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Best Famous Curls Poems

Here is a collection of the all-time best famous Curls poems. This is a select list of the best famous Curls poetry. Reading, writing, and enjoying famous Curls poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of curls poems.

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Written by Charles Baudelaire | Create an image from this poem

THE DANCE OF DEATH

 CARRYING bouquet, and handkerchief, and gloves, 
Proud of her height as when she lived, she moves 
With all the careless and high-stepping grace, 
And the extravagant courtesan's thin face.
Was slimmer waist e'er in a ball-room wooed? Her floating robe, in royal amplitude, Falls in deep folds around a dry foot, shod With a bright flower-like shoe that gems the sod.
The swarms that hum about her collar-bones As the lascivious streams caress the stones, Conceal from every scornful jest that flies, Her gloomy beauty; and her fathomless eyes Are made of shade and void; with flowery sprays Her skull is wreathed artistically, and sways, Feeble and weak, on her frail vertebrae.
O charm of nothing decked in folly! they Who laugh and name you a Caricature, They see not, they whom flesh and blood allure, The nameless grace of every bleached, bare bone, That is most dear to me, tall skeleton! Come you to trouble with your potent sneer The feast of Life! or are you driven here, To Pleasure's Sabbath, by dead lusts that stir And goad your moving corpse on with a spur? Or do you hope, when sing the violins, And the pale candle-flame lights up our sins, To drive some mocking nightmare far apart, And cool the flame hell lighted in your heart? Fathomless well of fault and foolishness! Eternal alembic of antique distress! Still o'er the curved, white trellis of your sides The sateless, wandering serpent curls and glides.
And truth to tell, I fear lest you should find, Among us here, no lover to your mind; Which of these hearts beat for the smile you gave? The charms of horror please none but the brave.
Your eyes' black gulf, where awful broodings stir, Brings giddiness; the prudent reveller Sees, while a horror grips him from beneath, The eternal smile of thirty-two white teeth.
For he who has not folded in his arms A skeleton, nor fed on graveyard charms, Recks not of furbelow, or paint, or scent, When Horror comes the way that Beauty went.
O irresistible, with fleshless face, Say to these dancers in their dazzled race: "Proud lovers with the paint above your bones, Ye shall taste death, musk scented skeletons! Withered Antino?s, dandies with plump faces, Ye varnished cadavers, and grey Lovelaces, Ye go to lands unknown and void of breath, Drawn by the rumour of the Dance of Death.
From Seine's cold quays to Ganges' burning stream, The mortal troupes dance onward in a dream; They do not see, within the opened sky, The Angel's sinister trumpet raised on high.
In every clime and under every sun, Death laughs at ye, mad mortals, as ye run; And oft perfumes herself with myrrh, like ye And mingles with your madness, irony!"


Written by Maya Angelou | Create an image from this poem

Life doesn't frighten me at all

Shadows on the wall
Noises down the hall
Life doesn't frighten me at all
 
Bad dogs barking loud
Big ghosts in a cloud
Life doesn't frighten me at all
 
Mean old Mother Goose
Lions on the loose
They don't frighten me at all
 
Dragons breathing flame
On my counterpane
That doesn't frighten me at all.
 
I go boo
Make them shoo
I make fun
Way they run
I won't cry
So they fly
I just smile
They go wild
 
Life doesn't frighten me at all.
 
Tough guys fight
All alone at night
Life doesn't frighten me at all.
 
Panthers in the park
Strangers in the dark
No, they don't frighten me at all.
 
That new classroom where
Boys all pull my hair
(Kissy little girls
With their hair in curls)
They don't frighten me at all.
 
Don't show me frogs and snakes
And listen for my scream,
If I'm afraid at all
It's only in my dreams.
 
I've got a magic charm
That I keep up my sleeve
I can walk the ocean floor
And never have to breathe.
 
Life doesn't frighten me at all
Not at all
Not at all.
 
Life doesn't frighten me at all.
Written by Alfred Lord Tennyson | Create an image from this poem

The Lady of Shalott

ON either side the river lie

Long fields of barley and of rye, 
That clothe the wold and meet the sky; 
And thro' the field the road runs by 
To many-tower'd Camelot; 5 
And up and down the people go, 
Gazing where the lilies blow 
Round an island there below, 
The island of Shalott.
Willows whiten, aspens quiver, 10 Little breezes dusk and shiver Thro' the wave that runs for ever By the island in the river Flowing down to Camelot.
Four gray walls, and four gray towers, 15 Overlook a space of flowers, And the silent isle imbowers The Lady of Shalott.
By the margin, willow-veil'd, Slide the heavy barges trail'd 20 By slow horses; and unhail'd The shallop flitteth silken-sail'd Skimming down to Camelot: But who hath seen her wave her hand? Or at the casement seen her stand? 25 Or is she known in all the land, The Lady of Shalott? Only reapers, reaping early In among the bearded barley, Hear a song that echoes cheerly 30 From the river winding clearly, Down to tower'd Camelot: And by the moon the reaper weary, Piling sheaves in uplands airy, Listening, whispers ''Tis the fairy 35 Lady of Shalott.
' PART II There she weaves by night and day A magic web with colours gay.
She has heard a whisper say, A curse is on her if she stay 40 To look down to Camelot.
She knows not what the curse may be, And so she weaveth steadily, And little other care hath she, The Lady of Shalott.
45 And moving thro' a mirror clear That hangs before her all the year, Shadows of the world appear.
There she sees the highway near Winding down to Camelot: 50 There the river eddy whirls, And there the surly village-churls, And the red cloaks of market girls, Pass onward from Shalott.
Sometimes a troop of damsels glad, 55 An abbot on an ambling pad, Sometimes a curly shepherd-lad, Or long-hair'd page in crimson clad, Goes by to tower'd Camelot; And sometimes thro' the mirror blue 60 The knights come riding two and two: She hath no loyal knight and true, The Lady of Shalott.
But in her web she still delights To weave the mirror's magic sights, 65 For often thro' the silent nights A funeral, with plumes and lights, And music, went to Camelot: Or when the moon was overhead, Came two young lovers lately wed; 70 'I am half sick of shadows,' said The Lady of Shalott.
PART III A bow-shot from her bower-eaves, He rode between the barley-sheaves, The sun came dazzling thro' the leaves, 75 And flamed upon the brazen greaves Of bold Sir Lancelot.
A red-cross knight for ever kneel'd To a lady in his shield, That sparkled on the yellow field, 80 Beside remote Shalott.
The gemmy bridle glitter'd free, Like to some branch of stars we see Hung in the golden Galaxy.
The bridle bells rang merrily 85 As he rode down to Camelot: And from his blazon'd baldric slung A mighty silver bugle hung, And as he rode his armour rung, Beside remote Shalott.
90 All in the blue unclouded weather Thick-jewell'd shone the saddle-leather, The helmet and the helmet-feather Burn'd like one burning flame together, As he rode down to Camelot.
95 As often thro' the purple night, Below the starry clusters bright, Some bearded meteor, trailing light, Moves over still Shalott.
His broad clear brow in sunlight glow'd; 100 On burnish'd hooves his war-horse trode; From underneath his helmet flow'd His coal-black curls as on he rode, As he rode down to Camelot.
From the bank and from the river 105 He flash'd into the crystal mirror, 'Tirra lirra,' by the river Sang Sir Lancelot.
She left the web, she left the loom, She made three paces thro' the room, 110 She saw the water-lily bloom, She saw the helmet and the plume, She look'd down to Camelot.
Out flew the web and floated wide; The mirror crack'd from side to side; 115 'The curse is come upon me!' cried The Lady of Shalott.
PART IV In the stormy east-wind straining, The pale yellow woods were waning, The broad stream in his banks complaining, 120 Heavily the low sky raining Over tower'd Camelot; Down she came and found a boat Beneath a willow left afloat, And round about the prow she wrote 125 The Lady of Shalott.
And down the river's dim expanse¡ª Like some bold seer in a trance, Seeing all his own mischance¡ª With a glassy countenance 130 Did she look to Camelot.
And at the closing of the day She loosed the chain, and down she lay; The broad stream bore her far away, The Lady of Shalott.
135 Lying, robed in snowy white That loosely flew to left and right¡ª The leaves upon her falling light¡ª Thro' the noises of the night She floated down to Camelot: 140 And as the boat-head wound along The willowy hills and fields among, They heard her singing her last song, The Lady of Shalott.
Heard a carol, mournful, holy, 145 Chanted loudly, chanted lowly, Till her blood was frozen slowly, And her eyes were darken'd wholly, Turn'd to tower'd Camelot; For ere she reach'd upon the tide 150 The first house by the water-side, Singing in her song she died, The Lady of Shalott.
Under tower and balcony, By garden-wall and gallery, 155 A gleaming shape she floated by, Dead-pale between the houses high, Silent into Camelot.
Out upon the wharfs they came, Knight and burgher, lord and dame, 160 And round the prow they read her name, The Lady of Shalott.
Who is this? and what is here? And in the lighted palace near Died the sound of royal cheer; 165 And they cross'd themselves for fear, All the knights at Camelot: But Lancelot mused a little space; He said, 'She has a lovely face; God in His mercy lend her grace, 170 The Lady of Shalott.
'
Written by Oscar Wilde | Create an image from this poem

Panthea

 Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight, -
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.
For, sweet, to feel is better than to know, And wisdom is a childless heritage, One pulse of passion - youth's first fiery glow, - Are worth the hoarded proverbs of the sage: Vex not thy soul with dead philosophy, Have we not lips to kiss with, hearts to love and eyes to see! Dost thou not hear the murmuring nightingale, Like water bubbling from a silver jar, So soft she sings the envious moon is pale, That high in heaven she is hung so far She cannot hear that love-enraptured tune, - Mark how she wreathes each horn with mist, yon late and labouring moon.
White lilies, in whose cups the gold bees dream, The fallen snow of petals where the breeze Scatters the chestnut blossom, or the gleam Of boyish limbs in water, - are not these Enough for thee, dost thou desire more? Alas! the Gods will give nought else from their eternal store.
For our high Gods have sick and wearied grown Of all our endless sins, our vain endeavour For wasted days of youth to make atone By pain or prayer or priest, and never, never, Hearken they now to either good or ill, But send their rain upon the just and the unjust at will.
They sit at ease, our Gods they sit at ease, Strewing with leaves of rose their scented wine, They sleep, they sleep, beneath the rocking trees Where asphodel and yellow lotus twine, Mourning the old glad days before they knew What evil things the heart of man could dream, and dreaming do.
And far beneath the brazen floor they see Like swarming flies the crowd of little men, The bustle of small lives, then wearily Back to their lotus-haunts they turn again Kissing each others' mouths, and mix more deep The poppy-seeded draught which brings soft purple-lidded sleep.
There all day long the golden-vestured sun, Their torch-bearer, stands with his torch ablaze, And, when the gaudy web of noon is spun By its twelve maidens, through the crimson haze Fresh from Endymion's arms comes forth the moon, And the immortal Gods in toils of mortal passions swoon.
There walks Queen Juno through some dewy mead, Her grand white feet flecked with the saffron dust Of wind-stirred lilies, while young Ganymede Leaps in the hot and amber-foaming must, His curls all tossed, as when the eagle bare The frightened boy from Ida through the blue Ionian air.
There in the green heart of some garden close Queen Venus with the shepherd at her side, Her warm soft body like the briar rose Which would be white yet blushes at its pride, Laughs low for love, till jealous Salmacis Peers through the myrtle-leaves and sighs for pain of lonely bliss.
There never does that dreary north-wind blow Which leaves our English forests bleak and bare, Nor ever falls the swift white-feathered snow, Nor ever doth the red-toothed lightning dare To wake them in the silver-fretted night When we lie weeping for some sweet sad sin, some dead delight.
Alas! they know the far Lethaean spring, The violet-hidden waters well they know, Where one whose feet with tired wandering Are faint and broken may take heart and go, And from those dark depths cool and crystalline Drink, and draw balm, and sleep for sleepless souls, and anodyne.
But we oppress our natures, God or Fate Is our enemy, we starve and feed On vain repentance - O we are born too late! What balm for us in bruised poppy seed Who crowd into one finite pulse of time The joy of infinite love and the fierce pain of infinite crime.
O we are wearied of this sense of guilt, Wearied of pleasure's paramour despair, Wearied of every temple we have built, Wearied of every right, unanswered prayer, For man is weak; God sleeps: and heaven is high: One fiery-coloured moment: one great love; and lo! we die.
Ah! but no ferry-man with labouring pole Nears his black shallop to the flowerless strand, No little coin of bronze can bring the soul Over Death's river to the sunless land, Victim and wine and vow are all in vain, The tomb is sealed; the soldiers watch; the dead rise not again.
We are resolved into the supreme air, We are made one with what we touch and see, With our heart's blood each crimson sun is fair, With our young lives each spring-impassioned tree Flames into green, the wildest beasts that range The moor our kinsmen are, all life is one, and all is change.
With beat of systole and of diastole One grand great life throbs through earth's giant heart, And mighty waves of single Being roll From nerveless germ to man, for we are part Of every rock and bird and beast and hill, One with the things that prey on us, and one with what we kill.
From lower cells of waking life we pass To full perfection; thus the world grows old: We who are godlike now were once a mass Of quivering purple flecked with bars of gold, Unsentient or of joy or misery, And tossed in terrible tangles of some wild and wind-swept sea.
This hot hard flame with which our bodies burn Will make some meadow blaze with daffodil, Ay! and those argent breasts of thine will turn To water-lilies; the brown fields men till Will be more fruitful for our love to-night, Nothing is lost in nature, all things live in Death's despite.
The boy's first kiss, the hyacinth's first bell, The man's last passion, and the last red spear That from the lily leaps, the asphodel Which will not let its blossoms blow for fear Of too much beauty, and the timid shame Of the young bridegroom at his lover's eyes, - these with the same One sacrament are consecrate, the earth Not we alone hath passions hymeneal, The yellow buttercups that shake for mirth At daybreak know a pleasure not less real Than we do, when in some fresh-blossoming wood, We draw the spring into our hearts, and feel that life is good.
So when men bury us beneath the yew Thy crimson-stained mouth a rose will be, And thy soft eyes lush bluebells dimmed with dew, And when the white narcissus wantonly Kisses the wind its playmate some faint joy Will thrill our dust, and we will be again fond maid and boy.
And thus without life's conscious torturing pain In some sweet flower we will feel the sun, And from the linnet's throat will sing again, And as two gorgeous-mailed snakes will run Over our graves, or as two tigers creep Through the hot jungle where the yellow-eyed huge lions sleep And give them battle! How my heart leaps up To think of that grand living after death In beast and bird and flower, when this cup, Being filled too full of spirit, bursts for breath, And with the pale leaves of some autumn day The soul earth's earliest conqueror becomes earth's last great prey.
O think of it! We shall inform ourselves Into all sensuous life, the goat-foot Faun, The Centaur, or the merry bright-eyed Elves That leave their dancing rings to spite the dawn Upon the meadows, shall not be more near Than you and I to nature's mysteries, for we shall hear The thrush's heart beat, and the daisies grow, And the wan snowdrop sighing for the sun On sunless days in winter, we shall know By whom the silver gossamer is spun, Who paints the diapered fritillaries, On what wide wings from shivering pine to pine the eagle flies.
Ay! had we never loved at all, who knows If yonder daffodil had lured the bee Into its gilded womb, or any rose Had hung with crimson lamps its little tree! Methinks no leaf would ever bud in spring, But for the lovers' lips that kiss, the poets' lips that sing.
Is the light vanished from our golden sun, Or is this daedal-fashioned earth less fair, That we are nature's heritors, and one With every pulse of life that beats the air? Rather new suns across the sky shall pass, New splendour come unto the flower, new glory to the grass.
And we two lovers shall not sit afar, Critics of nature, but the joyous sea Shall be our raiment, and the bearded star Shoot arrows at our pleasure! We shall be Part of the mighty universal whole, And through all aeons mix and mingle with the Kosmic Soul! We shall be notes in that great Symphony Whose cadence circles through the rhythmic spheres, And all the live World's throbbing heart shall be One with our heart; the stealthy creeping years Have lost their terrors now, we shall not die, The Universe itself shall be our Immortality.
Written by Sarojini Naidu | Create an image from this poem

An Indian Love Song

 He

Lift up the veils that darken the delicate moon 
of thy glory and grace,
Withhold not, O love, from the night 
of my longing the joy of thy luminous face,
Give me a spear of the scented keora 
guarding thy pinioned curls, 
Or a silken thread from the fringes 
that trouble the dream of thy glimmering pearls;
Faint grows my soul with thy tresses' perfume 
and the song of thy anklets' caprice,
Revive me, I pray, with the magical nectar 
that dwells in the flower of thy kiss.
She How shall I yield to the voice of thy pleading, how shall I grant thy prayer, Or give thee a rose-red silken tassel, a scented leaf from my hair? Or fling in the flame of thy heart's desire the veils that cover my face, Profane the law of my father's creed for a foe of my father's race? Thy kinsmen have broken our sacred altars and slaughtered our sacred kine, The feud of old faiths and the blood of old battles sever thy people and mine.
He What are the sins of my race, Beloved, what are my people to thee? And what are thy shrines, and kine and kindred, what are thy gods to me? Love recks not of feuds and bitter follies, of stranger, comrade or kin, Alike in his ear sound the temple bells and the cry of the muezzin.
For Love shall cancel the ancient wrong and conquer the ancient rage, Redeem with his tears the memoried sorrow that sullied a bygone age.


Written by Anne Sexton | Create an image from this poem

Flee On Your Donkey

 Because there was no other place
to flee to,
I came back to the scene of the disordered senses,
came back last night at midnight,
arriving in the thick June night
without luggage or defenses,
giving up my car keys and my cash,
keeping only a pack of Salem cigarettes
the way a child holds on to a toy.
I signed myself in where a stranger puts the inked-in X's— for this is a mental hospital, not a child's game.
Today an intern knocks my knees, testing for reflexes.
Once I would have winked and begged for dope.
Today I am terribly patient.
Today crows play black-jack on the stethoscope.
Everyone has left me except my muse, that good nurse.
She stays in my hand, a mild white mouse.
The curtains, lazy and delicate, billow and flutter and drop like the Victorian skirts of my two maiden aunts who kept an antique shop.
Hornets have been sent.
They cluster like floral arrangements on the screen.
Hornets, dragging their thin stingers, hover outside, all knowing, hissing: the hornet knows.
I heard it as a child but what was it that he meant? The hornet knows! What happened to Jack and Doc and Reggy? Who remembers what lurks in the heart of man? What did The Green Hornet mean, he knows? Or have I got it wrong? Is it The Shadow who had seen me from my bedside radio? Now it's Dinn, Dinn, Dinn! while the ladies in the next room argue and pick their teeth.
Upstairs a girl curls like a snail; in another room someone tries to eat a shoe; meanwhile an adolescent pads up and down the hall in his white tennis socks.
A new doctor makes rounds advertising tranquilizers, insulin, or shock to the uninitiated.
Six years of such small preoccupations! Six years of shuttling in and out of this place! O my hunger! My hunger! I could have gone around the world twice or had new children - all boys.
It was a long trip with little days in it and no new places.
In here, it's the same old crowd, the same ruined scene.
The alcoholic arrives with his gold culbs.
The suicide arrives with extra pills sewn into the lining of her dress.
The permanent guests have done nothing new.
Their faces are still small like babies with jaundice.
Meanwhile, they carried out my mother, wrapped like somebody's doll, in sheets, bandaged her jaw and stuffed up her holes.
My father, too.
He went out on the rotten blood he used up on other women in the Middle West.
He went out, a cured old alcoholic on crooked feet and useless hands.
He went out calling for his father who died all by himself long ago - that fat banker who got locked up, his genes suspened like dollars, wrapped up in his secret, tied up securely in a straitjacket.
But you, my doctor, my enthusiast, were better than Christ; you promised me another world to tell me who I was.
I spent most of my time, a stranger, damned and in trance—that little hut, that naked blue-veined place, my eyes shut on the confusing office, eyes circling into my childhood, eyes newly cut.
Years of hints strung out—a serialized case history— thirty-three years of the same dull incest that sustained us both.
You, my bachelor analyst, who sat on Marlborough Street, sharing your office with your mother and giving up cigarettes each New Year, were the new God, the manager of the Gideon Bible.
I was your third-grader with a blue star on my forehead.
In trance I could be any age, voice, gesture—all turned backward like a drugstore clock.
Awake, I memorized dreams.
Dreams came into the ring like third string fighters, each one a bad bet who might win because there was no other.
I stared at them, concentrating on the abyss the way one looks down into a rock quarry, uncountable miles down, my hands swinging down like hooks to pull dreams up out of their cage.
O my hunger! My hunger! Once, outside your office, I collapsed in the old-fashioned swoon between the illegally parked cars.
I threw myself down, pretending dead for eight hours.
I thought I had died into a snowstorm.
Above my head chains cracked along like teeth digging their way through the snowy street.
I lay there like an overcoat that someone had thrown away.
You carried me back in, awkwardly, tenderly, with help of the red-haired secretary who was built like a lifeguard.
My shoes, I remember, were lost in the snowbank as if I planned never to walk again.
That was the winter that my mother died, half mad on morphine, blown up, at last, like a pregnant pig.
I was her dreamy evil eye.
In fact, I carried a knife in my pocketbook— my husband's good L.
L.
Bean hunting knife.
I wasn't sure if I should slash a tire or scrape the guts out of some dream.
You taught me to believe in dreams; thus I was the dredger.
I held them like an old woman with arthritic fingers, carefully straining the water out— sweet dark playthings, and above all, mysterious until they grew mournful and weak.
O my hunger! My hunger! I was the one who opened the warm eyelid like a surgeon and brought forth young girls to grunt like fish.
I told you, I said— but I was lying— that the kife was for my mother .
.
.
and then I delivered her.
The curtains flutter out and slump against the bars.
They are my two thin ladies named Blanche and Rose.
The grounds outside are pruned like an estate at Newport.
Far off, in the field, something yellow grows.
Was it last month or last year that the ambulance ran like a hearse with its siren blowing on suicide— Dinn, dinn, dinn!— a noon whistle that kept insisting on life all the way through the traffic lights? I have come back but disorder is not what it was.
I have lost the trick of it! The innocence of it! That fellow-patient in his stovepipe hat with his fiery joke, his manic smile— even he seems blurred, small and pale.
I have come back, recommitted, fastened to the wall like a bathroom plunger, held like a prisoner who was so poor he fell in love with jail.
I stand at this old window complaining of the soup, examining the grounds, allowing myself the wasted life.
Soon I will raise my face for a white flag, and when God enters the fort, I won't spit or gag on his finger.
I will eat it like a white flower.
Is this the old trick, the wasting away, the skull that waits for its dose of electric power? This is madness but a kind of hunger.
What good are my questions in this hierarchy of death where the earth and the stones go Dinn! Dinn! Dinn! It is hardly a feast.
It is my stomach that makes me suffer.
Turn, my hungers! For once make a deliberate decision.
There are brains that rot here like black bananas.
Hearts have grown as flat as dinner plates.
Anne, Anne, flee on your donkey, flee this sad hotel, ride out on some hairy beast, gallop backward pressing your buttocks to his withers, sit to his clumsy gait somehow.
Ride out any old way you please! In this place everyone talks to his own mouth.
That's what it means to be crazy.
Those I loved best died of it— the fool's disease.
Written by Suheir Hammad | Create an image from this poem

the missing

 the way loss seeps
into neck hollows
and curls at temples
sits between front teeth
cavity
empty and waiting
for mourning to open
the way mourning stays
forever shadowing vision
shaping lives with memory
a drawer won't close
sleep elusive
smile illusive
the only real is grief
forever counting the days
minutes missing without knowing
so that one day 
you find yourself 
showering tears
missing that love
like sugar 
aches teeth
Written by Ralph Waldo Emerson | Create an image from this poem

Initial Love

 Venus, when her son was lost,
Cried him up and down the coast,
In hamlets, palaces, and parks,
And told the truant by his marks,
Golden curls, and quiver, and bow;—
This befell long ago.
Time and tide are strangely changed, Men and manners much deranged; None will now find Cupid latent By this foolish antique patent.
He came late along the waste, Shod like a traveller for haste, With malice dared me to proclaim him, That the maids and boys might name him.
Boy no more, he wears all coats, Frocks, and blouses, capes, capôtes, He bears no bow, or quiver, or wand, Nor chaplet on his head or hand: Leave his weeds and heed his eyes, All the rest he can disguise.
In the pit of his eyes a spark Would bring back day if it were dark, And,—if I tell you all my thought, Though I comprehend it not,— In those unfathomable orbs Every function he absorbs; He doth eat, and drink, and fish, and shoot, And write, and reason, and compute, And ride, and run, and have, and hold, And whine, and flatter, and regret, And kiss, and couple, and beget, By those roving eye-balls bold; Undaunted are their courages, Right Cossacks in their forages; Fleeter they than any creature, They are his steeds and not his feature, Inquisitive, and fierce, and fasting, Restless, predatory, hasting,— And they pounce on other eyes, As lions on their prey; And round their circles is writ, Plainer than the day, Underneath, within, above, Love, love, love, love.
He lives in his eyes, There doth digest, and work, and spin, And buy, and sell, and lose, and win; He rolls them with delighted motion, Joy-tides swell their mimic ocean.
Yet holds he them with tortest rein, That they may seize and entertain The glance that to their glance opposes, Like fiery honey sucked from roses.
He palmistry can understand, Imbibing virtue by his hand As if it were a living root; The pulse of hands will make him mute; With all his force he gathers balms Into those wise thrilling palms.
Cupid is a casuist, A mystic, and a cabalist, Can your lurking Thought surprise, And interpret your device; Mainly versed in occult science, In magic, and in clairvoyance.
Oft he keeps his fine ear strained, And reason on her tiptoe pained, For aery intelligence, And for strange coincidence.
But it touches his quick heart When Fate by omens takes his part, And chance-dropt hints from Nature's sphere Deeply soothe his anxious ear.
Heralds high before him run, He has ushers many a one, Spreads his welcome where he goes, And touches all things with his rose.
All things wait for and divine him,— How shall I dare to malign him, Or accuse the god of sport?— I must end my true report, Painting him from head to foot, In as far as I took note, Trusting well the matchless power Of this young-eyed emperor Will clear his fame from every cloud, With the bards, and with the crowd.
He is wilful, mutable, Shy, untamed, inscrutable, Swifter-fashioned than the fairies, Substance mixed of pure contraries, His vice some elder virtue's token, And his good is evil spoken.
Failing sometimes of his own, He is headstrong and alone; He affects the wood and wild, Like a flower-hunting child, Buries himself in summer waves, In trees, with beasts, in mines, and caves, Loves nature like a horned cow, Bird, or deer, or cariboo.
Shun him, nymphs, on the fleet horses! He has a total world of wit, O how wise are his discourses! But he is the arch-hypocrite, And through all science and all art, Seeks alone his counterpart.
He is a Pundit of the east, He is an augur and a priest, And his soul will melt in prayer, But word and wisdom are a snare; Corrupted by the present toy, He follows joy, and only joy.
There is no mask but he will wear, He invented oaths to swear, He paints, he carves, he chants, he prays, And holds all stars in his embrace, Godlike, —but 'tis for his fine pelf, The social quintessence of self.
Well, said I, he is hypocrite, And folly the end of his subtle wit, He takes a sovran privilege Not allowed to any liege, For he does go behind all law, And right into himself does draw, For he is sovranly allied.
Heaven's oldest blood flows in his side, And interchangeably at one With every king on every throne, That no God dare say him nay, Or see the fault, or seen betray; He has the Muses by the heart, And the Parcæ all are of his part.
His many signs cannot be told, He has not one mode, but manifold, Many fashions and addresses, Piques, reproaches, hurts, caresses, Action, service, badinage, He will preach like a friar, And jump like Harlequin, He will read like a crier, And fight like a Paladin.
Boundless is his memory, Plans immense his term prolong, He is not of counted age, Meaning always to be young.
And his wish is intimacy, Intimater intimacy, And a stricter privacy, The impossible shall yet be done, And being two shall still be one.
As the wave breaks to foam on shelves, Then runs into a wave again, So lovers melt their sundered selves, Yet melted would be twain.
Written by W. E. B. Du Bois | Create an image from this poem

Ghana Calls

I was a little boy, at home with strangers.   
I liked my playmates, and knew well,   
Whence all their parents came; 
From England, Scotland, royal France   
From Germany and oft by chance 
The humble Emerald Isle. 

But my brown skin and close-curled hair 
Was alien, and how it grew, none knew; 
Few tried to say, some dropped a wonderful word or stray; 
Some laughed and stared. 

And then it came: I dreamed.   
I placed together all I knew 
All hints and slurs together drew.   
I dreamed. 

I made one picture of what nothing seemed   
I shuddered in dumb terror 
In silence screamed, 
For now it seemed this I had dreamed; 

How up from Hell, a land had leaped 
A wretched land, all scorched and seamed   
Covered with ashes, chained with pain   
Streaming with blood, in horror lain   
Its very air a shriek of death 
And agony of hurt. 

Anon I woke, but in one corner of my soul   
I stayed asleep. 
Forget I could not, 
But never would I remember   
That hell-hoist ghost   
Of slavery and woe. 

I lived and grew, I worked and hoped 
I planned and wandered, gripped and coped   
With every doubt but one that slept   
Yet clamoured to awaken. 
I became old; old, worn and gray;   
Along my hard and weary way 
Rolled war and pestilence, war again;   
I looked on Poverty and foul Disease   
I walked with Death and yet I knew 
There stirred a doubt: Were all dreams true?   
And what in truth was Africa? 

One cloud-swept day a Seer appeared,   
All closed and veiled as me he hailed 
And bid me make three journeys to the world   
Seeking all through their lengthened links   
The endless Riddle of the Sphinx. 

I went to Moscow; Ignorance grown wise taught me Wisdom; 
I went to Peking: Poverty grown rich 
Showed me the wealth of Work 
I came to Accra. 

Here at last, I looked back on my Dream;   
I heard the Voice that loosed 
The Long-looked dungeons of my soul 
I sensed that Africa had come 
Not up from Hell, but from the sum of Heaven’s glory. 

I lifted up mine eyes to Ghana 
And swept the hills with high Hosanna; 
Above the sun my sight took flight   
Till from that pinnacle of light 
I saw dropped down this earth of crimson, green and gold 
Roaring with color, drums and song. 

Happy with dreams and deeds worth more than doing   
Around me velvet faces loomed   
Burnt by the kiss of everlasting suns 
Under great stars of midnight glory   
Trees danced, and foliage sang; 

The lilies hallelujah rang 
Where robed with rule on Golden Stool   
The gold-crowned Priests with duty done   
Pour high libations to the sun 
And danced to gods. 

Red blood flowed rare ’neath close-clung hair   
While subtle perfume filled the air   
And whirls and whirls of tiny curls   
Crowned heads. 

Yet Ghana shows its might and power   
Not in its color nor its flower   
But in its wondrous breadth of soul   
Its Joy of Life 
Its selfless role 
Of giving. 
School and clinic, home and hall   
Road and garden bloom and call   
Socialism blossoms bold 
On Communism centuries old. 

I lifted my last voice and cried   
I cried to heaven as I died: 
O turn me to the Golden Horde   
Summon all western nations   
Toward the Rising Sun. 

From reeking West whose day is done,   
Who stink and stagger in their dung   
Toward Africa, China, India’s strand   
Where Kenya and Himalaya stand   
And Nile and Yang-tze roll: 
Turn every yearning face of man. 

Come with us, dark America: 
The scum of Europe battened here   
And drowned a dream 
Made fetid swamp a refuge seem: 

Enslaved the Black and killed the Red   
And armed the Rich to loot the Dead;   
Worshipped the whores of Hollywood   
Where once the Virgin Mary stood 
And lynched the Christ. 

Awake, awake, O sleeping world   
Honor the sun; 

Worship the stars, those vaster suns   
Who rule the night 
Where black is bright 
And all unselfish work is right   
And Greed is Sin. 

And Africa leads on:   
Pan Africa!
Written by Erica Jong | Create an image from this poem

Smoke

 Smoke, it is all smoke
in the throat of eternity.
.
.
.
For centuries, the air was full of witches Whistling up chimneys on their spiky brooms cackling or singing more sweetly than Circe, as they flew over rooftops blessing & cursing their kind.
We banished & burned them making them smoke in the throat of god; we declared ourselves "enlightened.
" "The dark age of horrors is past," said my mother to me in 1952, seven years after our people went up in smoke, leaving a few teeth, a pile of bones.
The smoke curls and beckons.
It is blue & lavender & green as the undersea world.
It will take us, too.
O let us not go sheepishly clinging to our nakedness.
But let us go like witches sucked heavenward by the Goddess' powerful breath & whistling, whistling, whistling on our beautiful brooms.

Book: Reflection on the Important Things