Written by
Howard Nemerov |
They're taking down a tree at the front door,
The power saw is snarling at some nerves,
Whining at others. Now and then it grunts,
And sawdust falls like snow or a drift of seeds.
Rotten, they tell us, at the fork, and one
Big wind would bring it down. So what they do
They do, as usual, to do us good.
Whatever cannot carry its own weight
Has got to go, and so on; you expect
To hear them talking next about survival
And the values of a free society.
For in the explanations people give
On these occasions there is generally some
Mean-spirited moral point, and everyone
Privately wonders if his neighbors plan
To saw him up before he falls on them.
Maybe a hundred years in sun and shower
Dismantled in a morning and let down
Out of itself a finger at a time
And then an arm, and so down to the trunk,
Until there's nothing left to hold on to
Or snub the splintery holding rope around,
And where those big green divagations were
So loftily with shadows interleaved
The absent-minded blue rains in on us.
Now that they've got it sectioned on the ground
It looks as though somebody made a plain
Error in diagnosis, for the wood
Looks sweet and sound throughout. You couldn't know,
Of course, until you took it down. That's what
Experts are for, and these experts stand round
The giant pieces of tree as though expecting
An instruction booklet from the factory
Before they try to put it back together.
Anyhow, there it isn't, on the ground.
Next come the tractor and the crowbar crew
To extirpate what's left and fill the grave.
Maybe tomorrow grass seed will be sown.
There's some mean-spirited moral point in that
As well: you learn to bury your mistakes,
Though for a while at dusk the darkening air
Will be with many shadows interleaved,
And pierced with a bewilderment of birds.
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Written by
William Allingham |
In early morning twilight, raw and chill,
Damp vapours brooding on the barren hill,
Through miles of mire in steady grave array
Threescore well-arm'd police pursue their way;
Each tall and bearded man a rifle swings,
And under each greatcoat a bayonet clings:
The Sheriff on his sturdy cob astride
Talks with the chief, who marches by their side,
And, creeping on behind them, Paudeen Dhu
Pretends his needful duty much to rue.
Six big-boned labourers, clad in common frieze,
Walk in the midst, the Sheriff's staunch allies;
Six crowbar men, from distant county brought, -
Orange, and glorying in their work, 'tis thought,
But wrongly,- churls of Catholics are they,
And merely hired at half a crown a day.
The hamlet clustering on its hill is seen,
A score of petty homesteads, dark and mean;
Poor always, not despairing until now;
Long used, as well as poverty knows how,
With life's oppressive trifles to contend.
This day will bring its history to an end.
Moveless and grim against the cottage walls
Lean a few silent men: but someone calls
Far off; and then a child 'without a stitch'
Runs out of doors, flies back with piercing screech,
And soon from house to house is heard the cry
Of female sorrow, swelling loud and high,
Which makes the men blaspheme between their teeth.
Meanwhile, o'er fence and watery field beneath,
The little army moves through drizzling rain;
A 'Crowbar' leads the Sheriff's nag; the lane
Is enter'd, and their plashing tramp draws near,
One instant, outcry holds its breath to hear
"Halt!" - at the doors they form in double line,
And ranks of polish'd rifles wetly shine.
The Sheriff's painful duty must be done;
He begs for quiet-and the work's begun.
The strong stand ready; now appear the rest,
Girl, matron, grandsire, baby on the breast,
And Rosy's thin face on a pallet borne;
A motley concourse, feeble and forlorn.
One old man, tears upon his wrinkled cheek,
Stands trembling on a threshold, tries to speak,
But, in defect of any word for this,
Mutely upon the doorpost prints a kiss,
Then passes out for ever. Through the crowd
The children run bewilder'd, wailing loud;
Where needed most, the men combine their aid;
And, last of all, is Oona forth convey'd,
Reclined in her accustom'd strawen chair,
Her aged eyelids closed, her thick white hair
Escaping from her cap; she feels the chill,
Looks round and murmurs, then again is still.
Now bring the remnants of each household fire;
On the wet ground the hissing coals expire;
And Paudeen Dhu, with meekly dismal face,
Receives the full possession of the place.
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Written by
Anne Sexton |
I am torn in two
but I will conquer myself.
I will dig up the pride.
I will take scissors
and cut out the beggar.
I will take a crowbar
and pry out the broken
pieces of God in me.
Just like a jigsaw puzzle,
I will put Him together again
with the patience of a chess player.
How many pieces?
It feels like thousands,
God dressed up like a whore
in a slime of green algae.
God dressed up like an old man
staggering out of His shoes.
God dressed up like a child,
all naked,
even without skin,
soft as an avocado when you peel it.
And others, others, others.
But I will conquer them all
and build a whole nation of God
in me - but united,
build a new soul,
dress it with skin
and then put on my shirt
and sing an anthem,
a song of myself.
|
Written by
Anne Sexton |
My doctor, the comedian
I called you every time
and made you laugh yourself
when I wrote this silly rhyme...
Each time I give lectures
or gather in the grants
you send me off to boarding school
in training pants.
God damn it, father-doctor,
I'm really thirty-six.
I see dead rats in the toilet.
I'm one of the lunatics.
Disgusted, mother put me
on the potty. She was good at this.
My father was fat on scotch.
It leaked from every orifice.
Oh the enemas of childhood,
reeking of outhouses and shame!
Yet you rock me in your arms
and whisper my nickname.
Or else you hold my hand
and teach me love too late.
And that's the hand of the arm
they tried to amputate.
Though I was almost seven
I was an awful brat.
I put it in the Easy Wringer.
It came out nice and flat.
I was an instant cripple
from my finger to my shoulder.
The laundress wept and swooned.
My mother had to hold her.
I know I was a cripple.
Of course, I'd known it from the start.
My father took the crowbar
and broke the wringer's heart.
The surgeons shook their heads.
They really didn't know--
Would the cripple inside of me
be a cripple that would show?
My father was a perfect man,
clean and rich and fat.
My mother was a brilliant thing.
She was good at that.
You hold me in your arms.
How strange that you're so tender!
Child-woman that I am,
you think that you can mend her.
As for the arm,
unfortunately it grew.
Though mother said a withered arm
would put me in Who's Who.
For years she has described it.
She sang it like a hymn.
By then she loved the shrunken thing,
my little withered limb.
My father's cells clicked each night,
intent on making money.
And as for my cells, they brooded,
little queens, on honey.
Oh boys too, as a matter of fact,
and cigarettes and cars.
Mother frowned at my wasted life.
My father smoked cigars.
My cheeks blossomed with maggots.
I picked at them like pearls.
I covered them with pancake.
I wound my hair in curls.
My father didn't know me
but you kiss me in my fever.
My mother knew me twice
and then I had to leave her.
But those are just two stories
and I have more to tell
from the outhouse, the greenhouse
where you draw me out of hell.
Father, I am thirty-six,
yet I lie here in your crib.
I'm getting born again, Adam,
as you prod me with your rib.
|
Written by
Henry Lawson |
You almost heard the surface bake, and saw the gum-leaves turn --
You could have watched the grass scorch brown had there been grass to burn.
In such a drought the strongest heart might well grow faint and weak --
'Twould frighten Satan to his home -- not far from Dingo Creek.
The tanks went dry on Ninety Mile, as tanks go dry out back,
The Half-Way Spring had failed at last when Marshall missed the track;
Beneath a dead tree on the plain we saw a pack-horse reel --
Too blind to see there was no shade, and too done-up to feel.
And charcoaled on the canvas bag (`twas written pretty clear)
We read the message Marshall wrote. It said: `I'm taken ***** --
I'm somewhere off of Deadman's Track, half-blind and nearly dead;
Find Crowbar, get him sobered up, and follow back,' it said.
`Let Mitchell go to Bandicoot. You'll find him there,' said Mack.
`I'll start the chaps from Starving Steers, and take the dry-holes back.'
We tramped till dark, and tried to track the pack-horse on the sands,
And just at daylight Crowbar came with Milroy's station hands.
His cheeks were drawn, his face was white, but he was sober then --
In times of trouble, fire, and flood, 'twas Crowbar led the men.
`Spread out as widely as you can each side the track,' said he;
`The first to find him make a smoke that all the rest can see.'
We took the track and followed back where Crowbar followed fate,
We found a dead man in the scrub -- but 'twas not Crowbar's mate.
The station hands from Starving Steers were searching all the week --
But never news of Marshall's fate came back to Dingo Creek.
And no one, save the spirit of the sand-waste, fierce and lone,
Knew where Jack Marshall crawled to die -- but Crowbar might have known.
He'd scarcely closed his quiet eyes or drawn a sleeping breath --
They say that Crowbar slept no more until he slept in death.
A careless, roving scamp, that loved to laugh and drink and joke,
But no man saw him smile again (and no one saw him smoke),
And, when we spelled at night, he'd lie with eyes still open wide,
And watch the stars as if they'd point the place where Marshall died.
The search was made as searches are (and often made in vain),
And on the seventh day we saw a smoke across the plain;
We left the track and followed back -- 'twas Crowbar still that led,
And when his horse gave out at last he walked and ran ahead.
We reached the place and turned again -- dragged back and no man spoke --
It was a bush-fire in the scrubs that made the cursed smoke.
And when we gave it best at last, he said, `I'LL see it through,'
Although he knew we'd done as much as mortal men could do.
`I'll not -- I won't give up!' he said, his hand pressed to his brow;
`My God! the cursed flies and ants, they might be at him now.
I'll see it so in twenty years, 'twill haunt me all my life --
I could not face his sister, and I could not face his wife.
It's no use talking to me now -- I'm going back,' he said,
`I'm going back to find him, and I will -- alive or dead!'
. . . . .
He packed his horse with water and provisions for a week,
And then, at sunset, crossed the plain, away from Dingo Creek.
We watched him tramp beside the horse till we, as it grew late,
Could not tell which was Bonypart and which was Marshall's mate.
The dam went dry at Dingo Creek, and we were driven back,
And none dared face the Ninety Mile when Crowbar took the track.
They saw him at Dead Camel and along the Dry Hole Creeks --
There came a day when none had heard of Marshall's mate for weeks;
They'd seen him at No Sunday, he called at Starving Steers --
There came a time when none had heard of Marshall's mate for years.
They found old Bonypart at last, picked clean by hungry crows,
But no one knew how Crowbar died -- the soul of Marshall knows!
And now, way out on Dingo Creek, when winter days are late,
The bushmen talk of Crowbar's ghost `what's looking for his mate';
For let the fools indulge their mirth, and let the wise men doubt --
The soul of Crowbar and his mate have travelled further out.
Beyond the furthest two-rail fence, Colanne and Nevertire --
Beyond the furthest rabbit-proof, barbed wire and common wire --
Beyond the furthest `Gov'ment' tank, and past the furthest bore --
The Never-Never, No Man's Land, No More, and Nevermore --
Beyond the Land o' Break-o'-Day, and Sunset and the Dawn,
The soul of Marshall and the soul of Marshall's mate have gone
Unto that Loving, Laughing Land where life is fresh and clean --
Where the rivers flow all summer, and the grass is always green.
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Written by
Carl Sandburg |
LAY me on an anvil, O God.
Beat me and hammer me into a crowbar.
Let me pry loose old walls.
Let me lift and loosen old foundations.
Lay me on an anvil, O God.
Beat me and hammer me into a steel spike.
Drive me into the girders that hold a skyscraper together.
Take red-hot rivets and fasten me into the central girders.
Let me be the great nail holding a skyscraper through blue nights into white stars.
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Written by
John Berryman |
Behold I bring you tidings of great joy—
especially now that the snow & gale are still—
for Henry is delivered.
Not only is he delivered from the gale
but he has a little one. He's out of jail
also. It is a boy.
Henry's pleasure in this unusual event
reminds me of the extra told at Hollywood & Vine
that TV cameras
were focussed on him personally then & there
and 'Just a few words . . . Is it what you meant?
Was there a genuine sign?'
Couvade was always Henry's favourite custom,
better than the bride biting off the penises, pal,
remember? All the brothers
marrying her in turn & dying mutilated
until the youngest put in instead a crowbar, pal,
and pulled out not only her teeth but also his brothers' dongs & no
doubt others'.
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