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Best Famous Crete Poems

Here is a collection of the all-time best famous Crete poems. This is a select list of the best famous Crete poetry. Reading, writing, and enjoying famous Crete poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of crete poems.

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Written by Archibald MacLeish | Create an image from this poem

You Andrew Marvell

 And here face down beneath the sun
And here upon earth's noonward height
To feel the always coming on
The always rising of the night

To feel creep up the curving east
The earthy chill of dusk and slow
Upon those under lands the vast
And ever climbing shadow grow

And strange at Ecbatan the trees
Take leaf by leaf the evening strange
The flooding dark about their knees
The mountains over Persia change

And now at Kermanshah the gate
Dark empty and the withered grass
And through the twilight now the late
Few travelers in the westward pass

And Baghdad darken and the bridge
Across the silent river gone
And through Arabia the edge
Of evening widen and steal on

And deepen on Palmyra's street
The wheel rut in the ruined stone
And Lebanon fade out and Crete
High through the clouds and overblown

And over Sicily the air
Still flashing with the landward gulls
And loom and slowly disappear
The sails above the shadowy hulls

And Spain go under the the shore
Of Africa the gilded sand
And evening vanish and no more
The low pale light across that land

Nor now the long light on the sea

And here face downward in the sun
To feel how swift how secretly
The shadow of the night comes on.
.
.


Written by Jack Gilbert | Create an image from this poem

Portrait Number Five: Against A New York Summer

 I'd walk her home after work
buying roses and talking of Bechsteins.
She was full of soul.
Her small room was gorged with heat and there were no windows.
She'd take off everything but her pants and take the pins from her hair throwing them on the floor with a great noise.
Like Crete.
We wouldn't make love.
She'd get on the bed with those nipples and we'd lie sweating and talking of my best friend.
They were in love.
When I got quiet she'd put on usually Debussy and leaning down to the small ribs bite me.
Hard.
Written by Anne Kingsmill Finch | Create an image from this poem

The Cautious Lovers

 Silvia, let's from the Crowd retire; 
For, What to you and me 
(Who but each other do desire) 
Is all that here we see? 

Apart we'll live, tho' not alone; 
For, who alone can call 
Those, who in Desarts live with One, 
If in that One they've All? 

The World a vast Meander is, 
Where Hearts confus'dly stray; 
Where Few do hit, whilst Thousands miss 
The happy mutual Way: 

Where Hands are by stern Parents ty'd, 
Who oft, in Cupid's Scorn, 
Do for the widow'd State provide, 
Before that Love is born: 

Where some too soon themselves misplace; 
Then in Another find 
The only Temper, Wit, or Face, 
That cou'd affect their Mind.
Others (but oh! avert that Fate!) A well-chose Object change: Fly, Silvia, fly, ere 'tis too late; Fall'n Nature's prone to range.
And, tho' in heat of Love we swear More than perform we can; No Goddess, You, but Woman are, And I no more than Man.
Th' impatient Silvia heard thus long; Then with a Smile reply'd; Those Bands cou'd ne'er be very strong, Which Accidents divide.
Who e'er was mov'd yet to go down, By such o'er-cautious Fear; Or for one Lover left the Town, Who might have Numbers here? Your Heart, 'tis true, is worth them all, And still preferr'd the first; But since confess'd so apt to fall, 'Tis good to fear the worst.
In ancient History we meet A flying Nymph betray'd; Who, had she kept in fruitful Crete, New Conquest might have made.
And sure, as on the Beach she stood, To view the parting Sails; She curs'd her self, more than the Flood, Or the conspiring Gales.
False Theseus, since thy Vows are broke, May following Nymphs beware: Methinks I hear how thus she spoke, And will not trust too far.
In Love, in Play, in Trade, in War They best themselves acquit, Who, tho' their Int'rests shipwreckt are, Keep unreprov'd their Wit.
Written by Algernon Charles Swinburne | Create an image from this poem

Ode On The Insurrection In Candia

 STR.
1 I laid my laurel-leaf At the white feet of grief, Seeing how with covered face and plumeless wings, With unreverted head Veiled, as who mourns his dead, Lay Freedom couched between the thrones of kings, A wearied lion without lair, And bleeding from base wounds, and vexed with alien air.
STR.
2 Who was it, who, put poison to thy mouth, Who lulled with craft or chant thy vigilant eyes, O light of all men, lamp to north and south, Eastward and westward, under all men's skies? For if thou sleep, we perish, and thy name Dies with the dying of our ephemeral breath; And if the dust of death o'ergrows thy flame, Heaven also is darkened with the dust of death.
If thou be mortal, if thou change or cease, If thine hand fail, or thine eyes turn from Greece, Thy firstborn, and the firstfruits of thy fame, God is no God, and man is moulded out of shame.
STR.
3 Is there change in the secret skies, In the sacred places that see The divine beginning of things, The weft of the web of the world? Is Freedom a worm that dies, And God no God of the free? Is heaven like as earth with her kings And time as a serpent curled Round life as a tree? From the steel-bound snows of the north, From the mystic mother, the east, From the sands of the fiery south, From the low-lit clouds of the west, A sound of a cry is gone forth; Arise, stand up from the feast, Let wine be far from the mouth, Let no man sleep or take rest, Till the plague hath ceased.
Let none rejoice or make mirth Till the evil thing be stayed, Nor grief be lulled in the lute, Nor hope be loud on the lyre; Let none be glad upon earth.
O music of young man and maid, O songs of the bride, be mute.
For the light of her eyes, her desire, Is the soul dismayed.
It is not a land new-born That is scourged of a stranger's hand, That is rent and consumed with flame.
We have known it of old, this face, With the cheeks and the tresses torn, With shame on the brow as a brand.
We have named it of old by name, The land of the royallest race, The most holy land.
STR.
4 Had I words of fire, Whose words are weak as snow; Were my heart a lyre Whence all its love might flow In the mighty modulations of desire, In the notes wherewith man's passion worships woe; Could my song release The thought weak words confine, And my grief, O Greece, Prove how it worships thine; It would move with pulse of war the limbs of peace, Till she flushed and trembled and became divine.
(Once she held for true This truth of sacred strain; Though blood drip like dew And life run down like rain, It is better that war spare but one or two Than that many live, and liberty be slain.
) Then with fierce increase And bitter mother's mirth, From the womb of peace, A womb that yearns for birth, As a man-child should deliverance come to Greece, As a saviour should the child be born on earth.
STR.
5 O that these my days had been Ere white peace and shame were wed Without torch or dancers' din Round the unsacred marriage-bed! For of old the sweet-tongued law, Freedom, clothed with all men's love, Girt about with all men's awe, With the wild war-eagle mated The white breast of peace the dove, And his ravenous heart abated And his windy wings were furled In an eyrie consecrated Where the snakes of strife uncurled, And her soul was soothed and sated With the welfare of the world.
ANT.
1 But now, close-clad with peace, While war lays hand on Greece, The kingdoms and their kings stand by to see; "Aha, we are strong," they say, "We are sure, we are well," even they; "And if we serve, what ails ye to be free? We are warm, clothed round with peace and shame; But ye lie dead and naked, dying for a name.
" ANT.
2 O kings and queens and nations miserable, O fools and blind, and full of sins and fears, With these it is, with you it is not well; Ye have one hour, but these the immortal years.
These for a pang, a breath, a pulse of pain, Have honour, while that honour on earth shall be: Ye for a little sleep and sloth shall gain Scorn, while one man of all men born is free.
Even as the depth more deep than night or day, The sovereign heaven that keeps its eldest way, So without chance or change, so without stain, The heaven of their high memories shall nor wax nor wane.
ANT.
3 As the soul on the lips of the dead Stands poising her wings for flight, A bird scarce quit of her prison, But fair without form or flesh, So stands over each man's head A splendour of imminent light, A glory of fame rearisen, Of day rearisen afresh From the hells of night.
In the hundred cities of Crete Such glory was not of old, Though her name was great upon earth And her face was fair on the sea.
The words of her lips were sweet, Her days were woven with gold, Her fruits came timely to birth; So fair she was, being free, Who is bought and sold.
So fair, who is fairer now With her children dead at her side, Unsceptred, unconsecrated, Unapparelled, unhelped, unpitied, With blood for gold on her brow, Where the towery tresses divide; The goodly, the golden-gated, Many-crowned, many-named, many-citied, Made like as a bride.
And these are the bridegroom's gifts; Anguish that straitens the breath, Shame, and the weeping of mothers, And the suckling dead at the breast, White breast that a long sob lifts; And the dumb dead mouth, which saith, How long, and how long, my brothers?" And wrath which endures not rest, And the pains of death.
ANT.
4 Ah, but would that men, With eyelids purged by tears, Saw, and heard again With consecrated ears, All the clamour, all the splendour, all the slain, All the lights and sounds of war, the fates and fears; Saw far off aspire, With crash of mine and gate, From a single pyre The myriad flames of fate, Soul by soul transfigured in funereal fire, Hate made weak by love, and love made strong by hate.
Children without speech, And many a nursing breast; Old men in the breach, Where death sat down a guest; With triumphant lamentation made for each, Let the world salute their ruin and their rest.
In one iron hour The crescent flared and waned, As from tower to tower, Fire-scathed and sanguine-stained, Death, with flame in hand, an open bloodred flower, Passed, and where it bloomed no bloom of life remained.
ANT.
5 Hear, thou earth, the heavy-hearted Weary nurse of waning races; From the dust of years departed, From obscure funereal places, Raise again thy sacred head, Lift the light up of thine eyes Where are they of all thy dead That did more than these men dying In their godlike Grecian wise? Not with garments rent and sighing, Neither gifts of myrrh and gold, Shall their sons lament them lying, Lest the fame of them wax cold; But with lives to lives replying, And a worship from of old.
EPODE O sombre heart of earth and swoln with grief, That in thy time wast as a bird for mirth, Dim womb of life and many a seed and sheaf, And full of changes, ancient heart of earth, From grain and flower, from grass and every leaf, Thy mysteries and thy multitudes of birth, From hollow and hill, from vales and all thy springs, From all shapes born and breath of all lips made, From thunders, and the sound of winds and wings, From light, and from the solemn sleep of shade, From the full fountains of all living things, Speak, that this plague be stayed.
Bear witness all the ways of death and life If thou be with us in the world's old strife, If thou be mother indeed, And from these wounds that bleed Gather in thy great breast the dews that fall, And on thy sacred knees Lull with mute melodies, Mother, thy sleeping sons in death's dim hall.
For these thy sons, behold, Sons of thy sons of old, Bear witness if these be not as they were; If that high name of Greece Depart, dissolve, decease From mouths of men and memories like as air.
By the last milk that drips Dead on the child's dead lips, By old men's white unviolated hair, By sweet unburied faces That fill those red high places Where death and freedom found one lion's lair, By all the bloodred tears That fill the chaliced years, The vessels of the sacrament of time, Wherewith, O thou most holy, O Freedom, sure and slowly Thy ministrant white hands cleanse earth of crime; Though we stand off afar Where slaves and slaveries are, Among the chains and crowns of poisonous peace; Though not the beams that shone From rent Arcadion Can melt her mists and bid her snows decrease; Do thou with sudden wings Darken the face of kings, But turn again the beauty of thy brows on Greece; Thy white and woundless brows, Whereto her great heart bows; Give her the glories of thine eyes to see; Turn thee, O holiest head, Toward all thy quick and dead, For love's sake of the souls that cry for thee; O love, O light, O flame, By thine own Grecian name, We call thee and we charge thee that all these be free.
Written by Edwin Arlington Robinson | Create an image from this poem

The Chorus of Old Men in Aegus

 Ye gods that have a home beyond the world, 
Ye that have eyes for all man’s agony, 
Ye that have seen this woe that we have seen,— 
Look with a just regard, 
And with an even grace,
Here on the shattered corpse of a shattered king, 
Here on a suffering world where men grow old 
And wander like sad shadows till, at last, 
Out of the flare of life, 
Out of the whirl of years,
Into the mist they go, 
Into the mist of death.
O shades of you that loved him long before The cruel threads of that black sail were spun, May loyal arms and ancient welcomings Receive him once again Who now no longer moves Here in this flickering dance of changing days, Where a battle is lost and won for a withered wreath, And the black master Death is over all To chill with his approach, To level with his touch, The reigning strength of youth, The fluttered heart of age.
Woe for the fateful day when Delphi’s word was lost— Woe for the loveless prince of Æthra’s line! Woe for a father’s tears and the curse of a king’s release— Woe for the wings of pride and the shafts of doom! And thou, the saddest wind That ever blew from Crete, Sing the fell tidings back to that thrice unhappy ship!— Sing to the western flame, Sing to the dying foam.
A dirge for the sundered years and a dirge for the years to be! Better his end had been as the end of a cloudless day, Bright, by the word of Zeus, with a golden star, Wrought of a golden fame, and flung to the central sky, To gleam on a stormless tomb for evermore:— Whether or not there fell To the touch of an alien hand The sheen of his purple robe and the shine of his diadem, Better his end had been To die as an old man dies,— But the fates are ever the fates, and a crown is ever a crown.


Written by Siegfried Sassoon | Create an image from this poem

The Goldsmith

 'This job's the best I've done.
' He bent his head Over the golden vessel that he'd wrought.
A bird was singing.
But the craftsman's thought Is a forgotten language, lost and dead.
He sighed and stretch'd brown arms.
His friend came in And stood beside him in the morning sun.
The goldwork glitter'd.
.
.
.
'That's the best I've done.
'And now I've got a necklace to begin.
' This was at Gnossos, in the isle of Crete.
.
.
A girl was selling flowers along the street.
Written by Edward Lear | Create an image from this poem

There was a Young Person of Crete

There was a Young Person of Crete,
Whose toilette was far from complete;
She dressed in a sack spickle-speckled with black,
That ombliferous Person of Crete.

Book: Reflection on the Important Things