sombre hours;
Bend to the earth thy eagle wing,
And on its glowing plumage bring
Blithe FANCY, from whose burning eye
The young ideas sparkling fly;
O, come, and let us fondly stray,
Where rosy Health shall lead the way,
And soft FAVONIUS lightly spread
A perfum'd carpet as we tread;
Ah! let us from the world remove,
The calm forgetfulness to prove,
Which at the still of evening's close,
Lulls the tir'd peasant to repose;
Repose, whose balmy joys o'er-pay
The sultry labours of the day.
And when the blue-ey'd dawn appears,
Just peeping thro' her veil of tears;
Or blushing opes her silver gate,
And on its threshold, stands elate,
And flings her rosy mantle far
O'er every loit'ring dewy star;
And calls the wanton breezes forth,
And sprinkles diamonds o'er the earth;
While in the green-wood's shade profound,
The insect race, with buzzing sound
Flit o'er the rill,a glitt'ring train,
Or swarm along the sultry plain.
Then in sweet converse let us rove,
Where in the thyme-embroider'd grove,
The musky air its fragrance pours
Upon the silv'ry scatter'd show'rs;
To hail soft Zephyr, as she goes
To fan the dew-drop from the rose;
To shelter from the scorching beam,
And muse beside the rippling stream.
Or when, at twilight's placid hour,
We stroll to some sequester'd bow'r;
And watch the haughty Sun retire
Beneath his canopy of fire;
While slow the dusky clouds enfold
Day's crimson curtains fring'd with gold;
And o'er the meadows faintly fly
Pale shadows of the purpling sky:
While softly o'er the pearl-deck'd plain,
Cold Dian leads the sylvan train;
In mazy dance and sportive glee,
SWEET MUSE, I'll fondly turn to thee;
And thou shalt deck my couch with flow'rs,
And wing with joy my silent hours.
When Sleep, with downy hand, shall spread
A wreath of poppies round my head;
Then, FANCY, on her wing sublime,
Shall waft me to the sacred clime
Where my enlighten'd sense shall view,
Thro' ether realms of azure hue,
That flame, where SHAKESPEARE us'd to fill,
With matchless fire, his "golden quill.
"
While, from its point bright Genius caught
The wit supreme, the glowing thought,
The magic tone, that sweetly hung
About the music of his tongue.
Then will I skim the floating air,
On a light couch of gossamer,
While with my wonder-aching eye,
I contemplate the spangled sky,
And hear the vaulted roof repeat
The song of Inspiration sweet;
While round the winged cherub train,
Shall iterate the aëry strain:
Swift, thro' my quiv'ring nerves shall float
The tremours of each thrilling note;
And every eager sense confess
Extatic transport's wild excess:
'Till, waking from the glorious dream,
I hail the morn's refulgent beam.
DEAR Maid! of ever-varying mien,
Exulting, pensive, gay, serene,
Now, in transcendent pathos drest,
Now, gentle as the turtle's breast;
Where'er thy feath'ry steps shall lead,
To side-long hill, or flow'ry mead;
To sorrow's coldest, darkest cell,
Or where, by Cynthia's glimm'ring ray,
The dapper fairies frisk and play
About some cowslip's golden bell;
And, in their wanton frolic mirth,
Pluck the young daisies from the earth,
To canopy their tiny heads,
And decorate their verdant beds;
While to the grass-hopper's shrill tune,
They quaff libations to the moon,
From acorn goblets, amply fill'd
With dew, from op'ning flow'rs distill'd.
Or when the lurid tempest pours,
From its dark urn, impetuous show'rs,
Or from its brow's terrific frown,
Hurls the pale murd'rous lightnings down;
To thy enchanting breast I'll spring,
And shield me with thy golden wing.
Or when amidst ethereal fire,
Thou strik'st thy DELLA CRUSCAN lyre,
While round, to catch the heavenly song,
Myriads of wond'ring seraphs throng:
Whether thy harp's empassioned strain
Pours forth an OVID's tender pain;
Or in PINDARIC flights sublime,
Re-echoes thro' the starry clime;
Thee I'll adore; transcendent guest,
And woe thee to my burning breast.
But, if thy magic pow'rs impart
One soft sensation to the heart,
If thy warm precepts can dispense
One thrilling transport o'er my sense;
Oh! keep thy gifts, and let me fly,
In APATHY's cold arms to die.
|
Written by
John Clare |
Christmass is come and every hearth
Makes room to give him welcome now
Een want will dry its tears in mirth
And crown him wi a holly bough
Tho tramping neath a winters sky
Oer snow track paths and ryhmey stiles
The huswife sets her spining bye
And bids him welcome wi her smiles
Each house is swept the day before
And windows stuck wi evergreens
The snow is beesomd from the door
And comfort crowns the cottage scenes
Gilt holly wi its thorny pricks
And yew and box wi berrys small
These deck the unusd candlesticks
And pictures hanging by the wall
Neighbours resume their anual cheer
Wishing wi smiles and spirits high
Clad christmass and a happy year
To every morning passer bye
Milk maids their christmass journeys go
Accompanyd wi favourd swain
And childern pace the crumping snow
To taste their grannys cake again
Hung wi the ivys veining bough
The ash trees round the cottage farm
Are often stript of branches now
The cotters christmass hearth to warm
He swings and twists his hazel band
And lops them off wi sharpend hook
And oft brings ivy in his hand
To decorate the chimney nook
Old winter whipes his ides bye
And warms his fingers till he smiles
Where cottage hearths are blazing high
And labour resteth from his toils
Wi merry mirth beguiling care
Old customs keeping wi the day
Friends meet their christmass cheer to share
And pass it in a harmless way
Old customs O I love the sound
However simple they may be
What ere wi time has sanction found
Is welcome and is dear to me
Pride grows above simplicity
And spurns it from her haughty mind
And soon the poets song will be
The only refuge they can find
The shepherd now no more afraid
Since custom doth the chance bestow
Starts up to kiss the giggling maid
Beneath the branch of mizzletoe
That neath each cottage beam is seen
Wi pearl-like-berrys shining gay
The shadow still of what hath been
Which fashion yearly fades away
And singers too a merry throng
At early morn wi simple skill
Yet imitate the angels song
And chant their christmass ditty still
And mid the storm that dies and swells
By fits-in humings softly steals
The music of the village bells
Ringing round their merry peals
And when its past a merry crew
Bedeckt in masks and ribbons gay
The 'Morrice danse' their sports renew
And act their winter evening play
The clown-turnd-kings for penny praise
Storm wi the actors strut and swell
And harlequin a laugh to raise
Wears his hump back and tinkling bell
And oft for pence and spicy ale
Wi winter nosgays pind before
The wassail singer tells her tale
And drawls her christmass carrols oer
The prentice boy wi ruddy face
And ryhme bepowderd dancing locks
From door to door wi happy pace
Runs round to claim his 'christmass box'
The block behind the fire is put
To sanction customs old desires
And many a faggots bands are cut
For the old farmers christmass fires
Where loud tongd gladness joins the throng
And winter meets the warmth of may
Feeling by times the heat too strong
And rubs his shins and draws away
While snows the window panes bedim
The fire curls up a sunny charm
Where creaming oer the pitchers rim
The flowering ale is set to warm
Mirth full of joy as summer bees
Sits there its pleasures to impart
While childern tween their parents knees
Sing scraps of carrols oer by heart
And some to view the winter weathers
Climb up the window seat wi glee
Likening the snow to falling feathers
In fancys infant extacy
Laughing wi superstitious love
Oer visions wild that youth supplyes
Of people pulling geese above
And keeping christmass in the skyes
As tho the homstead trees were drest
In lieu of snow wi dancing leaves
As.
tho the sundryd martins nest
Instead of ides hung the eaves
The childern hail the happy day
As if the snow was april grass
And pleasd as neath the warmth of may
Sport oer the water froze to glass
Thou day of happy sound and mirth
That long wi childish memory stays
How blest around the cottage hearth
I met thee in my boyish days
Harping wi raptures dreaming joys
On presents that thy coming found
The welcome sight of little toys
The christmass gifts of comers round
'The wooden horse wi arching head
Drawn upon wheels around the room
The gilded coach of ginger bread
And many colord sugar plumb
Gilt coverd books for pictures sought
Or storys childhood loves to tell
Wi many a urgent promise bought
To get tomorrows lesson well
And many a thing a minutes sport
Left broken on the sanded floor
When we woud leave our play and court
Our parents promises for more
Tho manhood bids such raptures dye
And throws such toys away as vain
Yet memory loves to turn her eye
And talk such pleasures oer again
Around the glowing hearth at night
The harmless laugh and winter tale
Goes round-while parting friends delight
To toast each other oer their ale
The cotter oft wi quiet zeal
Will musing oer his bible lean
While in the dark the lovers steal
To kiss and toy behind the screen
The yule cake dotted thick wi plumbs
Is on each supper table found
And cats look up for falling crumbs
Which greedy childern litter round
And huswifes sage stuffd seasond chine
Long hung in chimney nook to drye
And boiling eldern berry wine
To drink the christmass eves 'good bye'
|
Written by
William Topaz McGonagall |
Ye sons of Germany, your noble Emperor William now is dead.
Who oft great armies to battle hath led;
He was a man beloved by his subjects all,
Because he never tried them to enthral.
The people of Germany have cause now to mourn,
The loss of their hero, who to them will ne'er return;
But his soul I hope to Heaven has fled away,
To the realms of endless bliss for ever and aye.
He was much respected throughout Europe by the high and the low,
And all over Germany people's hearts are full of woe;
For in the battlefield he was a hero bold,
Nevertheless, a lover of peace, to his credit be it told.
'Twas in the year of 1888, and on March the 16th day,
That the peaceful William's remains were conveyed away
To the royal mausoleum of Charlottenburg, their last resting-place,
The God-fearing man that never did his country disgrace.
The funeral service was conducted in the cathedral by the court chaplain, Dr.
Kogel,
Which touched the hearts of his hearers, as from his lips it fell,
And in conclusion he recited the Lord's Prayer
In the presence of kings, princes, dukes, and counts assembled there.
And at the end of the service the infantry outside fired volley after volley,
While the people inside the cathedral felt melancholy,
As the sound of the musketry smote upon the ear,
In honour of the illustrous William, whom they loved most dear.
Then there was a solemn pause as the kings and princes took their places,
Whilst the hot tears are trickling down their faces,
And the mourners from shedding tears couldn't refrain;
And in respect of the good man, above the gateway glared a bituminous flame.
Then the coffin was placed on the funeral car,
By the kings and princes that came from afar;
And the Crown Prince William heads the procession alone,
While behind him are the four heirs-apparent to the throne.
Then followed the three Kings of Saxony, and the King of the Belgians also,
Together with the Prince of Wales, with their hearts full of woe,
Besides the Prince of Naples and Prince Rudolph of Austria were there,
Also the Czarevitch, and other princes in their order I do declare.
And as the procession passes the palace the blinds are drawn completely,
And every house is half hidden with the sable drapery;
And along the line of march expansive arches were erected,
While the spectators standing by seemed very dejected.
And through the Central Avenue, to make the decorations complete,
There were pedestals erected, rising fourteen to fifteen feet,
And at the foot and top of each pedestal were hung decorations of green bay,
Also beautiful wreaths and evergreen festoons all in grand array.
And there were torches fastened on pieces of wood stuck in the ground;
And as the people gazed on the weird-like scene, their silence was profound;
And the shopkeepers closed their shops, and hotel-keepers closed in the doorways,
And with torchlight and gaslight, Berlin for once was all ablaze.
The authorities of Berlin in honour of the Emperor considered it no sin,
To decorate with crape the beautiful city of Berlin;
Therefore Berlin I declare was a city of crape,
Because few buildings crape decoration did escape.
First in the procession was the Emperor's bodyguard,
And his great love for them nothing could it retard;
Then followed a squadron of the hussars with their band,
Playing "Jesus, Thou my Comfort," most solemn and grand.
And to see the procession passing the sightseers tried their best,
Especially when the cavalry hove in sight, riding four abreast;
Men and officers with their swords drawn, a magnificent sight to see
In the dim sun's rays, their burnished swords glinting dimly.
Then followed the footguards with slow and solemn tread,
Playing the "Dead March in Saul," most appropriate for the dead;
And behind them followed the artillery, with four guns abreast,
Also the ministers and court officials dressed in their best.
The whole distance to the grave was covered over with laurel and bay,
So that the body should be borne along smoothly all the way;
And the thousands of banners in the procession were beautiful to view,
Because they were composed of cream-coloured silk and light blue.
There were thousands of thousands of men and women gathered there,
And standing ankle deep in snow, and seemingly didn't care
So as they got a glimpse of the funeral car,
Especially the poor souls that came from afar.
And when the funeral car appeared there was a general hush,
And the spectators in their anxiety to see began to crush;
And when they saw the funeral car by the Emperor's charger led,
Every hat and cap was lifted reverently from off each head.
And as the procession moved on to the royal mausoleum,
The spectators remained bareheaded and seemingly quite dumb;
And as the coffin was borne into its last resting-place,
Sorrow seemed depicted in each one's face.
And after the burial service the mourners took a last farewell
Of the noble-hearted William they loved so well;
Then rich and poor dispersed quietly that were assembled there,
While two batteries of field-guns fired a salute which did rend the air
In honour of the immortal hero they loved so dear,
The founder of the Fatherland Germany, that he did revere.
|
Written by
Rainer Maria Rilke |
She who did not come, wasn't she determined
nonetheless to organize and decorate my heart?
If we had to exist to become the one we love,
what would the heart have to create?
Lovely joy left blank, perhaps you are
the center of all my labors and my loves.
If I've wept for you so much, it's because
I preferred you among so many outlined joys.
|
Written by
Francesco Petrarch |
CANZONE I.
Che debb' io far? che mi consigli, Amore? HE ASKS COUNSEL OF LOVE, WHETHER HE SHOULD FOLLOW LAURA, OR STILL ENDURE EXISTENCE.
What should I do? what, Love, dost thou advise?
Full time it is to die:
And longer than I wish have I delay'd.
My mistress is no more, and with her gone my heart;
To follow her, I must need
Break short the course of my afflictive years:
To view her here below
I ne'er can hope; and irksome 'tis to wait.
Since that my every joy
By her departure unto tears is turn'd,
Of all its sweets my life has been deprived.
Thou, Love, dost feel, therefore to thee I plain,
How grievous is my loss;
I know my sorrows grieve and weigh thee down,
E'en as our common cause: for on one rock
We both have wreck'd our bark;
And in one instant was its sun obscured.
What genius can with words
Rightly describe my lamentable state?
Ah, blind, ungrateful world!
Thou hast indeed just cause with me to mourn;
That beauty thou didst hold with her is fled!
Fall'n is thy glory, and thou seest it not;
Unworthy thou with her,
While here she dwelt, acquaintance to maintain.
Or to be trodden by her saintly feet;
For that, which is so fair,
Should with its presence decorate the skies
But I, a wretch who, reft
Of her, prize nor myself nor mortal life,
[Pg 234]Recall her with my tears:
This only of my hope's vast sum remains;
And this alone doth still support me here.
Ah, me! her charming face is earth become,
Which wont unto our thought
To picture heaven and happiness above!
Her viewless form inhabits paradise,
Divested of that veil,
Which shadow'd while below her bloom of life,
Once more to put it on,
And never then to cast it off again;
When so much more divine,
And glorious render'd, 'twill by us be view'd,
As mortal beauty to eternal yields.
More bright than ever, and a lovelier fair,
Before me she appears,
Where most she's conscious that her sight will please
This is one pillar that sustains my life;
The other her dear name,
That to my heart sounds so delightfully.
But tracing in my mind,
That she who form'd my choicest hope is dead
E'en in her blossom'd prime;
Thou knowest, Love, full well what I become:
She I trust sees it too, who dwells with truth.
Ye sweet associates, who admired her charms,
Her life angelical,
And her demeanour heavenly upon earth
For me lament, and be by pity wrought
No wise for her, who, risen
To so much peace, me has in warfare left;
Such, that should any shut
The road to follow her, for some length of time,
What Love declares to me
Alone would check my cutting through the tie;
But in this guise he reasons from within:
"The mighty grief transporting thee restrain;
For passions uncontroll'd
Forfeit that heaven, to which thy soul aspires,
Where she is living whom some fancy dead;
[Pg 235]While at her fair remains
She smiles herself, sighing for thee alone;
And that her fame, which lives
In many a clime hymn'd by thy tongue, may ne'er
Become extinct, she prays;
But that her name should harmonize thy voice;
If e'er her eyes were lovely held, and dear.
"
Fly the calm, green retreat;
And ne'er approach where song and laughter dwell,
O strain; but wail be thine!
It suits thee ill with the glad throng to stay,
Thou sorrowing widow wrapp'd in garb of woe.
Nott.
|
Written by
Mary Darby Robinson |
Chill penury repress'd his noble rage,
And froze the genial current of his soul.
GRAY.
IF GRIEF can deprecate the wrath of Heaven,
Or human frailty hope to be forgiven !
Ere now thy sainted spirit bends its way
To the bland regions of celestial day;
Ere now, thy soul, immers'd in purest air
Smiles at the triumphs of supreme Despair;
Or bath'd in seas of endless bliss, disdains
The vengeful memory of mortal pains;
Yet shall the MUSE a fond memorial give
To shield thy name, and bid thy GENIUS live.
Too proud for pity, and too poor for praise,
No voice to cherish, and no hand to raise;
Torn, stung, and sated, with this "mortal coil,"
This weary, anxious scene of fruitless toil;
Not all the graces that to youth belong,
Nor all the energies of sacred song;
Nor all that FANCY, all that GENIUS gave,
Could snatch thy wounded spirit from the grave.
Hard was thy lot, from every comfort torn;
In POVERTY'S cold arms condemn'd to mourn;
To live by mental toil, e'en when the brain
Could scarce its trembling faculties sustain;
To mark the dreary minutes slowly creep:
Each day to labour, and each night to weep;
'Till the last murmur of thy frantic soul,
In proud concealment from its mansion stole,
While ENVY springing from her lurid cave,
Snatch'd the young LAURELS from thy rugged grave.
So the pale primrose, sweetest bud of May,
Scarce wakes to beauty, ere it feels decay;
While baleful weeds their hidden n poisons pour,
Choke the green sod, and wither every flow'r.
Immur'd in shades, from busy scenes remov'd;
No sound to solace,but the verse he lov'd:
No soothing numbers harmoniz'd his ear;
No feeling bosom gave his griefs a tear;
Obscurely bornno gen'rous friend he found
To lead his trembling steps o'er classic ground.
No patron fill'd his heart with flatt'ring hope,
No tutor'd lesson gave his genius scope;
Yet, while poetic ardour nerv'd each thought,
And REASON sanction'd what AMBITION taught;
He soar'd beyond the narrow spells that bind
The slow perceptions of the vulgar mind;
The fire once kindled by the breath of FAME,
Her restless pinions fann'd the glitt'ring flame;
Warm'd by its rays, he thought each vision just;
For conscious VIRTUE seldom feels DISTRUST.
Frail are the charms delusive FANCY shows,
And short the bliss her fickle smile bestows;
Yet the bright prospect pleas'd his dazzled view,
Each HOPE seem'd ripened, and each PHANTOM true;
Fill'd with delight, his unsuspecting mind
Weigh'd not the grov'ling treach'ries of mankind;
For while a niggard boon his Savants supply'd,
And NATURE'S claims subdued the voice of PRIDE:
His timid talents own'd a borrow'd name,
And gain'd by FICTION what was due to FAME.
With secret labour, and with taste refin'd,
This son of mis'ry form'd his infant mind !
When op'ning Reason's earliest scenes began,
The dawn of childhood mark'd the future man !
He scorn'd the puerile sports of vulgar boys,
His little heart aspir'd to nobler joys;
Creative Fancy wing'd his few short hours,
While soothing Hope adorn'd his path with flow'rs,
Yet FAME'S recording hand no trophy gave,
Save the sad TEARto decorate his grave.
Yet in this dark, mysterious scene of woe,
Conviction's flame shall shed a radiant glow;
His infant MUSE shall bind with nerves of fire
The sacrilegious hand that stabs its sire.
Methinks, I hear his wand'ring shade complain,
While mournful ECHO lingers on the strain;
Thro' the lone aisle his restless spirit calls,
His phantom glides along the minster's § walls;
Where many an hour his devious footsteps trod,
Ere Fate resign'd him TO HIS PITYING GOD.
Yet, shall the MUSE to gentlest sorrow prone
Adopt his cause, and make his griefs her own;
Ne'er shall her CHATTERTON's neglected name,
Fade in inglorious dreams of doubtful fame;
Shall he, whose pen immortal GENIUS gave,
Sleep unlamented in an unknown grave?
No, the fond MUSE shall spurn the base neglect,
The verse she cherish'd she shall still protect.
And if unpitied pangs the mind can move,
Or graceful numbers warm the heart to love;
If the fine raptures of poetic fire
Delight to vibrate on the trembling lyre;
If sorrow claims the kind embalming tear,
Or worth oppress'd, excites a pang sincere?
Some kindred soul shall pour the song divine,
And with the cypress bough the laurel twine,
Whose weeping leaves the wint'ry blast shall wave
In mournful murmurs o'er thy unbless'd grave.
And tho' no lofty VASE or sculptur'd BUST
Bends o'er the sod that hides thy sacred dust;
Tho' no long line of ancestry betrays
The PRIDE of RELATIVES, or POMP of PRAISE.
Tho' o'er thy name a blushing nation rears
OBLIVION'S wing to hide REFLECTION'S tears!
Still shall thy verse in dazzling lustre live,
And claim a brighter wreath THAN WEALTH CAN GIVE.
|
Written by
Edward Thomas |
Old Man, or Lads-Love, - in the name there’s nothing
To one that knows not Lads-Love, or Old Man,
The hoar green feathery herb, almost a tree,
Growing with rosemary and lavender.
Even to one that knows it well, the names
Half decorate, half perplex, the thing it is:
At least, what that is clings not to the names
In spite of time.
And yet I like the names.
The herb itself I like not, but for certain
I love it, as someday the child will love it
Who plucks a feather from the door-side bush
Whenever she goes in or out of the house.
Often she waits there, snipping the tips and shrivelling
The shreds at last on to the path,
Thinking perhaps of nothing, till she sniffs
Her fingers and runs off.
The bush is still
But half as tall as she, though it is not old;
So well she clips it.
Not a word she says;
And I ca only wonder how much hereafter
She will remember, with that bitter scent,
Of garden rows, and ancient damson trees
Topping a hedge, a bent path to a door
A low thick bush beside the door, and me
Forbidding her to pick.
As for myself,
Where first I met the bitter scent is lost.
I, too, often shrivel the grey shreds,
Sniff them and think and sniff again and try
Once more to think what it is I am remembering,
Always in vain.
I cannot like the scent,
Yet I would rather give up others more sweet,
With no meaning, than this bitter one.
I have mislaid the key.
I sniff the spray
And think of nothing; I see and I hear nothing;
Yet seem, too, to be listening, lying in wait
For what I should, yet never can, remember;
No garden appears, no path, no hoar-green bush
Of Lad’s-love, or Old Man, no child beside,
Neither father nor mother, nor any playmate;
Only an avenue, dark, nameless, without end
|
Written by
Emily Dickinson |
An Antiquated Tree
Is cherished of the Crow
Because that Junior Foliage is disrespectful now
To venerable Birds
Whose Corporation Coat
Would decorate Oblivion's
Remotest Consulate.
|
Written by
Ben Jonson |
XXVII.
? ON SIR JOHN ROE.
In place of scutcheons that should deck thy herse,
Take better ornaments, my tears and verse.
If any sword could save from Fates', ROE'S could ;
If any Muse outlive their spight, his can ;
If any friends' tears could restore, his would ;
If any pious life ere lifted man
To heaven ; his hath : O happy state ! wherein
We, sad for him, may glory, and not sin.
[AJ Notes:
Scutcheons, escutcheons, emblazoned shields, which
would decorate a hearse buried in state and pomp.
]
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