Written by
Walt Whitman |
1
TO conclude—I announce what comes after me;
I announce mightier offspring, orators, days, and then, for the present, depart.
I remember I said, before my leaves sprang at all,
I would raise my voice jocund and strong, with reference to consummations.
When America does what was promis’d,
When there are plentiful athletic bards, inland and seaboard,
When through These States walk a hundred millions of superb persons,
When the rest part away for superb persons, and contribute to them,
When breeds of the most perfect mothers denote America,
Then to me and mine our due fruition.
I have press’d through in my own right,
I have sung the Body and the Soul—War and Peace have I sung,
And the songs of Life and of Birth—and shown that there are many births:
I have offer’d my style to everyone—I have journey’d with confident step;
While my pleasure is yet at the full, I whisper, So long!
And take the young woman’s hand, and the young man’s hand, for the last time.
2
I announce natural persons to arise;
I announce justice triumphant;
I announce uncompromising liberty and equality;
I announce the justification of candor, and the justification of pride.
I announce that the identity of These States is a single identity only;
I announce the Union more and more compact, indissoluble;
I announce splendors and majesties to make all the previous politics of the earth
insignificant.
I announce adhesiveness—I say it shall be limitless, unloosen’d;
I say you shall yet find the friend you were looking for.
I announce a man or woman coming—perhaps you are the one, (So long!)
I announce the great individual, fluid as Nature, chaste, affectionate, compassionate,
fully
armed.
I announce a life that shall be copious, vehement, spiritual, bold;
I announce an end that shall lightly and joyfully meet its translation;
I announce myriads of youths, beautiful, gigantic, sweet-blooded;
I announce a race of splendid and savage old men.
3
O thicker and faster! (So long!)
O crowding too close upon me;
I foresee too much—it means more than I thought;
It appears to me I am dying.
Hasten throat, and sound your last!
Salute me—salute the days once more. Peal the old cry once more.
Screaming electric, the atmosphere using,
At random glancing, each as I notice absorbing,
Swiftly on, but a little while alighting,
Curious envelop’d messages delivering,
Sparkles hot, seed ethereal, down in the dirt dropping,
Myself unknowing, my commission obeying, to question it never daring,
To ages, and ages yet, the growth of the seed leaving,
To troops out of me, out of the army, the war arising—they the tasks I have set
promulging,
To women certain whispers of myself bequeathing—their affection me more clearly
explaining,
To young men my problems offering—no dallier I—I the muscle of their brains
trying,
So I pass—a little time vocal, visible, contrary;
Afterward, a melodious echo, passionately bent for—(death making me really undying;)
The best of me then when no longer visible—for toward that I have been incessantly
preparing.
What is there more, that I lag and pause, and crouch extended with unshut mouth?
Is there a single final farewell?
4
My songs cease—I abandon them;
From behind the screen where I hid I advance personally, solely to you.
Camerado! This is no book;
Who touches this, touches a man;
(Is it night? Are we here alone?)
It is I you hold, and who holds you;
I spring from the pages into your arms—decease calls me forth.
O how your fingers drowse me!
Your breath falls around me like dew—your pulse lulls the tympans of my ears;
I feel immerged from head to foot;
Delicious—enough.
Enough, O deed impromptu and secret!
Enough, O gliding present! Enough, O summ’d-up past!
5
Dear friend, whoever you are, take this kiss,
I give it especially to you—Do not forget me;
I feel like one who has done work for the day, to retire awhile;
I receive now again of my many translations—from my avataras ascending—while
others
doubtless await me;
An unknown sphere, more real than I dream’d, more direct, darts awakening rays about
me—So long!
Remember my words—I may again return,
I love you—I depart from materials;
I am as one disembodied, triumphant, dead.
|
Written by
Philip Larkin |
I work all day, and get half-drunk at night.
Waking at four to soundless dark, I stare.
In time the curtain-edges will grow light.
Till then I see what's really always there:
Unresting death, a whole day nearer now,
Making all thought impossible but how
And where and when I shall myself die.
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse
-- The good not done, the love not given, time
Torn off unused -- nor wretchedly because
An only life can take so long to climb
Clear of its wrong beginnings, and may never;
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,
Not to be anywhere,
And soon; nothing more terrible, nothing more true.
This is a special way of being afraid
No trick dispels. Religion used to try,
That vast moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear -- no sight, no sound,
No touch or taste or smell, nothing to think with,
Nothing to love or link with,
The anaesthetic from which none come round.
And so it stays just on the edge of vision,
A small unfocused blur, a standing chill
That slows each impulse down to indecision.
Most things may never happen: this one will,
And realisation of it rages out
In furnace-fear when we are caught without
People or drink. Courage is no good:
It means not scaring others. Being brave
Lets no one off the grave.
Death is no different whined at than withstood.
Slowly light strengthens, and the room takes shape.
It stands plain as a wardrobe, what we know,
Have always known, know that we can't escape,
Yet can't accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
|
Written by
Mary Shelley |
Full little knowest thou, that hast not tried,
What hell it is——
To fret thy soul with crosses and with cares,
To eat thy heart through comfortless despairs;
To fawn, to crouch, to wait, to ride, to run,
To spend, to give, to want, to be undone.
|
Written by
C S Lewis |
1
You said 'The world is going back to Paganism'.
Oh bright Vision! I saw our dynasty in the bar of the House
Spill from their tumblers a libation to the Erinyes,
And Leavis with Lord Russell wreathed in flowers, heralded with flutes,
Leading white bulls to the cathedral of the solemn Muses
To pay where due the glory of their latest theorem.
Hestia's fire in every flat, rekindled, burned before
The Lardergods. Unmarried daughters with obedient hands
Tended it By the hearth the white-armd venerable mother
Domum servabat, lanam faciebat. at the hour
Of sacrifice their brothers came, silent, corrected, grave
Before their elders; on their downy cheeks easily the blush
Arose (it is the mark of freemen's children) as they trooped,
Gleaming with oil, demurely home from the palaestra or the dance.
Walk carefully, do not wake the envy of the happy gods,
Shun Hubris. The middle of the road, the middle sort of men,
Are best. Aidos surpasses gold. Reverence for the aged
Is wholesome as seasonable rain, and for a man to die
Defending the city in battle is a harmonious thing.
Thus with magistral hand the Puritan Sophrosune
Cooled and schooled and tempered our uneasy motions;
Heathendom came again, the circumspection and the holy fears ...
You said it. Did you mean it? Oh inordinate liar, stop.
2
Or did you mean another kind of heathenry?
Think, then, that under heaven-roof the little disc of the earth,
Fortified Midgard, lies encircled by the ravening Worm.
Over its icy bastions faces of giant and troll
Look in, ready to invade it. The Wolf, admittedly, is bound;
But the bond wil1 break, the Beast run free. The weary gods,
Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand,
Will limp to their stations for the Last defence. Make it your hope
To be counted worthy on that day to stand beside them;
For the end of man is to partake of their defeat and die
His second, final death in good company. The stupid, strong
Unteachable monsters are certain to be victorious at last,
And every man of decent blood is on the losing side.
Take as your model the tall women with yellow hair in plaits
Who walked back into burning houses to die with men,
Or him who as the death spear entered into his vitals
Made critical comments on its workmanship and aim.
Are these the Pagans you spoke of? Know your betters and crouch, dogs;
You that have Vichy water in your veins and worship the event
Your goddess History (whom your fathers called the strumpet Fortune).
|
Written by
Anne Sexton |
It's in the heart of the grape
where that smile lies.
It's in the good-bye-bow in the hair
where that smile lies.
It's in the clerical collar of the dress
where that smile lies.
What smile?
The smile of my seventh year,
caught here in the painted photograph.
It's peeling now, age has got it,
a kind of cancer of the background
and also in the assorted features.
It's like a rotten flag
or a vegetable from the refrigerator,
pocked with mold.
I am aging without sound,
into darkness, darkness.
Anne,
who are you?
I open the vein
and my blood rings like roller skates.
I open the mouth
and my teeth are an angry army.
I open the eyes
and they go sick like dogs
with what they have seen.
I open the hair
and it falls apart like dust balls.
I open the dress
and I see a child bent on a toilet seat.
I crouch there, sitting dumbly
pushing the enemas out like ice cream,
letting the whole brown world
turn into sweets.
Anne,
who are you?
Merely a kid keeping alive.
|
Written by
Algernon Charles Swinburne |
Watchman, what of the night? -
Storm and thunder and rain,
Lights that waver and wane,
Leaving the watchfires unlit.
Only the balefires are bright,
And the flash of the lamps now and then
From a palace where spoilers sit,
Trampling the children of men.
Prophet, what of the night? -
I stand by the verge of the sea,
Banished, uncomforted, free,
Hearing the noise of the waves
And sudden flashes that smite
Some man's tyrannous head,
Thundering, heard among graves
That hide the hosts of his dead.
Mourners, what of the night? -
All night through without sleep
We weep, and we weep, and we weep.
Who shall give us our sons ?
Beaks of raven and kite,
Mouths of wolf and of hound,
Give us them back whom the guns
Shot for you dead on the ground.
Dead men, what of the night? -
Cannon and scaffold and sword,
Horror of gibbet and cord,
Mowed us as sheaves for the grave,
Mowed us down for the right.
We do not grudge or repent.
Freely to freedom we gave
Pledges, till life should be spent.
Statesman, what of the night? -
The night will last me my time.
The gold on a crown or a crime
Looks well enough yet by the lamps.
Have we not fingers to write,
Lips to swear at a need?
Then, when danger decamps,
Bury the word with the deed.
Warrior, what of the night? -
Whether it be not or be
Night, is as one thing to me.
I for one, at the least,
Ask not of dews if they blight,
Ask not of flames if they slay,
Ask not of prince or of priest
How long ere we put them away.
Master, what of the night? -
Child, night is not at all
Anywhere, fallen or to fall,
Save in our star-stricken eyes.
Forth of our eyes it takes flight,
Look we but once nor before
Nor behind us, but straight on the skies;
Night is not then any more.
Exile, what of the night? -
The tides and the hours run out,
The seasons of death and of doubt,
The night-watches bitter and sore.
In the quicksands leftward and right
My feet sink down under me;
But I know the scents of the shore
And the broad blown breaths of the sea.
Captives, what of the night? -
It rains outside overhead
Always, a rain that is red,
And our faces are soiled with the rain.
Here in the seasons' despite
Day-time and night-time are one,
Till the curse of the kings and the chain
Break, and their toils be undone.
Christian, what of the night? -
I cannot tell; I am blind.
I halt and hearken behind
If haply the hours will go back
And return to the dear dead light,
To the watchfires and stars that of old
Shone where the sky now is black,
Glowed where the earth now is cold.
High priest, what of the night? -
The night is horrible here
With haggard faces and fear,
Blood, and the burning of fire.
Mine eyes are emptied of sight,
Mine hands are full of the dust,
If the God of my faith be a liar,
Who is it that I shall trust?
Princes, what of the night? -
Night with pestilent breath
Feeds us, children of death,
Clothes us close with her gloom.
Rapine and famine and fright
Crouch at our feet and are fed.
Earth where we pass is a tomb,
Life where we triumph is dead.
Martyrs, what of the night? -
Nay, is it night with you yet?
We, for our part, we forget
What night was, if it were.
The loud red mouths of the fight
Are silent and shut where we are.
In our eyes the tempestuous air
Shines as the face of a star.
England, what of the night? -
Night is for slumber and sleep,
Warm, no season to weep.
Let me alone till the day.
Sleep would I still if I might,
Who have slept for two hundred years.
Once I had honour, they say;
But slumber is sweeter than tears.
France, what of the night? -
Night is the prostitute's noon,
Kissed and drugged till she swoon,
Spat upon, trod upon, whored.
With bloodred rose-garlands dight,
Round me reels in the dance
Death, my saviour, my lord,
Crowned; there is no more France.
Italy, what of the night? -
Ah, child, child, it is long!
Moonbeam and starbeam and song
Leave it dumb now and dark.
Yet I perceive on the height
Eastward, not now very far,
A song too loud for the lark,
A light too strong for a star.
Germany, what of the night ? -
Long has it lulled me with dreams;
Now at midwatch, as it seems,
Light is brought back to mine eyes,
And the mastery of old and the might
Lives in the joints of mine hands,
Steadies my limbs as they rise,
Strengthens my foot as it stands.
Europe, what of the night ? -
Ask of heaven, and the sea,
And my babes on the bosom of me,
Nations of mine, but ungrown.
There is one who shall surely requite
All that endure or that err:
She can answer alone:
Ask not of me, but of her.
Liberty, what of the night ? -
I feel not the red rains fall,
Hear not the tempest at all,
Nor thunder in heaven any more.
All the distance is white
With the soundless feet of the sun.
Night, with the woes that it wore,
Night is over and done.
|
Written by
Walter de la Mare |
Thistle and darnell and dock grew there,
And a bush, in the corner, of may,
On the orchard wall I used to sprawl
In the blazing heat of the day;
Half asleep and half awake,
While the birds went twittering by,
And nobody there my lone to share
But Nicholas Nye.
Nicholas Nye was lean and gray,
Lame of leg and old,
More than a score of donkey's years
He had been since he was foaled;
He munched the thistles, purple and spiked,
Would sometimes stoop and sigh,
And turn to his head, as if he said,
"Poor Nicholas Nye!"
Alone with his shadow he'd drowse in the meadow,
Lazily swinging his tail,
At break of day he used to bray,--
Not much too hearty and hale;
But a wonderful gumption was under his skin,
And a clean calm light in his eye,
And once in a while; he'd smile:--
Would Nicholas Nye.
Seem to be smiling at me, he would,
From his bush in the corner, of may,--
Bony and ownerless, widowed and worn,
Knobble-kneed, lonely and gray;
And over the grass would seem to pass
'Neath the deep dark blue of the sky,
Something much better than words between me
And Nicholas Nye.
But dusk would come in the apple boughs,
The green of the glow-worm shine,
The birds in nest would crouch to rest,
And home I'd trudge to mine;
And there, in the moonlight, dark with dew,
Asking not wherefore nor why,
Would brood like a ghost, and as still as a post,
Old Nicholas Nye.
|
Written by
James Wright |
Still,
I would leap too
Into the light,
If I had the chance.
It is everything, the wet green stalk of the field
On the other side of the road.
They crouch there, too, faltering in terror
And take strange wing. Many
Of the dead never moved, but many
Of the dead are alive forever in the split second
Auto headlights more sudden
Than their drivers know.
The drivers burrow backward into dank pools
Where nothing begets
Nothing.
Across the road, tadpoles are dancing
On the quarter thumbnail
Of the moon. They can't see,
Not yet.
|
Written by
Robert Lowell |
"Relinquunt Omnia Servare Rem Publicam."
The old South Boston Aquarium stands
in a Sahara of snow now. Its broken windows are boarded.
The bronze weathervane cod has lost half its scales.
The airy tanks are dry.
Once my nose crawled like a snail on the glass;
my hand tingled
to burst the bubbles
drifting from the noses of the cowed, compliant fish.
My hand draws back. I often sigh still
for the dark downward and vegetating kingdom
of the fish and reptile. One morning last March,
I pressed against the new barbed and galvanized
fence on the Boston Common. Behind their cage,
yellow dinosaur steamshovels were grunting
as they cropped up tons of mush and grass
to gouge their underworld garage.
Parking spaces luxuriate like civic
sandpiles in the heart of Boston.
A girdle of orange, Puritan-pumpkin colored girders
braces the tingling Statehouse,
shaking over the excavations, as it faces Colonel Shaw
and his bell-cheeked ***** infantry
on St. Gaudens' shaking Civil War relief,
propped by a plank splint against the garage's earthquake.
Two months after marching through Boston,
half the regiment was dead;
at the dedication,
William James could almost hear the bronze ******* breathe.
Their monument sticks like a fishbone
in the city's throat.
Its Colonel is as lean
as a compass-needle.
He has an angry wrenlike vigilance,
a greyhound's gently tautness;
he seems to wince at pleasure,
and suffocate for privacy.
He is out of bounds now. He rejoices in man's lovely,
peculiar power to choose life and die--
when he leads his black soldiers to death,
he cannot bend his back.
On a thousand small town New England greens,
the old white churches hold their air
of sparse, sincere rebellion; frayed flags
quilt the graveyards of the Grand Army of the Republic.
The stone statues of the abstract Union Soldier
grow slimmer and younger each year--
wasp-waisted, they doze over muskets
and muse through their sideburns . . .
Shaw's father wanted no monument
except the ditch,
where his son's body was thrown
and lost with his "niggers."
The ditch is nearer.
There are no statues for the last war here;
on Boylston Street, a commercial photograph
shows Hiroshima boiling
over a Mosler Safe, the "Rock of Ages"
that survived the blast. Space is nearer.
When I crouch to my television set,
the drained faces of ***** school-children rise like balloons.
Colonel Shaw
is riding on his bubble,
he waits
for the bless?d break.
The Aquarium is gone. Everywhere,
giant finned cars nose forward like fish;
a savage servility
slides by on grease.
|
Written by
George Herbert |
Lord, how couldst thou so much appease
Thy wrath for sin, as when man's sight was dim,
And could see little, to regard his ease,
And bring by Faith all things to him?
Hungry I was, and had no meat:
I did conceit a most delicious feast;
I had it straight, and did as truly eat,
As ever did a welcome guest.
There is a rare outlandish root,
Which when I could not get, I thought it here:
That apprehension cur'd so well my foot,
That I can walk to heav'n well near.
I owed thousands and much more.
I did believe that I did nothing owe,
And liv'd accordingly; my creditor
Believes so too, and lets me go.
Faith makes me any thing, or all
That I believe is in the sacred story:
And where sin placeth me in Adam's fall,
Faith sets me higher in his glory.
If I go lower in the book,
What can be lower than the common manger?
Faith puts me there with him, who sweetly took
Our flesh and frailty, death and danger.
If bliss had lien in art or strength,
None but the wise or strong had gained it:
Where now by Faith all arms are of a length;
One size doth all conditions fit.
A peasant may believe as much
As a great Clerk, and reach the highest stature.
Thus dost thou make proud knowledge bend and crouch
While grace fills up uneven nature.
When creatures had no real light
Inherent in them, thou didst make the sun
Impute a lustre, and allow them bright;
And in this show what Christ hath done.
That which before was darkned clean
With bushy groves, pricking the looker's eye,
Vanisht away, when Faith did change the scene:
And then appear'd a glorious sky.
What though my body run to dust?
Faith cleaves unto it, counting ev'ry grain
With an exact and most particular trust,
Reserving all for flesh again.
|