Written by
G K Chesterton |
White founts falling in the Courts of the sun,
And the Soldan of Byzantium is smiling as they run;
There is laughter like the fountains in that face of all men feared,
It stirs the forest darkness, the darkness of his beard;
It curls the blood-red crescent, the crescent of his lips;
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy,
They have dashed the Adriatic round the Lion of the Sea,
And the Pope has cast his arms abroad for agony and loss,
And called the kings of Christendom for swords about the Cross.
The cold queen of England is looking in the glass;
The shadow of the Valois is yawning at the Mass;
From evening isles fantastical rings faint the Spanish gun,
And the Lord upon the Golden Horn is laughing in the sun.
Dim drums throbbing, in the hills half heard,
Where only on a nameless throne a crownless prince has stirred,
Where, risen from a doubtful seat and half attainted stall,
The last knight of Europe takes weapons from the wall,
The last and lingering troubadour to whom the bird has sung,
That once went singing southward when all the world was young.
In that enormous silence, tiny and unafraid,
Comes up along a winding road the noise of the Crusade.
Strong gongs groaning as the guns boom far,
Don John of Austria is going to the war,
Stiff flags straining in the night-blasts cold
In the gloom black-purple, in the glint old-gold,
Torchlight crimson on the copper kettle-drums,
Then the tuckets, then the trumpets, then the cannon, and he comes.
Don John laughing in the brave beard curled,
Spurning of his stirrups like the thrones of all the world,
Holding his head up for a flag of all the free.
Love-light of Spain--hurrah!
Death-light of Africa!
Don John of Austria
Is riding to the sea.
Mahound is in his paradise above the evening star,
(Don John of Austria is going to the war.)
He moves a mighty turban on the timeless houri's knees,
His turban that is woven of the sunsets and the seas.
He shakes the peacock gardens as he rises from his ease,
And he strides among the tree-tops and is taller than the trees;
And his voice through all the garden is a thunder sent to bring
Black Azrael and Ariel and Ammon on the wing.
Giants and the Genii,
Multiplex of wing and eye,
Whose strong obedience broke the sky
When Solomon was king.
They rush in red and purple from the red clouds of the morn,
From the temples where the yellow gods shut up their eyes in scorn;
They rise in green robes roaring from the green hells of the sea
Where fallen skies and evil hues and eyeless creatures be,
On them the sea-valves cluster and the grey sea-forests curl,
Splashed with a splendid sickness, the sickness of the pearl;
They swell in sapphire smoke out of the blue cracks of the ground,--
They gather and they wonder and give worship to Mahound.
And he saith, "Break up the mountains where the hermit-folk can hide,
And sift the red and silver sands lest bone of saint abide,
And chase the Giaours flying night and day, not giving rest,
For that which was our trouble comes again out of the west.
We have set the seal of Solomon on all things under sun,
Of knowledge and of sorrow and endurance of things done.
But a noise is in the mountains, in the mountains, and I know
The voice that shook our palaces--four hundred years ago:
It is he that saith not 'Kismet'; it is he that knows not Fate;
It is Richard, it is Raymond, it is Godfrey at the gate!
It is he whose loss is laughter when he counts the wager worth,
Put down your feet upon him, that our peace be on the earth."
For he heard drums groaning and he heard guns jar,
(Don John of Austria is going to the war.)
Sudden and still--hurrah!
Bolt from Iberia!
Don John of Austria
Is gone by Alcalar.
St. Michaels on his Mountain in the sea-roads of the north
(Don John of Austria is girt and going forth.)
Where the grey seas glitter and the sharp tides shift
And the sea-folk labour and the red sails lift.
He shakes his lance of iron and he claps his wings of stone;
The noise is gone through Normandy; the noise is gone alone;
The North is full of tangled things and texts and aching eyes,
And dead is all the innocence of anger and surprise,
And Christian killeth Christian in a narrow dusty room,
And Christian dreadeth Christ that hath a newer face of doom,
And Christian hateth Mary that God kissed in Galilee,--
But Don John of Austria is riding to the sea.
Don John calling through the blast and the eclipse
Crying with the trumpet, with the trumpet of his lips,
Trumpet that sayeth ha!
Domino gloria!
Don John of Austria
Is shouting to the ships.
King Philip's in his closet with the Fleece about his neck
(Don John of Austria is armed upon the deck.)
The walls are hung with velvet that is black and soft as sin,
And little dwarfs creep out of it and little dwarfs creep in.
He holds a crystal phial that has colours like the moon,
He touches, and it tingles, and he trembles very soon,
And his face is as a fungus of a leprous white and grey
Like plants in the high houses that are shuttered from the day,
And death is in the phial and the end of noble work,
But Don John of Austria has fired upon the Turk.
Don John's hunting, and his hounds have bayed--
Booms away past Italy the rumour of his raid.
Gun upon gun, ha! ha!
Gun upon gun, hurrah!
Don John of Austria
Has loosed the cannonade.
The Pope was in his chapel before day or battle broke,
(Don John of Austria is hidden in the smoke.)
The hidden room in man's house where God sits all the year,
The secret window whence the world looks small and very dear.
He sees as in a mirror on the monstrous twilight sea
The crescent of his cruel ships whose name is mystery;
They fling great shadows foe-wards, making Cross and Castle dark,
They veil the plum?d lions on the galleys of St. Mark;
And above the ships are palaces of brown, black-bearded chiefs,
And below the ships are prisons, where with multitudinous griefs,
Christian captives sick and sunless, all a labouring race repines
Like a race in sunken cities, like a nation in the mines.
They are lost like slaves that sweat, and in the skies of morning hung
The stair-ways of the tallest gods when tyranny was young.
They are countless, voiceless, hopeless as those fallen or fleeing on
Before the high Kings' horses in the granite of Babylon.
And many a one grows witless in his quiet room in hell
Where a yellow face looks inward through the lattice of his cell,
And he finds his God forgotten, and he seeks no more a sign--
(But Don John of Austria has burst the battle-line!)
Don John pounding from the slaughter-painted poop,
Purpling all the ocean like a bloody pirate's sloop,
Scarlet running over on the silvers and the golds,
Breaking of the hatches up and bursting of the holds,
Thronging of the thousands up that labour under sea
White for bliss and blind for sun and stunned for liberty.
Vivat Hispania!
Domino Gloria!
Don John of Austria
Has set his people free!
Cervantes on his galley sets the sword back in the sheath
(Don John of Austria rides homeward with a wreath.)
And he sees across a weary land a straggling road in Spain,
Up which a lean and foolish knight for ever rides in vain,
And he smiles, but not as Sultans smile, and settles back the blade....
(But Don John of Austria rides home from the Crusade.)
|
Written by
Elizabeth Jennings |
At this particular time I have no one
Particular person to grieve for, though there must
Be many, many unknown ones going to dust
Slowly, not remembered for what they have done
Or left undone. For these, then, I will grieve
Being impartial, unable to deceive.
How they lived, or died, is quite unknown,
And, by that fact gives my grief purity--
An important person quite apart from me
Or one obscure who drifted down alone.
Both or all I remember, have a place.
For these I never encountered face to face.
Sentiment will creep in. I cast it out
Wishing to give these classical repose,
No epitaph, no poppy and no rose
From me, and certainly no wish to learn about
The way they lived or died. In earth or fire
They are gone. Simply because they were human, I admire.
|
Written by
Elizabeth Barrett Browning |
I
The face, which, duly as the sun,
Rose up for me with life begun,
To mark all bright hours of the day
With hourly love, is dimmed away—
And yet my days go on, go on.
II
The tongue which, like a stream, could run
Smooth music from the roughest stone,
And every morning with ' Good day'
Make each day good, is hushed away,
And yet my days go on, go on.
III
The heart which, like a staff, was one
For mine to lean and rest upon,
The strongest on the longest day
With steadfast love, is caught away,
And yet my days go on, go on.
IV
And cold before my summer's done,
And deaf in Nature's general tune,
And fallen too low for special fear,
And here, with hope no longer here,
While the tears drop, my days go on.
V
The world goes whispering to its own,
‘This anguish pierces to the bone;’
And tender friends go sighing round,
‘What love can ever cure this wound ?'
My days go on, my days go on.
VI
The past rolls forward on the sun
And makes all night. O dreams begun,
Not to be ended! Ended bliss,
And life that will not end in this!
My days go on, my days go on.
VII
Breath freezes on my lips to moan:
As one alone, once not alone,
I sit and knock at Nature's door,
Heart-bare, heart-hungry, very poor,
Whose desolated days go on.
VIII
I knock and cry, —Undone, undone!
Is there no help, no comfort, —none?
No gleaning in the wide wheat plains
Where others drive their loaded wains?
My vacant days go on, go on.
IX
This Nature, though the snows be down,
Thinks kindly of the bird of June:
The little red hip on the tree
Is ripe for such. What is for me,
Whose days so winterly go on?
X
No bird am I, to sing in June,
And dare not ask an equal boon.
Good nests and berries red are Nature's
To give away to better creatures, —
And yet my days go on, go on.
XI
I ask less kindness to be done, —
Only to loose these pilgrim shoon,
(Too early worn and grimed) with sweet
Cool deadly touch to these tired feet.
Till days go out which now go on.
XII
Only to lift the turf unmown
From off the earth where it has grown,
Some cubit-space, and say ‘Behold,
Creep in, poor Heart, beneath that fold,
Forgetting how the days go on.’
XIII
What harm would that do? Green anon
The sward would quicken, overshone
By skies as blue; and crickets might
Have leave to chirp there day and night
While my new rest went on, went on.
XIV
From gracious Nature have I won
Such liberal bounty? may I run
So, lizard-like, within her side,
And there be safe, who now am tried
By days that painfully go on?
XV
—A Voice reproves me thereupon,
More sweet than Nature's when the drone
Of bees is sweetest, and more deep
Than when the rivers overleap
The shuddering pines, and thunder on.
XVI
God's Voice, not Nature's! Night and noon
He sits upon the great white throne
And listens for the creatures' praise.
What babble we of days and days?
The Day-spring He, whose days go on.
XVII
He reigns above, He reigns alone;
Systems burn out and have his throne;
Fair mists of seraphs melt and fall
Around Him, changeless amid all,
Ancient of Days, whose days go on.
XVIII
He reigns below, He reigns alone,
And, having life in love forgone
Beneath the crown of sovran thorns,
He reigns the Jealous God. Who mourns
Or rules with Him, while days go on?
XIX
By anguish which made pale the sun,
I hear Him charge his saints that none
Among his creatures anywhere
Blaspheme against Him with despair,
However darkly days go on.
XX
Take from my head the thorn-wreath brown!
No mortal grief deserves that crown.
O supreme Love, chief misery,
The sharp regalia are for Thee
Whose days eternally go on!
XXI
For us, —whatever's undergone,
Thou knowest, willest what is done,
Grief may be joy misunderstood;
Only the Good discerns the good.
I trust Thee while my days go on.
XXII
Whatever's lost, it first was won;
We will not struggle nor impugn.
Perhaps the cup was broken here,
That Heaven's new wine might show more clear.
I praise Thee while my days go on.
XXIII
I praise Thee while my days go on;
I love Thee while my days go on:
Through dark and dearth, through fire and frost,
With emptied arms and treasure lost,
I thank Thee while my days go on.
XXIV
And having in thy life-depth thrown
Being and suffering (which are one),
As a child drops his pebble small
Down some deep well, and hears it fall
Smiling—so I. THY DAYS GO ON.
|
Written by
William Shakespeare |
Those lines that I before have writ do lie,
Even those that said I could not love you dearer;
Yet then my judgment knew no reason why
My most full flame should afterwards burn clearer,
But reckoning Time, whose millioned accidents
Creep in 'twixt vows, and change decrees of kings,
Tan sacred beauty, blunt the sharp'st intents,
Divert strong minds to the course of alt'ring things—
Alas, why, fearing of Time's tyranny,
Might I not then say, "Now I love you best,"
When I was certain o'er incertainty,
Crowning the present, doubting of the rest?
Love is a babe; then might I not say so,
To give full growth to that which still doth grow.
|
Written by
William Butler Yeats |
An incident from the `Historia mei Temporis'
of the Abbe Michel de Bourdeille
Said lady once to lover,
'None can rely upon
A love that lacks its proper food;
And if your love were gone
How could you sing those songs of love?
I should be blamed, young man.
O my dear, O my dear.
Have no lit candles in your room,'
That lovely lady said,
'That I at midnight by the clock
May creep into your bed,
For if I saw myself creep in
I think I should drop dead.'
O my dear, O my dear.
'I love a man in secret,
Dear chambermaid,' said she.
'I know that I must drop down dead
If he stop loving me,
Yet what could I but drop down dead
If I lost my chastity?
O my dear, O my dear.
'So you must lie beside him
And let him think me there.
And maybe we are all the same
Where no candles are,
And maybe we are all the same
That stip the body bare.'
O my dear, O my dear.
But no dogs barked, and midnights chimed,
And through the chime she'd say,
'That was a lucky thought of mine,
My lover. looked so gay';
But heaved a sigh if the chambermaid
Looked half asleep all day.
O my dear, O my dear.
'No, not another song,' siid he,
'Because my lady came
A year ago for the first time
At midnight to my room,
And I must lie between the sheets
When the clock begins to chime.'
O my dear, O my d-ear.
'A laughing, crying, sacred song,
A leching song,' they said.
Did ever men hear such a song?
No, but that day they did.
Did ever man ride such a race?
No, not until he rode.
O my dear, O my dear.
But when his horse had put its hoof
Into a rabbit-hole
He dropped upon his head and died.
His lady saw it all
And dropped and died thereon, for she
Loved him with her soul.
O my dear, O my dear.
The chambermaid lived long, and took
Their graves into her charge,
And there two bushes planted
That when they had grown large
Seemed sprung from but a single root
So did their roses merge.
O my dear, O my dear.
When she was old and dying,
The priest came where she was;
She made a full confession.
Long looked he in her face,
And O he was a good man
And understood her case.
O my dear, O my dear.
He bade them take and bury her
Beside her lady's man,
And set a rose-tree on her grave,
And now none living can,
When they have plucked a rose there,
Know where its roots began.
O my dear, O my dear.
|
Written by
Edwin Arlington Robinson |
We go no more to Calverly's,
For there the lights are few and low;
And who are there to see by them,
Or what they see, we do not know.
Poor strangers of another tongue
May now creep in from anywhere,
And we, forgotten, be no more
Than twilight on a ruin there.
We two, the remnant. All the rest
Are cold and quiet. You nor I,
Nor fiddle now, nor flagon-lid,
May ring them back from where they lie.
No fame delays oblivion
For them, but something yet survives:
A record written fair, could we
But read the book of scattered lives.
There'll be a page for Leffingwell,
And one for Lingard, the Moon-calf;
And who knows what for Clavering,
Who died because he couldn't laugh?
Who knows or cares? No sign is here,
No face, no voice, no memory;
No Lingard with his eerie joy,
No Clavering, no Calverly.
We cannot have them here with us
To say where their light lives are gone,
Or if they be of other stuff
Than are the moons of Ilion.
So, be their place of one estate
With ashes, echoes, and old wars,—
Or ever we be of the night,
Or we be lost among the stars.
|
Written by
William Shakespeare |
Those lines that I before have writ do lie,
Even those that said I could not love you dearer:
Yet then my judgment knew no reason why
My most full flame should afterwards burn clearer.
But reckoning time, whose million'd accidents
Creep in 'twixt vows and change decrees of kings,
Tan sacred beauty, blunt the sharp'st intents,
Divert strong minds to the course of altering things;
Alas, why, fearing of time's tyranny,
Might I not then say 'Now I love you best,'
When I was certain o'er incertainty,
Crowning the present, doubting of the rest?
Love is a babe; then might I not say so,
To give full growth to that which still doth grow?
|
Written by
Badger Clark |
There's an old pard of mine that sits by his door
And watches the evenin' skies.
He's sat there a thousand of evenin's before
And I reckon he will till he dies.
El pobre! I reckon he will till he dies,
And hear through the dim, quiet air
Far cattle that call and the crickets that cheep
And his woman a-singin' a kid to sleep
And the creak of her rockabye chair.
Once we made camp where the last light would fail
And the east wasn't white till we'd start,
But now he is deaf to the call of the trail
And the song of the restless heart.
El pobre! the song of the restless heart
That you hear in the wind from the dawn!
He's left it, with all the good, free-footed things,
For a slow little song that a tired woman sings
And a smoke when his dry day is gone.
I've rode in and told him of lands that were strange,
Where I'd drifted from glory to dread.
He'd tell me the news of his little old range
And the cute things his kids had said!
El pobre! the cute things his kids had said!
And the way six-year Billy could ride!
And the dark would creep in from the gray chaparral
And the woman would hum, while I pitied my pal
And thought of him like he had died.
He rides in old circles and looks at old sights
And his life is as flat as a pond.
He loves the old skyline he watches of nights
And he don't seem to care for beyond.
El pobre! he don't seem to dream of beyond,
Nor the room he could find, there, for joy.
"Ain't you ever oneasy?" says I one day.
But he only just smiled in a pityin' way
While he braided a quirt for his boy.
He preaches that I orter fold up my wings
And that even wild geese find a nest.
That "woman" and "wimmen" are different things
And a saddle nap isn't a rest.
El pobre! he's more for the shade and the rest
And he's less for the wind and the fight,
Yet out in strange hills, when the blue shadows rise
And I'm tired from the wind and the sun in my eyes,
I wonder, sometimes, if he's right.
I've courted the wind and I've followed her free
From the snows that the low stars have kissed
To the heave and the dip of the wavy old sea,
Yet I reckon there's somethin' I've missed.
El pobre! Yes, mebbe there's somethin' I've missed,
And it mebbe is more than I've won--
Just a door that's my own, while the cool shadows creep,
And a woman a-singin' my kid to sleep
When I'm tired from the wind and the sun.
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