Best Famous Cut In Poems

Here is a collection of the all-time best famous Cut In poems. This is a select list of the best famous Cut In poetry. Reading, writing, and enjoying famous Cut In poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of cut in poems.

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• All Famous Cut In Poems

Written by Paul Eluard | The Human Face I. Soon Of all the springtimes of the world This one is the ugliest Of all of my ways of being To be trusting is the best Grass pushes up snow Like the stone of a tomb But I sleep within the storm And awaken eyes bright Slowness, brief time ends Where all streets must pass Through my innermost recesses So that I would meet someone I don’t listen to monsters I know them and all that they say I see only beautiful faces Good faces, sure of themselves Certain soon to ruin their masters II. The women’s role As they sing, the maids dash forward To tidy up the killing fields Well-powdered girls, quickly to their knees Their hands -- reaching for the fresh air -- Are blue like never before What a glorious day! Look at their hands, the dead Look at their liquid eyes This is the toilet of transience The final toilet of life Stones sink and disappear In the vast, primal waters The final toilet of time Hardly a memory remains the dried-up well of virtue In the long, oppressive absences One surrenders to tender flesh Under the spell of weakness III. As deep as the silence As deep as the silence Of a corpse under ground With nothing but darkness in mind As dull and deaf As autumn by the pond Covered with stale shame Poison, deprived of its flower And of its golden beasts out its night onto man IV. Patience You, my patient one My patience My parent Head held high and proudly Organ of the sluggish night Bow down Concealing all of heaven And its favor Prepare for vengeance A bed where I'll be born V. First march, the voice of another Laughing at sky and planets Drunk with their confidence The wise men wish for sons And for sons from their sons Until they all perish in vain Time burdens only fools While Hell alone prospers And the wise men are absurd VI. A wolf Day surprises me and night scares me haunts me and winter follows me An animal walking on the snow has placed Its paws in the sand or in the mud Its paws have traveled From further afar than my own steps On a path where death Has the imprints of life VII. A flawless fire The threat under the red sky Came from below -- jaws And scales and links Of a slippery, heavy chain Life was spread about generously So that death took seriously The debt it was paid without a thought Death was the God of love And the conquerors in a kiss Swooned upon their victims Corruption gained courage And yet, beneath the red sky Under the appetites for blood Under the dismal starvation The cavern closed The kind earth filled The graves dug in advance Children were no longer afraid Of maternal depths And madness and stupidity And vulgarity make way For humankind and brotherhood No longer fighting against life -- For an everlasting humankind VIII. Liberty On my school notebooks On my desk, on the trees On the sand, on the snow I write your name On all the read pages On all the empty pages Stone, blood, paper or ash I write your name On the golden images On the weapons of warriors On the crown of kings I write your name On the jungle and the desert On the nests, on the broom On the echo of my childhood I write your name On the wonders of nights On the white bread of days On the seasons betrothed I write your name d'azur On all my blue rags On the sun-molded pond On the moon-enlivened lake I write your name On the fields, on the horizon On the wings of birds And on the mill of shadows I write your name On every burst of dawn On the sea, on the boats On the insane mountain I write your name On the foam of clouds On the sweat of the storm On the rain, thick and insipid I write your name On the shimmering shapes On the colorful bells On the physical truth I write your name On the alert pathways On the wide-spread roads On the overflowing places I write your name On the lamp that is ignited On the lamp that is dimmed On my reunited houses I write your name On the fruit cut in two Of the mirror and of my room On my bed, an empty shell I write your name On my dog, young and greedy On his pricked-up ears On his clumsy paw I write your name On the springboard of my door On the familiar objects On the wave of blessed fire I write your name On all harmonious flesh On the face of my friends On every out-stretched hand I write your name On the window-pane of surprises On the careful lips Well-above silence I write your name On my destroyed shelter On my collapsed beacon On the walls of my weariness I write your name On absence without want On naked solitude On the steps of death I write your name On regained health On vanished risk On hope free from memory I write your name And by the power of one word I begin my life again I am born to know you To call you by name: Liberty!

Written by Henry Wadsworth Longfellow | Hiawathas Childhood Downward through the evening twilight, In the days that are forgotten, In the unremembered ages, From the full moon fell Nokomis, Fell the beautiful Nokomis, She a wife, but not a mother. She was sporting with her women, Swinging in a swing of grape-vines, When her rival the rejected, Full of jealousy and hatred, Cut the leafy swing asunder, Cut in twain the twisted grape-vines, And Nokomis fell affrighted Downward through the evening twilight, On the Muskoday, the meadow, On the prairie full of blossoms. "See! a star falls!" said the people; "From the sky a star is falling!" There among the ferns and mosses, There among the prairie lilies, On the Muskoday, the meadow, In the moonlight and the starlight, Fair Nokomis bore a daughter. And she called her name Wenonah, As the first-born of her daughters. And the daughter of Nokomis Grew up like the prairie lilies, Grew a tall and slender maiden, With the beauty of the moonlight, With the beauty of the starlight. And Nokomis warned her often, Saying oft, and oft repeating, "Oh, beware of Mudjekeewis, Of the West-Wind, Mudjekeewis; Listen not to what he tells you; Lie not down upon the meadow, Stoop not down among the lilies, Lest the West-Wind come and harm you!" But she heeded not the warning, Heeded not those words of wisdom, And the West-Wind came at evening, Walking lightly o'er the prairie, Whispering to the leaves and blossoms, Bending low the flowers and grasses, Found the beautiful Wenonah, Lying there among the lilies, Wooed her with his words of sweetness, Wooed her with his soft caresses, Till she bore a son in sorrow, Bore a son of love and sorrow. Thus was born my Hiawatha, Thus was born the child of wonder; But the daughter of Nokomis, Hiawatha's gentle mother, In her anguish died deserted By the West-Wind, false and faithless, By the heartless Mudjekeewis. For her daughter long and loudly Wailed and wept the sad Nokomis; "Oh that I were dead!" she murmured, "Oh that I were dead, as thou art! No more work, and no more weeping, Wahonowin! Wahonowin!" By the shores of Gitche Gumee, By the shining Big-Sea-Water, Stood the wigwam of Nokomis, Daughter of the Moon, Nokomis. Dark behind it rose the forest, Rose the black and gloomy pine-trees, Rose the firs with cones upon them; Bright before it beat the water, Beat the clear and sunny water, Beat the shining Big-Sea-Water. There the wrinkled old Nokomis Nursed the little Hiawatha, Rocked him in his linden cradle, Bedded soft in moss and rushes, Safely bound with reindeer sinews; Stilled his fretful wail by saying, "Hush! the Naked Bear will hear thee!" Lulled him into slumber, singing, "Ewa-yea! my little owlet! Who is this, that lights the wigwam? With his great eyes lights the wigwam? Ewa-yea! my little owlet!" Many things Nokomis taught him Of the stars that shine in heaven; Showed him Ishkoodah, the comet, Ishkoodah, with fiery tresses; Showed the Death-Dance of the spirits, Warriors with their plumes and war-clubs, Flaring far away to northward In the frosty nights of Winter; Showed the broad white road in heaven, Pathway of the ghosts, the shadows, Running straight across the heavens, Crowded with the ghosts, the shadows. At the door on summer evenings Sat the little Hiawatha; Heard the whispering of the pine-trees, Heard the lapping of the waters, Sounds of music, words of wonder; 'Minne-wawa!" said the Pine-trees, Mudway-aushka!" said the water. Saw the fire-fly, Wah-wah-taysee, Flitting through the dusk of evening, With the twinkle of its candle Lighting up the brakes and bushes, And he sang the song of children, Sang the song Nokomis taught him: "Wah-wah-taysee, little fire-fly, Little, flitting, white-fire insect, Little, dancing, white-fire creature, Light me with your little candle, Ere upon my bed I lay me, Ere in sleep I close my eyelids!" Saw the moon rise from the water Rippling, rounding from the water, Saw the flecks and shadows on it, Whispered, "What is that, Nokomis?" And the good Nokomis answered: "Once a warrior, very angry, Seized his grandmother, and threw her Up into the sky at midnight; Right against the moon he threw her; 'T is her body that you see there." Saw the rainbow in the heaven, In the eastern sky, the rainbow, Whispered, "What is that, Nokomis?" And the good Nokomis answered: "'T is the heaven of flowers you see there; All the wild-flowers of the forest, All the lilies of the prairie, When on earth they fade and perish, Blossom in that heaven above us." When he heard the owls at midnight, Hooting, laughing in the forest, 'What is that?" he cried in terror, "What is that," he said, "Nokomis?" And the good Nokomis answered: "That is but the owl and owlet, Talking in their native language, Talking, scolding at each other." Then the little Hiawatha Learned of every bird its language, Learned their names and all their secrets, How they built their nests in Summer, Where they hid themselves in Winter, Talked with them whene'er he met them, Called them "Hiawatha's Chickens." Of all beasts he learned the language, Learned their names and all their secrets, How the beavers built their lodges, Where the squirrels hid their acorns, How the reindeer ran so swiftly, Why the rabbit was so timid, Talked with them whene'er he met them, Called them "Hiawatha's Brothers." Then Iagoo, the great boaster, He the marvellous story-teller, He the traveller and the talker, He the friend of old Nokomis, Made a bow for Hiawatha; From a branch of ash he made it, From an oak-bough made the arrows, Tipped with flint, and winged with feathers, And the cord he made of deer-skin. Then he said to Hiawatha: "Go, my son, into the forest, Where the red deer herd together, Kill for us a famous roebuck, Kill for us a deer with antlers!" Forth into the forest straightway All alone walked Hiawatha Proudly, with his bow and arrows; And the birds sang round him, o'er him, "Do not shoot us, Hiawatha!" Sang the robin, the Opechee, Sang the bluebird, the Owaissa, "Do not shoot us, Hiawatha!" Up the oak-tree, close beside him, Sprang the squirrel, Adjidaumo, In and out among the branches, Coughed and chattered from the oak-tree, Laughed, and said between his laughing, "Do not shoot me, Hiawatha!" And the rabbit from his pathway Leaped aside, and at a distance Sat erect upon his haunches, Half in fear and half in frolic, Saying to the little hunter, "Do not shoot me, Hiawatha!" But he heeded not, nor heard them, For his thoughts were with the red deer; On their tracks his eyes were fastened, Leading downward to the river, To the ford across the river, And as one in slumber walked he. Hidden in the alder-bushes, There he waited till the deer came, Till he saw two antlers lifted, Saw two eyes look from the thicket, Saw two nostrils point to windward, And a deer came down the pathway, Flecked with leafy light and shadow. And his heart within him fluttered, Trembled like the leaves above him, Like the birch-leaf palpitated, As the deer came down the pathway. Then, upon one knee uprising, Hiawatha aimed an arrow; Scarce a twig moved with his motion, Scarce a leaf was stirred or rustled, But the wary roebuck started, Stamped with all his hoofs together, Listened with one foot uplifted, Leaped as if to meet the arrow; Ah! the singing, fatal arrow, Like a wasp it buzzed and stung him! Dead he lay there in the forest, By the ford across the river; Beat his timid heart no longer, But the heart of Hiawatha Throbbed and shouted and exulted, As he bore the red deer homeward, And Iagoo and Nokomis Hailed his coming with applauses. From the red deer's hide Nokomis Made a cloak for Hiawatha, From the red deer's flesh Nokomis Made a banquet to his honor. All the village came and feasted, All the guests praised Hiawatha, Called him Strong-Heart, Soan-ge-taha! Called him Loon-Heart, Mahn-go-taysee!

Written by William Topaz McGonagall | A Tale of the Sea A pathetic tale of the sea I will unfold, Enough to make one's blood run cold; Concerning four fishermen cast adrift in a dory. As I've been told I'll relate the story. T'was on the 8th April on the afternoon of that day That the village of Louisburg was thrown into a wild state or dismay, And the villagers flew to the beach in a state of wild uproar And in a dory they found four men were cast ashore. Then the villagers, in surprise assembled about the dory, And they found that the bottom of the boat was gory; Then their hearts were seized with sudden dread, when they discovered that two of the men were dead. And the two survivors were exhausted from exposure, hunger, and cold, Which used the spectators to shudder when them they did behold; And with hunger the poor men couldn't stand on their feet, They felt so weakly on their legs for want of meat. They were carried to a boarding-house without delay, But those that were looking on were stricken with dismay, When the remains of James and Angus McDonald were found in the boat, Likewise three pieces or flesh in a pool or blood afloat. Angus McDonald's right arm was missing from the elbow, and the throat was cut in a sickening manner which filled the villagers hearts with woe, Especially when they saw two pieces of flesh had been cut from each thigh, 'Twas then the kind-hearted villagers did murmur and sigh. Angus McDonald must have felt the pangs of hunger before he did try to cut two pieces of fiesh from James McDonald's thigh, But, Oh heaven! the pangs of hunger are very hard to thole, And anything that's eatable is precious unto an hungry soul. Alas it is most pitiful and horrible to think That with hunger christians will each other's blood drink And eat each other's flesh to save themselves from starvation; But the pangs or hunger makes them mad, and drives them to desperation. An old American soldier that had passed through the Civil War, Declared the scene surpassed anything he's seen by far, And at the sight, the crowd in horror turned away, which no doubt they will remember for many a day. Colin Chisholm, one of the survivors was looking very pale, Stretched on a sofa at the boarding-house, making his wail: Poor fellow! his feet was greatly swollen, and with a melancholy air, He gave the following account of the distressing affair: We belonged to the American fishing schooner named "Cicely", And our captain was a brave man, called McKenzie; And the vessel had fourteen hands altogether And during the passage we had favourable weather. 'Twas on March the 17th we sailed from Gloucester on the Wednesday And all our hearts felt buoyant and gay; And we arrived on the Western banks on the succeeding Tuesday, While the time unto us seemed to pass merrily away. About eight O'clock in the morning, we left the vessel in a dory, And I hope all kind christians will take heed to my story; Well, while we were at our work, the sky began to frown, And with a dense fog we were suddenly shut down Then we hunted and shouted, and every nerve did strain, Thinking to find our schooner but, alas! it was all in vain: Because the thick fog hid the vessel from our view, And to keep ourselves warm we closely to each other drew. We had not one drop of water , nor provisions of any kind, Which, alas soon began to tell on our mind; Especially upon James McDonald who was very thinly clad, And with the cold and hunger he felt almost mad. And looking from the stern where he was lying, he said Good bye, mates, Oh! I am dying! Poor fellow we kept his body thinking the rest of us would be saved, Then, with hunger, Angus McDonald began to cry and madly raved. And he cried, Oh, God! send us some kind of meat, Because I'm resolved to have something to eat; Oh! do not let us starve on the briny flood Or else I will drink of poor Jim's blood. Then he suddenly seized his knife and cut off poor Jim's arm, Not thinking in his madness he'd done any harm; Then poor Jim's blood he did drink and his flesh did eat, Declaring that the blood tasted like cream, and was a treat. Then he asked me to taste it, saying It was good without doubt, Then I tasted it, but in disgust I instantly spat it out; Saying, if I was to die within an hour on the briny flood, I would neither eat the flesh nor drink the blood. Then in the afternoon again he turned to me, Saying, I'm going to cut Jim's throat for more blood d'ye see; Then I begged of him, for God's sake not to cut the throat of poor Jim, But he cried, Ha! ha! to save my own life I consider it no sin. I tried to prevent him but he struck me without dismay And cut poor Jim's throat in defiance of me, or all I could say, Also a piece of flesh from each thigh, and began to eat away, But poor fellow he sickened about noon, and died on the Sunday. Now it is all over and I will thank all my life, Who has preserved me and my mate, McEachern, in the midst of danger and strife; And I hope that all landsmen of low and high degree, Will think of the hardships of poor mariners while at sea.

Written by Louise Gluck | The Garden How vainly men themselves amaze To win the Palm, the Oke, or Bayes; And their uncessant Labours see Crown'd from some single Herb or Tree, Whose short and narrow verged Shade Does prudently their Toyles upbraid; While all Flow'rs and all Trees do close To weave the Garlands of repose. Fair quiet, have I found thee here, And Innocence thy Sister dear! Mistaken long, I sought you then In busie Companies of Men. Your sacred Plants, if here below, Only among the Plants will grow. Society is all but rude, To this delicious Solitude. No white nor red was ever seen So am'rous as this lovely green. Fond Lovers, cruel as their Flame, Cut in these Trees their Mistress name. Little, Alas, they know, or heed, How far these Beauties Hers exceed! Fair Trees! where s'eer you barkes I wound, No Name shall but your own be found. When we have run our Passions heat, Love hither makes his best retreat. The Gods, that mortal Beauty chase, The Gods, that mortal Beauty chase, Apollo hunted Daphne so, Only that She might Laurel grow. And Pan did after Syrinx speed, Not as a Nymph, but for a Reed. What wond'rous Life in this I lead! Ripe Apples drop about my head; The Luscious Clusters of the Vine Upon my Mouth do crush their Wine; The Nectaren, and curious Peach, Into my hands themselves do reach; Stumbling on Melons, as I pass, Insnar'd with Flow'rs, I fall on Grass. Mean while the Mind, from pleasure less, Withdraws into its happiness: The Mind, that Ocean where each kind Does streight its own resemblance find; Yet it creates, transcending these, Far other Worlds, and other Seas; Annihilating all that's made To a green Thought in a green Shade. Here at the Fountains sliding foot, Or at some Fruit-tress mossy root, Casting the Bodies Vest aside, My Soul into the boughs does glide: There like a Bird it sits, and sings, Then whets, and combs its silver Wings; And, till prepar'd for longer flight, Waves in its Plumes the various Light. Such was that happy Garden-state, While Man there walk'd without a Mate: After a Place so pure, and sweet, What other Help could yet be meet! But 'twas beyond a Mortal's share To wander solitary there: Two Paradises 'twere in one To live in Paradise alone. How well the skilful Gardner drew Of flow'rs and herbes this Dial new; Where from above the milder Sun Does through a fragrant Zodiack run; And, as it works, th' industrious Bee Computes its time as well as we. How could such sweet and wholsome Hours Be reckon'd but with herbs and flow'rs!

Written by George Bradley | At The Other End Of The Telescope the people are very small and shrink, dwarves on the way to netsuke hell bound for a flea circus in full retreat toward sub-atomic particles-- difficult to keep in focus, the figures at that end are nearly indistinguishable, generals at the heads of minute armies differing little from fishwives, emperors the same as eskimos huddled under improvisations of snow-- eskimos, though, now have the advantage, for it seems to be freezing there, a climate which might explain the population's outr? dress, their period costumes of felt and silk and eiderdown, their fur concoctions stuffed with straw held in place with flexible strips of bark, and all to no avail, the midgets forever stamping their match-stick feet, blowing on the numb flagella of their fingers-- but wait, bring a light, clean the lens.... can it be those shivering arms are waving, are trying to attract attention, hailing you? seen from the other end of the telescope, your eye must appear enormous, must fill the sky like a sun, and as you occupy their tiny heads naturally they wish to communicate, to tell you of their diminishing perspective-- yes, look again, their hands are cupped around the pinholes of their mouths, their faces are swollen, red with effort; why, they're screaming fit to burst, though what they say is anybody's guess, it is next to impossible to hear them, and most of them speak languages for which no Rosetta stone can be found-- but listen harder, use your imagination.... the people at the other end of the telescope, are they trying to tell you their names? yes, surely that must be it, their names and those of those they love, and possibly something else, some of them.... listen.... the largest are struggling to explain what befell them, how it happened that they woke one morning as if adrift, their moorings cut in the night, and were swept out over the horizon, borne on an ebbing tide and soon to be discernible only as distance, collapsed into mirage, made to become legendary creatures now off every map.

Written by Oscar Wilde | La Bella Donna Della Mia Mente My limbs are wasted with a flame, My feet are sore with travelling, For, calling on my Lady's name, My lips have now forgot to sing. O Linnet in the wild-rose brake Strain for my Love thy melody, O Lark sing louder for love's sake, My gentle Lady passeth by. She is too fair for any man To see or hold his heart's delight, Fairer than Queen or courtesan Or moonlit water in the night. Her hair is bound with myrtle leaves, (Green leaves upon her golden hair!) Green grasses through the yellow sheaves Of autumn corn are not more fair. Her little lips, more made to kiss Than to cry bitterly for pain, Are tremulous as brook-water is, Or roses after evening rain. Her neck is like white melilote Flushing for pleasure of the sun, The throbbing of the linnet's throat Is not so sweet to look upon. As a pomegranate, cut in twain, White-seeded, is her crimson mouth, Her cheeks are as the fading stain Where the peach reddens to the south. O twining hands! O delicate White body made for love and pain! O House of love! O desolate Pale flower beaten by the rain!

Written by Yehuda Amichai | Once A Great Love Once a great love cut my life in two. The first part goes on twisting at some other place like a snake cut in two. The passing years have calmed me and brought healing to my heart and rest to my eyes. And I'm like someone standing in the Judean desert, looking at a sign: "Sea Level" He cannot see the sea, but he knows. Thus I remember your face everywhere at your "face Level."

Written by T Wignesan | Blinks through Blood-shot Walks When at five-thirty In the rubbed-eye haziness Of ferreting lonesome night walks The camera-eye refugee Asleep in the half awakefulness Of the hour Peers out of his high turbanned sockets: Hyde Park's through road links London's diurnally estranged couple - The Arch and Gate. When at five-thirty The foot falls gently Of the vision cut in dark recesses And the man, finger gingerly on the fly Gapes dolefully about For a while Exchanges a casual passing word Standing in the Rembrandtesque clefts And the multipled ma'm'selle trips out: Neat and slick. They say you meet the girls at parties And get deeper than swine in orgies. When at five-thirty The fisherman's chilled chips Lie soggy and heeled under the Arch Where patchy transparent wrappers cling To slippery hands jingling the inexact change That mounted the trustful fisherman's credit: The stub legged fisher of diplomat And cool cat And the prostitutes' confidant; Each shivering pimp's warming pan. Then at five-thirty The bowels of Hyde Park Improperly growled and shunted And shook the half-night-long Lazily swaggering double deckers, Suddenly as in a rude recollection, To break and pull, grind and swing away And around, drawing the knotting air after Curling and unfurling on the pavements. And at five-thirty The prostrate mindful old refugee Dares not stir Nor cares to wake and swallow The precisely half-downed bottle Of Coke clinging to the pearly dew Nor lick the clasp knife clean Lying bare by a tin of' skewed top Corned beef, incisively culled Look! that garden all spruced up An incongruous lot of hair on that bald pate No soul stirs in there but the foul air No parking alongside but from eight to eight. Learning so hard and late No time to scratch the bald pate. At five-thirty-one A minute just gone The thud is on, the sledge-hammer yawns And in the back of ears, strange noises As from afar and a million feet tramp. One infinitesimal particle knocks another And the whirl begins in a silent rage And the human heart beats harder While in and around, this London This atomic mammoth roams In the wastes of wars and tumbling empires.

Written by Rossy Evelin Lima | Broken bones I am a beautiful broken woman, my arms separated in three levels. Thunderous is my independent torso, my torso of perfect size, my torso a treasure box, an unrestricted treasure box in which I keep the thirst that I resist. My legs, also cut in three, are the trinity of my dismembered temple, transformed pieces made unstoppable, they are the flow of the sea and they sail at will. My shattered hands are deer crowns, rooted stems that whittle their own path. Hands so free! I am a beheaded woman, a glorified decapitated woman. My head is a nimbus, for I am the queen and my body is the empire. I go on limitless, vacant in all my sovereignty. The shackles that once held me slid through my broken bones. I am the liberated severed woman, the woman without yoke or tether.

Written by Robert William Service | Portent Courage mes gars: La guerre est proche. I plant my little plot of beans, I sit beneath my cyprus tree; I do not know what trouble means, I cultivate tranquillity . . . But as to-day my walk I made In all serenity and cheer, I saw cut in an agave blade: "Courage, my comrades, war is near!" Seward I went, my feet were slow, Awhile I dowsed upon the shore; And then I roused with fear for lo! I saw six grisly ships of war. A grim, grey line of might and dread Against the skyline looming sheer: With horror to myself I said: "Courage, my comrades, war is near!" I saw my cottage on the hill With rambling roses round the door; It was so peaceful and so still I sighed . . . and then it was no more. A flash of flame, a rubble heap; I cried aloud with woe and fear . . . And wok myself from troubled sleep - My home was safe, war was not near. Oh, I am old, my step is frail, My carcase bears a score of scars, And as I climbed my homeward trail Sadly I thought of other wars. And when that agave leaf I saw With vicious knife I made a blear Of words clean-cut into the raw: "Courage, my comrades, war is near!" Who put hem there I do not know - One of these rabid reds, no doubt; But I for freedom struck my blow, With bitter blade I scraped them out. There now, said I, I will forget, And smoke my pipe and drink my beer - Yet in my mind these words were set: "Courage, my comrades, war is near!" "Courage, my comrades, war is near!" I hear afar its hateful drums; Its horrid din assails my ear: I hope I die before it comes. . . . Yet as into the town I go, And listen to the rabble cheer, I think with heart of weary woe: War is not coming - WAR IS HERE.