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Best Famous Crucible Poems

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Written by Robert Browning | Create an image from this poem

The Glove

 (PETER RONSARD _loquitur_.
) ``Heigho!'' yawned one day King Francis, ``Distance all value enhances! ``When a man's busy, why, leisure ``Strikes him as wonderful pleasure: `` 'Faith, and at leisure once is he? ``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm ``Caught thinking war the true pastime.
``Is there a reason in metre? ``Give us your speech, master Peter!'' I who, if mortal dare say so, Ne'er am at loss with my Naso, ``Sire,'' I replied, ``joys prove cloudlets: ``Men are the merest Ixions''--- Here the King whistled aloud, ``Let's ``---Heigho---go look at our lions!'' Such are the sorrowful chances If you talk fine to King Francis.
And so, to the courtyard proceeding, Our company, Francis was leading, Increased by new followers tenfold Before be arrived at the penfold; Lords, ladies, like clouds which bedizen At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost With the dame he professed to adore most.
Oh, what a face! One by fits eyed Her, and the horrible pitside; For the penfold surrounded a hollow Which led where the eye scarce dared follow, And shelved to the chamber secluded Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab As glossy and black as a scarab,*1 And bade him make sport and at once stir Up and out of his den the old monster.
They opened a hole in the wire-work Across it, and dropped there a firework, And fled: one's heart's beating redoubled; A pause, while the pit's mouth was troubled, The blackness and silence so utter, By the firework's slow sparkling and sputter; Then earth in a sudden contortion Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot (Whose experience of nature's but narrow, And whose faculties move in no small mist When he versifies David the Psalmist) I should study that brute to describe you _Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy To see the black mane, vast and heapy, The tail in the air stiff and straining, The wide eyes, nor waxing nor waning, As over the barrier which bounded His platform, and us who surrounded The barrier, they reached and they rested On space that might stand him in best stead: For who knew, he thought, what the amazement, The eruption of clatter and blaze meant, And if, in this minute of wonder, No outlet, 'mid lightning and thunder, Lay broad, and, his shackles all shivered, The lion at last was delivered? Ay, that was the open sky o'erhead! And you saw by the flash on his forehead, By the hope in those eyes wide and steady, He was leagues in the desert already, Driving the flocks up the mountain, Or catlike couched hard by the fountain To waylay the date-gathering negress: So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear, (``No novice, we've won our spurs elsewhere ``And so can afford the confession,) ``We exercise wholesome discretion ``In keeping aloof from his threshold; ``Once hold you, those jaws want no fresh hold, ``Their first would too pleasantly purloin ``The visitor's brisket or surloin: ``But who's he would prove so fool-hardy? ``Not the best man of Marignan, pardie!'' The sentence no sooner was uttered, Than over the rails a glove flattered, Fell close to the lion, and rested: The dame 'twas, who flung it and jested With life so, De Lorge had been wooing For months past; he sat there pursuing His suit, weighing out with nonchalance Fine speeches like gold from a balance.
Sound the trumpet, no true knight's a tarrier! De Lorge made one leap at the barrier, Walked straight to the glove,---while the lion Neer moved, kept his far-reaching eye on The palm-tree-edged desert-spring's sapphire, And the musky oiled skin of the Kaffir,--- Picked it up, and as calmly retreated, Leaped back where the lady was seated, And full in the face of its owner Flung the glove.
``Your heart's queen, you dethrone her? ``So should I!''---cried the King---``'twas mere vanity, ``Not love, set that task to humanity!'' Lords and ladies alike turned with loathing From such a proved wolf in sheep's clothing.
Not so, I; for I caught an expression In her brow's undisturbed self-possession Amid the Court's scoffing and merriment,--- As if from no pleasing experiment She rose, yet of pain not much heedful So long as the process was needful,--- As if she had tried in a crucible, To what ``speeches like gold'' were reducible, And, finding the finest prove copper, Felt the smoke in her face was but proper; To know what she had _not_ to trust to, Was worth all the ashes and dust too.
She went out 'mid hooting and laughter; Clement Marot stayed; I followed after, And asked, as a grace, what it all meant? If she wished not the rash deed's recalment? ``For I''---so I spoke---``am a poet: ``Human nature,---behoves that I know it!'' She told me, ``Too long had I heard ``Of the deed proved alone by the word: ``For my love---what De Lorge would not dare! ``With my scorn---what De Lorge could compare! ``And the endless descriptions of death ``He would brave when my lip formed a breath, ``I must reckon as braved, or, of course, ``Doubt his word---and moreover, perforce, ``For such gifts as no lady could spurn, ``Must offer my love in return.
``When I looked on your lion, it brought ``All the dangers at once to my thought, ``Encountered by all sorts of men, ``Before he was lodged in his den,--- ``From the poor slave whose club or bare hands ``Dug the trap, set the snare on the sands, ``With no King and no Court to applaud, ``By no shame, should he shrink, overawed, ``Yet to capture the creature made shift, ``That his rude boys might laugh at the gift, ``---To the page who last leaped o'er the fence ``Of the pit, on no greater pretence ``Than to get back the bonnet he dropped, ``Lest his pay for a week should be stopped.
``So, wiser I judged it to make ``One trial what `death for my sake' ``Really meant, while the power was yet mine, ``Than to wait until time should define ``Such a phrase not so simply as I, ``Who took it to mean just `to die.
' ``The blow a glove gives is but weak: ``Does the mark yet discolour my cheek? ``But when the heart suffers a blow, ``Will the pain pass so soon, do you know?'' I looked, as away she was sweeping, And saw a youth eagerly keeping As close as he dared to the doorway.
No doubt that a noble should more weigh His life than befits a plebeian; And yet, had our brute been Nemean--- (I judge by a certain calm fervour The youth stepped with, forward to serve her) ---He'd have scarce thought you did him the worst turn If you whispered ``Friend, what you'd get, first earn!'' And when, shortly after, she carried Her shame from the Court, and they married, To that marriage some happiness, maugre The voice of the Court, I dared augur.
For De Lorge, he made women with men vie, Those in wonder and praise, these in envy; And in short stood so plain a head taller That he wooed and won .
.
.
how do you call her? The beauty, that rose in the sequel To the King's love, who loved her a week well.
And 'twas noticed he never would honour De Lorge (who looked daggers upon her) With the easy commission of stretching His legs in the service, and fetching His wife, from her chamber, those straying Sad gloves she was always mislaying, While the King took the closet to chat in,--- But of course this adventure came pat in.
And never the King told the story, How bringing a glove brought such glory, But the wife smiled---``His nerves are grown firmer: ``Mine he brings now and utters no murmur.
'' _Venienti occurrite morbo!_ With which moral I drop my theorbo.
*1 A beetle.


Written by Andre Breton | Create an image from this poem

Freedom of Love

 (Translated from the French by Edouard Rodti)

My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
Written by C K Williams | Create an image from this poem

Tar

 The first morning of Three Mile Island: those first disquieting, uncertain, 
mystifying hours.
All morning a crew of workmen have been tearing the old decrepit roof off our building, and all morning, trying to distract myself, I've been wandering out to watch them as they hack away the leaden layers of asbestos paper and disassemble the disintegrating drains.
After half a night of listening to the news, wondering how to know a hundred miles downwind if and when to make a run for it and where, then a coming bolt awake at seven when the roofers we've been waiting for since winter sent their ladders shrieking up our wall, we still know less than nothing: the utility company continues making little of the accident, the slick federal spokesmen still have their evasions in some semblance of order.
Surely we suspect now we're being lied to, but in the meantime, there are the roofers, setting winch-frames, sledging rounds of tar apart, and there I am, on the curb across, gawking.
I never realized what brutal work it is, how matter-of-factly and harrow- ingly dangerous.
The ladders flex and quiver, things skid from the edge, the materials are bulky and recalcitrant.
When the rusty, antique nails are levered out, their heads pull off; the underroofing crumbles.
Even the battered little furnace, roaring along as patient as a donkey, chokes and clogs, a dense, malignant smoke shoots up, and someone has to fiddle with a cock, then hammer it, before the gush and stench will deintensify, the dark, Dantean broth wearily subside.
In its crucible, the stuff looks bland, like licorice, spill it, though, on your boots or coveralls, it sears, and everything is permeated with it, the furnace gunked with burst and half-burst bubbles, the men themselves so completely slashed and mucked they seem almost from another realm, like trolls.
When they take their break, they leave their brooms standing at attention in the asphalt pails, work gloves clinging like Br'er Rabbit to the bitten shafts, and they slouch along the precipitous lip, the enormous sky behind them, the heavy noontime air alive with shim- mers and mirages.
Sometime in the afternoon I had to go inside: the advent of our vigil was upon us.
However much we didn't want to, however little we would do about it, we'd understood: we were going to perish of all this, if not now, then soon, if not soon, then someday.
Someday, some final generation, hysterically aswarm beneath an at- mosphere as unrelenting as rock, would rue us all, anathematize our earthly comforts, curse our surfeits and submissions.
I think I know, though I might rather not, why my roofers stay so clear to me and why the rest, the terror of that time, the reflexive disbelief and distancing, all we should hold on to, dims so.
I remember the president in his absurd protective booties, looking absolutely unafraid, the fool.
I remember a woman on the front page glaring across the misty Sus- quehanna at those looming stacks.
But, more vividly, the men, silvered with glitter from the shingles, cling- ing like starlings beneath the eaves.
Even the leftover carats of tar in the gutter, so black they seemed to suck the light out of the air.
By nightfall kids had come across them: every sidewalk on the block was scribbled with obscenities and hearts.
Written by Christian Bobin | Create an image from this poem

untitled

Into the crucible of my solitude, 
you enter like the dawn, you surge forward like fire.
You sweep into my soul like a river bursting its banks.
And your laughter floods all my lands.
When I looked deep inside myself, I found nothing: there, where everything was dark, a huge sun was turning.
There where everything was dead, a small spring was dancing.
A tiny woman who took up so much space: I could not believe it.
Love is the only true knowledge.
Love itself is an impenetrable mystery.
Christian Bobin (translated by C.
Johnston)
Written by James Whitcomb Riley | Create an image from this poem

Ylladmar

 Her hair was, oh, so dense a blur
Of darkness, midnight envied her;
And stars grew dimmer in the skies
To see the glory of her eyes;
And all the summer rain of light
That showered from the moon at night
Fell o'er her features as the gloom
Of twilight o'er a lily-bloom.
The crimson fruitage of her lips Was ripe and lush with sweeter wine Than burgundy or muscadine Or vintage that the burgher sips In some old garden on the Rhine: And I to taste of it could well Believe my heart a crucible Of molten love--and I could feel The drunken soul within me reel And rock and stagger till it fell.
And do you wonder that I bowed Before her splendor as a cloud Of storm the golden-sandaled sun Had set his conquering foot upon? And did she will it, I could lie In writhing rapture down and die A death so full of precious pain I'd waken up to die again.


Written by Edgar Lee Masters | Create an image from this poem

O Glorious France

 You have become a forge of snow-white fire,
A crucible of molten steel, O France!
Your sons are stars who cluster to a dawn
And fade in light for you, O glorious France!
They pass through meteor changes with a song
Which to all islands and all continents
Says life is neither comfort, wealth, nor fame,
Nor quiet hearthstones, friendship, wife nor child,
Nor love, nor youth's delight, nor manhood's power,
Nor many days spent in a chosen work,
Nor honored merit, nor the patterned theme
Of daily labor, nor the crowns nor wreaths
Of seventy years.
These are not all of life, O France, whose sons amid the rolling thunder Of cannon stand in trenches where the dead Clog the ensanguined ice.
But life to these Prophetic and enraptured souls in vision, And the keen ecstasy of faded strife, And divination of the loss as gain, And reading mysteries with brightened eyes In fiery shock and dazzling pain before The orient splendour of the face of Death, As a great light beside a shadowy sea; And in a high will's strenuous exercise, Where the warmed spirit finds its fullest strength And is no more afraid, and in the stroke Of azure lightning when the hidden essence And shifting meaning of man's spiritual worth And mystical significance in time Are instantly distilled to one clear drop Which mirrors earth and heaven.
This is life Flaming to heaven in a minute's span When the breath of battle blows the smouldering spark.
And across these seas We who cry Peace and treasure life and cling To cities, happiness, or daily toil For daily bread, or trail the long routine Of seventy years, taste not the terrible wine Whereof you drink, who drain and toss the cup Empty and ringing by the finished feast; Or have it shaken from your hand by sight Of God against the olive woods.
As Joan of Arc amid the apple trees With sacred joy first heard the voices, then Obeying plunged at Orleans in a field Of spears and lived her dream and died in fire, Thou, France, hast heard the voices and hast lived The dream and known the meaning of the dream, And read its riddle: how the soul of man May to one greatest purpose make itself A lens of clearness, how it loves the cup Of deepest truth, and how its bitterest gall Turns sweet to soul's surrender.
And you say: Take days for repitition, stretch your hands For mocked renewal of familiar things: The beaten path, the chair beside the window, The crowded street, the task, the accustomed sleep, And waking to the task, or many springs Of lifted cloud, blue water, flowering fields -- The prison-house grows close no less, the feast A place of memory sick for senses dulled Down to the dusty end where pitiful Time Grown weary cries Enough!
Written by Carl Sandburg | Create an image from this poem

Crucible

 Hot gold runs a winding stream on the inside of a green bowl.
Yellow trickles in a fan figure, scatters a line of skirmishers, spreads a chorus of dancing girls, performs blazing ochre evolutions, gathers the whole show into one stream, forgets the past and rolls on.
The sea mist green of the bowl’s bottom is a dark throat of SKY crossed by quarreling forks of umber and ochre and yellow changing FACES.
Written by Omar Khayyam | Create an image from this poem

Khayyam, who sewed the tents of philosophic lore, is

Khayyam, who sewed the tents of philosophic lore, is
suddenly engulfed within the crucible of grief, and there
is burned. The shears of Fate have cut the thread of
his existence; the Auctioneer of Life has sold him for
a song.
Written by Omar Khayyam | Create an image from this poem

Thou hast imprinted on our being, O God, such singular

Thou hast imprinted on our being, O God, such singular
phantasma of inconsequence, and hast made to rise such
strange phenomena. Myself cannot be better than I am,
for Thou hast taken me as I am from out creation's
crucible.
374

Book: Reflection on the Important Things