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Best Famous Daybreak Poems

Here is a collection of the all-time best famous Daybreak poems. This is a select list of the best famous Daybreak poetry. Reading, writing, and enjoying famous Daybreak poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of daybreak poems.

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Written by Maya Angelou | Create an image from this poem

Still I Rise

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room.
Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise.
Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard.
You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise.
Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave.
I rise I rise I rise.


Written by John Donne | Create an image from this poem

Daybreak

STAY O sweet and do not rise! 
The light that shines comes from thine eyes; 
The day breaks not: it is my heart  
Because that you and I must part.
Stay! or else my joys will die 5 And perish in their infancy.
Written by Sylvia Plath | Create an image from this poem

Leaving Early

 Lady, your room is lousy with flowers.
When you kick me out, that's what I'll remember, Me, sitting here bored as a loepard In your jungle of wine-bottle lamps, Velvet pillows the color of blood pudding And the white china flying fish from Italy.
I forget you, hearing the cut flowers Sipping their liquids from assorted pots, Pitchers and Coronation goblets Like Monday drunkards.
The milky berries Bow down, a local constellation, Toward their admirers in the tabletop: Mobs of eyeballs looking up.
Are those petals of leaves you've paried with them --- Those green-striped ovals of silver tissue? The red geraniums I know.
Friends, friends.
They stink of armpits And the invovled maladies of autumn, Musky as a lovebed the morning after.
My nostrils prickle with nostalgia.
Henna hags:cloth of your cloth.
They tow old water thick as fog.
The roses in the Toby jug Gave up the ghost last night.
High time.
Their yellow corsets were ready to split.
You snored, and I heard the petals unlatch, Tapping and ticking like nervous fingers.
You should have junked them before they died.
Daybreak discovered the bureau lid Littered with Chinese hands.
Now I'm stared at By chrysanthemums the size Of Holofernes' head, dipped in the same Magenta as this fubsy sofa.
In the mirror their doubles back them up.
Listen: your tenant mice Are rattling the cracker packets.
Fine flour Muffles their bird feet: they whistle for joy.
And you doze on, nose to the wall.
This mizzle fits me like a sad jacket.
How did we make it up to your attic? You handed me gin in a glass bud vase.
We slept like stones.
Lady, what am I doing With a lung full of dust and a tongue of wood, Knee-deep in the cold swamped by flowers?
Written by Oscar Wilde | Create an image from this poem

Panthea

 Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight, -
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.
For, sweet, to feel is better than to know, And wisdom is a childless heritage, One pulse of passion - youth's first fiery glow, - Are worth the hoarded proverbs of the sage: Vex not thy soul with dead philosophy, Have we not lips to kiss with, hearts to love and eyes to see! Dost thou not hear the murmuring nightingale, Like water bubbling from a silver jar, So soft she sings the envious moon is pale, That high in heaven she is hung so far She cannot hear that love-enraptured tune, - Mark how she wreathes each horn with mist, yon late and labouring moon.
White lilies, in whose cups the gold bees dream, The fallen snow of petals where the breeze Scatters the chestnut blossom, or the gleam Of boyish limbs in water, - are not these Enough for thee, dost thou desire more? Alas! the Gods will give nought else from their eternal store.
For our high Gods have sick and wearied grown Of all our endless sins, our vain endeavour For wasted days of youth to make atone By pain or prayer or priest, and never, never, Hearken they now to either good or ill, But send their rain upon the just and the unjust at will.
They sit at ease, our Gods they sit at ease, Strewing with leaves of rose their scented wine, They sleep, they sleep, beneath the rocking trees Where asphodel and yellow lotus twine, Mourning the old glad days before they knew What evil things the heart of man could dream, and dreaming do.
And far beneath the brazen floor they see Like swarming flies the crowd of little men, The bustle of small lives, then wearily Back to their lotus-haunts they turn again Kissing each others' mouths, and mix more deep The poppy-seeded draught which brings soft purple-lidded sleep.
There all day long the golden-vestured sun, Their torch-bearer, stands with his torch ablaze, And, when the gaudy web of noon is spun By its twelve maidens, through the crimson haze Fresh from Endymion's arms comes forth the moon, And the immortal Gods in toils of mortal passions swoon.
There walks Queen Juno through some dewy mead, Her grand white feet flecked with the saffron dust Of wind-stirred lilies, while young Ganymede Leaps in the hot and amber-foaming must, His curls all tossed, as when the eagle bare The frightened boy from Ida through the blue Ionian air.
There in the green heart of some garden close Queen Venus with the shepherd at her side, Her warm soft body like the briar rose Which would be white yet blushes at its pride, Laughs low for love, till jealous Salmacis Peers through the myrtle-leaves and sighs for pain of lonely bliss.
There never does that dreary north-wind blow Which leaves our English forests bleak and bare, Nor ever falls the swift white-feathered snow, Nor ever doth the red-toothed lightning dare To wake them in the silver-fretted night When we lie weeping for some sweet sad sin, some dead delight.
Alas! they know the far Lethaean spring, The violet-hidden waters well they know, Where one whose feet with tired wandering Are faint and broken may take heart and go, And from those dark depths cool and crystalline Drink, and draw balm, and sleep for sleepless souls, and anodyne.
But we oppress our natures, God or Fate Is our enemy, we starve and feed On vain repentance - O we are born too late! What balm for us in bruised poppy seed Who crowd into one finite pulse of time The joy of infinite love and the fierce pain of infinite crime.
O we are wearied of this sense of guilt, Wearied of pleasure's paramour despair, Wearied of every temple we have built, Wearied of every right, unanswered prayer, For man is weak; God sleeps: and heaven is high: One fiery-coloured moment: one great love; and lo! we die.
Ah! but no ferry-man with labouring pole Nears his black shallop to the flowerless strand, No little coin of bronze can bring the soul Over Death's river to the sunless land, Victim and wine and vow are all in vain, The tomb is sealed; the soldiers watch; the dead rise not again.
We are resolved into the supreme air, We are made one with what we touch and see, With our heart's blood each crimson sun is fair, With our young lives each spring-impassioned tree Flames into green, the wildest beasts that range The moor our kinsmen are, all life is one, and all is change.
With beat of systole and of diastole One grand great life throbs through earth's giant heart, And mighty waves of single Being roll From nerveless germ to man, for we are part Of every rock and bird and beast and hill, One with the things that prey on us, and one with what we kill.
From lower cells of waking life we pass To full perfection; thus the world grows old: We who are godlike now were once a mass Of quivering purple flecked with bars of gold, Unsentient or of joy or misery, And tossed in terrible tangles of some wild and wind-swept sea.
This hot hard flame with which our bodies burn Will make some meadow blaze with daffodil, Ay! and those argent breasts of thine will turn To water-lilies; the brown fields men till Will be more fruitful for our love to-night, Nothing is lost in nature, all things live in Death's despite.
The boy's first kiss, the hyacinth's first bell, The man's last passion, and the last red spear That from the lily leaps, the asphodel Which will not let its blossoms blow for fear Of too much beauty, and the timid shame Of the young bridegroom at his lover's eyes, - these with the same One sacrament are consecrate, the earth Not we alone hath passions hymeneal, The yellow buttercups that shake for mirth At daybreak know a pleasure not less real Than we do, when in some fresh-blossoming wood, We draw the spring into our hearts, and feel that life is good.
So when men bury us beneath the yew Thy crimson-stained mouth a rose will be, And thy soft eyes lush bluebells dimmed with dew, And when the white narcissus wantonly Kisses the wind its playmate some faint joy Will thrill our dust, and we will be again fond maid and boy.
And thus without life's conscious torturing pain In some sweet flower we will feel the sun, And from the linnet's throat will sing again, And as two gorgeous-mailed snakes will run Over our graves, or as two tigers creep Through the hot jungle where the yellow-eyed huge lions sleep And give them battle! How my heart leaps up To think of that grand living after death In beast and bird and flower, when this cup, Being filled too full of spirit, bursts for breath, And with the pale leaves of some autumn day The soul earth's earliest conqueror becomes earth's last great prey.
O think of it! We shall inform ourselves Into all sensuous life, the goat-foot Faun, The Centaur, or the merry bright-eyed Elves That leave their dancing rings to spite the dawn Upon the meadows, shall not be more near Than you and I to nature's mysteries, for we shall hear The thrush's heart beat, and the daisies grow, And the wan snowdrop sighing for the sun On sunless days in winter, we shall know By whom the silver gossamer is spun, Who paints the diapered fritillaries, On what wide wings from shivering pine to pine the eagle flies.
Ay! had we never loved at all, who knows If yonder daffodil had lured the bee Into its gilded womb, or any rose Had hung with crimson lamps its little tree! Methinks no leaf would ever bud in spring, But for the lovers' lips that kiss, the poets' lips that sing.
Is the light vanished from our golden sun, Or is this daedal-fashioned earth less fair, That we are nature's heritors, and one With every pulse of life that beats the air? Rather new suns across the sky shall pass, New splendour come unto the flower, new glory to the grass.
And we two lovers shall not sit afar, Critics of nature, but the joyous sea Shall be our raiment, and the bearded star Shoot arrows at our pleasure! We shall be Part of the mighty universal whole, And through all aeons mix and mingle with the Kosmic Soul! We shall be notes in that great Symphony Whose cadence circles through the rhythmic spheres, And all the live World's throbbing heart shall be One with our heart; the stealthy creeping years Have lost their terrors now, we shall not die, The Universe itself shall be our Immortality.
Written by Philip Levine | Create an image from this poem

Late Light

 Rain filled the streets 
once a year, rising almost 
to door and window sills, 
battering walls and roofs 
until it cleaned away the mess 
we'd made.
My father told me this, he told me it ran downtown and spilled into the river, which in turn emptied finally into the sea.
He said this only once while I sat on the arm of his chair and stared out at the banks of gray snow melting as the March rain streaked past.
All the rest of that day passed on into childhood, into nothing, or perhaps some portion hung on in a tiny corner of thought.
Perhaps a clot of cinders that peppered the front yard clung to a spar of old weed or the concrete lip of the curb and worked its way back under the new growth spring brought and is a part of that yard still.
Perhaps light falling on distant houses becomes those houses, hunching them down at dusk like sheep browsing on a far hillside, or at daybreak gilds the roofs until they groan under the new weight, or after rain lifts haloes of steam from the rinsed, white aluminum siding, and those houses and all they contain live that day in the sight of heaven.
II In the blue, winking light of the International Institute of Social Revolution I fell asleep one afternoon over a book of memoirs of a Spanish priest who'd served his own private faith in a long forgotten war.
An Anarchist and a Catholic, his remembrances moved inexplicably from Castilian to Catalan, a language I couldn't follow.
That dust, fine and gray, peculiar to libraries, slipped between the glossy pages and my sight, a slow darkness calmed me, and I forgot the agony of those men I'd come to love, forgot the battles lost and won, forgot the final trek over hopeless mountain roads, defeat, surrender, the vows to live on.
I slept until the lights came on and off.
A girl was prodding my arm, for the place was closing.
A slender Indonesian girl in sweater and American jeans, her black hair falling almost to my eyes, she told me in perfect English that I could come back, and she swept up into a folder the yellowing newspaper stories and photos spilled out before me on the desk, the little chronicles of death themselves curling and blurring into death, and took away the book still unfinished of a man more confused even than I, and switched off the light, and left me alone.
III In June of 1975 I wakened one late afternoon in Amsterdam in a dim corner of a library.
I had fallen asleep over a book and was roused by a young girl whose hand lay on my hand.
I turned my head up and stared into her brown eyes, deep and gleaming.
She was crying.
For a second I was confused and started to speak, to offer some comfort or aid, but I kept still, for she was crying for me, for the knowledge that I had wakened to a life in which loss was final.
I closed my eyes a moment.
When I opened them she'd gone, the place was dark.
I went out into the golden sunlight; the cobbled streets gleamed as after rain, the street cafes crowded and alive.
Not far off the great bell of the Westerkirk tolled in the early evening.
I thought of my oldest son, who years before had sailed from here into an unknown life in Sweden, a life which failed, of how he'd gone alone to Copenhagen, Bremen, where he'd loaded trains, Hamburg, Munich, and finally -- sick and weary -- he'd returned to us.
He slept in a corner of the living room for days, and woke gaunt and quiet, still only seventeen, his face in its own shadows.
I thought of my father on the run from an older war, and wondered had he passed through Amsterdam, had he stood, as I did now, gazing up at the pale sky, distant and opaque, for the sign that never comes.
Had he drifted in the same winds of doubt and change to another continent, another life, a family, some years of peace, an early death.
I walked on by myself for miles and still the light hung on as though the day would never end.
The gray canals darkened slowly, the sky above the high, narrow houses deepened into blue, and one by one the stars began their singular voyages.


Written by Langston Hughes | Create an image from this poem

Daybreak In Alabama

 When I get to be a composer
I'm gonna write me some music about
Daybreak in Alabama
And I'm gonna put the purtiest songs in it
Rising out of the ground like a swamp mist
And falling out of heaven like soft dew.
I'm gonna put some tall tall trees in it And the scent of pine needles And the smell of red clay after rain And long red necks And poppy colored faces And big brown arms And the field daisy eyes Of black and white black white black people And I'm gonna put white hands And black hands and brown and yellow hands And red clay earth hands in it Touching everybody with kind fingers And touching each other natural as dew In that dawn of music when I Get to be a composer And write about daybreak In Alabama.
Written by Raymond Carver | Create an image from this poem

Circulation

 And all at length are gathered in.
--LOUISE BOGAN By the time I came around to feeling pain and woke up, moonlight flooded the room.
My arm lay paralyzed, propped up like an old anchor under your back.
You were in a dream, you said later, where you'd arrived early for the dance.
But after a moment's anxiety you were okay because it was really a sidewalk sale, and the shoes you were wearing, or not wearing, were fine for that.
* "Help me," I said.
And tried to hoist my arm.
But it just lay there, aching, unable to rise on its own.
Even after you said, "What is it? What's wrong?" it stayed put -- deaf, unmoved by any expression of fear or amazement.
We shouted at it, and grew afraid when it didn't answer.
"It's gone to sleep," I said, and hearing those words knew how absurd this was.
But I couldn't laugh.
Somehow, between the two of us, we managed to raise it.
This can't be my arm is what I kept thinking as we thumped it, squeezed it, and prodded it back to life.
Shook it until that stinging went away.
We said a few words to each other.
I don't remember what.
Whatever reassuring things people who love each other say to each other given the hour and such odd circumstance.
I do remember you remarked how it was light enough in the room that you could see circles under my eyes.
You said I needed more regular sleep, and I agreed.
Each of us went to the bathroom, and climbed back into bed on our respective sides.
Pulled the covers up.
"Good night," you said, for the second time that night.
And fell asleep.
Maybe into that same dream, or else another.
* I lay until daybreak, holding both arms fast across my chest.
Working my fingers now and then.
While my thoughts kept circling around and around, but always going back where they'd started from.
That one inescapable fact: even while we undertake this trip, there's another, far more bizarre, we still have to make.
Written by William Butler Yeats | Create an image from this poem

The Hour Before Dawn

 A cursing rogue with a merry face,
A bundle of rags upon a crutch,
Stumbled upon that windy place
Called Cruachan, and it was as much
As the one sturdy leg could do
To keep him upright while he cursed.
He had counted, where long years ago Queen Maeve's nine Maines had been nursed, A pair of lapwings, one old sheep, And not a house to the plain's edge, When close to his right hand a heap Of grey stones and a rocky ledge Reminded him that he could make.
If he but shifted a few stones, A shelter till the daylight broke.
But while he fumbled with the stones They toppled over; 'Were it not I have a lucky wooden shin I had been hurt'; and toppling brought Before his eyes, where stones had been, A dark deep hollow in the rock.
He gave a gasp and thought to have fled, Being certain it was no right rock Because an ancient history said Hell Mouth lay open near that place, And yet stood still, because inside A great lad with a beery face Had tucked himself away beside A ladle and a tub of beer, And snored, no phantom by his look.
So with a laugh at his own fear He crawled into that pleasant nook.
'Night grows uneasy near the dawn Till even I sleep light; but who Has tired of his own company? What one of Maeve's nine brawling sons Sick of his grave has wakened me? But let him keep his grave for once That I may find the sleep I have lost.
' What care I if you sleep or wake? But I'Il have no man call me ghost.
' Say what you please, but from daybreak I'll sleep another century.
' And I will talk before I sleep And drink before I talk.
' And he Had dipped the wooden ladle deep Into the sleeper's tub of beer Had not the sleeper started up.
Before you have dipped it in the beer I dragged from Goban's mountain-top I'll have assurance that you are able To value beer; no half-legged fool Shall dip his nose into my ladle Merely for stumbling on this hole In the bad hour before the dawn.
' 'Why beer is only beer.
' 'But say 'I'll sleep until the winter's gone, Or maybe to Midsummer Day,' And drink and you will sleep that length.
' 'I'd like to sleep till winter's gone Or till the sun is in his srrength.
This blast has chilled me to the bone.
' 'I had no better plan at first.
I thought to wait for that or this; Maybe the weather was accursed Or I had no woman there to kiss; So slept for half a year or so; But year by year I found that less Gave me such pleasure I'd forgo Even a half-hour's nothingness, And when at one year's end I found I had not waked a single minute, I chosc this burrow under ground.
I'll sleep away all time within it: My sleep were now nine centuries But for those mornings when I find The lapwing at their foolish dies And the sheep bleating at the wind As when I also played the fool.
' The beggar in a rage began Upon his hunkers in the hole, 'It's plain that you are no right man To mock at everything I love As if it were not worth, the doing.
I'd have a merry life enough If a good Easter wind were blowing, And though the winter wind is bad I should not be too down in the mouth For anything you did or said If but this wind were in the south.
' 'You cry aloud, O would 'twere spring Or that the wind would shift a point, And do not know that you would bring, If time were suppler in the joint, Neither the spring nor the south wind But the hour when you shall pass away And leave no smoking wick behind, For all life longs for the Last Day And there's no man but cocks his ear To know when Michael's trumpet cries 'That flesh and bone may disappear, And souls as if they were but sighs, And there be nothing but God left; But, I aone being blessed keep Like some old rabbit to my cleft And wait Him in a drunken sleep.
' He dipped his ladle in the tub And drank and yawned and stretched him out, The other shouted, 'You would rob My life of every pleasant thought And every comfortable thing, And so take that and that.
' Thereon He gave him a great pummelling, But might have pummelled at a stone For all the sleeper knew or cared; And after heaped up stone on stone, And then, grown weary, prayed and cursed And heaped up stone on stone again, And prayed and cursed and cursed and bed From Maeve and all that juggling plain, Nor gave God thanks till overhead The clouds were brightening with the dawn.
Written by Henry Van Dyke | Create an image from this poem

God of the Open Air

 I

Thou who hast made thy dwelling fair
With flowers beneath, above with starry lights,
And set thine altars everywhere,--
On mountain heights,
In woodlands dim with many a dream,
In valleys bright with springs,
And on the curving capes of every stream:
Thou who hast taken to thyself the wings
Of morning, to abide
Upon the secret places of the sea,
And on far islands, where the tide
Visits the beauty of untrodden shores,
Waiting for worshippers to come to thee
In thy great out-of-doors!
To thee I turn, to thee I make my prayer,
God of the open air.
II Seeking for thee, the heart of man Lonely and longing ran, In that first, solitary hour, When the mysterious power To know and love the wonder of the morn Was breathed within him, and his soul was born; And thou didst meet thy child, Not in some hidden shrine, But in the freedom of the garden wild, And take his hand in thine,-- There all day long in Paradise he walked, And in the cool of evening with thee talked.
III Lost, long ago, that garden bright and pure, Lost, that calm day too perfect to endure, And lost the childlike love that worshipped and was sure! For men have dulled their eyes with sin, And dimmed the light of heaven with doubt, And built their temple walls to shut thee in, And framed their iron creeds to shut thee out.
But not for thee the closing of the door, O Spirit unconfined! Thy ways are free As is the wandering wind, And thou hast wooed thy children, to restore Their fellowship with thee, In peace of soul and simpleness of mind.
IV Joyful the heart that, when the flood rolled by, Leaped up to see the rainbow in the sky; And glad the pilgrim, in the lonely night, For whom the hills of Haran, tier on tier, Built up a secret stairway to the height Where stars like angel eyes were shining clear.
From mountain-peaks, in many a land and age, Disciples of the Persian seer Have hailed the rising sun and worshipped thee; And wayworn followers of the Indian sage Have found the peace of God beneath a spreading tree.
But One, but One,--ah, child most dear, And perfect image of the Love Unseen,-- Walked every day in pastures green, And all his life the quiet waters by, Reading their beauty with a tranquil eye.
To him the desert was a place prepared For weary hearts to rest; The hillside was a temple blest; The grassy vale a banquet-room Where he could feed and comfort many a guest.
With him the lily shared The vital joy that breathes itself in bloom; And every bird that sang beside the nest Told of the love that broods o'er every living thing.
He watched the shepherd bring His flock at sundown to the welcome fold, The fisherman at daybreak fling His net across the waters gray and cold, And all day long the patient reaper swing His curving sickle through the harvest-gold.
So through the world the foot-path way he trod, Drawing the air of heaven in every breath; And in the evening sacrifice of death Beneath the open sky he gave his soul to God.
Him will I trust, and for my Master take; Him will I follow; and for his dear sake, God of the open air, To thee I make my prayer.
V >From the prison of anxious thought that greed has builded, >From the fetters that envy has wrought and pride has gilded, >From the noise of the crowded ways and the fierce confusion, >From the folly that wastes its days in a world of illusion, (Ah, but the life is lost that frets and languishes there!) I would escape and be free in the joy of the open air.
By the breadth of the blue that shines in silence o'er me, By the length of the mountain-lines that stretch before me, By the height of the cloud that sails, with rest in motion, Over the plains and the vales to the measureless ocean, (Oh, how the sight of the things that are great enlarges the eyes!) Lead me out of the narrow life, to the peace of the hills and the skies.
While the tremulous leafy haze on the woodland is spreading, And the bloom on the meadow betrays where May has been treading; While the birds on the branches above, and the brooks flowing under, Are singing together of love in a world full of wonder, (Lo, in the marvel of Springtime, dreams are changed into truth!) Quicken my heart, and restore the beautiful hopes of youth.
By the faith that the flowers show when they bloom unbidden, By the calm of the river's flow to a goal that is hidden, By the trust of the tree that clings to its deep foundation, By the courage of wild birds' wings on the long migration, (Wonderful secret of peace that abides in Nature's breast!) Teach me how to confide, and live my life, and rest.
For the comforting warmth of the sun that my body embraces, For the cool of the waters that run through the shadowy places, For the balm of the breezes that brush my face with their fingers, For the vesper-hymn of the thrush when the twilight lingers, For the long breath, the deep breath, the breath of a heart without care,-- I will give thanks and adore thee, God of the open air! VI These are the gifts I ask Of thee, Spirit serene: Strength for the daily task, Courage to face the road, Good cheer to help me bear the traveller's load, And, for the hours of rest that come between, An inward joy in all things heard and seen.
These are the sins I fain Would have thee take away: Malice, and cold disdain, Hot anger, sullen hate, Scorn of the lowly, envy of the great, And discontent that casts a shadow gray On all the brightness of the common day.
These are the things I prize And hold of dearest worth: Light of the sapphire skies, Peace of the silent hills, Shelter of forests, comfort of the grass, Music of birds, murmur of little rills, Shadow of clouds that swiftly pass, And, after showers, The smell of flowers And of the good brown earth,-- And best of all, along the way, friendship and mirth.
So let me keep These treasures of the humble heart In true possession, owning them by love; And when at last I can no longer move Among them freely, but must part From the green fields and from the waters clear, Let me not creep Into some darkened room and hide From all that makes the world so bright and dear; But throw the windows wide To welcome in the light; And while I clasp a well-beloved hand, Let me once more have sight Of the deep sky and the far-smiling land,-- Then gently fall on sleep, And breathe my body back to Nature's care, My spirit out to thee, God of the open air.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Blessing The Cornfields

 Sing, O Song of Hiawatha,
Of the happy days that followed,
In the land of the Ojibways,
In the pleasant land and peaceful!
Sing the mysteries of Mondamin,
Sing the Blessing of the Cornfields!
Buried was the bloody hatchet,
Buried was the dreadful war-club,
Buried were all warlike weapons,
And the war-cry was forgotten.
There was peace among the nations; Unmolested roved the hunters, Built the birch canoe for sailing, Caught the fish in lake and river, Shot the deer and trapped the beaver; Unmolested worked the women, Made their sugar from the maple, Gathered wild rice in the meadows, Dressed the skins of deer and beaver.
All around the happy village Stood the maize-fields, green and shining, Waved the green plumes of Mondamin, Waved his soft and sunny tresses, Filling all the land with plenty.
`T was the women who in Spring-time Planted the broad fields and fruitful, Buried in the earth Mondamin; `T was the women who in Autumn Stripped the yellow husks of harvest, Stripped the garments from Mondamin, Even as Hiawatha taught them.
Once, when all the maize was planted, Hiawatha, wise and thoughtful, Spake and said to Minnehaha, To his wife, the Laughing Water: "You shall bless to-night the cornfields, Draw a magic circle round them, To protect them from destruction, Blast of mildew, blight of insect, Wagemin, the thief of cornfields, Paimosaid, who steals the maize-ear "In the night, when all Is silence,' In the night, when all Is darkness, When the Spirit of Sleep, Nepahwin, Shuts the doors of all the wigwams, So that not an ear can hear you, So that not an eye can see you, Rise up from your bed in silence, Lay aside your garments wholly, Walk around the fields you planted, Round the borders of the cornfields, Covered by your tresses only, Robed with darkness as a garment.
"Thus the fields shall be more fruitful, And the passing of your footsteps Draw a magic circle round them, So that neither blight nor mildew, Neither burrowing worm nor insect, Shall pass o'er the magic circle; Not the dragon-fly, Kwo-ne-she, Nor the spider, Subbekashe, Nor the grasshopper, Pah-puk-keena; Nor the mighty caterpillar, Way-muk-kwana, with the bear-skin, King of all the caterpillars!" On the tree-tops near the cornfields Sat the hungry crows and ravens, Kahgahgee, the King of Ravens, With his band of black marauders.
And they laughed at Hiawatha, Till the tree-tops shook with laughter, With their melancholy laughter, At the words of Hiawatha.
"Hear him!" said they; "hear the Wise Man, Hear the plots of Hiawatha!" When the noiseless night descended Broad and dark o'er field and forest, When the mournful Wawonaissa Sorrowing sang among the hemlocks, And the Spirit of Sleep, Nepahwin, Shut the doors of all the wigwams, From her bed rose Laughing Water, Laid aside her garments wholly, And with darkness clothed and guarded, Unashamed and unaffrighted, Walked securely round the cornfields, Drew the sacred, magic circle Of her footprints round the cornfields.
No one but the Midnight only Saw her beauty in the darkness, No one but the Wawonaissa Heard the panting of her bosom Guskewau, the darkness, wrapped her Closely in his sacred mantle, So that none might see her beauty, So that none might boast, "I saw her!" On the morrow, as the day dawned, Kahgahgee, the King of Ravens, Gathered all his black marauders, Crows and blackbirds, jays and ravens, Clamorous on the dusky tree-tops, And descended, fast and fearless, On the fields of Hiawatha, On the grave of the Mondamin.
"We will drag Mondamin," said they, "From the grave where he is buried, Spite of all the magic circles Laughing Water draws around it, Spite of all the sacred footprints Minnehaha stamps upon it!" But the wary Hiawatha, Ever thoughtful, careful, watchful, Had o'erheard the scornful laughter When they mocked him from the tree-tops.
"Kaw!" he said, "my friends the ravens! Kahgahgee, my King of Ravens! I will teach you all a lesson That shall not be soon forgotten!" He had risen before the daybreak, He had spread o'er all the cornfields Snares to catch the black marauders, And was lying now in ambush In the neighboring grove of pine-trees, Waiting for the crows and blackbirds, Waiting for the jays and ravens.
Soon they came with caw and clamor, Rush of wings and cry of voices, To their work of devastation, Settling down upon the cornfields, Delving deep with beak and talon, For the body of Mondamin.
And with all their craft and cunning, All their skill in wiles of warfare, They perceived no danger near them, Till their claws became entangled, Till they found themselves imprisoned In the snares of Hiawatha.
From his place of ambush came he, Striding terrible among them, And so awful was his aspect That the bravest quailed with terror.
Without mercy he destroyed them Right and left, by tens and twenties, And their wretched, lifeless bodies Hung aloft on poles for scarecrows Round the consecrated cornfields, As a signal of his vengeance, As a warning to marauders.
Only Kahgahgee, the leader, Kahgahgee, the King of Ravens, He alone was spared among them As a hostage for his people.
With his prisoner-string he bound him, Led him captive to his wigwam, Tied him fast with cords of elm-bark To the ridge-pole of his wigwam.
"Kahgahgee, my raven!" said he, "You the leader of the robbers, You the plotter of this mischief, The contriver of this outrage, I will keep you, I will hold you, As a hostage for your people, As a pledge of good behavior!" And he left him, grim and sulky, Sitting in the morning sunshine On the summit of the wigwam, Croaking fiercely his displeasure, Flapping his great sable pinions, Vainly struggling for his freedom, Vainly calling on his people! Summer passed, and Shawondasee Breathed his sighs o'er all the landscape, From the South-land sent his ardor, Wafted kisses warm and tender; And the maize-field grew and ripened, Till it stood in all the splendor Of its garments green and yellow, Of its tassels and its plumage, And the maize-ears full and shining Gleamed from bursting sheaths of verdure.
Then Nokomis, the old woman, Spake, and said to Minnehaha: `T is the Moon when, leaves are falling; All the wild rice has been gathered, And the maize is ripe and ready; Let us gather in the harvest, Let us wrestle with Mondamin, Strip him of his plumes and tassels, Of his garments green and yellow!" And the merry Laughing Water Went rejoicing from the wigwam, With Nokomis, old and wrinkled, And they called the women round them, Called the young men and the maidens, To the harvest of the cornfields, To the husking of the maize-ear.
On the border of the forest, Underneath the fragrant pine-trees, Sat the old men and the warriors Smoking in the pleasant shadow.
In uninterrupted silence Looked they at the gamesome labor Of the young men and the women; Listened to their noisy talking, To their laughter and their singing, Heard them chattering like the magpies, Heard them laughing like the blue-jays, Heard them singing like the robins.
And whene'er some lucky maiden Found a red ear in the husking, Found a maize-ear red as blood is, "Nushka!" cried they all together, "Nushka! you shall have a sweetheart, You shall have a handsome husband!" "Ugh!" the old men all responded From their seats beneath the pine-trees.
And whene'er a youth or maiden Found a crooked ear in husking, Found a maize-ear in the husking Blighted, mildewed, or misshapen, Then they laughed and sang together, Crept and limped about the cornfields, Mimicked in their gait and gestures Some old man, bent almost double, Singing singly or together: "Wagemin, the thief of cornfields! Paimosaid, who steals the maize-ear!" Till the cornfields rang with laughter, Till from Hiawatha's wigwam Kahgahgee, the King of Ravens, Screamed and quivered in his anger, And from all the neighboring tree-tops Cawed and croaked the black marauders.
"Ugh!" the old men all responded, From their seats beneath the pine-trees!

Book: Shattered Sighs