Written by
Anne Sexton |
Who's she, that one in your arms?
She's the one I carried my bones to
and built a house that was just a cot
and built a life that was over an hour
and built a castle where no one lives
and built, in the end, a song
to go with the ceremony.
Why have you brought her here?
Why do you knock on my door
with your little stores and songs?
I had joined her the way a man joins
a woman and yet there was no place
for festivities or formalities
and these things matter to a woman
and, you see, we live in a cold climate
and are not permitted to kiss on the street
so I made up a song that wasn't true.
I made up a song called Marriage.
You come to me out of wedlock
and kick your foot on my stoop
and ask me to measure such things?
Never. Never. Not my real wife.
She's my real witch, my fork, my mare,
my mother of tears, my skirtful of hell,
the stamp of my sorrows, the stamp of my bruises
and also the children she might bear
and also a private place, a body of bones
that I would honestly buy, if I could buy,
that I would marry, if I could marry.
And should I torment you for that?
Each man has a small fate allotted to him
and yours is a passionate one.
But I am in torment. We have no place.
The cot we share is almost a prison
where I can't say buttercup, bobolink,
sugarduck, pumpkin, love ribbon, locket,
valentine, summergirl, funnygirl and all
those nonsense things one says in bed.
To say I have bedded with her is not enough.
I have not only bedded her down.
I have tied her down with a knot.
Then why do you stick your fists
into your pockets? Why do you shuffle
your feet like a schoolboy?
For years I have tied this knot in my dreams.
I have walked through a door in my dreams
and she was standing there in my mother's apron.
Once she crawled through a window that was shaped
like a keyhole and she was wearing my daughter's
pink corduroys and each time I tied these women
in a knot. Once a queen came. I tied her too.
But this is something I have actually tied
and now I have made her fast.
I sang her out. I caught her down.
I stamped her out with a song.
There was no other apartment for it.
There was no other chamber for it.
Only the knot. The bedded-down knot.
Thus I have laid my hands upon her
and have called her eyes and her mouth
as mine, as also her tongue.
Why do you ask me to make choices?
I am not a judge or a psychologist.
You own your bedded-down knot.
And yet I have real daytimes and nighttimes
with children and balconies and a good wife.
Thus I have tied these other knots,
yet I would rather not think of them
when I speak to you of her. Not now.
If she were a room to rent I would pay.
If she were a life to save I would save.
Maybe I am a man of many hearts.
A man of many hearts?
Why then do you tremble at my doorway?
A man of many hearts does not need me.
I'm caught deep in the dye of her.
I have allowed you to catch me red-handed,
catch me with my wild oats in a wild clock
for my mare, my dove and my own clean body.
People might say I have snakes in my boots
but I tell you that just once am I in the stirrups,
just once, this once, in the cup.
The love of the woman is in the song.
I called her the woman in red.
I called her the woman in pink
but she was ten colors
and ten women
I could hardly name her.
I know who she is.
You have named her enough.
Maybe I shouldn't have put it in words.
Frankly, I think I'm worse for this kissing,
drunk as a piper, kicking the traces
and determined to tie her up forever.
You see the song is the life,
the life I can't live.
God, even as he passes,
hand down monogamy like slang.
I wanted to write her into the law.
But, you know, there is no law for this.
Man of many hearts, you are a fool!
The clover has grown thorns this year
and robbed the cattle of their fruit
and the stones of the river
have sucked men's eyes dry,
season after season,
and every bed has been condemned,
not by morality or law,
but by time.
|
Written by
Thomas Hardy |
Between us now and here--
Two thrown together
Who are not wont to wear
Life's flushest feather--
Who see the scenes slide past,
The daytimes dimming fast,
Let there be truth at last,
Even if despair.
So thoroughly and long
Have you now known me,
So real in faith and strong
Have I now shown me,
That nothing needs disguise
Further in any wise,
Or asks or justifies
A guarded tongue.
Face unto face, then, say,
Eyes my own meeting,
Is your heart far away,
Or with mine beating?
When false things are brought low,
And swift things have grown slow,
Feigning like froth shall go,
Faith be for aye.
|
Written by
Eugene Field |
Speakin' of dorgs, my bench-legged fyce
Hed most o' the virtues, an' nary a vice.
Some folks called him Sooner, a name that arose
From his predisposition to chronic repose;
But, rouse his ambition, he couldn't be beat -
Yer bet yer he got thar on all his four feet!
Mos' dorgs hez some forte - like huntin' an' such,
But the sports o' the field didn't bother him much;
Wuz just a plain dorg, an' contented to be
On peaceable terms with the neighbors an' me;
Used to fiddle an' squirm, and grunt "Oh, how nice!"
When I tickled the back of that bench-legged fyce!
He wuz long in the bar'l, like a fyce oughter be;
His color wuz yaller as ever you see;
His tail, curlin' upward, wuz long, loose, an' slim -
When he didn't wag it, why, the tail it wagged him!
His legs wuz so crooked, my bench-legged pup
Wuz as tall settin' down as he wuz standin' up!
He'd lie by the stove of a night an' regret
The various vittles an' things he had et;
When a stranger, most likely a tramp, come along,
He'd lift up his voice in significant song -
You wondered, by gum! how there ever wuz space
In that bosom o' his'n to hold so much bass!
Of daytimes he'd sneak to the road an' lie down,
An' tackle the country dorgs comin' to town;
By common consent he wuz boss in St. Joe,
For what he took hold of he never let go!
An' a dude that come courtin' our girl left a slice
Of his white flannel suit with our bench-legged fyce!
He wuz good to us kids - when we pulled at his fur
Or twisted his tail he would never demur;
He seemed to enjoy all our play an' our chaff,
For his tongue 'u'd hang out an' he'd laff an' he'd laff;
An' once, when the Hobart boy fell through the ice,
He wuz drug clean ashore by that bench-legged fyce!
We all hev our choice, an' you, like the rest,
Allow that the dorg which you've got is the best;
I wouldn't give much for the boy 'at grows up
With no friendship subsistin' 'tween him an' a pup!
When a fellow gits old - I tell you it's nice
To think of his youth and his bench-legged fyce!
To think of the springtime 'way back in St. Joe -
Of the peach-trees abloom an' the daisies ablow;
To think of the play in the medder an' grove,
When little legs wrassled an' little han's strove;
To think of the loyalty, valor, an' truth
Of the friendships that hallow the season of youth!
|
Written by
Thomas Hardy |
Between us now and here -
Two thrown together
Who are not wont to wear
Life's flushest feather -
Who see the scenes slide past,
The daytimes dimming fast,
Let there be truth at last,
Even if despair.
So thoroughly and long
Have you now known me,
So real in faith and strong
Have I now shown me,
That nothing needs disguise
Further in any wise,
Or asks or justifies
A guarded tongue.
Face unto face, then, say,
Eyes mine own meeting,
Is your heart far away,
Or with mine beating?
When false things are brought low,
And swift things have grown slow,
Feigning like froth shall go,
Faith be for aye.
|