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Best Famous Cycles Poems

Here is a collection of the all-time best famous Cycles poems. This is a select list of the best famous Cycles poetry. Reading, writing, and enjoying famous Cycles poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of cycles poems.

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Written by Nikki Giovanni | Create an image from this poem

Life Cycles

Life Cycles

she realized she wasn't one of life's winners when she wasn't sure life to her was some dark dirty secret that like some unwanted child too late for an abortion was to be borne alone

she had so many private habits she would masturbate sometimes she always picked her nose when upset she liked to sit with silence in the dark sadness is not an unusual state for the black woman or writers

she took to sneaking drinks a habit which displeased her both for its effects and taste yet eventually sleep would wrestle her in triumph onto the bed



Written by Walt Whitman | Create an image from this poem

As a Strong Bird on Pinions Free

 1
AS a strong bird on pinions free, 
Joyous, the amplest spaces heavenward cleaving, 
Such be the thought I’d think to-day of thee, America, 
Such be the recitative I’d bring to-day for thee. 

The conceits of the poets of other lands I bring thee not,
Nor the compliments that have served their turn so long, 
Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library; 
But an odor I’d bring to-day as from forests of pine in the north, in Maine—or
 breath
 of an Illinois prairie, 
With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or
 Florida’s glades, 
With presentment of Yellowstone’s scenes, or Yosemite;
And murmuring under, pervading all, I’d bring the rustling sea-sound, 
That endlessly sounds from the two great seas of the world. 

And for thy subtler sense, subtler refrains, O Union! 
Preludes of intellect tallying these and thee—mind-formulas fitted for
 thee—real, and
 sane, and large as these and thee; 
Thou, mounting higher, diving deeper than we knew—thou transcendental Union!
By thee Fact to be justified—blended with Thought; 
Thought of Man justified—blended with God: 
Through thy Idea—lo! the immortal Reality! 
Through thy Reality—lo! the immortal Idea! 

2
Brain of the New World! what a task is thine!
To formulate the Modern.....Out of the peerless grandeur of the modern, 
Out of Thyself—comprising Science—to recast Poems, Churches, Art, 
(Recast—may-be discard them, end them—May-be their work is done—who knows?)

By vision, hand, conception, on the background of the mighty past, the dead, 
To limn, with absolute faith, the mighty living present.

(And yet, thou living, present brain! heir of the dead, the Old World brain! 
Thou that lay folded, like an unborn babe, within its folds so long! 
Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest
 it; 
It to eventuate in thee—the essence of the by-gone time contain’d in thee; 
Its poems, churches, arts, unwitting to themselves, destined with reference to thee,
The fruit of all the Old, ripening to-day in thee.) 

3
Sail—sail thy best, ship of Democracy! 
Of value is thy freight—’tis not the Present only, 
The Past is also stored in thee! 
Thou holdest not the venture of thyself alone—not of thy western continent alone;
Earth’s résumé entire floats on thy keel, O ship—is
 steadied by
 thy spars; 
With thee Time voyages in trust—the antecedent nations sink or swim with thee; 
With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the
 other
 continents; 
Theirs, theirs as much as thine, the destination-port triumphant: 
—Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great
 companions,
Venerable, priestly Asia sails this day with thee, 
And royal, feudal Europe sails with thee. 

4
Beautiful World of new, superber Birth, that rises to my eyes, 
Like a limitless golden cloud, filling the western sky; 
Emblem of general Maternity, lifted above all;
Sacred shape of the bearer of daughters and sons; 
Out of thy teeming womb, thy giant babes in ceaseless procession issuing, 
Acceding from such gestation, taking and giving continual strength and life; 
World of the Real! world of the twain in one! 
World of the Soul—born by the world of the real alone—led to identity, body, by
 it
 alone;
Yet in beginning only—incalculable masses of composite, precious materials, 
By history’s cycles forwarded—by every nation, language, hither sent, 
Ready, collected here—a freer, vast, electric World, to be constructed here, 
(The true New World—the world of orbic Science, Morals, Literatures to come,) 
Thou Wonder World, yet undefined, unform’d—neither do I define thee;
How can I pierce the impenetrable blank of the future? 
I feel thy ominous greatness, evil as well as good; 
I watch thee, advancing, absorbing the present, transcending the past; 
I see thy light lighting and thy shadow shadowing, as if the entire globe; 
But I do not undertake to define thee—hardly to comprehend thee;
I but thee name—thee prophecy—as now! 
I merely thee ejaculate! 

Thee in thy future; 
Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring
 spirit; 
Thee as another equally needed sun, America—radiant, ablaze, swift-moving,
 fructifying
 all;
Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity! 
(Scattering for good the cloud that hung so long—that weigh’d so long upon the
 mind
 of man, 
The doubt, suspicion, dread, of gradual, certain decadence of man;) 
Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral,
 spiritual,
 South, North, West, East, 
(To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike,
 forever
 equal;)
Thee in thy own musicians, singers, artists, unborn yet, but certain; 
Thee in thy moral wealth and civilization (until which thy proudest material wealth and
 civilization must remain in vain;) 
Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour,
 merely,

Thy saviours countless, latent within thyself—thy bibles incessant, within thyself,
 equal
 to any, divine as any; 
Thee in an education grown of thee—in teachers, studies, students, born of thee;
Thee in thy democratic fetes, en masse—thy high original festivals, operas,
 lecturers,
 preachers; 
Thee in thy ultimata, (the preparations only now completed—the edifice on sure
 foundations
 tied,) 
Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love,
 and
 godlike aspiration, 
In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal
 bards—kosmic savans, 
These! these in thee, (certain to come,) to-day I prophecy.

5
Land tolerating all—accepting all—not for the good alone—all good for thee;

Land in the realms of God to be a realm unto thyself; 
Under the rule of God to be a rule unto thyself. 

(Lo! where arise three peerless stars, 
To be thy natal stars, my country—Ensemble—Evolution—Freedom,
Set in the sky of Law.) 

Land of unprecedented faith—God’s faith! 
Thy soil, thy very subsoil, all upheav’d; 
The general inner earth, so long, so sedulously draped over, now and hence for what it is,
 boldly laid bare, 
Open’d by thee to heaven’s light, for benefit or bale.

Not for success alone; 
Not to fair-sail unintermitted always; 
The storm shall dash thy face—the murk of war, and worse than war, shall cover thee
 all
 over; 
(Wert capable of war—its tug and trials? Be capable of peace, its trials; 
For the tug and mortal strain of nations come at last in peace—not war;)
In many a smiling mask death shall approach, beguiling thee—thou in disease shalt
 swelter;

The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike
 thee
 deep within; 
Consumption of the worst—moral consumption—shall rouge thy face with hectic: 
But thou shalt face thy fortunes, thy diseases, and surmount them all, 
Whatever they are to-day, and whatever through time they may be,
They each and all shall lift, and pass away, and cease from thee; 
While thou, Time’s spirals rounding—out of thyself, thyself still extricating,
 fusing, 
Equable, natural, mystical Union thou—(the mortal with immortal blent,) 
Shalt soar toward the fulfilment of the future—the spirit of the body and the mind, 
The Soul—its destinies.

The Soul, its destinies—the real real, 
(Purport of all these apparitions of the real;) 
In thee, America, the Soul, its destinies; 
Thou globe of globes! thou wonder nebulous! 
By many a throe of heat and cold convuls’d—(by these thyself solidifying;)
Thou mental, moral orb! thou New, indeed new, Spiritual World! 
The Present holds thee not—for such vast growth as thine—for such
 unparallel’d
 flight as thine, 
The Future only holds thee, and can hold thee.
Written by Walt Whitman | Create an image from this poem

There was a Child went Forth

 THERE was a child went forth every day; 
And the first object he look’d upon, that object he became; 
And that object became part of him for the day, or a certain part of the day, or for many
 years, or
 stretching cycles of years. 

The early lilacs became part of this child, 
And grass, and white and red morning-glories, and white and red clover, and the song of
 the
 phoebe-bird,
And the Third-month lambs, and the sow’s pink-faint litter, and the mare’s foal,
 and
 the
 cow’s calf, 
And the noisy brood of the barn-yard, or by the mire of the pond-side, 
And the fish suspending themselves so curiously below there—and the beautiful curious
 liquid, 
And the water-plants with their graceful flat heads—all became part of him. 

The field-sprouts of Fourth-month and Fifth-month became part of him;
Winter-grain sprouts, and those of the light-yellow corn, and the esculent roots of the
 garden,

And the apple-trees cover’d with blossoms, and the fruit afterward, and wood-berries,
 and
 the
 commonest weeds by the road; 
And the old drunkard staggering home from the out-house of the tavern, whence he had
 lately
 risen, 
And the school-mistress that pass’d on her way to the school, 
And the friendly boys that pass’d—and the quarrelsome boys,
And the tidy and fresh-cheek’d girls—and the barefoot ***** boy and girl, 
And all the changes of city and country, wherever he went. 

His own parents, 
He that had father’d him, and she that had conceiv’d him in her womb, and
 birth’d
 him, 
They gave this child more of themselves than that;
They gave him afterward every day—they became part of him. 

The mother at home, quietly placing the dishes on the supper-table; 
The mother with mild words—clean her cap and gown, a wholesome odor falling off her
 person
 and
 clothes as she walks by; 
The father, strong, self-sufficient, manly, mean, anger’d, unjust; 
The blow, the quick loud word, the tight bargain, the crafty lure,
The family usages, the language, the company, the furniture—the yearning and swelling
 heart, 
Affection that will not be gainsay’d—the sense of what is real—the thought
 if,
 after
 all, it should prove unreal, 
The doubts of day-time and the doubts of night-time—the curious whether and how, 
Whether that which appears so is so, or is it all flashes and specks? 
Men and women crowding fast in the streets—if they are not flashes and specks, what
 are
 they?
The streets themselves, and the façades of houses, and goods in the windows, 
Vehicles, teams, the heavy-plank’d wharves—the huge crossing at the ferries, 
The village on the highland, seen from afar at sunset—the river between, 
Shadows, aureola and mist, the light falling on roofs and gables of white or brown, three
 miles
 off,

The schooner near by, sleepily dropping down the tide—the little boat
 slack-tow’d
 astern,
The hurrying tumbling waves, quick-broken crests, slapping, 
The strata of color’d clouds, the long bar of maroon-tint, away solitary by
 itself—the
 spread of purity it lies motionless in, 
The horizon’s edge, the flying sea-crow, the fragrance of salt marsh and shore mud; 
These became part of that child who went forth every day, and who now goes, and will
 always go
 forth
 every day.
Written by Sidney Lanier | Create an image from this poem

Ode To The Johns Hopkins University

 How tall among her sisters, and how fair, --
How grave beyond her youth, yet debonair
As dawn, 'mid wrinkled Matres of old lands
Our youngest Alma Mater modest stands!
In four brief cycles round the punctual sun
Has she, old Learning's latest daughter, won
This grace, this stature, and this fruitful fame.
Howbeit she was born
Unnoised as any stealing summer morn.
From far the sages saw, from far they came
And ministered to her,
Led by the soaring-genius'd Sylvester
That, earlier, loosed the knot great Newton tied,
And flung the door of Fame's locked temple wide.
As favorable fairies thronged of old and blessed
The cradled princess with their several best,
So, gifts and dowers meet
To lay at Wisdom's feet,
These liberal masters largely brought --
Dear diamonds of their long-compressed thought,
Rich stones from out the labyrinthine cave
Of research, pearls from Time's profoundest wave
And many a jewel brave, of brilliant ray,
Dug in the far obscure Cathay
Of meditation deep --
With flowers, of such as keep
Their fragrant tissues and their heavenly hues
Fresh-bathed forever in eternal dews --
The violet with her low-drooped eye,
For learned modesty, --
The student snow-drop, that doth hang and pore
Upon the earth, like Science, evermore,
And underneath the clod doth grope and grope, --
The astronomer heliotrope,
That watches heaven with a constant eye, --
The daring crocus, unafraid to try
(When Nature calls) the February snows, --
And patience' perfect rose.
Thus sped with helps of love and toil and thought,
Thus forwarded of faith, with hope thus fraught,
In four brief cycles round the stringent sun
This youngest sister hath her stature won.

Nay, why regard
The passing of the years? Nor made, nor marr'd,
By help or hindrance of slow Time was she:
O'er this fair growth Time had no mastery:
So quick she bloomed, she seemed to bloom at birth,
As Eve from Adam, or as he from earth.
Superb o'er slow increase of day on day,
Complete as Pallas she began her way;
Yet not from Jove's unwrinkled forehead sprung,
But long-time dreamed, and out of trouble wrung,
Fore-seen, wise-plann'd, pure child of thought and pain,
Leapt our Minerva from a mortal brain.

And here, O finer Pallas, long remain, --
Sit on these Maryland hills, and fix thy reign,
And frame a fairer Athens than of yore
In these blest bounds of Baltimore, --
Here, where the climates meet
That each may make the other's lack complete, --
Where Florida's soft Favonian airs beguile
The nipping North, -- where nature's powers smile, --
Where Chesapeake holds frankly forth her hands
Spread wide with invitation to all lands, --
Where now the eager people yearn to find
The organizing hand that fast may bind
Loose straws of aimless aspiration fain
In sheaves of serviceable grain, --
Here, old and new in one,
Through nobler cycles round a richer sun
O'er-rule our modern ways,
O blest Minerva of these larger days!
Call here thy congress of the great, the wise,
The hearing ears, the seeing eyes, --
Enrich us out of every farthest clime, --
Yea, make all ages native to our time,
Till thou the freedom of the city grant
To each most antique habitant
Of Fame, --
Bring Shakespeare back, a man and not a name, --
Let every player that shall mimic us
In audience see old godlike Aeschylus, --
Bring Homer, Dante, Plato, Socrates, --
Bring Virgil from the visionary seas
Of old romance, -- bring Milton, no more blind, --
Bring large Lucretius, with unmaniac mind, --
Bring all gold hearts and high resolved wills
To be with us about these happy hills, --
Bring old Renown
To walk familiar citizen of the town, --
Bring Tolerance, that can kiss and disagree, --
Bring Virtue, Honor, Truth, and Loyalty, --
Bring Faith that sees with undissembling eyes, --
Bring all large Loves and heavenly Charities, --
Till man seem less a riddle unto man
And fair Utopia less Utopian,
And many peoples call from shore to shore,
`The world has bloomed again, at Baltimore!'
Written by Bernadette Geyer | Create an image from this poem

Train

 Train. Distant Train. Praise the glorious distance of Train.

Dogs bark, reply to the mournful echo of Train's whistle. Train looks back, keeps moving. Train carries its boxcars of secrets further and further away (and even further still) from those who profess to love Train, but who do not run after him. Eyes brimmed with glassy reflections of Train.

To watch Train pass is to feel your life as a single low note quiver from the rough pads of your toes to the stooped hunch of your shoulders. To watch Train pass is to feel the vibrato of your first singular thought trilling in your ears, casting inward to slide the escarpment of your throat, until Train shudders the memory in the hollow of your belly.

Train leaves and returns like an abusive lover: the completion of necessary cycles. Machinery joined, unjoined, loud and effusive. Belligerent Train no sooner announces his arrival and is gone again, to another town, another set of rails against which to preen.

Can you feel Train's fist inside you? Can you feel the assault with the strength of ten thousand wishes blown from the head of a dandelion?

Train is gone and not gone. For us, Train is the still-warm track we know does not disappear, but even continues to exist outside our sight range. We trust in the existence of Train, even when we can no longer see him. We believe in Train even when the night's silence fights our ears. We await the coming of Train even when the unbelievers tell us Train is not expected.

We imagine Train's call and response like a cantor and a choir. We pray to Train for the cleansing of our sins.

Train was. Train is. Train shall be evermore. We sit on the tracks. We wait.


Written by Jorie Graham | Create an image from this poem

Prayer

 Over a dock railing, I watch the minnows, thousands, swirl
themselves, each a minuscule muscle, but also, without the
way to create current, making of their unison (turning, re-
 infolding,
entering and exiting their own unison in unison) making of themselves a
visual current, one that cannot freight or sway by
minutest fractions the water's downdrafts and upswirls, the
dockside cycles of finally-arriving boat-wakes, there where
they hit deeper resistance, water that seems to burst into
itself (it has those layers) a real current though mostly
invisible sending into the visible (minnows) arrowing
 motion that forces change--
this is freedom. This is the force of faith. Nobody gets
what they want. Never again are you the same. The longing
is to be pure. What you get is to be changed. More and more by
each glistening minute, through which infinity threads itself,
also oblivion, of course, the aftershocks of something
at sea. Here, hands full of sand, letting it sift through
in the wind, I look in and say take this, this is
what I have saved, take this, hurry. And if I listen
now? Listen, I was not saying anything. It was only
something I did. I could not choose words. I am free to go.
I cannot of course come back. Not to this. Never.
It is a ghost posed on my lips. Here: never.
Written by Anne Sexton | Create an image from this poem

The Black Art

 A woman who writes feels too much,
those trances and portents!
As if cycles and children and islands
weren't enough; as if mourners and gossips
and vegetables were never enough.
She thinks she can warn the stars.
A writer is essentially a spy.
Dear love, I am that girl.

A man who writes knows too much,
such spells and fetiches!
As if erections and congresses and products
weren't enough; as if machines and galleons
and wars were never enough.
With used furniture he makes a tree.
A writer is essentially a crook.
Dear love, you are that man.

Never loving ourselves,
hating even our shoes and our hats,
we love each other, precious, precious.
Our hands are light blue and gentle.
Our eyes are full of terrible confessions.
But when we marry,
the children leave in disgust.
There is too much food and no one left over
to eat up all the weird abundance.
Written by Gary Snyder | Create an image from this poem

For/From Lew

 Lew Welch just turned up one day,
live as you and me. "Damn, Lew" I said,
"you didn't shoot yourself after all."
"Yes I did" he said,
and even then I felt the tingling down my back.
"Yes you did, too" I said—"I can feel it now."
"Yeah" he said,
"There's a basic fear between your world and
mine. I don't know why.
What I came to say was,
teach the children about the cycles.
The life cycles. All other cycles.
That's what it's all about, and it's all forgot."
Written by Richard Crashaw | Create an image from this poem

Prayer

 LET us leave our island woods grown dim and blue;
O’er the waters creeping the pearl dust of the eve
Hides the silver of the long wave rippling through:
 The chill for the warm room let us leave.


Turn the lamp down low and draw the curtain wide,
So the greyness of the starlight bathes the room;
Let us see the giant face of night outside,
 Though vague as a moth’s wing is the gloom.


Rumour of the fierce-pulsed city far away
Breaks upon the peace that aureoles our rest,
Steeped in stillness as if some primeval day
 Hung drowsily o’er the water’s breast.


Shut the eyes that flame and hush the heart that burns:
In quiet we may hear the old primeval cry:
God gives wisdom to the spirit that upturns:
 Let us adore now, you and I.


Age on age is heaped about us as we hear:
Cycles hurry to and fro with giant tread
From the deep unto the deep: but do not fear,
 For the soul unhearing them is dead.
Written by Conrad Aiken | Create an image from this poem

The House Of Dust: Part 04: 04: Counterpoint: Two Rooms

 He, in the room above, grown old and tired,
She, in the room below—his floor her ceiling—
Pursue their separate dreams. He turns his light,
And throws himself on the bed, face down, in laughter. . . .
She, by the window, smiles at a starlight night,

His watch—the same he has heard these cycles of ages—
Wearily chimes at seconds beneath his pillow.
The clock, upon her mantelpiece, strikes nine.
The night wears on. She hears dull steps above her.
The world whirs on. . . .New stars come up to shine.

His youth—far off—he sees it brightly walking
In a golden cloud. . . .Wings flashing about it. . . . Darkness
Walls it around with dripping enormous walls.
Old age—far off—her death—what do they matter?
Down the smooth purple night a streaked star falls.

She hears slow steps in the street—they chime like music;
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn. . . .
He hears his own slow steps tread down to silence.
Far off they pass. He knows they will never return.

Far off—on a smooth dark road—he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls. A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him: or he to death.

What's death?—She smiles. The cool stone hurts her elbows.
The last of the rain-drops gather and fall from elm-boughs,
She sees them glisten and break. The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance.
A sparrow whirs to the eaves, and shakes his wings.

What's death—what's death? The spring returns like music,
The trees are like dark lovers who dream in starlight,
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams. . . .
And death seems far away, a thing of roses,
A golden portal, where golden music closes,
Death seems far away:
And spring returns, the countless singing of lovers,
And spring returns to stay. . . .

He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,
And clenches his hands, and remembers, and desires to die.
And she, by the window, smiles at a night of starlight.
. . . The soft grey clouds go slowly across the sky.

Book: Radiant Verses: A Journey Through Inspiring Poetry