Written by
Anne Sexton |
Consider
a girl who keeps slipping off,
arms limp as old carrots,
into the hypnotist's trance,
into a spirit world
speaking with the gift of tongues.
She is stuck in the time machine,
suddenly two years old sucking her thumb,
as inward as a snail,
learning to talk again.
She's on a voyage.
She is swimming further and further back,
up like a salmon,
struggling into her mother's pocketbook.
Little doll child,
come here to Papa.
Sit on my knee.
I have kisses for the back of your neck.
A penny for your thoughts, Princess.
I will hunt them like an emerald.
Come be my snooky
and I will give you a root.
That kind of voyage,
rank as a honeysuckle.
Once
a king had a christening
for his daughter Briar Rose
and because he had only twelve gold plates
he asked only twelve fairies
to the grand event.
The thirteenth fairy,
her fingers as long and thing as straws,
her eyes burnt by cigarettes,
her uterus an empty teacup,
arrived with an evil gift.
She made this prophecy:
The princess shall prick herself
on a spinning wheel in her fifteenth year
and then fall down dead.
Kaputt!
The court fell silent.
The king looked like Munch's Scream
Fairies' prophecies,
in times like those,
held water.
However the twelfth fairy
had a certain kind of eraser
and thus she mitigated the curse
changing that death
into a hundred-year sleep.
The king ordered every spinning wheel
exterminated and exorcised.
Briar Rose grew to be a goddess
and each night the king
bit the hem of her gown
to keep her safe.
He fastened the moon up
with a safety pin
to give her perpetual light
He forced every male in the court
to scour his tongue with Bab-o
lest they poison the air she dwelt in.
Thus she dwelt in his odor.
Rank as honeysuckle.
On her fifteenth birthday
she pricked her finger
on a charred spinning wheel
and the clocks stopped.
Yes indeed.
She went to sleep.
The king and queen went to sleep,
the courtiers, the flies on the wall.
The fire in the hearth grew still
and the roast meat stopped crackling.
The trees turned into metal
and the dog became china.
They all lay in a trance,
each a catatonic
stuck in a time machine.
Even the frogs were zombies.
Only a bunch of briar roses grew
forming a great wall of tacks
around the castle.
Many princes
tried to get through the brambles
for they had heard much of Briar Rose
but they had not scoured their tongues
so they were held by the thorns
and thus were crucified.
In due time
a hundred years passed
and a prince got through.
The briars parted as if for Moses
and the prince found the tableau intact.
He kissed Briar Rose
and she woke up crying:
Daddy! Daddy!
Presto! She's out of prison!
She married the prince
and all went well
except for the fear --
the fear of sleep.
Briar Rose
was an insomniac.
.
.
She could not nap
or lie in sleep
without the court chemist
mixing her some knock-out drops
and never in the prince's presence.
If if is to come, she said,
sleep must take me unawares
while I am laughing or dancing
so that I do not know that brutal place
where I lie down with cattle prods,
the hole in my cheek open.
Further, I must not dream
for when I do I see the table set
and a faltering crone at my place,
her eyes burnt by cigarettes
as she eats betrayal like a slice of meat.
I must not sleep
for while I'm asleep I'm ninety
and think I'm dying.
Death rattles in my throat
like a marble.
I wear tubes like earrings.
I lie as still as a bar of iron.
You can stick a needle
through my kneecap and I won't flinch.
I'm all shot up with Novocain.
This trance girl
is yours to do with.
You could lay her in a grave,
an awful package,
and shovel dirt on her face
and she'd never call back: Hello there!
But if you kissed her on the mouth
her eyes would spring open
and she'd call out: Daddy! Daddy!
Presto!
She's out of prison.
There was a theft.
That much I am told.
I was abandoned.
That much I know.
I was forced backward.
I was forced forward.
I was passed hand to hand
like a bowl of fruit.
Each night I am nailed into place
and forget who I am.
Daddy?
That's another kind of prison.
It's not the prince at all,
but my father
drunkeningly bends over my bed,
circling the abyss like a shark,
my father thick upon me
like some sleeping jellyfish.
What voyage is this, little girl?
This coming out of prison?
God help --
this life after death?
|
Written by
Ralph Waldo Emerson |
BURLY dozing humble-bee
Where thou art is clime for me.
Let them sail for Porto Rique
Far-off heats through seas to seek;
I will follow thee alone 5
Thou animated torrid-zone!
Zigzag steerer desert cheerer
Let me chase thy waving lines;
Keep me nearer me thy hearer
Singing over shrubs and vines.
10
Insect lover of the sun
Joy of thy dominion!
Sailor of the atmosphere;
Swimmer through the waves of air;
Voyager of light and noon; 15
Epicurean of June;
Wait I prithee till I come
Within earshot of thy hum ¡ª
All without is martyrdom.
When the south wind in May days 20
With a net of shining haze
Silvers the horizon wall
And with softness touching all
Tints the human countenance
With a color of romance 25
And infusing subtle heats
Turns the sod to violets
Thou in sunny solitudes
Rover of the underwoods
The green silence dost displace 30
With thy mellow breezy bass.
Hot midsummer's petted crone
Sweet to me thy drowsy tone
Tells of countless sunny hours
Long days and solid banks of flowers; 35
Of gulfs of sweetness without bound
In Indian wildernesses found;
Of Syrian peace immortal leisure
Firmest cheer and bird-like pleasure.
Aught unsavory or unclean 40
Hath my insect never seen;
But violets and bilberry bells
Maple-sap and daffodels
Grass with green flag half-mast high
Succory to match the sky 45
Columbine with horn of honey
Scented fern and agrimony
Clover catchfly adder's-tongue
And brier-roses dwelt among;
All beside was unknown waste 50
All was picture as he passed.
Wiser far than human seer
blue-breeched philosopher!
Seeing only what is fair
Sipping only what is sweet 55
Thou dost mock at fate and care
Leave the chaff and take the wheat.
When the fierce northwestern blast
Cools sea and land so far and fast
Thou already slumberest deep; 60
Woe and want thou canst outsleep;
Want and woe which torture us
Thy sleep makes ridiculous.
|
Written by
Robert Frost |
The witch that came (the withered hag)
To wash the steps with pail and rag,
Was once the beauty Abishag,
The picture pride of Hollywood.
Too many fall from great and good
For you to doubt the likelihood.
Die early and avoid the fate.
Or if predestined to die late,
Make up your mind to die in state.
Make the whole stock exchange your own!
If need be occupy a throne,
Where nobody can call you crone.
Some have relied on what they knew;
Others on simply being true.
What worked for them might work for you.
No memory of having starred
Atones for later disregard,
Or keeps the end from being hard.
Better to go down dignified
With boughten friendship at your side
Than none at all.
Provide, provide!
|
Written by
Anne Sexton |
Over stone walls and barns,
miles from the black-eyed Susans,
over circus tents and moon rockets
you are going, going.
You who have inhabited me
in the deepest and most broken place,
are going, going.
An old woman calls up to you
from her deathbed deep in sores,
asking, "What do you keep of her?"
She is the crone in the fables.
She is the fool at the supper
and you, sir, are the traveler.
Although you are in a hurry
you stop to open a small basket
and under layers of petticoats
you show her the tiger-striped eyes
that you have lately plucked,
you show her specialty, the lips,
those two small bundles,
you show her the two hands
that grip her fiercely,
one being mine, one being yours.
Torn right off at the wrist bone
when you started in your
impossible going, gone.
Then you place the basket
in the old woman's hollow lap
and as a last act she fondles
these artifacts like a child's head
and murmurs, "Precious.
Precious.
"
And you are glad you have given
them to this one for she too
is making a trip.
|
Written by
Robert William Service |
Before the florid portico
I watched the gamblers come and go,
While by me on a bench there sat
A female in a faded hat;
A shabby, shrinking, crumpled creature,
Of waxy casino-ward with eyes
Of lost soul seeking paradise.
Then from the Café de la Paix
There shambled forth a waiter fellow,
Clad dingily, down-stooped and grey,
With hollow face, careworn and yellow.
With furtive feet before our seat
He came to a respectful stand,
And bowed, my sorry crone to greet,
Saying: "Princess, I kiss your hand.
"
She gave him such a gracious smile,
And bade him linger by her side;
So there they talked a little while
Of kingly pomp and country pride;
Of Marquis This and Prince von That,
Of Old Vienna, glamour gay.
.
.
.
Then sad he rose and raised his hat:
Saying: "My tables I must lay.
"
"Yea, you must go, dear Count," she said,
"For luncheon tables must be laid.
"
He sighed: from his alpaca jacket
He pressed into her hand a packet,
"Sorry, to-day it's all I'm rich in -
A chicken sandwich from the kitchen.
"
Then bowed and left her after she
Had thanked him with sweet dignity.
She pushed the package out of sight,
Within her bag and closed it tight;
But by and bye I saw her go
To where thick laurel bushes grow,
And there behind that leafy screen,
Thinking herself by all unseen,
That sandwich! How I saw her grab it,
And gulp it like a starving rabbit!
Thinks I: Is all that talk a bluff -
Their dukes and kings and courtly stuff:
The way she ate, why one would say
She hadn't broken fast all day.
|
Written by
William Dunbar |
LONDON, thou art of townes A per se.
Soveraign of cities, seemliest in sight,
Of high renoun, riches and royaltie;
Of lordis, barons, and many a goodly knyght;
Of most delectable lusty ladies bright;
Of famous prelatis, in habitis clericall;
Of merchauntis full of substaunce and of myght:
London, thou art the flour of Cities all.
Gladdith anon, thou lusty Troynovaunt,
Citie that some tyme cleped was New Troy;
In all the erth, imperiall as thou stant,
Pryncesse of townes, of pleasure and of joy,
A richer restith under no Christen roy;
For manly power, with craftis naturall,
Fourmeth none fairer sith the flode of Noy:
London, thou art the flour of Cities all.
Gemme of all joy, jasper of jocunditie,
Most myghty carbuncle of vertue and valour;
Strong Troy in vigour and in strenuytie;
Of royall cities rose and geraflour;
Empress of townes, exalt in honour;
In beawtie beryng the crone imperiall;
Swete paradise precelling in pleasure;
London, thou art the flour of Cities all.
Above all ryvers thy Ryver hath renowne,
Whose beryall stremys, pleasaunt and preclare,
Under thy lusty wallys renneth down,
Where many a swan doth swymme with wyngis fair;
Where many a barge doth saile and row with are;
Where many a ship doth rest with top-royall.
O, towne of townes! patrone and not compare,
London, thou art the flour of Cities all.
Upon thy lusty Brigge of pylers white
Been merchauntis full royall to behold;
Upon thy stretis goeth many a semely knyght
In velvet gownes and in cheynes of gold.
By Julyus Cesar thy Tour founded of old
May be the hous of Mars victoryall,
Whose artillary with tonge may not be told:
London, thou art the flour of Cities all.
Strong be thy wallis that about thee standis;
Wise be the people that within thee dwellis;
Fresh is thy ryver with his lusty strandis;
Blith be thy chirches, wele sownyng be thy bellis;
Rich be thy merchauntis in substaunce that excellis;
Fair be their wives, right lovesom, white and small;
Clere be thy virgyns, lusty under kellis:
London, thou art the flour of Cities all.
Thy famous Maire, by pryncely governaunce,
With sword of justice thee ruleth prudently.
No Lord of Parys, Venyce, or Floraunce
In dignitye or honour goeth to hym nigh.
He is exampler, loode-ster, and guye;
Principall patrone and rose orygynalle,
Above all Maires as maister most worthy:
London, thou art the flour of Cities all.
|
Written by
Sylvia Plath |
Unlucky the hero born
In this province of the stuck record
Where the most watchful cooks go jobless
And the mayor's rôtisserie turns
Round of its own accord.
There's no career in the venture
Of riding against the lizard,
Himself withered these latter-days
To leaf-size from lack of action:
History's beaten the hazard.
The last crone got burnt up
More than eight decades back
With the love-hot herb, the talking cat,
But the children are better for it,
The cow milks cream an inch thick.
|
Written by
Rg Gregory |
by a dank and ancient coffin
in the gaunt and gloomy hall
alone and sighing deeply
crouched the sorriest crone of all
her worn hands clutched a feather
her eyes were sore with tears
her lips were mumbling slowly
through the burdens of her fears
her clothes were drab and tattered
her body drooped and old
she waited waited waited
her blood let in the cold
she waited waited waited
a chill draught killed her sighs
day slunk down from the windows
night spied with its evil eyes
the mildewed sagging curtains
dragged on the harsh stone floor
and the fitful crash re-echoed
of the limping thickset door
a distant churchbell gloated
a groan grew in the trees
a shudder of horror shook the coffin
the crone sank to her knees
the coffin lid was lifting slowly
a weird light glowed within
and a hand as thin as a chicken's claw
seized the crone and pulled her in
|
Written by
Thomas Hardy |
I
When of tender mind and body
I was moved by minstrelsy,
And that strain "The Bridge of Lodi"
Brought a strange delight to me.
II
In the battle-breathing jingle
Of its forward-footing tune
I could see the armies mingle,
And the columns cleft and hewn
III
On that far-famed spot by Lodi
Where Napoleon clove his way
To his fame, when like a god he
Bent the nations to his sway.
IV
Hence the tune came capering to me
While I traced the Rhone and Po;
Nor could Milan's Marvel woo me
From the spot englamoured so.
V
And to-day, sunlit and smiling,
Here I stand upon the scene,
With its saffron walls, dun tiling,
And its meads of maiden green,
VI
Even as when the trackway thundered
With the charge of grenadiers,
And the blood of forty hundred
Splashed its parapets and piers .
.
.
VII
Any ancient crone I'd toady
Like a lass in young-eyed prime,
Could she tell some tale of Lodi
At that moving mighty time.
VIII
So, I ask the wives of Lodi
For traditions of that day;
But alas! not anybody
Seems to know of such a fray.
IX
And they heed but transitory
Marketings in cheese and meat,
Till I judge that Lodi's story
Is extinct in Lodi's street.
X
Yet while here and there they thrid them
In their zest to sell and buy,
Let me sit me down amid them
And behold those thousands die .
.
.
XI
- Not a creature cares in Lodi
How Napoleon swept each arch,
Or where up and downward trod he,
Or for his memorial March!
XII
So that wherefore should I be here,
Watching Adda lip the lea,
When the whole romance to see here
Is the dream I bring with me?
XIII
And why sing "The Bridge of Lodi"
As I sit thereon and swing,
When none shows by smile or nod he
Guesses why or what I sing? .
.
.
XIV
Since all Lodi, low and head ones,
Seem to pass that story by,
It may be the Lodi-bred ones
Rate it truly, and not I.
XV
Once engrossing Bridge of Lodi,
Is thy claim to glory gone?
Must I pipe a palinody,
Or be silent thereupon?
XVI
And if here, from strand to steeple,
Be no stone to fame the fight,
Must I say the Lodi people
Are but viewing crime aright?
XVII
Nay; I'll sing "The Bridge of Lodi" -
That long-loved, romantic thing,
Though none show by smile or nod he
Guesses why and what I sing!
|
Written by
William Dunbar |
London, thou art of town{.
e}s A per se.
Soveraign of cities, semeliest in sight,
Of high renoun, riches, and royaltie;
Of lordis, barons, and many goodly knyght;
Of most delectable lusty ladies bright;
Of famous prelatis in habitis clericall;
Of merchauntis full of substaunce and myght:
London, thou art the flour of Cities all.
Gladdith anon, thou lusty Troy Novaunt,
Citie that some tyme cleped was New Troy,
In all the erth, imperiall as thou stant,
Pryncesse of townes, of pleasure, and of joy,
A richer restith under no Christen roy;
For manly power, with craftis naturall,
Fourmeth none fairer sith the flode of Noy:
London, thou art the flour of Cities all.
Gemme of all joy, jasper of jocunditie,
Most myghty carbuncle of vertue and valour;
Strong Troy in vigour and in strenuytie;
Of royall cities rose and geraflour;
Empresse of town{.
e}s, exalt in honour;
In beawtie beryng the crone imperiall;
Swete paradise precelling in pleasure:
London, thow art the floure of Cities all.
Above all ryvers thy Ryver hath renowne,
Whose beryall stremys, pleasaunt and preclare,
Under thy lusty wallys renneth down,
Where many a swanne doth swymme with wyngis fare;
Where many a barge doth saile, and row with are,
Where many a ship doth rest with toppe-royall.
O! towne of townes, patrone and not-compare:
London, thou art the floure of Cities all.
Upon thy lusty Brigge of pylers white
Been merchauntis full royall to behold;
Upon thy stretis goth many a semely knyght
In velvet gownes and cheyn{.
e}s of fyne gold.
By Julyus Cesar thy Tour founded of old
May be the hous of Mars victoryall,
Whos artillary with tonge may not be told:
London, thou art the flour of Cities all.
Strong be thy wallis that about the standis;
Wise be the people that within the dwellis;
Fresh is thy ryver with his lusty strandis;
Blith be thy chirches, wele sownyng be thy bellis;
Riche be thy merchauntis in substaunce that excellis;
Fair be thy wives, right lovesom, white and small;
Clere be thy virgyns, lusty under kellis:
London, thow art the flour of Cities all.
Thy famous Maire, by pryncely governaunce,
With swerd of justice the rulith prudently.
No Lord of Parys, Venyce, or Floraunce
In dignytie or honoure goeth to hym nye.
He is exampler, lood{.
e}-ster, and guye;
Principall patrone and roose orygynalle,
Above all Maires as maister moost worthy:
London, thou art the flour of Cities all.
|