Written by
William Butler Yeats |
Know, that I would accounted be
True brother of a company
That sang, to sweeten Ireland's wrong,
Ballad and story, rann and song;
Nor be I any less of them,
Because the red-rose-bordered hem
Of her, whose history began
Before God made the angelic clan,
Trails all about the written page.
When Time began to rant and rage
The measure of her flying feet
Made Ireland's heart hegin to beat;
And Time bade all his candles flare
To light a measure here and there;
And may the thoughts of Ireland brood
Upon a measured guietude.
Nor may I less be counted one
With Davis, Mangan, Ferguson,
Because, to him who ponders well,
My rhymes more than their rhyming tell
Of things discovered in the deep,
Where only body's laid asleep.
For the elemental creatures go
About my table to and fro,
That hurry from unmeasured mind
To rant and rage in flood and wind,
Yet he who treads in measured ways
May surely barter gaze for gaze.
Man ever journeys on with them
After the red-rose-bordered hem.
Ah, faerics, dancing under the moon,
A Druid land, a Druid tune.!
While still I may, I write for you
The love I lived, the dream I knew.
From our birthday, until we die,
Is but the winking of an eye;
And we, our singing and our love,
What measurer Time has lit above,
And all benighted things that go
About my table to and fro,
Are passing on to where may be,
In truth's consuming ecstasy,
No place for love and dream at all;
For God goes by with white footfall.
I cast my heart into my rhymes,
That you, in the dim coming times,
May know how my heart went with them
After the red-rose-bordered hem.
|
Written by
Robert Frost |
Old Davis owned a solid mica mountain
In Dalton that would someday make his fortune.
There'd been some Boston people out to see it:
And experts said that deep down in the mountain
The mica sheets were big as plate-glass windows.
He'd like to take me there and show it to me.
"I'll tell you what you show me. You remember
You said you knew the place where once, on Kinsman,
The early Mormons made a settlement
And built a stone baptismal font outdoors—
But Smith, or someone, called them off the mountain
To go West to a worse fight with the desert.
You said you'd seen the stone baptismal font.
Well, take me there."
Someday I will."
"Today."
"Huh, that old bathtub, what is that to see?
Let's talk about it."
"Let's go see the place."
'To shut you up I'll tell you what I'll do:
I'll find that fountain if it takes all summer,
And both of our united strengths, to do it."
"You've lost it, then?"
"Not so but I can find it.
No doubt it's grown up some to woods around it.
The mountain may have shifted since I saw it
In eighty-five."
"As long ago as that?"
"If I remember rightly, it had sprung
A leak and emptied then. And forty years
Can do a good deal to bad masonry.
You won't see any Mormon swimming in it.
But you have said it, and we're off to find it.
Old as I am, I'm going to let myself
Be dragged by you all over everywhere——"
"I thought you were a guide.”
"I am a guide,
And that's why I can't decently refuse you."
We made a day of it out of the world,
Ascending to descend to reascend.
The old man seriously took his bearings,
And spoke his doubts in every open place.
We came out on a look-off where we faced
A cliff, and on the cliff a bottle painted,
Or stained by vegetation from above,
A likeness to surprise the thrilly tourist.
"Well, if I haven't brought you to the fountain,
At least I've brought you to the famous Bottle."
"I won't accept the substitute. It's empty.”
"So's everything."
"I want my fountain."
"I guess you'd find the fountain just as empty.
And anyway this tells me where I am.”
"Hadn't you long suspected where you were?"
"You mean miles from that Mormon settlement?
Look here, you treat your guide with due respect
If you don't want to spend the night outdoors.
I vow we must be near the place from where
The two converging slides, the avalanches,
On Marshall, look like donkey's ears.
We may as well see that and save the day."
"Don't donkey's ears suggest we shake our own?"
"For God's sake, aren't you fond of viewing nature?
You don't like nature. All you like is books.
What signify a donkey's cars and bottle,
However natural? Give you your books!
Well then, right here is where I show you books.
Come straight down off this mountain just as fast
As we can fall and keep a-bouncing on our feet.
It's hell for knees unless done hell-for-leather."
Be ready, I thought, for almost anything.
We struck a road I didn't recognize,
But welcomed for the chance to lave my shoes
In dust once more. We followed this a mile,
Perhaps, to where it ended at a house
I didn't know was there. It was the kind
To bring me to for broad-board paneling.
I never saw so good a house deserted.
"Excuse me if I ask you in a window
That happens to be broken, Davis said.
"The outside doors as yet have held against us.
I want to introduce you to the people
Who used to live here. They were Robinsons.
You must have heard of Clara Robinson,
The poetess who wrote the book of verses
And had it published. It was all about
The posies on her inner windowsill,
And the birds on her outer windowsill,
And how she tended both, or had them tended:
She never tended anything herself.
She was 'shut in' for life. She lived her whole
Life long in bed, and wrote her things in bed.
I'll show You how she had her sills extended
To entertain the birds and hold the flowers.
Our business first's up attic with her books."
We trod uncomfortably on crunching glass
Through a house stripped of everything
Except, it seemed, the poetess's poems.
Books, I should say!—-if books are what is needed.
A whole edition in a packing case
That, overflowing like a horn of plenty,
Or like the poetess's heart of love,
Had spilled them near the window, toward the light
Where driven rain had wet and swollen them.
Enough to stock a village library—
Unfortunately all of one kind, though.
They bad been brought home from some publisher
And taken thus into the family.
Boys and bad hunters had known what to do
With stone and lead to unprotected glass:
Shatter it inward on the unswept floors.
How had the tender verse escaped their outrage?
By being invisible for what it was,
Or else by some remoteness that defied them
To find out what to do to hurt a poem.
Yet oh! the tempting flatness of a book,
To send it sailing out the attic window
Till it caught wind and, opening out its covers,
Tried to improve on sailing like a tile
By flying like a bird (silent in flight,
But all the burden of its body song),
Only to tumble like a stricken bird,
And lie in stones and bushes unretrieved.
Books were not thrown irreverently about.
They simply lay where someone now and then,
Having tried one, had dropped it at his feet
And left it lying where it fell rejected.
Here were all those the poetess's life
Had been too short to sell or give away.
"Take one," Old Davis bade me graciously.
"Why not take two or three?"
"Take all you want."
Good-looking books like that." He picked one fresh
In virgin wrapper from deep in the box,
And stroked it with a horny-handed kindness.
He read in one and I read in another,
Both either looking for or finding something.
The attic wasps went missing by like bullets.
I was soon satisfied for the time being.
All the way home I kept remembering
The small book in my pocket. It was there.
The poetess had sighed, I knew, in heaven
At having eased her heart of one more copy—
Legitimately. My demand upon her,
Though slight, was a demand. She felt the tug.
In time she would be rid of all her books.
|
Written by
Robert Hayden |
(And I, I am no longer of that world)
Naked, he lies in the blinded room
chainsmoking, cradled by drugs, by jazz
as never by any lover's cradling flesh.
Miles Davis coolly blows for him:
O pena negra, sensual Flamenco blues;
the red clay foxfire voice of Lady Day
(lady of the pure black magnolias)
sobsings her sorrow and loss and fare you well,
dryweeps the pain his treacherous jailers
have released him from for a while.
His fears and his unfinished self
await him down in the anywhere streets.
He hides on the dark side of the moon,
takes refuge in a stained-glass cell,
flies to a clockless country of crystal.
Only the ghost of Lady Day knows where
he is. Only the music. And he swings
oh swings: beyond complete immortal now.
|
Written by
Henry Van Dyke |
June 22, 1611
THE SHALLOP ON HUDSON BAY
One sail in sight upon the lonely sea
And only one, God knows! For never ship
But mine broke through the icy gates that guard
These waters, greater grown than any since
We left the shores of England. We were first,
My men, to battle in between the bergs
And floes to these wide waves. This gulf is mine;
I name it! and that flying sail is mine!
And there, hull-down below that flying sail,
The ship that staggers home is mine, mine, mine!
My ship Discoverie!
The sullen dogs
Of mutineers, the bitches' whelps that snatched
Their food and bit the hand that nourished them,
Have stolen her. You ingrate Henry Greene,
I picked you from the gutter of Houndsditch,
And paid your debts, and kept you in my house,
And brought you here to make a man of you!
You Robert Juet, ancient, crafty man,
Toothless and tremulous, how many times
Have I employed you as a master's mate
To give you bread? And you Abacuck Prickett,
You sailor-clerk, you salted puritan,
You knew the plot and silently agreed,
Salving your conscience with a pious lie!
Yes, all of you -- hounds, rebels, thieves! Bring back
My ship!
Too late, -- I rave, -- they cannot hear
My voice: and if they heard, a drunken laugh
Would be their answer; for their minds have caught
The fatal firmness of the fool's resolve,
That looks like courage but is only fear.
They'll blunder on, and lose my ship, and drown, --
Or blunder home to England and be hanged.
Their skeletons will rattle in the chains
Of some tall gibbet on the Channel cliffs,
While passing mariners look up and say:
"Those are the rotten bones of Hudson's men
"Who left their captain in the frozen North!"
O God of justice, why hast Thou ordained
Plans of the wise and actions of the brave
Dependent on the aid of fools and cowards?
Look, -- there she goes, -- her topsails in the sun
Gleam from the ragged ocean edge, and drop
Clean out of sight! So let the traitors go
Clean out of mind! We'll think of braver things!
Come closer in the boat, my friends. John King,
You take the tiller, keep her head nor'west.
You Philip Staffe, the only one who chose
Freely to share our little shallop's fate,
Rather than travel in the hell-bound ship, --
Too good an English seaman to desert
These crippled comrades, -- try to make them rest
More easy on the thwarts. And John, my son,
My little shipmate, come and lean your head
Against your father's knee. Do you recall
That April morn in Ethelburga's church,
Five years ago, when side by side we kneeled
To take the sacrament with all our men,
Before the Hopewell left St. Catherine's docks
On our first voyage? It was then I vowed
My sailor-soul and years to search the sea
Until we found the water-path that leads
From Europe into Asia.
I believe
That God has poured the ocean round His world,
Not to divide, but to unite the lands.
And all the English captains that have dared
In little ships to plough uncharted waves, --
Davis and Drake, Hawkins and Frobisher,
Raleigh and Gilbert, -- all the other names, --
Are written in the chivalry of God
As men who served His purpose. I would claim
A place among that knighthood of the sea;
And I have earned it, though my quest should fail!
For, mark me well, the honour of our life
Derives from this: to have a certain aim
Before us always, which our will must seek
Amid the peril of uncertain ways.
Then, though we miss the goal, our search is crowned
With courage, and we find along our path
A rich reward of unexpected things.
Press towards the aim: take fortune as it fares!
I know not why, but something in my heart
Has always whispered, "Westward seek your goal!"
Three times they sent me east, but still I turned
The bowsprit west, and felt among the floes
Of ruttling ice along the Gröneland coast,
And down the rugged shore of Newfoundland,
And past the rocky capes and wooded bays
Where Gosnold sailed, -- like one who feels his way
With outstretched hand across a darkened room, --
I groped among the inlets and the isles,
To find the passage to the Land of Spice.
I have not found it yet, -- but I have found
Things worth the finding!
Son, have you forgot
Those mellow autumn days, two years ago,
When first we sent our little ship Half-Moon, --
The flag of Holland floating at her peak, --
Across a sandy bar, and sounded in
Among the channels, to a goodly bay
Where all the navies of the world could ride?
A fertile island that the redmen called
Manhattan, lay above the bay: the land
Around was bountiful and friendly fair.
But never land was fair enough to hold
The seaman from the calling of the sea.
And so we bore to westward of the isle,
Along a mighty inlet, where the tide
Was troubled by a downward-flowing flood
That seemed to come from far away, -- perhaps
From some mysterious gulf of Tartary?
Inland we held our course; by palisades
Of naked rock where giants might have built
Their fortress; and by rolling hills adorned
With forests rich in timber for great ships;
Through narrows where the mountains shut us in
With frowning cliffs that seemed to bar the stream;
And then through open reaches where the banks
Sloped to the water gently, with their fields
Of corn and lentils smiling in the sun.
Ten days we voyaged through that placid land,
Until we came to shoals, and sent a boat
Upstream to find, -- what I already knew, --
We travelled on a river, not a strait.
But what a river! God has never poured
A stream more royal through a land more rich.
Even now I see it flowing in my dream,
While coming ages people it with men
Of manhood equal to the river's pride.
I see the wigwams of the redmen changed
To ample houses, and the tiny plots
Of maize and green tobacco broadened out
To prosperous farms, that spread o'er hill and dale
The many-coloured mantle of their crops;
I see the terraced vineyard on the slope
Where now the fox-grape loops its tangled vine;
And cattle feeding where the red deer roam;
And wild-bees gathered into busy hives,
To store the silver comb with golden sweet;
And all the promised land begins to flow
With milk and honey. Stately manors rise
Along the banks, and castles top the hills,
And little villages grow populous with trade,
Until the river runs as proudly as the Rhine, --
The thread that links a hundred towns and towers!
And looking deeper in my dream, I see
A mighty city covering the isle
They call Manhattan, equal in her state
To all the older capitals of earth, --
The gateway city of a golden world, --
A city girt with masts, and crowned with spires,
And swarming with a host of busy men,
While to her open door across the bay
The ships of all the nations flock like doves.
My name will be remembered there, for men
Will say, "This river and this isle were found
By Henry Hudson, on his way to seek
The Northwest Passage into Farthest Inde."
Yes! yes! I sought it then, I seek it still, --
My great adventure and my guiding star!
For look ye, friends, our voyage is not done;
We hold by hope as long as life endures!
Somewhere among these floating fields of ice,
Somewhere along this westward widening bay,
Somewhere beneath this luminous northern night,
The channel opens to the Orient, --
I know it, -- and some day a little ship
Will push her bowsprit in, and battle through!
And why not ours, -- to-morrow, -- who can tell?
The lucky chance awaits the fearless heart!
These are the longest days of all the year;
The world is round and God is everywhere,
And while our shallop floats we still can steer.
So point her up, John King, nor'west by north.
We 'l1 keep the honour of a certain aim
Amid the peril of uncertain ways,
And sail ahead, and leave the rest to God.
|
Written by
Andrew Hudgins |
Despite the noon sun shimmering on Court Street,
each day I leave my desk, and window-shop,
waste time, and use my whole lunch hour to stroll
the route the marchers took. The walk is blistering--
the kind of heat that might make you recall
Nat Turner skinned and rendered into grease
if you share my cheap liberal guilt for sins
before your time. I hold it dear. I know
if I had lived in 1861
I would have fought in butternut, not blue
and never known I'd sinned. Nat Turner skinned
for doing what I like to think I'd do
if I were him.
Before the war
half-naked coffles were paraded to Court Square,
where Mary Chesnut gasped--"seasick"--to see
a bright mulatto on the auction block,
who bantered with the buyers, sang bawdy songs,
and flaunted her green satin dress, smart shoes,
I'm sure the poor thing knew who'd purchase her,
wrote Mrs. Chestnut, who plopped on a stool
to discipline her thoughts. Today I saw,
in that same square, three black girls pick loose tar,
flick it at one another's new white dresses,
then squeal with laughter. Three girls about that age
of those blown up in church in Birmingham.
The legendary buses rumble past the church
where Reverend King preached when he lived in town,
a town somehow more his than mine, despite
my memory of standing on Dexter Avenue
and watching, fascinated, a black man fry
six eggs on his Dodge Dart. Because I watched
he gave me one with flecks of dark blue paint
stuck on the yolk. My mother slapped my hand.
I dropped the egg. And when I tried to say
I'm sorry, Mother grabbed my wrist and marched me
back to our car.
I can't hold to the present.
I've known these streets, their history, too long.
Two months before she died, my grandmother
remembered when I'd sassed her as a child,
and at the dinner table, in midbite,
leaned over, struck the grown man on the mouth.
And if I hadn't said I'm sorry,fast,
she would have gone for me again. My aunt,
from laughing, choked on a piece of lemon pie.
But I'm not sure. I'm just Christian enough
to think each sin taints every one of us,
a harsh philosophy that doesn't seem
to get me very far--just to the Capitol
each day at noon, my wet shirt clinging to my back.
Atop its pole, the stars-and-bars,
too heavy for the breeze, hangs listlessly.
Once, standing where Jeff Davis took his oath,
I saw the Capitol. He shrank into his chair,
so flaccid with paralysis he looked
like melting flesh, white as a maggot. He's fatter now.
He courts black votes, and life is calmer than
when Muslims shot whites on this street, and calmer
than when the Klan blew up Judge Johnson's house
or Martin Luther King's. My history could be worse.
I could be Birmingham. I could be Selma.
I could be Philadelphia, Mississippi.
Instead, I'm this small river town. Today,
as I worked at my desk, the boss
called the janitor, Jerome, I hear
you get some lunchtime pussy every day.
Jerome, toothless and over seventy,
stuck the broom handle out between his legs:
Yessir! When the Big Hog talks
--he waggled his broomstick--I gots to listen.
He laughed. And from the corner of his eye,
he looked to see if we were laughing too.
|
Written by
James Lee Jobe |
It??™s two muddy miles from Highway 20,
just past the north fork of Cache Creek,
across the broad meadow, through
blue oak woodland, up, up to the ridge,
and back down to the creek bank,
the crossing point, me striding with
mud caking my old hiking boots.
For a millennia the Miwok people walked
these canyons and ridges. Pomo, too.
Gathering acorns to trade, the sweetest
was said to be from the Coastal Live Oaks.
Or bringing down a mule deer, a Tule elk,
meat for everyone, garments or a drumskin
from the hide, tools from the bones,
a knife, a skewer, thanks given
to the beast??™s soul for its gift.
Once up on the ridge, the view takes me,
Brushy Sky High Mountain looms above
like an overanxious parent, the creek sings
old songs for the valley oaks, for the deer grass.
Less muddy, I kick my boots a little cleaner
on a rock that is maybe as old as the earth.
I used to come up here and cut sage for burning,
a smudge to carry my prayers to Her in smoke.
I grow sage now at my home, but still I come,
eating down by the creek, building a medicine wheel
from creek stones, in winter spreading a small tarp
across the mud to eat and sleep on. I make prayers
for my mother, to fight the cancer inside her,
for my children to know peace and plenty,
prayers that I might find the right way.
The Pomo, the Miwok, the Patwin
were all basket-weavers, makers
of intricate designs from White Root,
Willow, Oak sticks. Gathered here,
at this crossing, century after century.
Medicine too, from roots, bark, and nut,
prayers and songs offered up, thanks given.
Here. Medicine that healed the hurts
the Earth caused, but could not ward off
the diseases the Europeans brought.
The people died by the thousands;
where are their spirits now?
At peace with the creek, I hope,
and I send a little prayer to them, too.
I take an apple from my pack,
bought at a Davis, California grocery store,
where the Patwin village Poo-tah-toi
once flourished. Children ran
and played, families grew, all gone now.
There is a little opening at the base
of a Valley Oak, I imagine that it is a doorway
to the Other World, and leave the apple,
a snack for whatever may find it,
a raccoon or deer, a lost spirit,
or maybe even The Great She.
You can cross the creek here, but in winter I don??™t.
Two more miles through the Wilson Valley links
you to the Judge Davis Trail, which snakes
up the spine of a long ridge on an old fire road.
Too much mud this day, so I just nap
until I get cold, pack up, the friendly weight
of my pack on my back, down to Highway 20,
down to the other world. Redbud Trail. Winter.
|
Written by
Judy Grahn |
When she goes to Hollywood
she is an angel.
She writes in red red lipstick
on the window of her body,
long for me, oh need me!
Parts her lips like a lotus.
Opening night she stands, poised
on her carpet, luminescent,
young men humming
all around her. She is flying.
Her high heels are wands, her
furs electric. Her bracelets
flashing. How completely
dazzling her complexion,
how vibrant her hair and eyes,
how brilliant the glow that spreads
four full feet around her.
She is totally self conscious
self contained
self centered,
caught in the blazing central eye
of our attention.
We infuse her.
Fans, we wave at her
like handmaids, unabashedly,
we crowd on tiptoe pressed together
just to feel the fission of the star
that lives on earth,
the bright, the angel sun
the luminescent glow of someone
other than we.
Look! Look! She is different.
Medium for all our energy
as we pour it through her.
Vessel of light,
Her flesh is like flax,
a living fiber.
She is the symbol of our dreams and fears
and bloody visions, all
our metaphors for living in America.
Harlowe, Holiday, Monroe
Helen
When she goes to Hollywood
she is the fire for all purposes.
Her flesh is like dark wax, a candle.
She is from any place or class.
"That's the one," we say in instant recognition,
because our breath is taken by her beauty,
or what we call her beauty.
She is glowing from every pore.
we adore her. we imitate and rob her
adulate envy
admire neglect
scorn. leave alone
invade, fill
ourselves with her.
we love her, we say
and if she isn't careful
we may even kill her.
Opening night
she lands on her carpet,
long fingered hands
like divining rods
bobbing and drawing the strands
of our attention,
as limousine drivers in blue jackets
stand on the hoods of their cars
to see the angel, talking
Davis, Dietrich, Wood
Tyson, Taylor, Gabor
Helen, when she goes to Hollywood
to be a walking star,
to be an actor
She is far more that a product
of Max Factor,
Max Factor didn't make her
though the make-up helps us
see what we would like
to take her for
her flesh is like glass,
a chandelier
a mirror
Harlowe, Holiday, Monroe
Helen
when she went to Hollywood
to be an angel
And it is she and not we
who is different
She who marries the crown prince
who leads the processional dance,
she who sweeps eternally
down the steps
in her long round gown.
A leaping, laughing leading lady,
she is our flower.
It is she who lies strangled
in the bell tower;
she who is monumentally drunk and suicidal
or locked waiting in the hightower,
she who lies sweating with the vicious jungle fever,
who leaps from her blue window
when he will, if he will, leave her
it is she and not we
who is the lotus
It is she with the lilies in her hair
and a keyboard beside her,
the dark flesh glowing
She whose wet lips nearly swallow
the microphone, whose whiskey voice
is precise and sultry and overwhelming,
she who is princess and harlequin,
athlete and moll and whore and lady,
goddess of the silver screen
the only original American queen
and Helen
when she was an angel
when she went to Hollywood
|
Written by
Conrad Aiken |
She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often . . .
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry . . . Here, by the river,
She listened to the water slapping the wall,
And felt ***** fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins . . . And so
She dragged herself once more to home, and bed.
Paul hadn't guessed it yet—though twice, already,
She'd fainted—once, the first time, on the stage.
So she must tell him soon—or else—get out . . .
How could she say it? That was the hideous thing.
She'd rather die than say it! . . . and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her . . . well, what?
She saw him laughing, making a foolish joke,
His grey eyes turning quickly; and the words
Fled from her tongue . . . She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again . . . she bit her lips, and trembled,
And looked away, and said . . . 'Say Paul, boy,—listen—
There's something I must tell you . . . ' There she stopped,
Wondering what he'd say . . . What would he say?
'Spring it, kid! Don't look so serious!'
'But what I've got to say—IS—serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying—
He always did—and what could she do but cry?
Perhaps, then, he would guess—perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'—
She knew she'd never tell—just say she was sick . . .
And after that, when would she dare again?
And what would he do—even suppose she told him?
If it were Felix! If it were only Felix!—
She wouldn't mind so much. But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he . . .
She'd write a letter to someone, before she died,—
Just saying 'Felix did it—and wouldn't marry.'
And then she'd die . . . But that was hard on Paul . . .
Paul would never forgive her—he'd never forgive her!
Sometimes she almost thought Paul really loved her . . .
She saw him look reproachfully at her coffin.
And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late. No customers were there,—
Pitiless eyes would freeze her secret in her!
And then—what poison would she dare to ask for?
And if they asked her why, what would she say?
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Written by
Edgar Lee Masters |
Suppose it is nothing but the hive:
That there are drones and workers
And queens, and nothing but storing honey --
(Material things as well as culture and wisdom) --
For the next generation, this generation never living,
Except as it swarms in the sun-light of youth,
Strengthening its wings on what has been gathered,
And tasting, on the way to the hive
From the clover field, the delicate spoil.
Suppose all this, and suppose the truth:
That the nature of man is greater
Than nature's need in the hive;
And you must bear the burden of life,
As well as the urge from your spirit's excess --
Well, I say to live it out like a god
Sure of immortal life, though you are in doubt,
Is the way to live it.
If that doesn't make God proud of you,
Then God is nothing but gravitation,
Or sleep is the golden goal.
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Written by
Paul Laurence Dunbar |
De times is mighty stirrin' 'mong de people up ouah way,
Dey 'sputin' an' dey argyin' an' fussin' night an' day;
An' all dis monst'ous trouble dat hit meks me tiahed to tell
Is 'bout dat Lucy Jackson dat was sich a mighty belle.
She was de preachah's favoured, an' he tol' de chu'ch one night
Dat she travelled thoo de cloud o' sin a-bearin' of a light;
But, now, I 'low he t'inkin' dat she mus' 'a' los' huh lamp,
Case Lucy done backslided an' dey trouble in de camp.
Huh daddy wants to beat huh, but huh mammy daihs him to,
Fu' she lookin' at de question f'om a ooman's pint o' view;
An' she say dat now she would n't have it diff'ent ef she could;
Dat huh darter only acted jes' lak any othah would.
Cose you know w'en women argy, dey is mighty easy led
By dey hea'ts an' don't go foolin' 'bout de reasons of de haid.
So huh mammy laid de law down (she ain' reckernizin' wrong),
But you got to mek erlowance fu' de cause dat go along.
Now de cause dat made Miss Lucy fu' to th'ow huh grace away
I 's afeard won't baih no 'spection w'en hit come to jedgement day;
Do' de same t'ing been a-wo'kin' evah sence de worl' began,—
De ooman disobeyin' fu' to 'tice along a man.
Ef you 'tended de revivals which we held de wintah pas',
You kin rickolec' dat convuts was a-comin' thick an' fas';
But dey ain't no use in talkin', dey was all lef' in de lu'ch
W'en ol' Mis' Jackson's dartah foun' huh peace an' tuk de chu'ch.
W'y, she shouted ovah evah inch of Ebenezah's flo';
Up into de preachah's pulpit an' f'om dah down to de do';
Den she hugged an' squeezed huh mammy, an' she hugged an' kissed huh dad,
An' she struck out at huh sistah, people said, lak she was mad.[Pg 159]
I has 'tended some revivals dat was lively in my day,
An' I 's seed folks git 'uligion in mos' evah kin' o' way;
But I tell you, an' you b'lieve me dat I 's speakin' true indeed,
Dat gal tuk huh 'ligion ha'dah dan de ha'dest yit I 's seed.
Well, f'om dat, 't was "Sistah Jackson, won't you please do dis er dat?"
She mus' allus sta't de singin' w'en dey 'd pass erroun' de hat,
An' hit seemed dey was n't nuffin' in dat chu'ch dat could go by
'Dout sistah Lucy Jackson had a finger in de pie.
But de sayin' mighty trufeful dat hit easiah to sail
W'en de sea is ca'm an' gentle dan to weathah out a gale.
Dat 's whut made dis ooman's trouble; ef de sto'm had kep' away,
She 'd 'a' had enough 'uligion fu' to lasted out huh day.
Lucy went wid 'Lishy Davis, but w'en she jined chu'ch, you know
Dah was lots o' little places dat, of cose, she could n't go;
An' she had to gin up dancin' an' huh singin' an' huh play.—
Now hit's nachul dat sich goin's-on 'u'd drive a man away.
So, w'en Lucy got so solemn, Ike he sta'ted fu' to go
Wid a gal who was a sinnah an' could mek a bettah show.
Lucy jes' went on to meetin' lak she did n't keer a rap,
But my 'sperunce kep' me t'inkin dah was somep'n' gwine to drap.
Fu' a gal won't let 'uligion er no othah so't o' t'ing
Stop huh w'en she teks a notion dat she wants a weddin' ring.
You kin p'omise huh de blessin's of a happy aftah life
(An' hit's nice to be a angel), but she 'd ravah be a wife.
So w'en Chrismus come an' mastah gin a frolic on de lawn,
Did n't 'sprise me not de littlest seein' Lucy lookin' on.
An' I seed a wa'nin' lightnin' go a-flashin' f'om huh eye
Jest ez 'Lishy an' his new gal went a-gallivantin' by.
An' dat Tildy, umph! she giggled, an' she gin huh dress a flirt
Lak de people she was passin' was ez common ez de dirt;
An' de minit she was dancin', w'y dat gal put on mo' aihs
Dan a cat a-tekin' kittens up a paih o' windin' staihs.[Pg 160]
She could 'fo'd to show huh sma'tness, fu' she could n't he'p but know
Dat wid jes' de present dancahs she was ownah of de flo';
But I t'ink she 'd kin' o' cooled down ef she happened on de sly
Fu' to noticed dat 'ere lightnin' dat I seed in Lucy's eye.
An' she would n't been so 'stonished w'en de people gin a shout,
An' Lucy th'owed huh mantle back an' come a-glidin' out.
Some ahms was dah to tek huh an' she fluttahed down de flo'
Lak a feddah f'om a bedtick w'en de win' commence to blow.
Soon ez Tildy see de trouble, she jes' tu'n an' toss huh haid,
But seem lak she los' huh sperrit, all huh darin'ness was daid.
Did n't cut anothah capah nary time de blessid night;
But de othah one, hit looked lak could n't git enough delight.
W'en you keeps a colt a-stan'nin' in de stable all along,
W'en he do git out hit 's nachul he 'll be pullin' mighty strong.
Ef you will tie up yo' feelin's, hyeah 's de bes' advice to tek,
Look out fu' an awful loosin' w'en de string dat hol's 'em brek.
Lucy's mammy groaned to see huh, an' huh pappy sto'med an' to',
But she kep' right on a-hol'in' to de centah of de flo'.
So dey went an' ast de pastoh ef he could n't mek huh quit,
But de tellin' of de sto'y th'owed de preachah in a fit.
Tildy Taylor chewed huh hank'cher twell she 'd chewed it in a hole,—
All de sinnahs was rejoicin' 'cause a lamb had lef de fol',
An' de las' I seed o' Lucy, she an' 'Lish was side an' side:
I don't blame de gal fu' dancin', an' I could n't ef I tried.
Fu' de men dat wants to ma'y ain't a-growin' 'roun' on trees,
An' de gal dat wants to git one sholy has to try to please.
Hit's a ha'd t'ing fu' a ooman fu 'to pray an' jes' set down,
An' to sacafice a husban' so 's to try to gain a crown.
Now, I don' say she was justified in follerin' huh plan;
But aldough she los' huh 'ligion, yit she sholy got de man.
Latah on, w'en she is suttain dat de preachah 's made 'em fas'
She kin jes' go back to chu'ch an' ax fu'giveness fu' de pas'![Pg 161]
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