by
Margaret Atwood
My shadow said to me:
what is the matter
Isn't the moon warm
enough for you
why do you need
the blanket of another body
Whose kiss is moss
Around the picnic tables
The bright pink hands held sandwiches
crumbled by distance. Flies crawl
over the sweet instant
You know what is in these blankets
The trees outside are bending with
children shooting guns. Leave
them alone. They are playing
games of their own.
I give water, I give clean crusts
Aren't there enough words
flowing in your veins
to keep you going.
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by
Marilyn Hacker
After Joseph Roth
Parce que c'était lui; parce que c'était moi.
Montaigne, De L'amitië
The dream's forfeit was a night in jail
and now the slant light is crepuscular.
Papers or not, you are a foreigner
whose name is always difficult to spell.
You pack your one valise. You ring the bell.
Might it not be prudent to disappear
beneath that mauve-blue sky above the square
fronting your cosmopolitan hotel?
You know two short-cuts to the train station
which could get you there, on foot, in time.
The person who's apprised of your intention
and seems to be your traveling companion
is merely the detritus of a dream.
You cross the lobby and go out alone.
You crossed the lobby and went out alone
through the square, where two red-headed girls played
hopscotch on a chalk grid, now in the shade,
of a broad-leafed plane tree, now in the sun.
The lively, lovely, widowed afternoon
disarmed, uncoupled, shuffled and disarrayed
itself; despite itself, dismayed
you with your certainties, your visa, gone
from your breast-pocket, or perhaps expired.
At the reception desk, no one inquired
if you'd be returning. Now you wonder why.
When the stout conductor comes down the aisle
mustached, red-faced, at first jovial,
and asks for your passport, what will you say?
When they ask for your passport, will you say
that town's name they'd find unpronounceable
which resonates, when uttered, like a bell
in your mind's tower, as it did the day
you carried your green schoolbag down the gray
fog-cobbled street, past church, bakery, shul
past farm women setting up market stalls
it was so early. "I am on my way
to school in ." You were part of the town
now, not the furnished rooms you shared
with Mutti, since the others disappeared.
Your knees were red with cold; your itchy wool
socks had inched down, so you stooped to pull
them up, a student and a citizen.
You are a student and a citizen
of whatever state is transient.
You are no more or less the resident
of a hotel than you were of that town
whose borders were disputed and redrawn.
A prince conceded to a president.
Another language became relevant
to merchants on that street a child walked down
whom you remember, in the corridors
of cities you inhabit, polyglot
as the distinguished scholar you were not
to be. A slight accent sets you apart,
but it would mark you on that peddlers'-cart
street now. Which language, after all, is yours?
Which language, after all these streets, is yours,
and why are you here, waiting for a train?
You could have run a hot bath, read Montaigne.
But would footsteps beyond the bathroom door's
bolt have disturbed the nondescript interior's
familiarity, shadowed the plain
blue draperies? You reflect, you know no one
who would, of you, echo your author's
"Because it was he; because it was I,"
as a unique friendship's non sequitur.
No footsteps and no friend: that makes you free.
The train approaches, wreathed in smoke like fur
around the shoulders of a dowager
with no time for sentimentality.
With no time for sentimentality,
mulling a twice-postponed book-review,
you take an empty seat. Opposite you
a voluble immigrant family
is already unwrapping garlicky
sausages—an unshaven man and his two
red-eared sons.
You once wrote: it is true,
awful, and unimportant, finally
that if the opportunity occurs
some of the exiles become storm-troopers;
and you try, culpably, to project these three
into some torch-lit future, filtering out
their wrangling (one of your languages) about
the next canto in their short odyssey.
The next canto in your short odyssey
will open, you know this, in yet another
hotel room. They have become your mother
country: benevolent anonymity
of rough starched sheets, dim lamp, rickety
escritoire, one window. Your neighbors gather
up their crusts and rinds. Out of a leather
satchel, the man takes their frayed identity
cards, examines them. The sons watch, pale
and less talkative. A border, passport control,
draw near: rubber stamp or interrogation?
You hope the customs officer lunched well;
reflect on the recurrent implication
of the dream's forfeit. One night in jail?
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by
James Henry Leigh Hunt
I have been reading Pomfret's "Choice" this spring,
A pretty kind of--sort of--kind of thing,
Not much a verse, and poem none at all,
Yet, as they say, extremely natural.
And yet I know not. There's an art in pies,
In raising crusts as well as galleries;
And he's the poet, more or less, who knows
The charm that hallows the least truth from prose,
And dresses it in its mild singing clothes.
Not oaks alone are trees, nor roses flowers;
Much humble wealth makes rich this world of ours.
Nature from some sweet energy throws up
Alike the pine-mount and the buttercup;
And truth she makes so precious, that to paint
Either, shall shrine an artist like a saint,
And bring him in his turn the crowds that press
Round Guido's saints or Titian's goddesses.
Our trivial poet hit upon a theme
Which all men love, an old, sweet household dream:--
Pray, reader, what is yours?--I know full well
What sort of home should grace my garden-bell,--
No tall, half-furnish'd, gloomy, shivering house,
That worst of mountains labouring with a mouse;
Nor should I choose to fill a tawdry niche in
A Grecian temple, opening to a kitchen.
The frogs in Homer should have had such boxes,
Or Aesop's frog, whose heart was like the ox's.
Such puff about high roads, so grand, so small,
With wings and what not, portico and all,
And poor drench'd pillars, which it seems a sin
Not to mat up at night-time, or take in.
I'd live in none of those. Nor would I have
Veranda'd windows to forestall my grave;
Veranda'd truly, from the northern heat!
And cut down to the floor to comfort one's cold feet!
My house should be of brick, more wide than high,
With sward up to the path, and elm-trees nigh;
A good old country lodge, half hid with blooms
Of honied green, and quaint with straggling rooms,
A few of which, white-bedded and well swept,
For friends, whose name endear'd them, should be kept.
The tip-toe traveller, peeping through the boughs
O'er my low wall, should bless the pleasant house:
And that my luck might not seem ill-bestow'd,
A bench and spring should greet him on the road.
My grounds should not be large. I like to go
To Nature for a range, and prospect too,
And cannot fancy she'd comprise for me,
Even in a park, her all-sufficiency.
Besides, my thoughts fly far, and when at rest
Love not a watch-tow'r but a lulling nest.
A Chiswick or a Chatsworth might, I grant,
Visit my dreams with an ambitious want;
But then I should be forc'd to know the weight
Of splendid cares, new to my former state;
And these 'twould far more fit me to admire,
Borne by the graceful ease of noblest Devonshire.
Such grounds, however, as I had should look
Like "something" still; have seats, and walks, and brook;
One spot for flowers, the rest all turf and trees;
For I'd not grow my own bad lettuces.
I'd build a cover'd path too against rain,
Long, peradventure, as my whole domain,
And so be sure of generous exercise,
The youth of age and med'cine of the wise.
And this reminds me, that behind some screen
About my grounds, I'd have a bowling-green;
Such as in wits' and merry women's days
Suckling preferr'd before his walk of bays.
You may still see them, dead as haunts of fairies,
By the old seats of Killigrews and Careys,
Where all, alas! is vanish'd from the ring,
Wits and black eyes, the skittles and the king!
Fishing I hate, because I think about it,
Which makes it right that I should do without it.
A dinner, or a death, might not be much,
But cruelty's a rod I dare not touch.
I own I cannot see my right to feel
For my own jaws, and tear a trout's with steel;
To troll him here and there, and spike, and strain,
And let him loose to jerk him back again.
Fancy a preacher at this sort of work,
Not with his trout or gudgeon, but his clerk:
The clerk leaps gaping at a tempting bit,
And, hah! an ear-ache with a knife in it!
That there is pain and evil is no rule
That I should make it greater, like a fool;
Or rid me of my rust so vile a way,
As long as there's a single manly play.
Nay, "fool"'s a word my pen unjustly writes,
Knowing what hearts and brains have dozed o'er "bites";
But the next inference to be drawn might be,
That higher beings made a trout of me;
Which I would rather should not be the case,
Though Isaak were the saint to tear my face,
And, stooping from his heaven with rod and line,
Made the fell sport, with his old dreams divine,
As pleasant to his taste, as rough to mine.
Such sophistry, no doubt, saves half the hell,
But fish would have preferr'd his reasoning well,
And, if my gills concern'd him, so should I.
The dog, I grant, is in that "equal sky,"
But, heaven be prais'd, he's not my deity.
All manly games I'd play at,--golf and quoits,
And cricket, to set lungs and limbs to rights,
And make me conscious, with a due respect,
Of muscles one forgets by long neglect.
With these, or bowls aforesaid, and a ride,
Books, music, friends, the day I would divide,
Most with my family, but when alone,
Absorb'd in some new poem of my own,
A task which makes my time so richly pass,
So like a sunshine cast through painted glass
(Save where poor Captain Sword crashes the panes),
That cold my friends live too, and were the gains
Of toiling men but freed from sordid fears,
Well could I walk this earth a thousand years.
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by
Ted Hughes
In the beginning was Scream
Who begat Blood
Who begat Eye
Who begat Fear
Who begat Wing
Who begat Bone
Who begat Granite
Who begat Violet
Who begat Guitar
Who begat Sweat
Who begat Adam
Who begat Mary
Who begat God
Who begat Nothing
Who begat Never
Never Never Never
Who begat Crow
Screaming for Blood
Grubs, crusts
Anything
Trembling featherless elbows in the nest's filth
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by
Ben Jonson
Come, leave the loathed stage,
And the more loathsome age;
Where pride and impudence, in faction knit,
Usurp the chair of wit!
Indicting and arraigning every day
Something they call a play.
Let their fastidious, vain
Commission of the brain
Run on and rage, sweat, censure, and condemn;
They were not made for thee, less thou for them.
Say that thou pour'st them wheat,
And they will acorns eat;
'Twere simple fury still thyself to waste
On such as have no taste!
To offer them a surfeit of pure bread
Whose appetites are dead!
No, give them grains their fill,
Husks, draff to drink and swill:
If they love lees, and leave the lusty wine,
Envy them not, their palate's with the swine.
No doubt some mouldy tale,
Like Pericles, and stale
As the shrieve's crusts, and nasty as his fish--
Scraps out of every dish
Thrown forth, and rak'd into the common tub,
May keep up the Play-club:
There, sweepings do as well
As the best-order'd meal;
For who the relish of these guests will fit,
Needs set them but the alms-basket of wit.
And much good do't you then:
Brave plush-and-velvet-men
Can feed on orts; and, safe in your stage-clothes,
Dare quit, upon your oaths,
The stagers, and the stage-wrights too (your peers)
Of larding your large ears
With their foul comic socks,
Wrought upon twenty blocks;
Which if they are torn, and turn'd, and patch'd enough,
The gamesters share your gilt, and you their stuff.
Leave things so prostitute,
And take the Alcaic lute;
Or thine own Horace, or Anacreon's lyre;
Warm thee by Pindar's fire:
And though thy nerves be shrunk, and blood be cold,
Ere years have made thee old,
Strike that disdainful heat
Throughout, to their defeat,
As curious fools, and envious of thy strain,
May blushing swear, no palsy's in thy brain.
But when they hear thee sing
The glories of thy king,
His zeal to God, and his just awe o'er men:
They may, blood-shaken then,
Feel such a flesh-quake to possess their powers,
As they shall cry: "Like ours
In sound of peace or wars,
No harp e'er hit the stars,
In tuning forth the acts of his sweet reign,
And raising Charles his chariot 'bove his Wain."
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by
Charles Bukowski
in the hospitals and jails
it's the worst
in madhouses
it's the worst
in penthouses
it's the worst
in skid row flophouses
it's the worst
at poetry readings
at rock concerts
at benefits for the disabled
it's the worst
at funerals
at weddings
it's the worst
at parades
at skating rinks
at sexual orgies
it's the worst
at midnight
at 3 a.m.
at 5:45 p.m.
it's the worst
falling through the sky
firing squads
that's the best
thinking of India
looking at popcorn stands
watching the bull get the matador
that's the best
boxed lightbulbs
an old dog scratching
peanuts in a celluloid bag
that's the best
spraying roaches
a clean pair of stockings
natural guts defeating natural talent
that's the best
in front of firing squads
throwing crusts to seagulls
slicing tomatoes
that's the best
rugs with cigarette burns
cracks in sidewalks
waitresses still sane
that's the best
my hands dead
my heart dead
silence
adagio of rocks
the world ablaze
that's the best
for me.
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by
Henry Lawson
By homestead, hut, and shearing-shed,
By railroad, coach, and track --
By lonely graves of our brave dead,
Up-Country and Out-Back:
To where 'neath glorious the clustered stars
The dreamy plains expand --
My home lies wide a thousand miles
In the Never-Never Land.
It lies beyond the farming belt,
Wide wastes of scrub and plain,
A blazing desert in the drought,
A lake-land after rain;
To the sky-line sweeps the waving grass,
Or whirls the scorching sand --
A phantom land, a mystic land!
The Never-Never Land.
Where lone Mount Desolation lies,
Mounts Dreadful and Despair --
'Tis lost beneath the rainless skies
In hopeless deserts there;
It spreads nor'-west by No-Man's-Land --
Where clouds are seldom seen --
To where the cattle-stations lie
Three hundred miles between.
The drovers of the Great Stock Routes
The strange Gulf country know --
Where, travelling from the southern drought
The big lean bullocks go;
And camped by night where plains lie wide,
Like some old ocean's bed,
The watchmen in the starlight ride
Round fifteen hundred head.
And west of named and numbered days
The shearers walk and ride --
Jack Cornstalk and the Ne'er-do-well
And the grey-beard side by side;
They veil their eyes -- from moon and stars,
And slumber on the sand --
Sad memories steep as years go round
In Never-Never Land.
By lonely huts north-west of Bourke,
Through years of flood and drought,
The best of English black-sheep work
Their own salvation out:
Wild fresh-faced boys grown gaunt and brown --
Stiff-lipped and haggard-eyed --
They live the Dead Past grimly down!
Where boundary-riders ride.
The College Wreck who sank beneath,
Then rose above his shame,
Tramps west in mateship with the man
Who cannot write his name.
'Tis there where on the barren track
No last half-crust's begrudged --
Where saint and sinner, side by side,
Judge not, and are not judged.
Oh rebels to society!
The Outcasts of the West --
Oh hopeless eyes that smile for me,
And broken hearts that jest!
The pluck to face a thousand miles --
The grit to see it through!
The communion perfected! --
And -- I am proud of you!
The Arab to true desert sand,
The Finn to fields of snow,
The Flax-stick turns to Maoriland,
While the seasons come and go;
And this old fact comes home to me --
And will not let me rest --
However barren it may be,
Your own land is the best!
And, lest at ease I should forget
True mateship after all,
My water-bag and billy yet
Are hanging on the wall;
And if my fate should show the sign
I'd tramp to sunsets grand
With gaunt and stern-eyed mates of mine
In the Never-Never Land.
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by
Ellis Parker Butler
Upon Bottle Miche the autre day
While yet the nuit was early,
Je met a homme whose barbe was grey,
Whose cheveaux long and curly.
“Je am a poete, sir,” dit he,
“Je live where tres grande want teems—
I’m faim, sir. Sil vous plait give me
Un franc or cinquatite centimes.”
I donne him vingt big copper sous
But dit, “You moderne rhymers
The sacre poet name abuse—
Les poets were old timers.”
“Je know! I know!” he wept, contrite;
“The bards no more suis mighty:
Ils rise no more in eleve flight,
Though some are beaucoup flighty.
“Vous wonder why Je weep this way,
Pour quoi these tears and blubbers?
It is mon fault les bards today
Helas! suis mere earth-grubbers.
“There was a time when tout might see
My grande flights dans the saddle;
Crowned rois, indeed, applauded me
Le Pegasus astraddle.
“Le winged horse avec acclaim
Was voted mon possession;
Je rode him tous les jours to fame;
Je led the whole procession.
“Then arrivee the Prussian war—
The siege—the sacre famine—
Then some had but a crust encore,
We mange the last least ham-an’
“Helas! Mon noble winged steed
Went oft avec no dinner;
On epics il refusee feed
And maigre grew, and thinner!
“Tout food was gone, and dans the street
Each homme sought crusts to sate him—
Joyeux were those with horse’s meat,
And Pegasus! Je ate him!”
My anger then Je could not hide—
To parler scarcely able
“Oh! curses dans you, sir!” Je cried;
“Vous human livery stable!”
He fled! But vous who read this know
Why mon pauvre verse is beaten
By that of cinquante years ago
‘Vant Pegasus fut eaten!
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by
Katherine Mansfield
The baby in the looking-glass
Is smiling through at me;
She has her teaspoon in her hand,
Her feeder on for tea.
And if I look behind her I
Can see the table spread;
I wonder if she has to eat
The nasty crusts of bread.
Her doll, like mine, is sitting close
Beside her special chair,
She has a pussy on her lap;
It must be my cup there.
Her picture-book is on the floor,
The cover's just the same;
And tidily upon the shelf
I see my Ninepin game.
O baby in the looking-glass,
Come through and play with me,
And if you will, I promise, dear,
To eat your crusts at tea.
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by
Edmund Blunden
Already fallen plum-bloom stars the green
And apple-boughs as knarred as old toads' backs
Wear their small roses ere a rose is seen;
The building thrush watches old Job who stacks
The bright-peeled osiers on the sunny fence,
The pent sow grunts to hear him stumping by,
And tries to push the bolt and scamper thence,
But her ringed snout still keeps her to the sty.
Then out he lets her run; away she snorts
In bundling gallop for the cottage door,
With hungry hubbub begging crusts and orts,
Then like the whirlwind bumping round once more;
Nuzzling the dog, making the pullets run,
And sulky as a child when her play's done.
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