Written by
Marge Piercy |
Purple as tulips in May, mauve
into lush velvet, purple
as the stain blackberries leave
on the lips, on the hands,
the purple of ripe grapes
sunlit and warm as flesh.
Every day I will give you a color,
like a new flower in a bud vase
on your desk. Every day
I will paint you, as women
color each other with henna
on hands and on feet.
Red as henna, as cinnamon,
as coals after the fire is banked,
the cardinal in the feeder,
the roses tumbling on the arbor
their weight bending the wood
the red of the syrup I make from petals.
Orange as the perfumed fruit
hanging their globes on the glossy tree,
orange as pumpkins in the field,
orange as butterflyweed and the monarchs
who come to eat it, orange as my
cat running lithe through the high grass.
Yellow as a goat's wise and wicked eyes,
yellow as a hill of daffodils,
yellow as dandelions by the highway,
yellow as butter and egg yolks,
yellow as a school bus stopping you,
yellow as a slicker in a downpour.
Here is my bouquet, here is a sing
song of all the things you make
me think of, here is oblique
praise for the height and depth
of you and the width too.
Here is my box of new crayons at your feet.
Green as mint jelly, green
as a frog on a lily pad twanging,
the green of cos lettuce upright
about to bolt into opulent towers,
green as Grand Chartreuse in a clear
glass, green as wine bottles.
Blue as cornflowers, delphiniums,
bachelors' buttons. Blue as Roquefort,
blue as Saga. Blue as still water.
Blue as the eyes of a Siamese cat.
Blue as shadows on new snow, as a spring
azure sipping from a puddle on the blacktop.
Cobalt as the midnight sky
when day has gone without a trace
and we lie in each other's arms
eyes shut and fingers open
and all the colors of the world
pass through our bodies like strings of fire.
|
Written by
Craig Raine |
'and we should die of that roar which lies on the other side of silence'
-- George Eliot, Middlemarch
Dead dandelions, bald as drumsticks,
swaying by the roadside
like Hare Krishna pilgrims
bowing to the Juggernaut.
They have given up everything.
Gold gone and their silver gone,
humbled with dust, hollow,
their milky bodies tan
to the colour of annas.
The wind changes their identity:
slender Giacomettis, Doré's convicts,
Rodin's burghers of Calais
with five bowed heads
and the weight of serrated keys . . .
They wither into mystery, waiting
to find out why they are,
patiently, before nirvana
when the rain comes down like vitriol.
|
Written by
Robert Graves |
Under this loop of honeysuckle,
A creeping, coloured caterpillar,
I gnaw the fresh green hawthorn spray,
I nibble it leaf by leaf away.
Down beneath grow dandelions,
Daisies, old-man’s-looking-glasses;
Rooks flap croaking across the lane.
I eat and swallow and eat again.
Here come raindrops helter-skelter;
I munch and nibble unregarding:
Hawthorn leaves are juicy and firm.
I’ll mind my business: I’m a good worm.
When I’m old, tired, melancholy,
I’ll build a leaf-green mausoleum
Close by, here on this lovely spray,
And die and dream the ages away.
Some say worms win resurrection,
With white wings beating flitter-flutter,
But wings or a sound sleep, why should I care?
Either way I’ll miss my share.
Under this loop of honeysuckle,
A hungry, hairy caterpillar,
I crawl on my high and swinging seat,
And eat, eat, eat—as one ought to eat.
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Written by
Gary Snyder |
Smokey the Bear Sutra
Once in the Jurassic about 150 million years ago,
the Great Sun Buddha in this corner of the Infinite
Void gave a Discourse to all the assembled elements
and energies: to the standing beings, the walking beings,
the flying beings, and the sitting beings -- even grasses,
to the number of thirteen billion, each one born from a
seed, assembled there: a Discourse concerning
Enlightenment on the planet Earth.
"In some future time, there will be a continent called
America. It will have great centers of power called
such as Pyramid Lake, Walden Pond, Mt. Rainier, Big Sur,
Everglades, and so forth; and powerful nerves and channels
such as Columbia River, Mississippi River, and Grand Canyon
The human race in that era will get into troubles all over
its head, and practically wreck everything in spite of
its own strong intelligent Buddha-nature."
"The twisting strata of the great mountains and the pulsings
of volcanoes are my love burning deep in the earth.
My obstinate compassion is schist and basalt and
granite, to be mountains, to bring down the rain. In that
future American Era I shall enter a new form; to cure
the world of loveless knowledge that seeks with blind hunger:
and mindless rage eating food that will not fill it."
And he showed himself in his true form of
SMOKEY THE BEAR
•A handsome smokey-colored brown bear standing on his hind legs, showing that he is aroused and
watchful.
•Bearing in his right paw the Shovel that digs to the truth beneath appearances; cuts the roots of useless
attachments, and flings damp sand on the fires of greed and war;
•His left paw in the Mudra of Comradely Display -- indicating that all creatures have the full right to live to their limits and that deer, rabbits, chipmunks, snakes, dandelions, and lizards all grow in the realm of the Dharma;
•Wearing the blue work overalls symbolic of slaves and laborers, the countless men oppressed by a
civilization that claims to save but often destroys;
•Wearing the broad-brimmed hat of the West, symbolic of the forces that guard the Wilderness, which is the Natural State of the Dharma and the True Path of man on earth: all true paths lead through mountains --
•With a halo of smoke and flame behind, the forest fires of the kali-yuga, fires caused by the stupidity of
those who think things can be gained and lost whereas in truth all is contained vast and free in the Blue Sky and Green Earth of One Mind;
•Round-bellied to show his kind nature and that the great earth has food enough for everyone who loves her and trusts her;
•Trampling underfoot wasteful freeways and needless suburbs; smashing the worms of capitalism and
totalitarianism;
•Indicating the Task: his followers, becoming free of cars, houses, canned foods, universities, and shoes;
master the Three Mysteries of their own Body, Speech, and Mind; and fearlessly chop down the rotten
trees and prune out the sick limbs of this country America and then burn the leftover trash.
Wrathful but Calm. Austere but Comic. Smokey the Bear will
Illuminate those who would help him; but for those who would hinder or
slander him,
HE WILL PUT THEM OUT.
Thus his great Mantra:
Namah samanta vajranam chanda maharoshana
Sphataya hum traka ham nam
"I DEDICATE MYSELF TO THE UNIVERSAL DIAMOND
BE THIS RAGING FURY DESTROYED"
And he will protect those who love woods and rivers,
Gods and animals, hobos and madmen, prisoners and sick
people, musicians, playful women, and hopeful children:
And if anyone is threatened by advertising, air pollution, television,
or the police, they should chant SMOKEY THE BEAR'S WAR SPELL:
DROWN THEIR BUTTS
CRUSH THEIR BUTTS
DROWN THEIR BUTTS
CRUSH THEIR BUTTS
And SMOKEY THE BEAR will surely appear to put the enemy out
with his vajra-shovel.
•Now those who recite this Sutra and then try to put it in practice will accumulate merit as countless as the sands of Arizona and Nevada.
•Will help save the planet Earth from total oil slick.
•Will enter the age of harmony of man and nature.
•Will win the tender love and caresses of men, women, and beasts.
•Will always have ripe blackberries to eat and a sunny spot under a pine tree to sit at.
•AND IN THE END WILL WIN HIGHEST PERFECT ENLIGHTENMENT.
thus have we heard.
|
Written by
A E Housman |
Oh, see how thick the goldcup flowers
Are lying in field and lane,
With dandelions to tell the hours
That never are told again.
Oh may I squire you round the meads
And pick you posies gay?
--'Twill do no harm to take my arm.
'You may, young man, you may.'
Ah, spring was sent for lass and lad,
'Tis now the blood runs gold,
And man and maid had best be glad
Before the world is old.
What flowers to-day may flower to-morrow,
But never as good as new.
--Suppose I wound my arm right round--
''Tis true, young man, 'tis true.'
Some lads there are, 'tis shame to say,
That only court to thieve,
And once they bear the bloom away
'Tis little enough they leave.
Then keep your heart for men like me
And safe from trustless chaps.
My love is true and all for you.
'Perhaps, young man, perhaps.'
Oh, look in my eyes then, can you doubt?
--Why, 'tis a mile from town.
How green the grass is all about!
We might as well sit down.
--Ah, life, what is it but a flower?
Why must true lovers sigh?
Be kind, have pity, my own, my pretty,--
'Good-bye, young man, good-bye.'
|
Written by
Joyce Kilmer |
(For S. M. L.)
I like to look at the blossomy track of the moon upon the sea,
But it isn't half so fine a sight as Main Street used to be
When it all was covered over with a couple of feet of snow,
And over the crisp and radiant road the ringing sleighs would go.
Now, Main Street bordered with autumn leaves, it
was a pleasant thing,
And its gutters were gay with dandelions early in the Spring;
I like to think of it white with frost or dusty in the heat,
Because I think it is humaner than any other street.
A city street that is busy and wide is ground by
a thousand wheels,
And a burden of traffic on its breast is all it ever feels:
It is dully conscious of weight and speed and of work that never
ends,
But it cannot be human like Main Street, and recognise its friends.
There were only about a hundred teams on Main Street
in a day,
And twenty or thirty people, I guess, and some children out to play.
And there wasn't a wagon or buggy, or a man or a girl or a boy
That Main Street didn't remember, and somehow seem to enjoy.
The truck and the motor and trolley car and the
elevated train
They make the weary city street reverberate with pain:
But there is yet an echo left deep down within my heart
Of the music the Main Street cobblestones made beneath a butcher's
cart.
God be thanked for the Milky Way that runs across
the sky,
That's the path that my feet would tread whenever I have to die.
Some folks call it a Silver Sword, and some a Pearly Crown,
But the only thing I think it is, is Main Street, Heaventown.
|
Written by
Sylvia Plath |
A dream tree, Polly's tree:
a thicket of sticks,
each speckled twig
ending in a thin-paned
leaf unlike any
other on it
or in a ghost flower
flat as paper and
of a color
vaporish as frost-breath,
more finical than
any silk fan
the Chinese ladies use
to stir robin's egg
air. The silver-
haired seed of the milkweed
comes to roost there, frail
as the halo
rayed round a candle flame,
a will-o'-the-wisp
nimbus, or puff
of cloud-stuff, tipping her
***** candelabrum.
Palely lit by
snuff-ruffed dandelions,
white daisy wheels and
a tiger faced
pansy, it glows. O it's
no family tree,
Polly's tree, nor
a tree of heaven, though
it marry quartz-flake,
feather and rose.
It sprang from her pillow
whole as a cobweb
ribbed like a hand,
a dream tree. Polly's tree
wears a valentine
arc of tear-pearled
bleeding hearts on its sleeve
and, crowning it, one
blue larkspur star.
|
Written by
Joyce Kilmer |
(For Thomas Augustine Daly)
The Judge's house has a splendid porch, with pillars
and steps of stone,
And the Judge has a lovely flowering hedge that came from across
the seas;
In the Hales' garage you could put my house and everything I own,
And the Hales have a lawn like an emerald and a row of poplar trees.
Now I have only a little house, and only a little
lot,
And only a few square yards of lawn, with dandelions starred;
But when Winter comes, I have something there
that the Judge and the Hales have not,
And it's better worth having than all their wealth --
it's a snowman in the yard.
The Judge's money brings architects to make his
mansion fair;
The Hales have seven gardeners to make their roses grow;
The Judge can get his trees from Spain and France and everywhere,
And raise his orchids under glass in the midst of all the snow.
But I have something no architect or gardener ever
made,
A thing that is shaped by the busy touch of little mittened hands:
And the Judge would give up his lonely estate, where the level snow
is laid
For the tiny house with the trampled yard,
the yard where the snowman stands.
They say that after Adam and Eve were driven away
in tears
To toil and suffer their life-time through,
because of the sin they sinned,
The Lord made Winter to punish them for half their exiled years,
To chill their blood with the snow, and pierce
their flesh with the icy wind.
But we who inherit the primal curse, and labour
for our bread,
Have yet, thank God, the gift of Home, though Eden's gate is barred:
And through the Winter's crystal veil, Love's roses blossom red,
For him who lives in a house that has a snowman in the yard.
|
Written by
Vachel Lindsay |
[A Poem for Aviators]
How the Wings Were Made
From many morning-glories
That in an hour will fade,
From many pansy buds
Gathered in the shade,
From lily of the valley
And dandelion buds,
From fiery poppy-buds
Are the Wings of the Morning made.
The Indian Girl Who Made Them
These, the Wings of the Morning,
An Indian Maiden wove,
Intertwining subtilely
Wands from a willow grove
Beside the Sangamon —
Rude stream of Dreamland Town.
She bound them to my shoulders
With fingers golden-brown.
The wings were part of me;
The willow-wands were hot.
Pulses from my heart
Healed each bruise and spot
Of the morning-glory buds,
Beginning to unfold
Beneath her burning song of suns untold.
The Indian Girl Tells the Hero Where to Go to Get the Laughing Bell
"To the farthest star of all,
Go, make a moment's raid.
To the west — escape the earth
Before your pennons fade!
West! west! o'ertake the night
That flees the morning sun.
There's a path between the stars —
A black and silent one.
O tremble when you near
The smallest star that sings:
Only the farthest star
Is cool for willow wings.
"There's a sky within the west —
There's a sky beyond the skies
Where only one star shines —
The Star of Laughing Bells —
In Chaos-land it lies;
Cold as morning-dew,
A gray and tiny boat
Moored on Chaos-shore,
Where nothing else can float
But the Wings of the Morning strong
And the lilt of laughing song
From many a ruddy throat:
"For the Tree of Laughing Bells
Grew from a bleeding seed
Planted mid enchantment
Played on a harp and reed:
Darkness was the harp —
Chaos-wind the reed;
The fruit of the tree is a bell, blood-red —
The seed was the heart of a fairy, dead.
Part of the bells of the Laughing Tree
Fell to-day at a blast from the reed.
Bring a fallen bell to me.
Go!" the maiden said.
"For the bell will quench our memory,
Our hope,
Our borrowed sorrow;
We will have no thirst for yesterday,
No thought for to-morrow."
The Journey Starts Swiftly
A thousand times ten thousand times
More swift than the sun's swift light
Were the Morning Wings in their flight
On — On —
West of the Universe,
Thro' the West
To Chaos-night.
He Nears the Goal
How the red bells rang
As I neared the Chaos-shore!
As I flew across to the end of the West
The young bells rang and rang
Above the Chaos roar,
And the Wings of the Morning
Beat in tune
And bore me like a bird along —
And the nearing star turned to a moon —
Gray moon, with a brow of red —
Gray moon with a golden song.
Like a diver after pearls
I plunged to that stifling floor.
It was wide as a giant's wheat-field
An icy, wind-washed shore.
O laughing, proud, but trembling star!
O wind that wounded sore!
He Climbs the Hill Where the Tree Grows
On —
Thro' the gleaming gray
I ran to the storm and clang —
To the red, red hill where the great tree swayed —
And scattered bells like autumn leaves.
How the red bells rang!
My breath within my breast
Was held like a diver's breath —
The leaves were tangled locks of gray —
The boughs of the tree were white and gray,
Shaped like scythes of Death.
The boughs of the tree would sweep and sway —
Sway like scythes of Death.
But it was beautiful!
I knew that all was well.
A thousand bells from a thousand boughs
Each moment bloomed and fell.
On the hill of the wind-swept tree
There were no bells asleep;
They sang beneath my trailing wings
Like rivers sweet and steep.
Deep rock-clefts before my feet
Mighty chimes did keep
And little choirs did keep.
He Receives the Bells
Honeyed, small and fair,
Like flowers, in flowery lands —
Like little maidens' hands —
Two bells fell in my hair,
Two bells caressed my hair.
I pressed them to my purple lips
In the strangling Chaos-air.
He Starts on the Return Journey
On desperate wings and strong,
Two bells within my breast,
I breathed again, I breathed again —
West of the Universe —
West of the skies of the West.
Into the black toward home,
And never a star in sight,
By Faith that is blind I took my way
With my two bosomed blossoms gay
Till a speck in the East was the Milky way:
Till starlit was the night.
And the bells had quenched all memory —
All hope —
All borrowed sorrow:
I had no thirst for yesterday,
No thought for to-morrow.
Like hearts within my breast
The bells would throb to me
And drown the siren stars
That sang enticingly;
My heart became a bell —
Three bells were in my breast,
Three hearts to comfort me.
We reached the daytime happily —
We reached the earth with glee.
In an hour, in an hour it was done!
The wings in their morning flight
Were a thousand times ten thousand times
More swift than beams of light.
He Gives What He Won to the Indian Girl
I panted in the grassy wood;
I kissed the Indian Maid
As she took my wings from me:
With all the grace I could
I gave two throbbing bells to her
From the foot of the Laughing Tree.
And one she pressed to her golden breast
And one, gave back to me.
From Lilies of the valley —
See them fade.
From poppy-blooms all frayed,
From dandelions gray with care,
From pansy-faces, worn and torn,
From morning-glories —
See them fade —
From all things fragile, faint and fair
Are the Wings of the Morning made!
|
Written by
Claude McKay |
The vivid grass with visible delight
Springing triumphant from the pregnant earth,
The butterflies, and sparrows in brief flight
Chirping and dancing for the season's birth,
The dandelions and rare daffodils
That touch the deep-stirred heart with hands of gold,
The thrushes sending forth their joyous trills,--
Not these, not these did I at first behold!
But seated on the benches daubed with green,
The castaways of life, a few asleep,
Some withered women desolate and mean,
And over all, life's shadows dark and deep.
Moaning I turned away, for misery
I have the strength to bear but not to see.
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