Written by
John Donne |
I scarce believe my love to be so pure
As I had thought it was,
Because it doth endure
Vicissitude, and season, as the grass;
Methinks I lied all winter, when I swore
My love was infinite, if spring make’ it more.
But if medicine, love, which cures all sorrow
With more, not only be no quintessence,
But mixed of all stuffs paining soul or sense,
And of the sun his working vigor borrow,
Love’s not so pure, and abstract, as they use
To say, which have no mistress but their muse,
But as all else, being elemented too,
Love sometimes would contemplate, sometimes do.
And yet no greater, but more eminent,
Love by the spring is grown;
As, in the firmament,
Stars by the sun are not enlarged, but shown,
Gentle love deeds, as blossoms on a bough,
From love’s awakened root do bud out now.
If, as water stirred more circles be
Produced by one, love such additions take,
Those, like so many spheres, but one heaven make,
For they are all concentric unto thee;
And though each spring do add to love new heat,
As princes do in time of action get
New taxes, and remit them not in peace,
No winter shall abate the spring’s increase.
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Written by
William Shakespeare |
Why didst thou promise such a beauteous day,
And make me travel forth without my cloak,
To let base clouds o'ertake me in my way,
Hiding thy bravery in their rotten smoke?
'Tis not enough that through the cloud thou break,
To dry the rain on my storm-beaten face,
For no man well of such a salve can speak
That heals the wound and cures not the disgrace:
Nor can thy shame give physic to my grief;
Though thou repent, yet I have still the loss:
The offender's sorrow lends but weak relief
To him that bears the strong offence's cross.
Ah! but those tears are pearl which thy love sheds,
And they are rich and ransom all ill deeds.
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Written by
Weldon Kees |
To Ernest Brace
"And when the seven thunders had uttered their voices, I was
about to write: and I heard a voice from heaven saying unto
me, Seal up those things which the seven thunders uttered, and
write them not." --REVELATIONS, x, 4.
That raft we rigged up, under the water,
Was just the item: when he walked,
With his robes blowing, dark against the sky,
It was as though the unsubstantial waves held up
His slender and inviolate feet. The gulls flew over,
Dropping, crying alone; thin ragged lengths of cloud
Drifted in bars across the sun. There on the shore
The crowd's response was instantaneous. He
Handled it well, I thought--the gait, the tilt of the head, just right.
Long streaks of light were blinding on the waves.
And then we knew our work well worth the time:
The days of sawing, fitting, all those nails,
The tiresome rehearsals, considerations of execution.
But if you want a miracle, you have to work for it,
Lay your plans carefully and keep one jump
Ahead of the crowd. To report a miracle
Is a pleasure unalloyed; but staging one requires
Tact, imagination, a special knack for the job
Not everyone possesses. A miracle, in fact, means work.
--And now there are those who have come saying
That miracles were not what we were after. But what else
Is there? What other hope does life hold out
But the miraculous, the skilled and patient
Execution, the teamwork, all the pain and worry every miracle involves?
Visionaries tossing in their beds, haunted and racked
By questions of Messiahship and eschatology,
Are like the mist rising at nightfall, and come,
Perhaps to even less. Grave supernaturalists, devoted worshippers
Experience the ecstasy (such as it is), but not
Our ecstasy. It was our making. Yet sometimes
When the torrent of that time
Comes pouring back, I wonder at our courage
And our enterprise. It was as though the world
Had been one darkening, abandoned hall
Where rows of unlit candles stood; and we
Not out of love, so much, or hope, or even worship, but
Out of the fear of death, came with our lights
And watched the candles, one by one, take fire, flames
Against the long night of our fear. We thought
That we could never die. Now I am less convinced.
--The traveller on the plain makes out the mountains
At a distance; then he loses sight. His way
Winds through the valleys; then, at a sudden turning of a path,
The peaks stand nakedly before him: they are something else
Than what he saw below. I think now of the raft
(For me, somehow, the summit of the whole experience)
And all the expectations of that day, but also of the cave
We stocked with bread, the secret meetings
In the hills, the fake assassins hired for the last pursuit,
The careful staging of the cures, the bribed officials,
The angels' garments, tailored faultlessly,
The medicines administered behind the stone,
That ultimate cloud, so perfect, and so opportune.
Who managed all that blood I never knew.
The days get longer. It was a long time ago.
And I have come to that point in the turning of the path
Where peaks are infinite--horn-shaped and scaly, choked with
thorns.
But even here, I know our work was worth the cost.
What we have brought to pass, no one can take away.
Life offers up no miracles, unfortunately, and needs assistance.
Nothing will be the same as once it was,
I tell myself.--It's dark here on the peak, and keeps on getting
darker.
It seems I am experiencing a kind of ecstasy.
Was it sunlight on the waves that day? The night comes down.
And now the water seems remote, unreal, and perhaps it is.
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Written by
Dejan Stojanovic |
I love the new sounds of love;
Only the new cures an old love.
Watching the love making of waves and the shore
I desire to be the wave of love.
There is no real hate in quarrels,
Only stupidity and lack of love.
The Sun shone upon me
And I shone upon the world with love.
I fly through memory
To find a newborn love.
Sing to me sea, sing to me sky
And the hiding world sprang out from love.
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Written by
Philip Larkin |
Slowly the women file to where he stands
Upright in rimless glasses, silver hair,
Dark suit, white collar. Stewards tirelessly
Persuade them onwards to his voice and hands,
Within whose warm spring rain of loving care
Each dwells some twenty seconds. Now, dear child,
What's wrong, the deep American voice demands,
And, scarcely pausing, goes into a prayer
Directing God about this eye, that knee.
Their heads are clasped abruptly; then, exiled
Like losing thoughts, they go in silence; some
Sheepishly stray, not back into their lives
Just yet; but some stay stiff, twitching and loud
With deep hoarse tears, as if a kind of dumb
And idiot child within them still survives
To re-awake at kindness, thinking a voice
At last calls them alone, that hands have come
To lift and lighten; and such joy arrives
Their thick tongues blort, their eyes squeeze grief, a crowd
Of huge unheard answers jam and rejoice -
What's wrong! Moustached in flowered frocks they shake:
By now, all's wrong. In everyone there sleeps
A sense of life lived according to love.
To some it means the difference they could make
By loving others, but across most it sweeps
As all they might have done had they been loved.
That nothing cures. An immense slackening ache,
As when, thawing, the rigid landscape weeps,
Spreads slowly through them - that, and the voice above
Saying Dear child, and all time has disproved.
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Written by
Anne Sexton |
for Sylvia Plath
O Sylvia, Sylvia,
with a dead box of stones and spoons,
with two children, two meteors
wandering loose in a tiny playroom,
with your mouth into the sheet,
into the roofbeam, into the dumb prayer,
(Sylvia, Sylvia
where did you go
after you wrote me
from Devonshire
about rasing potatoes
and keeping bees?)
what did you stand by,
just how did you lie down into?
Thief --
how did you crawl into,
crawl down alone
into the death I wanted so badly and for so long,
the death we said we both outgrew,
the one we wore on our skinny breasts,
the one we talked of so often each time
we downed three extra dry martinis in Boston,
the death that talked of analysts and cures,
the death that talked like brides with plots,
the death we drank to,
the motives and the quiet deed?
(In Boston
the dying
ride in cabs,
yes death again,
that ride home
with our boy.)
O Sylvia, I remember the sleepy drummer
who beat on our eyes with an old story,
how we wanted to let him come
like a sadist or a New York fairy
to do his job,
a necessity, a window in a wall or a crib,
and since that time he waited
under our heart, our cupboard,
and I see now that we store him up
year after year, old suicides
and I know at the news of your death
a terrible taste for it, like salt,
(And me,
me too.
And now, Sylvia,
you again
with death again,
that ride home
with our boy.)
And I say only
with my arms stretched out into that stone place,
what is your death
but an old belonging,
a mole that fell out
of one of your poems?
(O friend,
while the moon's bad,
and the king's gone,
and the queen's at her wit's end
the bar fly ought to sing!)
O tiny mother,
you too!
O funny duchess!
O blonde thing!
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Written by
Eugene Field |
TO MISS GRACE KING
Down in the old French quarter,
Just out of Rampart street,
I wend my way
At close of day
Unto the quaint retreat
Where lives the Voodoo Doctor
By some esteemed a sham,
Yet I'll declare there's none elsewhere
So skilled as Doctor Sam
With the claws of a deviled crawfish,
The juice of the prickly prune,
And the quivering dew
From a yarb that grew
In the light of a midnight moon!
I never should have known him
But for the colored folk
That here obtain
And ne'er in vain
That wizard's art invoke;
For when the Eye that's Evil
Would him and his'n damn,
The *****'s grief gets quick relief
Of Hoodoo-Doctor Sam.
With the caul of an alligator,
The plume of an unborn loon,
And the poison wrung
From a serpent's tongue
By the light of a midnight moon!
In all neurotic ailments
I hear that he excels,
And he insures
Immediate cures
Of weird, uncanny spells;
The most unruly patient
Gets docile as a lamb
And is freed from ill by the potent skill
Of Hoodoo-Doctor Sam;
Feathers of strangled chickens,
Moss from the dank lagoon,
And plasters wet
With spider sweat
In the light of a midnight moon!
They say when nights are grewsome
And hours are, oh! so late,
Old Sam steals out
And hunts about
For charms that hoodoos hate!
That from the moaning river
And from the haunted glen
He silently brings what eerie things
Give peace to hoodooed men:--
The tongue of a piebald 'possum,
The tooth of a senile 'coon,
The buzzard's breath that smells of death,
And the film that lies
On a lizard's eyes
In the light of a midnight moon!
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Written by
Maggie Estep |
The stupid jerk I'm obsessed with
stands so close to me
I can feel his breath
on my neck
and smell
the way he would smell
if we slept together
because he is the stupid jerk I'm obsessed with
and that is his primary function in life
to be a stupid jerk I can obsess over
and to talk to that dingy bimbette blonde
as if he really wanted to hear about her
manicures and
pedicures and
New Age ritualistic enema cures and
truth be known, he probably does wanna hear about it
because he is the stupid jerk I'm obsessed with
and he's obsessed with doing anything he can
to lend fuel to my fire
he makes a point of standing
looking over my shoulder
when I'm talking to the guy who adores me
and would bark like a dog
and wave to strangers
if I asked him to bark like a dog
and wave to strangers
but I can't ask him to bark like a dog
or impersonate any kind of animal at all
cause I'm too busy
looking at the way the stupid jerk I'm obsessed with
has pants on that perfectly define his well-shaped ass
to the point where I'm thoroughly frantic
I'm just gonna go home
and stick my head in the oven
overdose on nutmeg and aspirin
and sit in the bathtub reading The Executioner's Song
and being completely confounded by the fact
that I can see
the stupid jerk I'm obsessed with's face
defining itself in the peeling plaster of the wall
grinning and winking
and I start to yell,
Get the hell out of there
You're just a figment of my imagination
Just get a life and get out of my plaster
and pass me the next painful situation please
but he just keeps on
grinning and winking
he's the stupid jerk I'm obsessed with
and he's mine
in my plaster
And frankly, I couldn't be happier.
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Written by
A E Housman |
Wake not for the world-heard thunder,
Nor the chimes that earthquakes toll;
Stars may plot in heaven with planet,
Lightning rive the rock of granite,
Tempest tread the oakwood under,
Fear not you for flesh or soul;
Marching, fighting, victory past,
Stretch your limbs in peace at last.
Stir not for the soldier's drilling,
Nor the fever nothing cures;
Throb of drum and timbal's rattle
Call but men alive to battle,
And the fife with death-notes filling
Screams for blood--but not for yours.
Times enough you bled your best;
Sleep on now, and take your rest.
Sleep, my lad; the French have landed,
London's burning, Windsor's down.
Clasp your cloak of earth about you;
We must man the ditch without you,
March unled and fight short-handed,
Charge to fall and swim to drown.
Duty, friendship, bravery o'er,
Sleep away, lad; wake no more.
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Written by
Charlotte Bronte |
I made a posie, while the day ran by:
Here will I smell my remnant out, and tie
My life within this band.
But time did becken to the flowers, and they
By noon most cunningly did steal away
And wither'd in my hand.
My hand was next to them, and then my heart:
I took, without more thinking, in good part
Times gentle admonition:
Who did so sweetly deaths sad taste convey
Making my minde to smell my fatall day;
Yet sugring the suspicion.
Farewell deare flowers, sweetly your time ye spent,
Fit, while ye liv'd, for smell or ornament,
And after death for cures.
I follow straight without complaints or grief,
Since if my sent be good, I care not, if
It be as short as yours.
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