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Best Famous Crooning Poems

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Written by Victor Hugo | Create an image from this poem

TO SOME BIRDS FLOWN AWAY

 ("Enfants! Oh! revenez!") 
 
 {XXII, April, 1837} 


 Children, come back—come back, I say— 
 You whom my folly chased away 
 A moment since, from this my room, 
 With bristling wrath and words of doom! 
 What had you done, you bandits small, 
 With lips as red as roses all? 
 What crime?—what wild and hapless deed? 
 What porcelain vase by you was split 
 To thousand pieces? Did you need 
 For pastime, as you handled it, 
 Some Gothic missal to enrich 
 With your designs fantastical? 
 Or did your tearing fingers fall 
 On some old picture? Which, oh, which 
 Your dreadful fault? Not one of these; 
 Only when left yourselves to please 
 This morning but a moment here 
 'Mid papers tinted by my mind 
 You took some embryo verses near— 
 Half formed, but fully well designed 
 To open out. Your hearts desire 
 Was but to throw them on the fire, 
 Then watch the tinder, for the sight 
 Of shining sparks that twinkle bright 
 As little boats that sail at night, 
 Or like the window lights that spring 
 From out the dark at evening. 
 
 'Twas all, and you were well content. 
 Fine loss was this for anger's vent— 
 A strophe ill made midst your play, 
 Sweet sound that chased the words away 
 In stormy flight. An ode quite new, 
 With rhymes inflated—stanzas, too, 
 That panted, moving lazily, 
 And heavy Alexandrine lines 
 That seemed to jostle bodily, 
 Like children full of play designs 
 That spring at once from schoolroom's form. 
 Instead of all this angry storm, 
 Another might have thanked you well 
 For saving prey from that grim cell, 
 That hollowed den 'neath journals great, 
 Where editors who poets flout 
 With their demoniac laughter shout. 
 And I have scolded you! What fate 
 For charming dwarfs who never meant 
 To anger Hercules! And I 
 Have frightened you!—My chair I sent 
 Back to the wall, and then let fly 
 A shower of words the envious use— 
 "Get out," I said, with hard abuse, 
 "Leave me alone—alone I say." 
 Poor man alone! Ah, well-a-day, 
 What fine result—what triumph rare! 
 As one turns from the coffin'd dead 
 So left you me:—I could but stare 
 Upon the door through which you fled— 
 I proud and grave—but punished quite. 
 And what care you for this my plight!— 
 You have recovered liberty, 
 Fresh air and lovely scenery, 
 The spacious park and wished-for grass; 
lights 
 And gratefully to sing. 
 
 E'e 
 A blade to watch what comes to pass; 
 Blue sky, and all the spring can show; 
 Nature, serenely fair to see; 
 The book of birds and spirits free, 
 God's poem, worth much more than mine, 
 Where flowers for perfect stanzas shine— 
 Flowers that a child may pluck in play, 
 No harsh voice frightening it away. 
 And I'm alone—all pleasure o'er— 
 Alone with pedant called "Ennui," 
 For since the morning at my door 
 Ennui has waited patiently. 
 That docto-r-London born, you mark, 
 One Sunday in December dark, 
 Poor little ones—he loved you not, 
 And waited till the chance he got 
 To enter as you passed away, 
 And in the very corner where 
 You played with frolic laughter gay, 
 He sighs and yawns with weary air. 
 
 What can I do? Shall I read books, 
 Or write more verse—or turn fond looks 
 Upon enamels blue, sea-green, 
 And white—on insects rare as seen 
 Upon my Dresden china ware? 
 Or shall I touch the globe, and care 
 To make the heavens turn upon 
 Its axis? No, not one—not one 
 Of all these things care I to do; 
 All wearies me—I think of you. 
 In truth with you my sunshine fled, 
 And gayety with your light tread— 
 Glad noise that set me dreaming still. 
 'Twas my delight to watch your will, 
 And mark you point with finger-tips 
 To help your spelling out a word; 
 To see the pearls between your lips 
 When I your joyous laughter heard; 
 Your honest brows that looked so true, 
 And said "Oh, yes!" to each intent; 
 Your great bright eyes, that loved to view 
 With admiration innocent 
 My fine old Sèvres; the eager thought 
 That every kind of knowledge sought; 
 The elbow push with "Come and see!" 
 
 Oh, certes! spirits, sylphs, there be, 
 And fays the wind blows often here; 
 The gnomes that squat the ceiling near, 
 In corners made by old books dim; 
 The long-backed dwarfs, those goblins grim 
 That seem at home 'mong vases rare, 
 And chat to them with friendly air— 
 Oh, how the joyous demon throng 
 Must all have laughed with laughter long 
 To see you on my rough drafts fall, 
 My bald hexameters, and all 
 The mournful, miserable band, 
 And drag them with relentless hand 
 From out their box, with true delight 
 To set them each and all a-light, 
 And then with clapping hands to lean 
 Above the stove and watch the scene, 
 How to the mass deformed there came 
 A soul that showed itself in flame! 
 
 Bright tricksy children—oh, I pray 
 Come back and sing and dance away, 
 And chatter too—sometimes you may, 
 A giddy group, a big book seize— 
 Or sometimes, if it so you please, 
 With nimble step you'll run to me 
 And push the arm that holds the pen, 
 Till on my finished verse will be 
 A stroke that's like a steeple when 
 Seen suddenly upon a plain. 
 My soul longs for your breath again 
 To warm it. Oh, return—come here 
 With laugh and babble—and no fear 
 When with your shadow you obscure 
 The book I read, for I am sure, 
 Oh, madcaps terrible and dear, 
 That you were right and I was wrong. 
 But who has ne'er with scolding tongue 
 Blamed out of season. Pardon me! 
 You must forgive—for sad are we. 
 
 The young should not be hard and cold 
 And unforgiving to the old. 
 Children each morn your souls ope out 
 Like windows to the shining day, 
 Oh, miracle that comes about, 
 The miracle that children gay 
 Have happiness and goodness too, 
 Caressed by destiny are you, 
 Charming you are, if you but play. 
 But we with living overwrought, 
 And full of grave and sombre thought, 
 Are snappish oft: dear little men, 
 We have ill-tempered days, and then, 
 Are quite unjust and full of care; 
 It rained this morning and the air 
 Was chill; but clouds that dimm'd the sky 
 Have passed. Things spited me, and why? 
 But now my heart repents. Behold 
 What 'twas that made me cross, and scold! 
 All by-and-by you'll understand, 
 When brows are mark'd by Time's stern hand; 
 Then you will comprehend, be sure, 
 When older—that's to say, less pure. 
 
 The fault I freely own was mine. 
 But oh, for pardon now I pine! 
 Enough my punishment to meet, 
 You must forgive, I do entreat 
 With clasped hands praying—oh, come back, 
 Make peace, and you shall nothing lack. 
 See now my pencils—paper—here, 
 And pointless compasses, and dear 
 Old lacquer-work; and stoneware clear 
 Through glass protecting; all man's toys 
 So coveted by girls and boys. 
 Great China monsters—bodies much 
 Like cucumbers—you all shall touch. 
 I yield up all! my picture rare 
 Found beneath antique rubbish heap, 
 My great and tapestried oak chair 
 I will from you no longer keep. 
 You shall about my table climb, 
 And dance, or drag, without a cry 
 From me as if it were a crime. 
 Even I'll look on patiently 
 If you your jagged toys all throw 
 Upon my carved bench, till it show 
 The wood is torn; and freely too, 
 I'll leave in your own hands to view, 
 My pictured Bible—oft desired— 
 But which to touch your fear inspired— 
 With God in emperor's robes attired. 
 
 Then if to see my verses burn, 
 Should seem to you a pleasant turn, 
 Take them to freely tear away 
 Or burn. But, oh! not so I'd say, 
 If this were Méry's room to-day. 
 That noble poet! Happy town, 
 Marseilles the Greek, that him doth own! 
 Daughter of Homer, fair to see, 
 Of Virgil's son the mother she. 
 To you I'd say, Hold, children all, 
 Let but your eyes on his work fall; 
 These papers are the sacred nest 
 In which his crooning fancies rest; 
 To-morrow winged to Heaven they'll soar, 
 For new-born verse imprisoned still 
 In manuscript may suffer sore 
 At your small hands and childish will, 
 Without a thought of bad intent, 
 Of cruelty quite innocent. 
 You wound their feet, and bruise their wings, 
 And make them suffer those ill things 
 That children's play to young birds brings. 
 
 But mine! no matter what you do, 
 My poetry is all in you; 
 You are my inspiration bright 
 That gives my verse its purest light. 
 Children whose life is made of hope, 
 Whose joy, within its mystic scope, 
 Owes all to ignorance of ill, 
 You have not suffered, and you still 
 Know not what gloomy thoughts weigh down 
 The poet-writer weary grown. 
 What warmth is shed by your sweet smile! 
 How much he needs to gaze awhile 
 Upon your shining placid brow, 
 When his own brow its ache doth know; 
 With what delight he loves to hear 
 Your frolic play 'neath tree that's near, 
 Your joyous voices mixing well 
 With his own song's all-mournful swell! 
 Come back then, children! come to me, 
 If you wish not that I should be 
 As lonely now that you're afar 
 As fisherman of Etrétat, 
 Who listless on his elbow leans 
 Through all the weary winter scenes, 
 As tired of thought—as on Time flies— 
 And watching only rainy skies! 
 
 MRS. NEWTON CROSLAND. 


 






Written by Carolyn Kizer | Create an image from this poem

American Beauty

 For Ann London 

As you described your mastectomy in calm detail
and bared your chest so I might see
the puckered scar,
"They took a hatchet to your breast!" I said.
"What an Amazon you are.
" When we were girls we climbed Mt.
Tamalpais chewing bay leaves we had plucked along the way; we got high all right, from animal pleasure in each other, shouting to the sky.
On your houseboat we tried to ignore the impossible guy you had married to enrage your family, a typical ploy.
We were great fools let loose in the No Name bar on Sausalito's bay.
In San Francisco we'd perch on a waterfront pier chewing sourdough and cheese, swilling champagne, kicking our heels; crooning lewd songs, hooting like seagulls, we bayed with the seals.
Then you married someone in Mexico, broke up in two weeks, didn't bother to divorce, claimed it didn't count.
You dumped number three, fled to Albany to become a pedant.
Averse to domesticity, you read for your Ph.
D.
Your four-year-old looked like a miniature John Lennon.
You fed him peanut butter from your jar and raised him on Beowulf and Grendal.
Much later in New York we reunited; in an elevator at Sak's a woman asked for your autograph.
You glowed like a star, like Anouk Aimee at forty, close enough.
Your pedantry found its place in the Women's Movement.
You rose fast, seen suddenly as the morning star; wrote the ERA found the right man at last, a sensitive artist; flying too high not to crash.
When the cancer caught you you went on talk shows to say you had no fear or faith.
In Baltimore we joked on your bed as you turned into a witty wraith.
When you died I cleaned out your bureau drawers: your usual disorder; an assortment of gorgeous wigs and prosthetic breasts tossed in garbage bags, to spare your gentle spouse.
Then the bequests you had made to every friend you had! For each of us a necklace or a ring.
A snapshot for me: We two, barefoot in chiffon, laughing amid blossoms your last wedding day.
Written by Robert Burns | Create an image from this poem

Tam OShanter

 A Tale

"Of Brownyis and of Bogilis full is this Buke.
" —Gawin Douglas.
When chapman billies leave the street, And drouthy neebors neebors meet, As market-days are wearing late, An' folk begin to tak' the gate; While we sit bousing at the nappy, An' getting fou and unco happy, We think na on the lang Scots miles, The mosses, waters, slaps, and stiles, That lie between us and our hame, Whare sits our sulky, sullen dame, Gathering her brows like gathering storm, Nursing her wrath to keep it warm.
This truth fand honest Tam o'Shanter, As he frae Ayr ae night did canter, (Auld Ayr, wham ne'er a town surpasses, For honest men and bonie lasses).
O Tam! hadst thou but been sae wise, As ta'en thy ain wife Kate's advice! She tauld thee weel thou was a skellum, A blethering, blustering, drunken blellum, That frae November till October, Ae market-day thou was nae sober; That ilka melder, wi' the miller, Thou sat as lang as thou had siller; That ev'ry naig was ca'd a shoe on, The smith and thee gat roarin fou on; That at the Lord's house, ev'n on Sunday, Thou drank wi' Kirkton Jean till Monday.
She prophesied that, late or soon, Thou would be found deep drowned in Doon; Or catched wi' warlocks in the mirk, By Alloway's auld haunted kirk.
Ah, gentle dames! it gars me greet, To think how mony counsels sweet, How mony lengthened sage advices, The husband frae the wife despises! But to our tale: Ae market-night, Tam had got planted unco right; Fast by an ingle, bleezing finely, Wi' reaming swats, that drank divinely; And at his elbow, Souter Johnny, His ancient, trusty, drouthy crony; Tam lo'ed him like a vera brither; They had been fou for weeks thegither.
The night drave on wi' sangs an' clatter; And aye the ale was growing better: The landlady and Tam grew gracious, Wi' favours, secret, sweet, and precious: The Souter tauld his queerest stories; The landlord's laugh was ready chorus: The storm without might rair and rustle, Tam did na mind the storm a whistle.
Care, mad to see a man sae happy, E'en drowned himself amang the nappy; As bees flee hame wi' lades o' treasure, The minutes winged their way wi' pleasure: Kings may be blest, but Tam was glorious, O'er a' the ills o' life victorious! But pleasures are like poppies spread, You seize the flow'r, its bloom is shed; Or like the snow falls in the river, A moment white—then melts for ever; Or like the borealis race, That flit ere you can point their place; Or like the rainbow's lovely form Evanishing amid the storm.
— Nae man can tether time or tide; The hour approaches Tam maun ride; That hour, o' night's black arch the key-stane, That dreary hour he mounts his beast in; And sic a night he tak's the road in, As ne'er poor sinner was abroad in.
The wind blew as 'twad blawn its last; The rattling showers rose on the blast; The speedy gleams the darkness swallowed; Loud, deep, and lang the thunder bellowed: That night, a child might understand, The De'il had business on his hand.
Weel mounted on his grey mare, Meg, A better never lifted leg, Tam skelpit on thro' dub and mire, Despising wind, and rain, and fire; Whiles holding fast his gude blue bonnet; Whiles crooning o'er some auld Scots sonnet; Whiles glow'rin round wi' prudent cares, Lest bogles catch him unawares; Kirk-Alloway was drawing nigh, Whare ghaists and houlets nightly cry.
By this time he was cross the ford, Whare in the snaw the chapman smoored; And past the birks and meikle stane, Whare drunken Charlie brak's neck-bane; And thro' the whins, and by the cairn, Whare hunters fand the murdered bairn; And near the thorn, aboon the well, Whare Mungo's mither hanged hersel'.
Before him Doon pours all his floods; The doubling storm roars thro' the woods; The lightnings flash from pole to pole; Near and more near the thunders roll; When, glimmering thro' the groaning trees, Kirk-Alloway seemed in a bleeze; Thro' ilka bore the beams were glancing; And loud resounded mirth and dancing.
Inspiring bold John Barleycorn! What dangers thou canst mak' us scorn! Wi' tippenny, we fear nae evil; Wi' usquabae, we'll face the devil! The swats sae reamed in Tammie's noddle, Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished, Till, by the heel and hand admonished, She ventured forward on the light; And, wow! Tam saw an unco sight! Warlocks and witches in a dance; Nae cotillion, brent new frae France, But hornpipes, jigs, strathspeys, and reels, Put life and mettle in their heels.
A winnock-bunker in the east, There sat auld Nick, in shape o' beast; A towzie tyke, black, grim, and large, To gie them music was his charge: He screwed the pipes and gart them skirl, Till roof and rafters a' did dirl.
— Coffins stood round, like open presses, That shawed the Dead in their last dresses; And by some devilish cantraip sleight Each in its cauld hand held a light, By which heroic Tam was able To note upon the haly table, A murderer's banes in gibbet-airns; Twa span-lang, wee, unchristened bairns; A thief, new-cutted frae a rape, Wi' his last gasp his gab did gape; Five tomahawks, wi' blude red-rusted; Five scimitars, wi' murder crusted; A garter, which a babe had strangled; A knife, a father's throat had mangled, Whom his ain son o' life bereft, The grey hairs yet stack to the heft; Wi' mair of horrible and awfu', Which even to name wad be unlawfu'.
As Tammie glowered, amazed and curious, The mirth and fun grew fast and furious: The Piper loud and louder blew; The dancers quick and quicker flew; They reeled, they set, they crossed, they cleekit, Till ilka carlin swat and reekit, And coost her duddies to the wark, And linket at it in her sark! Now Tam, O Tam! had they been queans, A' plump and strapping in their teens; Their sarks, instead o' creeshie flainen, Been snaw-white seventeen hunder linen!— Thir breeks o' mine, my only pair, That ance were plush, o' gude blue hair, I wad hae gi'en them off my hurdies, For ae blink o' the bonie burdies! But withered beldams, auld and droll, Rigwoodie hags wad spean a foal, Lowping and flinging on a crummock, I wonder didna turn thy stomach.
But Tam kenned what was what fu' brawlie: `There was ae winsome wench and waulie', That night enlisted in the core (Lang after kenned on Carrick shore; For mony a beast to dead she shot, And perished mony a bonie boat, And shook baith meikle corn and bear, And kept the country-side in fear); Her cutty sark, o' Paisley harn, That while a lassie she had worn, In longitude tho' sorely scanty, It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie, That sark she coft for her wee Nannie, Wi' twa pund Scots ('twas a' her riches), Wad ever graced a dance of witches! But here my Muse her wing maun cour, Sic flights are far beyond her power; To sing how Nannie lap and flang, (A souple jade she was and strang), And how Tam stood, like ane bewitched, And thought his very een enriched; Even Satan glowered, and fidged fu' fain, And hotched and blew wi' might and main: Till first ae caper, syne anither, Tam tint his reason a' thegither, And roars out, "Weel done, Cutty-sark!" And in an instant all was dark: And scarcely had he Maggie rallied, When out the hellish legion sallied.
As bees bizz out wi' angry fyke, When plundering herds assail their byke; As open pussie's mortal foes, When, pop! she starts before their nose; As eager runs the market-crowd, When "Catch the thief!" resounds aloud; So Maggie runs, the witches follow, Wi' mony an eldritch screech and hollow.
Ah, Tam! ah, Tam! thou'll get thy fairin! In hell they'll roast thee like a herrin! In vain thy Kate awaits thy comin! Kate soon will be a woefu' woman! Now, do thy speedy utmost, Meg, And win the key-stane of the brig; There at them thou thy tail may toss, A running stream they dare na cross.
But ere the key-stane she could make, The fient a tail she had to shake! For Nannie, far before the rest, Hard upon noble Maggie prest, And flew at Tam wi' furious ettle; But little wist she Maggie's mettle— Ae spring brought off her master hale, But left behind her ain grey tail: The carlin claught her by the rump, And left poor Maggie scarce a stump.
Now, wha this tale o' truth shall read, Ilk man and mother's son, take heed: Whene'er to drink you are inclined, Or cutty-sarks run in your mind, Think, ye may buy the joys o'er dear, Remember Tam o'Shanter's mare.
Written by John Greenleaf Whittier | Create an image from this poem

The Pipes At Lucknow

 Pipes of the misty moorlands,
Voice of the glens and hills;
The droning of the torrents,
The treble of the rills!
Not the braes of bloom and heather,
Nor the mountains dark with rain,
Nor maiden bower, nor border tower,
Have heard your sweetest strain!

Dear to the Lowland reaper,
And plaided mountaineer, -
To the cottage and the castle
The Scottish pipes are dear; -
Sweet sounds the ancient pibroch
O'er mountain, loch, and glade;
But the sweetest of all music
The pipes at Lucknow played.
Day by day the Indian tiger Louder yelled, and nearer crept; Round and round the jungle-serpent Near and nearer circles swept.
'Pray for rescue, wives and mothers, - Pray to-day!' the soldier said; 'To-morrow, death's between us And the wrong and shame we dread.
' Oh, they listened, looked, and waited, Till their hope became despair; And the sobs of low bewailing Filled the pauses of their prayer.
Then up spake a Scottish maiden.
With her ear unto the ground: 'Dinna ye hear it? - dinna ye hear it? The pipes o' Havelock sound!' Hushed the wounded man his groaning; Hushed the wife her little ones; Alone they heard the drum-roll And the roar of Sepoy guns.
But to sounds of home and childhood The Highland ear was true; - As her mother's cradle-crooning The mountain pipes she knew.
Like the march of soundless music Through the vision of the seer, More of feeling than of hearing, Of the heart than of the ear, She knew the droning pibroch, She knew the Campbell's call: 'Hark! hear ye no MacGregor's, The grandest o' them all!' Oh, they listened, dumb and breathless, And they caught the sound at last; Faint and far beyond the Goomtee Rose and fell the piper's blast! Then a burst of wild thanksgiving Mingled woman's voice and man's; 'God be praised! - the march of Havelock! The piping of the clans!' Louder, nearer, fierce as vengeance, Sharp and shrill as swords at strife, Came the wild MacGregor's clan-call, Stinging all the air to life.
But when the far-off dust-cloud To plaided legions grew, Full tenderly and blithesomely The pipes of rescue blew! Round the silver domes of Lucknow.
Moslem mosque and Pagan shrine, Breathed the air to Britons dearest, The air of Auld Lang Syne.
O'er the cruel roll of war-drums Rose that sweet and homelike strain; And the tartan clove the turban, As the Goomtee cleaves the plain.
Dear to the corn-land reaper And plaided mountaineer, - To the cottage and the castle The piper's song is dear.
Sweet sounds the Gaelic pibroch O'er mountain, glen, and glade; But the sweetest of all music The pipes at Lucknow played!
Written by Vernon Scannell | Create an image from this poem

A Case Of Murder

 They should not have left him there alone, 
Alone that is except for the cat.
He was only nine, not old enough To be left alone in a basement flat, Alone, that is, except for the cat.
A dog would have been a different thing, A big gruff dog with slashing jaws, But a cat with round eyes mad as gold, Plump as a cushion with tucked-in paws--- Better have left him with a fair-sized rat! But what they did was leave him with a cat.
He hated that cat; he watched it sit, A buzzing machine of soft black stuff, He sat and watched and he hated it, Snug in its fur, hot blood in a ****, And its mad gold stare and the way it sat Crooning dark warmth: he loathed all that.
So he took Daddy's stick and he hit the cat.
Then quick as a sudden crack in glass It hissed, black flash, to a hiding place In the dust and dark beneath the couch, And he followed the grin on his new-made face, A wide-eyed, frightened snarl of a grin, And he took the stick and he thrust it in, Hard and quick in the furry dark.
The black fur squealed and he felt his skin Prickle with sparks of dry delight.
Then the cat again came into sight, Shot for the door that wasn't quite shut, But the boy, quick too, slammed fast the door: The cat, half-through, was cracked like a nut And the soft black thud was dumped on the floor.
Then the boy was suddenly terrified And he bit his knuckles and cried and cried; But he had to do something with the dead thing there.
His eyes squeezed beads of salty prayer But the wound of fear gaped wide and raw; He dared not touch the thing with his hands So he fetched a spade and shovelled it And dumped the load of heavy fur In the spidery cupboard under the stair Where it's been for years, and though it died It's grown in that cupboard and its hot low purr Grows slowly louder year by year: There'll not be a corner for the boy to hide When the cupboard swells and all sides split And the huge black cat pads out of it.


Written by Robert Burns | Create an image from this poem

310. Tam o' Shanter: A Tale

 WHEN chapman billies leave the street,
And drouthy neibors, neibors, meet;
As market days are wearing late,
And folk begin to tak the gate,
While we sit bousing at the nappy,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps and stiles,
That lie between us and our hame,
Where sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.
This truth fand honest TAM O’ SHANTER, As he frae Ayr ae night did canter: (Auld Ayr, wham ne’er a town surpasses, For honest men and bonie lasses).
O Tam! had’st thou but been sae wise, As taen thy ain wife Kate’s advice! She tauld thee weel thou was a skellum, A blethering, blustering, drunken blellum; That frae November till October, Ae market-day thou was na sober; That ilka melder wi’ the Miller, Thou sat as lang as thou had siller; That ev’ry naig was ca’d a shoe on The Smith and thee gat roarin’ fou on; That at the L—d’s house, ev’n on Sunday, Thou drank wi’ Kirkton Jean till Monday, She prophesied that late or soon, Thou wad be found, deep drown’d in Doon, Or catch’d wi’ warlocks in the mirk, By Alloway’s auld, haunted kirk.
Ah, gentle dames! it gars me greet, To think how mony counsels sweet, How mony lengthen’d, sage advices, The husband frae the wife despises! But to our tale:—Ae market night, Tam had got planted unco right, Fast by an ingle, bleezing finely, Wi reaming sAats, that drank divinely; And at his elbow, Souter Johnie, His ancient, trusty, drougthy crony: Tam lo’ed him like a very brither; They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter; And aye the ale was growing better: The Landlady and Tam grew gracious, Wi’ favours secret, sweet, and precious: The Souter tauld his queerest stories; The Landlord’s laugh was ready chorus: The storm without might rair and rustle, Tam did na mind the storm a whistle.
Care, mad to see a man sae happy, E’en drown’d himsel amang the nappy.
As bees flee hame wi’ lades o’ treasure, The minutes wing’d their way wi’ pleasure: Kings may be blest, but Tam was glorious, O’er a’ the ills o’ life victorious! But pleasures are like poppies spread, You seize the flow’r, its bloom is shed; Or like the snow falls in the river, A moment white—then melts for ever; Or like the Borealis race, That flit ere you can point their place; Or like the Rainbow’s lovely form Evanishing amid the storm.
— Nae man can tether Time nor Tide, The hour approaches Tam maun ride; That hour, o’ night’s black arch the key-stane, That dreary hour he mounts his beast in; And sic a night he taks the road in, As ne’er poor sinner was abroad in.
The wind blew as ’twad blawn its last; The rattling showers rose on the blast; The speedy gleams the darkness swallow’d; Loud, deep, and lang, the thunder bellow’d: That night, a child might understand, The deil had business on his hand.
Weel-mounted on his grey mare, Meg, A better never lifted leg, Tam skelpit on thro’ dub and mire, Despising wind, and rain, and fire; Whiles holding fast his gude blue bonnet, Whiles crooning o’er some auld Scots sonnet, Whiles glow’rin round wi’ prudent cares, Lest bogles catch him unawares; Kirk-Alloway was drawing nigh, Where ghaists and houlets nightly cry.
By this time he was cross the ford, Where in the snaw the chapman smoor’d; And past the birks and meikle stane, Where drunken Charlie brak’s neck-bane; And thro’ the whins, and by the cairn, Where hunters fand the murder’d bairn; And near the thorn, aboon the well, Where Mungo’s mither hang’d hersel’.
Before him Doon pours all his floods, The doubling storm roars thro’ the woods, The lightnings flash from pole to pole, Near and more near the thunders roll, When, glimmering thro’ the groaning trees, Kirk-Alloway seem’d in a bleeze, Thro’ ilka bore the beams were glancing, And loud resounded mirth and dancing.
Inspiring bold John Barleycorn! What dangers thou canst make us scorn! Wi’ tippenny, we fear nae evil; Wi’ usquabae, we’ll face the devil! The swats sae ream’d in Tammie’s noddle, Fair play, he car’d na deils a boddle, But Maggie stood, right sair astonish’d, Till, by the heel and hand admonish’d, She ventur’d forward on the light; And, wow! Tam saw an unco sight! Warlocks and witches in a dance: Nae cotillon, brent new frae France, But hornpipes, jigs, strathspeys, and reels, Put life and mettle in their heels.
A winnock-bunker in the east, There sat auld Nick, in shape o’ beast; A towzie tyke, black, grim, and large, To gie them music was his charge: He screw’d the pipes and gart them skirl, Till roof and rafters a’ did dirl.
— Coffins stood round, like open presses, That shaw’d the Dead in their last dresses; And (by some devilish cantraip sleight) Each in its cauld hand held a light.
By which heroic Tam was able To note upon the haly table, A murderer’s banes, in gibbet-airns; Twa span-lang, wee, unchristened bairns; A thief, new-cutted frae a rape, Wi’ his last gasp his gabudid gape; Five tomahawks, wi’ blude red-rusted: Five scimitars, wi’ murder crusted; A garter which a babe had strangled: A knife, a father’s throat had mangled.
Whom his ain son of life bereft, The grey-hairs yet stack to the heft; Wi’ mair of horrible and awfu’, Which even to name wad be unlawfu’.
As Tammie glowr’d, amaz’d, and curious, The mirth and fun grew fast and furious; The Piper loud and louder blew, The dancers quick and quicker flew, The reel’d, they set, they cross’d, they cleekit, Till ilka carlin swat and reekit, And coost her duddies to the wark, And linkit at it in her sark! Now Tam, O Tam! had they been queans, A’ plump and strapping in their teens! Their sarks, instead o’ creeshie flainen, Been snaw-white seventeen hunder linen!— Thir breeks o’ mine, my only pair, That ance were plush o’ guid blue hair, I wad hae gien them off my hurdies, For ae blink o’ the bonie burdies! But wither’d beldams, auld and droll, Rigwoodie hags wad spean a foal, Louping an’ flinging on a crummock.
I wonder did na turn thy stomach.
But Tam kent what was what fu’ brawlie: There was ae winsome wench and waulie That night enlisted in the core, Lang after ken’d on Carrick shore; (For mony a beast to dead she shot, And perish’d mony a bonie boat, And shook baith meikle corn and bear, And kept the country-side in fear); Her cutty sark, o’ Paisley harn, That while a lassie she had worn, In longitude tho’ sorely scanty, It was her best, and she was vauntie.
Ah! little ken’d thy reverend grannie, That sark she coft for her wee Nannie, Wi twa pund Scots (’twas a’ her riches), Wad ever grac’d a dance of witches! But here my Muse her wing maun cour, Sic flights are far beyond her power; To sing how Nannie lap and flang, (A souple jade she was and strang), And how Tam stood, like ane bewithc’d, And thought his very een enrich’d: Even Satan glowr’d, and fidg’d fu’ fain, And hotch’d and blew wi’ might and main: Till first ae caper, syne anither, Tam tint his reason a thegither, And roars out, “Weel done, Cutty-sark!” And in an instant all was dark: And scarcely had he Maggie rallied.
When out the hellish legion sallied.
As bees bizz out wi’ angry fyke, When plundering herds assail their byke; As open pussie’s mortal foes, When, pop! she starts before their nose; As eager runs the market-crowd, When “Catch the thief!” resounds aloud; So Maggie runs, the witches follow, Wi’ mony an eldritch skreich and hollow.
Ah, Tam! Ah, Tam! thou’ll get thy fairin! In hell, they’ll roast thee like a herrin! In vain thy Kate awaits thy comin! Kate soon will be a woefu’ woman! Now, do thy speedy-utmost, Meg, And win the key-stone o’ the brig; There, at them thou thy tail may toss, A running stream they dare na cross.
But ere the keystane she could make, The fient a tail she had to shake! For Nannie, far before the rest, Hard upon noble Maggie prest, And flew at Tam wi’ furious ettle; But little wist she Maggie’s mettle! Ae spring brought off her master hale, But left behind her ain grey tail: The carlin claught her by the rump, And left poor Maggie scarce a stump.
Now, wha this tale o’ truth shall read, Ilk man and mother’s son, take heed: Whene’er to Drink you are inclin’d, Or Cutty-sarks rin in your mind, Think ye may buy the joys o’er dear; Remember Tam o’ Shanter’s mare.
Written by Eugene Field | Create an image from this poem

The peter-bird

 Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened, And, when the story is told, let us pay heed to the lesson.
Once on a time, long ago, lived in the State of Kentucky One that was reckoned a witch--full of strange spells and devices; Nightly she wandered the woods, searching for charms voodooistic-- Scorpions, lizards, and herbs, dormice, chameleons, and plantains! Serpents and caw-caws and bats, screech-owls and crickets and adders-- These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning Ambled that hussy to brew spells of unspeakable evil; And, when the people awoke, seeing that hillside and valley Sweltered in swathes as of mist--"Look!" they would whisper in terror-- "Look! the old witch is at work brewing her spells of great evil!" Then would they pray till the sun, darting his rays through the vapor, Lifted the smoke from the earth and baffled the witch's intentions.
One of the boys at that time was a certain young person named Peter, Given too little to work, given too largely to dreaming; Fonder of books than of chores, you can imagine that Peter Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!" "Peter!" his father would cry, "go grub at the weeds in the garden!" So it was "Peter!" all day--calling, reminding, and chiding-- Peter neglected his work; therefore that nagging at Peter! Peter got hold of some books--how, I'm unable to tell you; Some have suspected the witch--this is no place for suspicions! It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes; What thing soever it was--done with a pen and a pencil, Wrought with a brain, not a hoe--surely 't was hostile to farming! "Fudge on all readin'!" they quoth; or "that's what's the ruin of Peter!" So, when the mornings were hot, under the beech or the maple, Cushioned in grass that was blue, breathing the breath of the blossoms, Lulled by the hum of the bees, the coo of the ring-doves a-mating, Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!" "Peter!" his father would cry, "go grub at the weeds in the garden!" "Peter!" and "Peter!" all day--calling, reminding, and chiding-- Peter neglected his chores; therefore that outcry for Peter; Therefore the neighbors allowed evil would surely befall him-- Yes, on account of these things, ruin would come upon Peter! Surely enough, on a time, reading and lazing and dreaming Wrought the calamitous ill all had predicted for Peter; For, of a morning in spring when lay the mist in the valleys-- "See," quoth the folk, "how the witch breweth her evil decoctions! See how the smoke from her fire broodeth on woodland and meadow! Grant that the sun cometh out to smother the smudge of her caldron! She hath been forth in the night, full of her spells and devices, Roaming the marshes and dells for heathenish magical nostrums; Digging in leaves and at stumps for centipedes, pismires, and spiders, Grubbing in poisonous pools for hot salamanders and toadstools; Charming the bats from the flues, snaring the lizards by twilight, Sucking the scorpion's egg and milking the breast of the adder!" Peter derided these things held in such faith by the farmer, Scouted at magic and charms, hooted at Jonahs and hoodoos-- Thinking and reading of books must have unsettled his reason! "There ain't no witches," he cried; "it isn't smoky, but foggy! I will go out in the wet--you all can't hender me, nuther!" Surely enough he went out into the damp of the morning, Into the smudge that the witch spread over woodland and meadow, Into the fleecy gray pall brooding on hillside and valley.
Laughing and scoffing, he strode into that hideous vapor; Just as he said he would do, just as he bantered and threatened, Ere they could fasten the door, Peter had done gone and done it! Wasting his time over books, you see, had unsettled his reason-- Soddened his callow young brain with semi-pubescent paresis, And his neglect of his chores hastened this evil condition.
Out of the woods by the creek cometh a calling for Peter And from the orchard a voice echoes and echoes it over; Down in the pasture the sheep hear that shrill crying for Peter, Up from the spring house the wail stealeth anon like a whisper, Over the meadows that call is aye and forever repeated.
Such were the voices that whooped wildly and vainly for Peter Decades and decades ago down in the State of Kentucky-- Such are the voices that cry now from the woodland and meadow, "Peter--O Peter!" all day, calling, reminding, and chiding-- Taking us back to the time when Peter he done gone and done it! These are the voices of those left by the boy in the farmhouse When, with his laughter and scorn, hatless and bootless and sockless, Clothed in his jeans and his pride, Peter sailed out in the weather, Broke from the warmth of his home into that fog of the devil, Into the smoke of that witch brewing her damnable porridge! Lo, when he vanished from sight, knowing the evil that threatened, Forth with importunate cries hastened his father and mother.
"Peter!" they shrieked in alarm, "Peter!" and evermore "Peter!"-- Ran from the house to the barn, ran from the barn to the garden, Ran to the corn-crib anon, then to the smoke-house proceeded; Henhouse and woodpile they passed, calling and wailing and weeping, Through the front gate to the road, braving the hideous vapor-- Sought him in lane and on pike, called him in orchard and meadow, Clamoring "Peter!" in vain, vainly outcrying for Peter.
Joining the search came the rest, brothers and sisters and cousins, Venting unspeakable fears in pitiful wailing for Peter! And from the neighboring farms gathered the men and the women, Who, upon hearing the news, swelled the loud chorus for Peter.
Farmers and hussifs and maids, bosses and field-hands and niggers, Colonels and jedges galore from cornfields and mint-beds and thickets, All that had voices to voice, all to those parts appertaining, Came to engage in the search, gathered and bellowed for Peter.
The Taylors, the Dorseys, the Browns, the Wallers, the Mitchells, the Logans, The Yenowines, Crittendens, Dukes, the Hickmans, the Hobbses, the Morgans; The Ormsbys, the Thompsons, the Hikes, the Williamsons, Murrays, and Hardins, The Beynroths, the Sherleys, the Hokes, the Haldermans, Harneys, and Slaughters-- All, famed in Kentucky of old for prowess prodigious at farming, Now surged from their prosperous homes to join in that hunt for the truant, To ascertain where he was at, to help out the chorus for Peter.
Still on those prosperous farms where heirs and assigns of the people Specified hereinabove and proved by the records of probate-- Still on those farms shall you hear (and still on the turnpikes adjacent) That pitiful, petulant call, that pleading, expostulant wailing, That hopeless, monotonous moan, that crooning and droning for Peter.
Some say the witch in her wrath transmogrified all those good people; That, wakened from slumber that day by the calling and bawling for Peter, She out of her cave in a thrice, and, waving the foot of a rabbit (Crossed with the caul of a coon and smeared with the blood of a chicken), She changed all those folk into birds and shrieked with demoniac venom: "Fly away over the land, moaning your Peter forever, Croaking of Peter, the boy who didn't believe there were hoodoos, Crooning of Peter, the fool who scouted at stories of witches, Crying of Peter for aye, forever outcalling for Peter!" This is the story they tell; so in good sooth saith the legend; As I have told it to you, so tell the folk and the legend.
That it is true I believe, for on the breezes this morning Come the shrill voices of birds calling and calling for Peter; Out of the maple and beech glitter the eyes of the wailers, Peeping and peering for him who formerly lived in these places-- Peter, the heretic lad, lazy and careless and dreaming, Sorely afflicted with books and with pubescent paresis, Hating the things of the farm, care of the barn and the garden, Always neglecting his chores--given to books and to reading, Which, as all people allow, turn the young person to mischief, Harden his heart against toil, wean his affections from tillage.
This is the legend of yore told in the state of Kentucky When in the springtime the birds call from the beeches and maples, Call from the petulant thorn, call from the acrid persimmon; When from the woods by the creek and from the pastures and meadows, When from the spring house and lane and from the mint-bed and orchard, When from the redbud and gum and from the redolent lilac, When from the dirt roads and pikes cometh that calling for Peter; Cometh the dolorous cry, cometh that weird iteration Of "Peter" and "Peter" for aye, of "Peter" and "Peter" forever! This is the legend of old, told in the tum-titty meter Which the great poets prefer, being less labor than rhyming (My first attempt at the same, my last attempt, too, I reckon!); Nor have I further to say, for the sad story is ended.
Written by Vachel Lindsay | Create an image from this poem

The Santa-Fe Trail (A Humoresque)

 I asked the old *****, "What is that bird that sings so well?" He answered: "That is the Rachel-Jane.
" "Hasn't it another name, lark, or thrush, or the like?" "No.
Jus' Rachel-Jane.
" I.
IN WHICH A RACING AUTO COMES FROM THE EAST This is the order of the music of the morning: — First, from the far East comes but a crooning.
The crooning turns to a sunrise singing.
Hark to the calm -horn, balm -horn, psalm -horn.
Hark to the faint -horn, quaint -horn, saint -horn.
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Hark to the pace -horn, chase -horn, race -horn.
And the holy veil of the dawn has gone.
Swiftly the brazen ear comes on.
It burns in the East as the sunrise burns.
I see great flashes where the far trail turns.
Its eyes are lamps like the eyes of dragons.
It drinks gasoline from big red flagons.
Butting through the delicate mists of the morning, It comes like lightning, goes past roaring.
It will hail all the wind-mills, taunting, ringing, Dodge the cyclones, Count the milestones, On through the ranges the prairie-dog tills— Scooting past the cattle on the thousand hills.
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Ho for the tear-horn, scare-horn, dare-horn, Ho for the gay -horn, bark -horn, bay -horn.
Ho for Kansas, land that restores us When houses choke us, and great books bore us! Sunrise Kansas, harvester's Kansas, A million men have found you before us.
II.
IN WHICH MANY AUTOS PASS WESTWARD I want live things in their pride to remain.
I will not kill one grasshopper vain Though he eats a hole in my shirt like a door.
I let him out, give him one chance more.
Perhaps, while he gnaws my hat in his whim, Grasshopper lyrics occur to him.
I am a tramp by the long trail's border, Given to squalor, rags and disorder.
I nap and amble and yawn and look, Write fool-thoughts in my grubby book, Recite to the children, explore at my ease, Work when I work, beg when I please, Give crank-drawings, that make folks stare To the half-grown boys in the sunset glare, And get me a place to sleep in the hay At the end of a live-and-let-live day.
I find in the stubble of the new-cut weeds A whisper and a feasting, all one needs: The whisper of the strawberries, white and red Here where the new-cut weeds lie dead.
But I would not walk all alone till I die Without some life-drunk horns going by.
Up round this apple-earth they come Blasting the whispers of the morning dumb:— Cars in a plain realistic row.
And fair dreams fade When the raw horns blow.
On each snapping pennant A big black name:— The careering city Whence each car came.
They tour from Memphis, Atlanta, Savannah, Tallahassee and Texarkana.
They tour from St.
Louis, Columbus, Manistee, They tour from Peoria, Davenport, Kankakee.
Cars from Concord, Niagara, Boston, Cars from Topeka, Emporia, and Austin.
Cars from Chicago, Hannibal, Cairo.
Cars from Alton, Oswego, Toledo.
Cars from Buffalo, Kokomo, Delphi, Cars from Lodi, Carmi, Loami.
Ho for Kansas, land that restores us When houses choke us, and great books bore us! While I watch the highroad And look at the sky, While I watch the clouds in amazing grandeur Roll their legions without rain Over the blistering Kansas plain— While I sit by the milestone And watch the sky, The United States Goes by.
Listen to the iron-horns, ripping, racking.
Listen to the quack-horns, slack and clacking.
Way down the road, trilling like a toad, Here comes the dice -horn, here comes the vice -horn, Here comes the snarl -horn, brawl -horn, lewd -horn, Followed by the prude -horn, bleak and squeaking: — (Some of them from Kansas, some of themn from Kansas.
) Here comes the hod -horn, plod -horn, sod -horn, Nevermore-to-roam -horn, loam -horn, home -horn.
(Some of them from Kansas, some of them from Kansas.
) Far away the Rachel-Jane Not defeated by the horns Sings amid a hedge of thorns:— "Love and life, Eternal youth— Sweet, sweet, sweet, sweet, Dew and glory, Love and truth, Sweet, sweet, sweet, sweet.
" WHILE SMOKE-BLACK FREIGHTS ON THE DOUBLE-TRACKED RAILROAD, DRIVEN AS THOUGH BY THE FOUL-FIEND'S OX-GOAD, SCREAMING TO THE WEST COAST, SCREAMING TO THE EAST, CARRY OFF A HARVEST, BRING BACK A FEAST, HARVESTING MACHINERY AND HARNESS FOR THE BEAST.
THE HAND-CARS WHIZ, AND RATTLE ON THE RAILS, THE SUNLIGHT FLASHES ON THE TIN DINNER-PAILS.
And then, in an instant, Ye modern men, Behold the procession once again, Listen to the iron-horns, ripping, racking, Listen to the wise -horn, desperate-to-advise horn, Listen to the fast -horn, kill -horn, blast -horn.
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Far away the Rachel-Jane Not defeated by the horns Sings amid a hedge of thorns:— Love and life, Eternal youth, Sweet, sweet, sweet, sweet, Dew and glory, Love and truth.
Sweet, sweet, sweet, sweet.
The mufflers open on a score of cars With wonderful thunder, CRACK, CRACK, CRACK, CRACK-CRACK, CRACK-CRACK, CRACK-CRACK-CRACK, .
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Listen to the gold-horn .
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Old-horn .
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Cold-horn .
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And all of the tunes, till the night comes down On hay-stack, and ant-hill, and wind-bitten town.
Then far in the west, as in the beginning, Dim in the distance, sweet in retreating, Hark to the faint-horn, quaint-horn, saint-horn, Hark to the calm-horn, balm-horn, psalm-horn.
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They are hunting the goals that they understand:— San-Francisco and the brown sea-sand.
My goal is the mystery the beggars win.
I am caught in the web the night-winds spin.
The edge of the wheat-ridge speaks to me.
I talk with the leaves of the mulberry tree.
And now I hear, as I sit all alone In the dusk, by another big Santa-Fe stone, The souls of the tall corn gathering round And the gay little souls of the grass in the ground.
Listen to the tale the cotton-wood tells.
Listen to the wind-mills, singing o'er the wells.
Listen to the whistling flutes without price Of myriad prophets out of paradise.
Harken to the wonder That the night-air carries.
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.
Listen .
.
.
to .
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the .
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.
whisper .
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Of .
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.
the .
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prairie .
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fairies Singing o'er the fairy plain:— "Sweet, sweet, sweet, sweet.
Love and glory, Stars and rain, Sweet, sweet, sweet, sweet .
.
.
.
"
Written by Vachel Lindsay | Create an image from this poem

Eden in Winter

 [Supposed to be chanted to some rude instrument at a modern fireplace]


Chant we the story now 
Tho' in a house we sleep; 
Tho' by a hearth of coals 
Vigil to-night we keep.
Chant we the story now, Of the vague love we knew When I from out the sea Rose to the feet of you.
Bird from the cliffs you came, Flew thro' the snow to me, Facing the icy blast There by the icy sea.
How did I reach your feet? Why should I — at the end Hold out half-frozen hands Dumbly to you my friend? Ne'er had I woman seen, Ne'er had I seen a flame.
There you piled fagots on, Heat rose — the blast to tame.
There by the cave-door dark, Comforting me you cried — Wailed o'er my wounded knee, Wept for my rock-torn side.
Up from the South I trailed — Left regions fierce and fair! Left all the jungle-trees, Left the red tiger's lair.
Dream led, I scarce knew why, Into your North I trod — Ne'er had I known the snow, Or the frost-blasted sod.
O how the flakes came down! O how the fire burned high! Strange thing to see he was, Thro' his dry twigs would fly, Creep there awhile and sleep — Then wake and bark for fight — Biting if I too near Came to his eye so bright.
Then with a will you fed Wood to his hungry tongue.
Then he did leap and sing — Dancing the clouds among, Turning the night to noon, Stinging my eyes with light, Making the snow retreat, Making the cave-house bright.
There were dry fagots piled, Nuts and dry leaves and roots, Stores there of furs and hides, Sweet-barks and grains and fruits.
There wrapped in fur we lay, Half-burned, half-frozen still — Ne'er will my soul forget All the night's bitter chill.
We had not learned to speak, I was to you a strange Wolfling or wounded fawn, Lost from his forest-range.
Thirsting for bloody meat, Out at the dawn we went.
Weighed with our prey at eve, Home-came we all forespent.
Comrades and hunters tried Ere we were maid and man — Not till the spring awoke Laughter and speech began.
Whining like forest dogs, Rustling like budding trees, Bubbling like thawing springs, Humming like little bees, Crooning like Maytime tides, Chattering parrot words, Crying the panther's cry, Chirping like mating birds — Thus, thus, we learned to speak, Who mid the snows were dumb, Nor did we learn to kiss Until the Spring had come.
Written by J R R Tolkien | Create an image from this poem

The Little House of Lost Play (Mar Vanwa Tyalieva)

 We knew that land once, You and I,
and once we wandered there
in the long days now long gone by,
a dark child and a fair.
Was it on the paths of firelight thought in winter cold and white, or in the blue-spun twilit hours of little early tucked-up beds in drowsy summer night, that you and I in Sleep went down to meet each other there, your dark hair on your white nightgown and mine was tangled fair? We wandered shyly hand in hand, small footprints in the golden sand, and gathered pearls and shells in pails, while all about the nightengales were singing in the trees.
We dug for silver with our spades, and caught the sparkle of the seas, then ran ashore to greenlit glades, and found the warm and winding lane that now we cannot find again, between tall whispering trees.
The air was neither night nor day, an ever-eve of gloaming light, when first there glimmered into sight the Little House of Play.
New-built it was, yet very old, white, and thatched with straws of gold, and pierced with peeping lattices that looked toward the sea; and our own children's garden-plots were there: our own forgetmenots, red daisies, cress and mustard, and radishes for tea.
There all the borders, trimmed with box, were filled with favourite flowers, with phlox, with lupins, pinks, and hollyhocks, beneath a red may-tree; and all the gardens full of folk that their own little language spoke, but not to You and Me.
For some had silver watering-cans and watered all their gowns, or sprayed each other; some laid plans to build their houses, little towns and dwellings in the trees.
And some were clambering on the roof; some crooning lonely and aloof; some dancing round the fairy-rings all garlanded in daisy-strings, while some upon their knees before a little white-robed king crowned with marigold would sing their rhymes of long ago.
But side by side a little pair with heads together, mingled hair, went walking to and fro still hand in hand; and what they said, ere Waking far apart them led, that only we now know.

Book: Shattered Sighs