Written by
Wole Soyinka |
Blue diaphane, tobacco smoke
Serpentine on wet film and wood glaze,
Mutes chrome, wreathes velvet drapes,
Dims the cave of mirrors.
Ghost fingers
Comb seaweed hair, stroke acquamarine veins
Of marooned mariners, captives
Of Circe's sultry notes.
The barman
Dispenses igneous potions ?
Somnabulist, the band plays on.
Cocktail mixer, silvery fish
Dances for limpet clients.
Applause is steeped in lassitude,
Tangled in webs of lovers' whispers
And artful eyelash of the androgynous.
The hovering notes caress the night
Mellowed deep indigo ?still they play.
Departures linger.
Absences do not
Deplete the tavern.
They hang over the haze
As exhalations from receded shores.
Soon,
Night repossesses the silence, but till dawn
The notes hold sway, smoky
Epiphanies, possessive of the hours.
This music's plaint forgives, redeems
The deafness of the world.
Night turns
Homewards, sheathed in notes of solace, pleats
The broken silence of the heart.
|
Written by
Margaret Atwood |
This is a word we use to plug
holes with.
It's the right size for those warm
blanks in speech, for those red heart-
shaped vacancies on the page that look nothing
like real hearts.
Add lace
and you can sell
it.
We insert it also in the one empty
space on the printed form
that comes with no instructions.
There are whole
magazines with not much in them
but the word love, you can
rub it all over your body and you
can cook with it too.
How do we know
it isn't what goes on at the cool
debaucheries of slugs under damp
pieces of cardboard? As for the weed-
seedlings nosing their tough snouts up
among the lettuces, they shout it.
Love! Love! sing the soldiers, raising
their glittering knives in salute.
Then there's the two
of us.
This word
is far too short for us, it has only
four letters, too sparse
to fill those deep bare
vacuums between the stars
that press on us with their deafness.
It's not love we don't wish
to fall into, but that fear.
this word is not enough but it will
have to do.
It's a single
vowel in this metallic
silence, a mouth that says
O again and again in wonder
and pain, a breath, a finger
grip on a cliffside.
You can
hold on or let go.
|
Written by
|
Blue diaphane, tobacco smoke
Serpentine on wet film and wood glaze,
Mutes chrome, wreathes velvet drapes,
Dims the cave of mirrors.
Ghost fingers
Comb seaweed hair, stroke acquamarine veins
Of marooned mariners, captives
Of Circe's sultry notes.
The barman
Dispenses igneous potions ?
Somnabulist, the band plays on.
Cocktail mixer, silvery fish
Dances for limpet clients.
Applause is steeped in lassitude,
Tangled in webs of lovers' whispers
And artful eyelash of the androgynous.
The hovering notes caress the night
Mellowed deep indigo ?still they play.
Departures linger.
Absences do not
Deplete the tavern.
They hang over the haze
As exhalations from receded shores.
Soon,
Night repossesses the silence, but till dawn
The notes hold sway, smoky
Epiphanies, possessive of the hours.
This music's plaint forgives, redeems
The deafness of the world.
Night turns
Homewards, sheathed in notes of solace, pleats
The broken silence of the heart.
|
Written by
Robert William Service |
He had the grocer's counter-stoop,
That little man so grey and neat;
His moustache had a doleful droop,
He hailed me in the slushy street.
"I've sold my shop," he said to me,
Cupping his hand behind his ear.
"My deafness got so bad, you see,
Folks had to shout to make me hear.
"
He sighed and sadly shook his head;
The hand he gave was chill as ice.
"I sold out far too soon," he said;
"To-day I'd get ten times the price.
But then how was a man to know,
(The War, the rising cost of life.
)
We have to pinch to make things go:
It's tough - I'm sorry for the wife.
"She looks sometimes at me with tears.
'You worked so hard,' I hear her say.
'You had your shop for forty years,
And you were honest as the day.
'
Ah yes, I loved my shop, it's true;
My customers I tried to please;
But when one's deaf and sixty-two
What can one do in times like these?
"My savings, that I fondly thought
Would keep me snug when we were old,
Are melting fast - what once I bought
For silver, now is sought with gold.
The cost of life goes up each day;
I wonder what will be the end?"
He sighed, I saw him drift away
And thought: Alas for you, my friend!
and every day I see him stop
And look and look with wistful eye
At what was once his little shop,
Whose goods he can no longer buy.
Then homeward wearily he goes
To where his wife bed-ridden lies,
A driblet dangling from his nose.
.
.
.
But Oh the panic in his eyes!
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