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Best Famous Darn Poems

Here is a collection of the all-time best famous Darn poems. This is a select list of the best famous Darn poetry. Reading, writing, and enjoying famous Darn poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of darn poems.

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Written by Langston Hughes | Create an image from this poem

Madam And The Phone Bill

 You say I O.
K.
ed LONG DISTANCE? O.
K.
ed it when? My goodness, Central That was then! I'm mad and disgusted With that ***** now.
I don't pay no REVERSED CHARGES nohow.
You say, I will pay it-- Else you'll take out my phone? You better let My phone alone.
I didn't ask him To telephone me.
Roscoe knows darn well LONG DISTANCE Ain't free.
If I ever catch him, Lawd, have pity! Calling me up From Kansas City.
Just to say he loves me! I knowed that was so.
Why didn't he tell me some'n I don't know? For instance, what can Them other girls do That Alberta K.
Johnson Can't do--and more, too? What's that, Central? You say you don't care Nothing about my Private affair? Well, even less about your PHONE BILL, does I care! Un-humm-m! .
.
.
Yes! You say I gave my O.
K.
? Well, that O.
K.
you may keep-- But I sure ain't gonna pay!


Written by Rudyard Kipling | Create an image from this poem

The Mother-Lodge

 There was Rundle, Station Master,
 An' Beazeley of the Rail,
An' 'Ackman, Commissariat,
 An' Donkin' o' the Jail;
An' Blake, Conductor-Sargent,
 Our Master twice was 'e,
With 'im that kept the Europe-shop,
 Old Framjee Eduljee.
Outside -- "Sergeant! Sir! Salute! Salaam!" Inside -- "Brother", an' it doesn't do no 'arm.
We met upon the Level an' we parted on the Square, An' I was Junior Deacon in my Mother-Lodge out there! We'd Bola Nath, Accountant, An' Saul the Aden Jew, An' Din Mohammed, draughtsman Of the Survey Office too; There was Babu Chuckerbutty, An' Amir Singh the Sikh, An' Castro from the fittin'-sheds, The Roman Catholick! We 'adn't good regalia, An' our Lodge was old an' bare, But we knew the Ancient Landmarks, An' we kep' 'em to a hair; An' lookin' on it backwards It often strikes me thus, There ain't such things as infidels, Excep', per'aps, it's us.
For monthly, after Labour, We'd all sit down and smoke (We dursn't give no banquits, Lest a Brother's caste were broke), An' man on man got talkin' Religion an' the rest, An' every man comparin' Of the God 'e knew the best.
So man on man got talkin', An' not a Brother stirred Till mornin' waked the parrots An' that dam' brain-fever-bird; We'd say 'twas 'ighly curious, An' we'd all ride 'ome to bed, With Mo'ammed, God, an' Shiva Changin' pickets in our 'ead.
Full oft on Guv'ment service This rovin' foot 'ath pressed, An' bore fraternal greetin's To the Lodges east an' west, Accordin' as commanded From Kohat to Singapore, But I wish that I might see them In my Mother-Lodge once more! I wish that I might see them, My Brethren black an' brown, With the trichies smellin' pleasant An' the hog-darn passin' down; [Cigar-lighter.
] An' the old khansamah snorin' [Butler.
] On the bottle-khana floor, [Pantry.
] Like a Master in good standing With my Mother-Lodge once more! Outside -- "Sergeant! Sir! Salute! Salaam!" Inside -- "Brother", an' it doesn't do no 'arm.
We met upon the Level an' we parted on the Square, An' I was Junior Deacon in my Mother-Lodge out there!
Written by J R R Tolkien | Create an image from this poem

Troll Sat Alone on His Seat of Stone

 Troll sat alone on his seat of stone,
And munched and mumbled a bare old bone;
For many a year he had gnawed it near,
For meat was hard to come by.
Done by! Gum by! In a cave in the hills he dwelt alone, And meat was hard to come by.
Up came Tom with his big boots on.
Said he to Troll: 'Pray, what is yon? For it looks like the shin o' my nuncle Tim.
As should be a-lyin' in the graveyard.
Caveyard! Paveyard! This many a year has Tim been gone, And I thought he were lyin' in the graveyard.
' 'My lad,' said Troll, 'this bone I stole.
But what be bones that lie in a hole? Thy nuncle was dead as a lump o' lead, Afore I found his shinbone.
Tinbone! Skinbone! He can spare a share for a poor old troll, For he don't need his shinbone.
' Said Tom: 'I don't see why the likes o' thee Without axin' leave should go makin' free With the shank or the shin o' my father's kin; So hand the old bone over! Rover! Trover! Though dead he be, it belongs to he; So hand the old bone over!' 'For a couple o' pins,' says Troll, and grins, 'I'll eat thee too, and gnaw thy shins.
A bit o' fresh meat will go down sweet! I'll try my teeth on thee now.
Hee now! See now! I'm tired o' gnawing old bones and skins; I've a mind to dine on thee now.
' But just as he thought his dinner was caught, He found his hands had hold of naught.
Before he could mind, Tom slipped behind And gave him the boot to larn him.
Warn him! Darn him! A bump o' the boot on the seat, Tom thought, Would be the way to larn him.
But harder than stone is the flesh and bone Of a troll that sits in the hills alone.
As well set your boot to the mountain's root, For the seat of a troll don't feel it.
Peel it! Heal it! Old Troll laughed, when he heard Tom groan, And he knew his toes could feel it.
Tom's leg is game, since home he came, And his bootless foot is lasting lame; But Troll don't care, and he's still there With the bone he boned from its owner.
Doner! *****! Troll's old seat is still the same, And the bone he boned from its owner!
Written by Henry Wadsworth Longfellow | Create an image from this poem

LEnvoi

 Ye voices, that arose
After the Evening's close,
And whispered to my restless heart repose!

Go, breathe it in the ear
Of all who doubt and fear,
And say to them, "Be of good cheer!"

Ye sounds, so low and calm,
That in the groves of balm
Seemed to me like an angel's psalm!

Go, mingle yet once more
With the perpetual roar
Of the pine forest dark and hoar!

Tongues of the dead, not lost
But speaking from deaths frost,
Like fiery tongues at Pentecost!

Glimmer, as funeral lamps,
Amid the chills and darn ps
Of the vast plain where Death encamps!
Written by Robert Browning | Create an image from this poem

Master Hugues Of Saxe-Gotha

 An imaginary composer.
] I.
Hist, but a word, fair and soft! Forth and be judged, Master Hugues! Answer the question I've put you so oft: What do you mean by your mountainous fugues? See, we're alone in the loft,--- II.
I, the poor organist here, Hugues, the composer of note, Dead though, and done with, this many a year: Let's have a colloquy, something to quote, Make the world prick up its ear! III.
See, the church empties apace: Fast they extinguish the lights.
Hallo there, sacristan! Five minutes' grace! Here's a crank pedal wants setting to rights, Baulks one of holding the base.
IV.
See, our huge house of the sounds, Hushing its hundreds at once, Bids the last loiterer back to his bounds! O you may challenge them, not a response Get the church-saints on their rounds! V.
(Saints go their rounds, who shall doubt? ---March, with the moon to admire, Up nave, down chancel, turn transept about, Supervise all betwixt pavement and spire, Put rats and mice to the rout--- VI.
Aloys and Jurien and Just--- Order things back to their place, Have a sharp eye lest the candlesticks rust, Rub the church-plate, darn the sacrament-lace, Clear the desk-velvet of dust.
) VII.
Here's your book, younger folks shelve! Played I not off-hand and runningly, Just now, your masterpiece, hard number twelve? Here's what should strike, could one handle it cunningly: HeIp the axe, give it a helve! VIII.
Page after page as I played, Every bar's rest, where one wipes Sweat from one's brow, I looked up and surveyed, O'er my three claviers yon forest of pipes Whence you still peeped in the shade.
IX.
Sure you were wishful to speak? You, with brow ruled like a score, Yes, and eyes buried in pits on each cheek, Like two great breves, as they wrote them of yore, Each side that bar, your straight beak! X.
Sure you said---``Good, the mere notes! ``Still, couldst thou take my intent, ``Know what procured me our Company's votes--- ``A master were lauded and sciolists shent, ``Parted the sheep from the goats!'' XI.
Well then, speak up, never flinch! Quick, ere my candle's a snuff ---Burnt, do you see? to its uttermost inch--- _I_ believe in you, but that's not enough: Give my conviction a clinch! XII.
First you deliver your phrase ---Nothing propound, that I see, Fit in itself for much blame or much praise--- Answered no less, where no answer needs be: Off start the Two on their ways.
XIII.
Straight must a Third interpose, Volunteer needlessly help; In strikes a Fourth, a Fifth thrusts in his nose, So the cry's open, the kennel's a-yelp, Argument's hot to the close.
XIV.
One dissertates, he is candid; Two must discept,--has distinguished; Three helps the couple, if ever yet man did; Four protests; Five makes a dart at the thing wished: Back to One, goes the case bandied.
XV.
One says his say with a difference More of expounding, explaining! All now is wrangle, abuse, and vociferance; Now there's a truce, all's subdued, self-restraining: Five, though, stands out all the stiffer hence.
XVI.
One is incisive, corrosive: Two retorts, nettled, curt, crepitant; Three makes rejoinder, expansive, explosive; Four overbears them all, strident and strepitant, Five .
.
.
O Danaides, O Sieve! XVII.
Now, they ply axes and crowbars; Now, they prick pins at a tissue Fine as a skein of the casuist Escobar's Worked on the bone of a lie.
To what issue? Where is our gain at the Two-bars? XVIII.
_Est fuga, volvitur rota.
_ On we drift: where looms the dim port? One, Two, Three, Four, Five, contribute their quota; Something is gained, if one caught but the import--- Show it us, Hugues of Saxe-Gotha! XIX.
What with affirming, denying, Holding, risposting, subjoining, All's like .
.
.
it's like .
.
.
for an instance I'm trying .
.
.
There! See our roof, its gilt moulding and groining Under those spider-webs lying! XX.
So your fugue broadens and thickens, Greatens and deepens and lengthens, Till we exclaim---``But where's music, the dickens? ``Blot ye the gold, while your spider-web strengthens ``---Blacked to the stoutest of tickens?'' XXI.
I for man's effort am zealous: Prove me such censure unfounded! Seems it surprising a lover grows jealous--- Hopes 'twas for something, his organ-pipes sounded, Tiring three boys at the bellows? XXII.
Is it your moral of Life? Such a web, simple and subtle, Weave we on earth here in impotent strife, Backward and forward each throwing his shuttle, Death ending all with a knife? XXIII.
Over our heads truth and nature--- Still our life's zigzags and dodges, Ins and outs, weaving a new legislature--- God's gold just shining its last where that lodges, Palled beneath man's usurpature.
XXIV.
So we o'ershroud stars and roses, Cherub and trophy and garland; Nothings grow something which quietly closes Heaven's earnest eye: not a glimpse of the far land Gets through our comments and glozes.
XXV.
Ah but traditions, inventions, (Say we and make up a visage) So many men with such various intentions, Down the past ages, must know more than this age! Leave we the web its dimensions! XXVI.
Who thinks Hugues wrote for the deaf, Proved a mere mountain in labour? Better submit; try again; what's the clef? 'Faith, 'tis no trifle for pipe and for tabor--- Four flats, the minor in F.
XXVII.
Friend, your fugue taxes the finger Learning it once, who would lose it? Yet all the while a misgiving will linger, Truth's golden o'er us although we refuse it--- Nature, thro' cobwebs we string her.
XXVIII.
Hugues! I advise _Me Pn_ (Counterpoint glares like a Gorgon) Bid One, Two, Three, Four, Five, clear the arena! Say the word, straight I unstop the full-organ, Blare out the _mode Palestrina.
_ XXIX.
While in the roof, if I'm right there, .
.
.
Lo you, the wick in the socket! Hallo, you sacristan, show us a light there! Down it dips, gone like a rocket.
What, you want, do you, to come unawares, Sweeping the church up for first morning-prayers, And find a poor devil has ended his cares At the foot of your rotten-runged rat-riddled stairs? Do I carry the moon in my pocket? * 1 A fugue is a short melody.
* 2 Keyboard of organ.
* 3 A note in music.
* 4 The daughters of Danaus, condemned to pour water * into a sieve.
* 5 The Spanish casuist, so severely mauled by Pascal.
* 6 A quick return in fencing.
* 7 A closely woven fabric.
* 8 _Giovanni P.
da Palestrina_, celebrated musician (1524-1594).


Written by Robert William Service | Create an image from this poem

Lucille

 Of course you've heard of the Nancy Lee, and how she sailed away
On her famous quest of the Arctic flea, to the wilds of Hudson's Bay?
For it was a foreign Prince's whim to collect this tiny cuss,
And a golden quid was no more to him than a copper to coves like us.
So we sailed away and our hearts were gay as we gazed on the gorgeous scene; And we laughed with glee as we caught the flea of the wolf and the wolverine; Yea, our hearts were light as the parasite of the ermine rat we slew, And the great musk ox, and the silver fox, and the moose and the caribou.
And we laughed with zest as the insect pest of the marmot crowned our zeal, And the wary mink and the wily "link", and the walrus and the seal.
And with eyes aglow on the scornful snow we danced a rigadoon, Round the lonesome lair of the Arctic hare, by the light of the silver moon.
But the time was nigh to homeward hie, when, imagine our despair! For the best of the lot we hadn't got -- the flea of the polar bear.
Oh, his face was long and his breath was strong, as the Skipper he says to me: "I wants you to linger 'ere, my lad, by the shores of the Hartic Sea; I wants you to 'unt the polar bear the perishin' winter through, And if flea ye find of its breed and kind, there's a 'undred quid for you.
" But I shook my head: "No, Cap," I said; "it's yourself I'd like to please, But I tells ye flat I wouldn't do that if ye went on yer bended knees.
" Then the Captain spat in the seething brine, and he says: "Good luck to you, If it can't be did for a 'undred quid, supposin' we call it two?" So that was why they said good-by, and they sailed and left me there -- Alone, alone in the Arctic Zone to hunt for the polar bear.
Oh, the days were slow and packed with woe, till I thought they would never end; And I used to sit when the fire was lit, with my pipe for my only friend.
And I tried to sing some rollicky thing, but my song broke off in a prayer, And I'd drowse and dream by the driftwood gleam; I'd dream of a polar bear; I'd dream of a cloudlike polar bear that blotted the stars on high, With ravenous jaws and flenzing claws, and the flames of hell in his eye.
And I'd trap around on the frozen ground, as a proper hunter ought, And beasts I'd find of every kind, but never the one I sought.
Never a track in the white ice-pack that humped and heaved and flawed, Till I came to think: "Why, strike me pink! if the creature ain't a fraud.
" And then one night in the waning light, as I hurried home to sup, I hears a roar by the cabin door, and a great white hulk heaves up.
So my rifle flashed, and a bullet crashed; dead, dead as a stone fell he, And I gave a cheer, for there in his ear -- Gosh ding me! -- a tiny flea.
At last, at last! Oh, I clutched it fast, and I gazed on it with pride; And I thrust it into a biscuit-tin, and I shut it safe inside; With a lid of glass for the light to pass, and space to leap and play; Oh, it kept alive; yea, seemed to thrive, as I watched it night and day.
And I used to sit and sing to it, and I shielded it from harm, And many a hearty feed it had on the heft of my hairy arm.
For you'll never know in that land of snow how lonesome a man can feel; So I made a fuss of the little cuss, and I christened it "Lucille".
But the longest winter has its end, and the ice went out to sea, And I saw one day a ship in the bay, and there was the Nancy Lee.
So a boat was lowered and I went aboard, and they opened wide their eyes -- Yes, they gave a cheer when the truth was clear, and they saw my precious prize.
And then it was all like a giddy dream; but to cut my story short, We sailed away on the fifth of May to the foreign Prince's court; To a palmy land and a palace grand, and the little Prince was there, And a fat Princess in a satin dress with a crown of gold on her hair.
And they showed me into a shiny room, just him and her and me, And the Prince he was pleased and friendly-like, and he calls for drinks for three.
And I shows them my battered biscuit-tin, and I makes my modest spiel, And they laughed, they did, when I opened the lid, and out there popped Lucille.
Oh, the Prince was glad, I could soon see that, and the Princess she was too; And Lucille waltzed round on the tablecloth as she often used to do.
And the Prince pulled out a purse of gold, and he put it in my hand; And he says: "It was worth all that, I'm told, to stay in that nasty land.
" And then he turned with a sudden cry, and he clutched at his royal beard; And the Princess screamed, and well she might -- for Lucille had disappeared.
"She must be here," said his Noble Nibbs, so we hunted all around; Oh, we searched that place, but never a trace of the little beast we found.
So I shook my head, and I glumly said: "Gol darn the saucy cuss! It's mighty *****, but she isn't here; so .
.
.
she must be on one of us.
You'll pardon me if I make so free, but -- there's just one thing to do: If you'll kindly go for a half a mo' I'll search me garments through.
" Then all alone on the shiny throne I stripped from head to heel; In vain, in vain; it was very plain that I hadn't got Lucille.
So I garbed again, and I told the Prince, and he scratched his august head; "I suppose if she hasn't selected you, it must be me," he said.
So he retired; but he soon came back, and his features showed distress: "Oh, it isn't you and it isn't me.
" .
.
.
Then we looked at the Princess.
So she retired; and we heard a scream, and she opened wide the door; And her fingers twain were pinched to pain, but a radiant smile she wore: "It's here," she cries, "our precious prize.
Oh, I found it right away.
.
.
.
" Then I ran to her with a shout of joy, but I choked with a wild dismay.
I clutched the back of the golden throne, and the room began to reel .
.
.
What she held to me was, ah yes! a flea, but .
.
.
it wasn't my Lucille.
Written by Robert William Service | Create an image from this poem

The Key Of The Street

 "Miss Rosemary," I dourly said,
"Our balance verges on the red,
We must cut down our overhead.
One of the staff will have to go.
There's Mister Jones, he's mighty slow, Although he does his best, I know.
"A deer old man; I like him well, But age, alas! will always tell.
Miss Rosemary, please ring the bell And tell old Jones to step this way .
.
.
Oh dear, oh dear, it isn't gay To say the things I have to say.
"Come in and sit down, Mister Jones.
" He thanks me in sepulchral tones.
Poor chap! I hear his creaking bones.
"Have a cigar? And how's your wife? What's that! You're fearing for her life - A cancer and the surgeon's knife.
.
.
.
"Yes, operations are so dear, But it's your comfort and your cheer To know your job's so steady here.
" These are his words; so meek and mild, He looks just like a simple child .
.
.
Go! darn it! Suddenly I'm riled.
And so I say: "That's just too bad.
But Mister Jones.
it's very sad, You know what losses we have had.
We must cut down in times like these, So here's a cheque, Oh take it please - 'Twill help to pay your doctor's fees.
"And just to show how I appraise Your work - despite these doleful days I'm giving you .
.
.
a little raise.
" Said Rosemary: "Old Jones is crying.
" Thought I: "Yes, each week I'll be sighing, When from my pocket I am prying Ten bucks to keep his wife from dying.
"
Written by Robert William Service | Create an image from this poem

My Centenarian

 A hundred years is a lot of living
I've often thought.
and I'll know, maybe, Some day if the gods are good in giving, And grant me to turn the century.
Yet in all my eighty years of being I've never known but one ancient man Who actively feeling, hearing, seeing, Survived t beyond the hundred span.
Thinking? No, I don't guess he pondered; He had the brains of a tiny tot, And in his mind he so often wandered, I doubted him capable of thought.
He hadn't much to think of anyway, There in the village of his birth, Painfully poor in a pinching penny-way, And grimed with the soiling of Mother Earth.
Then one day motoring past his cottage, The hovel in which he had been born, I saw him supping a mess of pottage, on the sill door, so fail forlorn.
Thinks I: I'll give him a joy that's thrilling, A spin in my open Cadillac; And so I asked him, and he was willing, And I installed him there in the back.
en I put the big bus through its paces, A hundred miles an hour or more; And he clutched at me with ***** grimaces, (He's never been in a car before.
) The motor roared and the road was level, The old chap laughed like an impish boy, And as I drove like the very devil, Darn him! he peed his pants with joy.
And so I crowned his long existence By showing him how our modern speed Easily can annihilate distance, And answer to all our modern need.
And I went on my way but little caring, Until I heard to mild dismay, His drive had thrilled him beyond all bearing .
.
.
The poor old devil! - He died next day.
Written by Robert William Service | Create an image from this poem

Fleurette

 (The Wounded Canadian Speaks)

My leg? It's off at the knee.
Do I miss it? Well, some.
You see I've had it since I was born; And lately a devilish corn.
(I rather chuckle with glee To think how I've fooled that corn.
) But I'll hobble around all right.
It isn't that, it's my face.
Oh I know I'm a hideous sight, Hardly a thing in place; Sort of gargoyle, you'd say.
Nurse won't give me a glass, But I see the folks as they pass Shudder and turn away; Turn away in distress .
.
.
Mirror enough, I guess.
I'm gay! You bet I AM gay; But I wasn't a while ago.
If you'd seen me even to-day, The darndest picture of woe, With this Caliban mug of mine, So ravaged and raw and red, Turned to the wall -- in fine, Wishing that I was dead.
.
.
.
What has happened since then, Since I lay with my face to the wall, The most despairing of men? Listen! I'll tell you all.
That poilu across the way, With the shrapnel wound in his head, Has a sister: she came to-day To sit awhile by his bed.
All morning I heard him fret: "Oh, when will she come, Fleurette?" Then sudden, a joyous cry; The tripping of little feet, The softest, tenderest sigh, A voice so fresh and sweet; Clear as a silver bell, Fresh as the morning dews: "C'est toi, c'est toi, Marcel! Mon frère, comme je suis heureuse!" So over the blanket's rim I raised my terrible face, And I saw -- how I envied him! A girl of such delicate grace; Sixteen, all laughter and love; As gay as a linnet, and yet As tenderly sweet as a dove; Half woman, half child -- Fleurette.
Then I turned to the wall again.
(I was awfully blue, you see), And I thought with a bitter pain: "Such visions are not for me.
" So there like a log I lay, All hidden, I thought, from view, When sudden I heard her say: "Ah! Who is that malheureux?" Then briefly I heard him tell (However he came to know) How I'd smothered a bomb that fell Into the trench, and so None of my men were hit, Though it busted me up a bit.
Well, I didn't quiver an eye, And he chattered and there she sat; And I fancied I heard her sigh -- But I wouldn't just swear to that.
And maybe she wasn't so bright, Though she talked in a merry strain, And I closed my eyes ever so tight, Yet I saw her ever so plain: Her dear little tilted nose, Her delicate, dimpled chin, Her mouth like a budding rose, And the glistening pearls within; Her eyes like the violet: Such a rare little queen -- Fleurette.
And at last when she rose to go, The light was a little dim, And I ventured to peep, and so I saw her, graceful and slim, And she kissed him and kissed him, and oh How I envied and envied him! So when she was gone I said In rather a dreary voice To him of the opposite bed: "Ah, friend, how you must rejoice! But me, I'm a thing of dread.
For me nevermore the bliss, The thrill of a woman's kiss.
" Then I stopped, for lo! she was there, And a great light shone in her eyes; And me! I could only stare, I was taken so by surprise, When gently she bent her head: "May I kiss you, Sergeant?" she said.
Then she kissed my burning lips With her mouth like a scented flower, And I thrilled to the finger-tips, And I hadn't even the power To say: "God bless you, dear!" And I felt such a precious tear Fall on my withered cheek, And darn it! I couldn't speak.
And so she went sadly away, And I knew that my eyes were wet.
Ah, not to my dying day Will I forget, forget! Can you wonder now I am gay? God bless her, that little Fleurette!
Written by Robert William Service | Create an image from this poem

Pooch

 Nurse, won't you let him in?
He's barkin' an' scratchen' the door,
Makin' so dreffel a din
I jest can't sleep any more;
Out there in the dark an' the cold,
Hark to him scrape an' whine,
Breakin' his heart o' gold,
Poor little pooch o' mine.
Nurse, I was sat in ma seat In front o' the barber shop, When there he was lickin' ma feet As if he would never stop; Then all of a sudden I see That dog-catcher moseyin' by: "Whose mongrel is that?" says he; "It's ma pedigree pup," says I.
Nurse, he was starved an' a-stray, But his eyes was plumbful o' trust.
How could I turn him away? I throwed him a bit o' a crust, An' he choked as he gluped it up, Then down at ma feet he curled: Poor little pitiful pup! Hadn't a friend in the world.
Nurse, I was friendless too, So we was makin' a pair.
I'm black as a cast-off shoe, But that li'le dog didn't care.
He loved me as much as though Ma skin was pearly an' white: Somehow dogs seem to know When a man's heart's all right.
Nurse, we was thick as thieves; Nothin' could pry us apart, An' now to hear how he grieves Is twistin' a knife in ma heart.
As I worked at ma shoe-shine stand He'd watch me wi' eyes o' love, A-wigglin' an' lickin' ma hand Like I was a god above.
Nurse, I sure had no luck That night o' the rain an' then fog; There was that thunderin' truck, And right in the way - ma dog.
Oh, I was a fool, I fear; It's harder to think than to feel .
.
.
I dashed in, flung the pup clear, But - I went under the wheel.
.
.
.
Nurse, it's a-gittin' dark; Guess ma time's about up: Don't seem to hear him bark, Poor, broken-hearted pup! .
.
.
Why, here he is, darn his skin! Lickin' ma face once more: How did the cuss get in? Musta' busted the door.
God, I'm an ol' black coon, But You ain't conscious o' race.
I gotta be goin' soon, I'll be meetin' You face to face.
I'se been sinful, dice an' hooch, But Lordy, before I die I'se a-prayin': "Be good to ma pooch" .
.
.
That's all - little mutt, good-bye.

Book: Reflection on the Important Things