Written by
Andrew Barton Paterson |
The railway rattled and roared and swung
With jolting and bumping trucks.
The sun, like a billiard red ball, hung
In the Western sky: and the tireless tongue
Of the wild-eyed man in the corner told
This terrible tale of the days of old,
And the party that ought to have kept the ducks.
"Well, it ain't all joy bein' on the land
With an overdraft that'd knock you flat;
And the rabbits have pretty well took command;
But the hardest thing for a man to stand
Is the feller who says 'Well I told you so!
You should ha' done this way, don't you know!' --
I could lay a bait for a man like that.
"The grasshoppers struck us in ninety-one
And what they leave -- well, it ain't de luxe.
But a growlin' fault-findin' son of a gun
Who'd lent some money to stock our run --
I said they'd eaten what grass we had --
Says he, 'Your management's very bad;
You had a right to have kept some ducks!'
"To have kept some ducks! And the place was white!
Wherever you went you had to tread
On grasshoppers guzzlin' day and night;
And then with a swoosh they rose in flight,
If you didn't look out for yourself they'd fly
Like bullets into your open eye
And knock it out of the back of your head.
"There isn't a turkey or goose or swan,
Or a duck that quacks, or a hen that clucks,
Can make a difference on a run
When a grasshopper plague has once begun;
'If you'd finance us,' I says, 'I'd buy
Ten thousand emus and have a try;
The job,' I says, 'is too big for ducks!
"'You must fetch a duck when you come to stay;
A great big duck -- a Muscovy toff --
Ready and fit,' I says, 'for the fray;
And if the grasshoppers come our way
You turn your duck into the lucerne patch,
And I'd be ready to make a match
That the grasshoppers eat his feathers off!"
"He came to visit us by and by,
And it just so happened one day in spring
A kind of cloud came over the sky --
A wall of grasshoppers nine miles high,
And nine miles thick, and nine hundred wide,
Flyin' in regiments, side by side,
And eatin' up every living thing.
"All day long, like a shower of rain,
You'd hear 'em smackin' against the wall,
Tap, tap, tap, on the window pane,
And they'd rise and jump at the house again
Till their crippled carcasses piled outside.
But what did it matter if thousands died --
A million wouldn't be missed at all.
"We were drinkin' grasshoppers -- so to speak --
Till we skimmed their carcasses off the spring;
And they fell so thick in the station creek
They choked the waterholes all the week.
There was scarcely room for a trout to rise,
And they'd only take artificial flies --
They got so sick of the real thing.
"An Arctic snowstorm was beat to rags
When the hoppers rose for their morning flight
With the flapping noise like a million flags:
And the kitchen chimney was stuffed with bags
For they'd fall right into the fire, and fry
Till the cook sat down and began to cry --
And never a duck or fowl in sight.
"We strolled across to the railroad track --
Under a cover beneath some trucks,
I sees a feather and hears a quack;
I stoops and I pulls the tarpaulin back --
Every duck in the place was there,
No good to them was the open air.
'Mister,' I says, 'There's your blanky ducks!'"
|
Written by
Marge Piercy |
1.
The dark socket of the year
the pit, the cave where the sun lies down
and threatens never to rise,
when despair descends softly as the snow
covering all paths and choking roads:
then hawkfaced pain seized you
threw you so you fell with a sharp
cry, a knife tearing a bolt of silk.
My father heard the crash but paid
no mind, napping after lunch
yet fifteen hundred miles north
I heard and dropped a dish.
Your pain sunk talons in my skull
and crouched there cawing, heavy
as a great vessel filled with water,
oil or blood, till suddenly next day
the weight lifted and I knew your mind
had guttered out like the Chanukah
candles that burn so fast, weeping
veils of wax down the chanukiya.
Those candles were laid out,
friends invited, ingredients bought
for latkes and apple pancakes,
that holiday for liberation
and the winter solstice
when tops turn like little planets.
Shall you have all or nothing
take half or pass by untouched?
Nothing you got, Nun said the dreydl
as the room stopped spinning.
The angel folded you up like laundry
your body thin as an empty dress.
Your clothes were curtains
hanging on the window of what had
been your flesh and now was glass.
Outside in Florida shopping plazas
loudspeakers blared Christmas carols
and palm trees were decked with blinking
lights.
Except by the tourist
hotels, the beaches were empty.
Pelicans with pregnant pouches
flapped overhead like pterodactyls.
In my mind I felt you die.
First the pain lifted and then
you flickered and went out.
2.
I walk through the rooms of memory.
Sometimes everything is shrouded in dropcloths,
every chair ghostly and muted.
Other times memory lights up from within
bustling scenes acted just the other side
of a scrim through which surely I could reach
my fingers tearing at the flimsy curtain
of time which is and isn't and will be
the stuff of which we're made and unmade.
In sleep the other night I met you, seventeen
your first nasty marriage just annulled,
thin from your abortion, clutching a book
against your cheek and trying to look
older, trying to took middle class,
trying for a job at Wanamaker's,
dressing for parties in cast off
stage costumes of your sisters.
Your eyes
were hazy with dreams.
You did not
notice me waving as you wandered
past and I saw your slip was showing.
You stood still while I fixed your clothes,
as if I were your mother.
Remember me
combing your springy black hair, ringlets
that seemed metallic, glittering;
remember me dressing you, my seventy year
old mother who was my last dollbaby,
giving you too late what your youth had wanted.
3.
What is this mask of skin we wear,
what is this dress of flesh,
this coat of few colors and little hair?
This voluptuous seething heap of desires
and fears, squeaking mice turned up
in a steaming haystack with their babies?
This coat has been handed down, an heirloom
this coat of black hair and ample flesh,
this coat of pale slightly ruddy skin.
This set of hips and thighs, these buttocks
they provided cushioning for my grandmother
Hannah, for my mother Bert and for me
and we all sat on them in turn, those major
muscles on which we walk and walk and walk
over the earth in search of peace and plenty.
My mother is my mirror and I am hers.
What do we see? Our face grown young again,
our breasts grown firm, legs lean and elegant.
Our arms quivering with fat, eyes
set in the bark of wrinkles, hands puffy,
our belly seamed with childbearing,
Give me your dress that I might try it on.
Oh it will not fit you mother, you are too fat.
I will not fit you mother.
I will not be the bride you can dress,
the obedient dutiful daughter you would chew,
a dog's leather bone to sharpen your teeth.
You strike me sometimes just to hear the sound.
Loneliness turns your fingers into hooks
barbed and drawing blood with their caress.
My twin, my sister, my lost love,
I carry you in me like an embryo
as once you carried me.
4.
What is it we turn from, what is it we fear?
Did I truly think you could put me back inside?
Did I think I would fall into you as into a molten
furnace and be recast, that I would become you?
What did you fear in me, the child who wore
your hair, the woman who let that black hair
grow long as a banner of darkness, when you
a proper flapper wore yours cropped?
You pushed and you pulled on my rubbery
flesh, you kneaded me like a ball of dough.
Rise, rise, and then you pounded me flat.
Secretly the bones formed in the bread.
I became willful, private as a cat.
You never knew what alleys I had wandered.
You called me bad and I posed like a gutter
queen in a dress sewn of knives.
All I feared was being stuck in a box
with a lid.
A good woman appeared to me
indistinguishable from a dead one
except that she worked all the time.
Your payday never came.
Your dreams ran
with bright colors like Mexican cottons
that bled onto the drab sheets of the day
and would not bleach with scrubbing.
My dear, what you said was one thing
but what you sang was another, sweetly
subversive and dark as blackberries
and I became the daughter of your dream.
This body is your body, ashes now
and roses, but alive in my eyes, my breasts,
my throat, my thighs.
You run in me
a tang of salt in the creek waters of my blood,
you sing in my mind like wine.
What you
did not dare in your life you dare in mine.
|
Written by
Allen Ginsberg |
I
In the depths of the Greyhound Terminal
sitting dumbly on a baggage truck looking at the sky
waiting for the Los Angeles Express to depart
worrying about eternity over the Post Office roof in
the night-time red downtown heaven
staring through my eyeglasses I realized shuddering
these thoughts were not eternity, nor the poverty
of our lives, irritable baggage clerks,
nor the millions of weeping relatives surrounding the
buses waving goodbye,
nor other millions of the poor rushing around from
city to city to see their loved ones,
nor an indian dead with fright talking to a huge cop
by the Coke machine,
nor this trembling old lady with a cane taking the last
trip of her life,
nor the red-capped cynical porter collecting his quar-
ters and smiling over the smashed baggage,
nor me looking around at the horrible dream,
nor mustached ***** Operating Clerk named Spade,
dealing out with his marvelous long hand the
fate of thousands of express packages,
nor fairy Sam in the basement limping from leaden
trunk to trunk,
nor Joe at the counter with his nervous breakdown
smiling cowardly at the customers,
nor the grayish-green whale's stomach interior loft
where we keep the baggage in hideous racks,
hundreds of suitcases full of tragedy rocking back and
forth waiting to be opened,
nor the baggage that's lost, nor damaged handles,
nameplates vanished, busted wires & broken
ropes, whole trunks exploding on the concrete
floor,
nor seabags emptied into the night in the final
warehouse.
II
Yet Spade reminded me of Angel, unloading a bus,
dressed in blue overalls black face official Angel's work-
man cap,
pushing with his belly a huge tin horse piled high with
black baggage,
looking up as he passed the yellow light bulb of the loft
and holding high on his arm an iron shepherd's crook.
III
It was the racks, I realized, sitting myself on top of
them now as is my wont at lunchtime to rest
my tired foot,
it was the racks, great wooden shelves and stanchions
posts and beams assembled floor to roof jumbled
with baggage,
--the Japanese white metal postwar trunk gaudily
flowered & headed for Fort Bragg,
one Mexican green paper package in purple rope
adorned with names for Nogales,
hundreds of radiators all at once for Eureka,
crates of Hawaiian underwear,
rolls of posters scattered over the Peninsula, nuts to
Sacramento,
one human eye for Napa,
an aluminum box of human blood for Stockton
and a little red package of teeth for Calistoga-
it was the racks and these on the racks I saw naked
in electric light the night before I quit,
the racks were created to hang our possessions, to keep
us together, a temporary shift in space,
God's only way of building the rickety structure of
Time,
to hold the bags to send on the roads, to carry our
luggage from place to place
looking for a bus to ride us back home to Eternity
where the heart was left and farewell tears
began.
IV
A swarm of baggage sitting by the counter as the trans-
continental bus pulls in.
The clock registering 12:15 A.
M.
, May 9, 1956, the
second hand moving forward, red.
Getting ready to load my last bus.
-Farewell, Walnut
Creek Richmond Vallejo Portland Pacific
Highway
Fleet-footed Quicksilver, God of transience.
One last package sits lone at midnight sticking up out
of the Coast rack high as the dusty fluorescent
light.
The wage they pay us is too low to live on.
Tragedy
reduced to numbers.
This for the poor shepherds.
I am a communist.
Farewell ye Greyhound where I suffered so much,
hurt my knee and scraped my hand and built
my pectoral muscles big as a vagina.
May 9, 1956
|
Written by
Elinor Wylie |
1
When the world turns completely upside down
You say we'll emigrate to the Eastern Shore
Aboard a river-boat from Baltimore;
We'll live among wild peach trees, miles from town,
You'll wear a coonskin cap, and I a gown
Homespun, dyed butternut's dark gold colour.
Lost, like your lotus-eating ancestor,
We'll swim in milk and honey till we drown.
The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The squirrels in their silver fur will fall
Like falling leaves, like fruit, before your shot.
2
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Peaches grow wild, and pigs can live in clover;
A barrel of salted herrings lasts a year;
The spring begins before the winter's over.
By February you may find the skins
Of garter snakes and water moccasins
Dwindled and harsh, dead-white and cloudy-clear.
3
When April pours the colours of a shell
Upon the hills, when every little creek
Is shot with silver from the Chesapeake
In shoals new-minted by the ocean swell,
When strawberries go begging, and the sleek
Blue plums lie open to the blackbird's beak,
We shall live well -- we shall live very well.
The months between the cherries and the peaches
Are brimming cornucopias which spill
Fruits red and purple, sombre-bloomed and black;
Then, down rich fields and frosty river beaches
We'll trample bright persimmons, while you kill
Bronze partridge, speckled quail, and canvasback.
4
Down to the Puritan marrow of my bones
There's something in this richness that I hate.
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There's something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.
I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom's breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
|
Written by
Victor Hugo |
("Nous emmenions en esclavage.")
{VIII., March, 1828.}
We're bearing fivescore Christian dogs
To serve the cruel drivers:
Some are fair beauties gently born,
And some rough coral-divers.
We hardy skimmers of the sea
Are lucky in each sally,
And, eighty strong, we send along
The dreaded Pirate Galley.
A nunnery was spied ashore,
We lowered away the cutter,
And, landing, seized the youngest nun
Ere she a cry could utter;
Beside the creek, deaf to our oars,
She slumbered in green alley,
As, eighty strong, we sent along
The dreaded Pirate Galley.
"Be silent, darling, you must come—
The wind is off shore blowing;
You only change your prison dull
For one that's splendid, glowing!
His Highness doats on milky cheeks,
So do not make us dally"—
We, eighty strong, who send along
The dreaded Pirate Galley.
She sought to flee back to her cell,
And called us each a devil!
We dare do aught becomes Old Scratch,
But like a treatment civil,
So, spite of buffet, prayers, and calls—
Too late her friends to rally—
We, eighty strong, bore her along
Unto the Pirate Galley.
The fairer for her tears profuse,
As dews refresh the flower,
She is well worth three purses full,
And will adorn the bower—
For vain her vow to pine and die
Thus torn from her dear valley:
She reigns, and we still row along
The dreaded Pirate Galley.
|
Written by
Gary Snyder |
For All
Ah to be alive
on a mid-September morn
fording a stream
barefoot, pants rolled up,
holding boots, pack on,
sunshine, ice in the shallows,
northern rockies.
Rustle and shimmer of icy creek waters
stones turn underfoot, small and hard as toes
cold nose dripping
singing inside
creek music, heart music,
smell of sun on gravel.
I pledge allegiance
I pledge allegiance to the soil
of Turtle Island,
and to the beings who thereon dwell
one ecosystem
in diversity
under the sun
With joyful interpenetration for all.
|
Written by
Robert William Service |
Only a Leather Medal, hanging there on the wall,
Dingy and frayed and faded, dusty and worn and old;
Yet of my humble treasures I value it most of all,
And I wouldn't part with that medal if you gave me its weight in gold.
Read the inscription: For Valour - presented to Millie MacGee.
Ah! how in mem'ry it takes me back to the "auld lang syne,"
When Millie and I were sweethearts, and fair as a flower was she -
Yet little I dreamt that her bosom held the heart of heroine.
Listen! I'll tell you about it.
.
.
An orphan was Millie MacGee,
Living with Billie her brother, under the Yukon sky,
Sam, her pa, was cremated in the winter of nineteen-three,
As duly and truly related by the pen of an author guy.
A cute little kid was Billie, solemn and silken of hair,
The image of Jackie Coogan in the days before movies could speak.
Devoted to him was Millie, with more than a mother's care,
And happy were they together in their cabin on Bunker Creek.
'Twas only a mining village, where hearts are simple and true,
And Millie MacGee was schoolma'am, loved and admired by all;
Yet no one dreamed for a moment she'd do what she dared to do -
But wait and I'll try to tell you, as clear as I can recall.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Christmas Eve in the school-house! A scene of glitter and glee;
The children eager and joyful; parents and neighbours too;
Right in the forefront, Millie, close to the Christmas Tree.
While Billie, her brother, recited "The Shooting of Dan McGrew.
"
I reckon you've heard the opus, a ballad of guts and gore;
Of a Yukon frail and a frozen trail and a fight in a dringing dive,
It's on a par, I figger, with "The Face on the Bar-Room Floor,"
And the boys who wrote them pieces ought to be skinned alive.
Picture that scene of gladness; the honest faces aglow;
The kiddies gaping and spellbound, as Billie strutted his stuff.
The stage with its starry candles, and there in the foremost row,
Millie, bright as a fairy, in radient flounce and fluff.
More like an angel I thought her; all she needed was wings,
And I sought for a smile seraphic, but her eyes were only for Bill;
So there was I longing and loving, and dreaming the craziest things,
And Billie shouting and spouting, and everyone rapt and still.
Proud as a prince was Billie, bang in the footlights' glare,
And quaking for him was Millie, as she followed every word;
Then just as he reached the climax, ranting and sawing the air -
Ugh! How it makes me shudder! The horrible thing occurred.
.
.
'Twas the day when frocks were frilly, and skirts were scraping the ground,
And the snowy flounces of Millie like sea foam round her swept;
Humbly adoring I watched her - when oh, my heart gave a bound!
Hoary and scarred and hideous, out from the tree.
.
.
it.
.
.
crept.
A whiskered, beady-eyes monster, grisly and grim of hue;
Savage and slinking and silent, born of the dark and dirt;
Dazed by the glare and the glitter, it wavered a moment or two -
Then like a sinister shadow, it vanished.
.
.
'neath Millie's skirt.
I stared.
had my eyes deceived me? I shivered.
I held my breath.
Surly I must have dreamed it.
I quivered.
I made to rise.
.
.
Then - my God! it was real.
Millie grew pale as death;
And oh, such a look of terror woke in her lovely eyes.
Did her scream ring out? Ah no, sir.
It froze at her very lips.
Clenching her teeth she checked it, and I saw her slim hands lock,
Grasping and gripping tensely, with desperate finger tips,
Something that writhed and wriggled under her dainty frock.
Quick I'd have dashed to her rescue, but fiercely she signalled: "No!"
Her eyes were dark with anguish, but her lips were set and grim;
Then I knew she was thinking of Billie - the kiddy must have his show,
Reap to the full his glory, nothing mattered but him.
So spiked to my chair with horror, there I shuddered and saw
Her fingrs frenziedly clutching and squeezing with all their might
Something that squirmed and struggled, a deamon of tooth and claw,
Fighting with fear and fury, under her garment white.
Oh could I only aid her! But the wide room lay between,
And again her eyes besought me: "Steady!" they seamed to say.
"Stay where you are, Bob Simmons; don't let us have a scene,
Billie will soon be finished.
Only a moment.
.
.
stay!"
A moment! Ah yes, I got her.
I knew how night after night
She'd learned him each line of that ballad with patience and pride and glee;
With gesture and tone dramatic, she'd taught him how to recite.
.
.
And now at the last to fail him - no, it must never be.
A moment! It seemed like ages.
Why was Billie so slow?
He stammered.
Twice he repeated: "The Lady that's known as Lou -"
The kiddy was stuck and she knew it.
Her face was frantic with woe.
Could she but come to his rescue? Could she remember the cue?
I saw her whispering wildly as she leaned to the frightened boy;
But Billie stared like a dummy, and I stifled an anxious curse.
Louder, louder she prompted; then his face illumined with joy,
And panting, flushed and exultant, he finished the final verse.
So the youngster would up like a whirlwind, while cheer resounded on cheer;
His piece was the hit of the evening.
"Bravo!" I heard them say.
But there in the heart of the racket was one who could not hear -
The loving sister who'd coached him; for Millie had fainted away.
I rushed to her side and grabbed her; then others saw her distress,
And all were eager to aid me, as I pillowed that golden head,
But her arms were tense and rigid, and clutched in the folds of her dress,
Unlocking her hands they found it .
.
.
A RAT .
.
.
and the brute was dead.
In silence she'd crushed its life out, rather than scare the crowd,
And ***** little Billie's triumph .
.
.
Hey! Mother, what about tea?
I've just been telling a story that makes me so mighty proud.
.
.
Stranger, let me present you - my wife, that was Millie MacGee.
|
Written by
Robert William Service |
Now wouldn't you expect to find a man an awful crank
That's staked out nigh three hundred claims, and every one a blank;
That's followed every fool stampede, and seen the rise and fall
Of camps where men got gold in chunks and he got none at all;
That's prospected a bit of ground and sold it for a song
To see it yield a fortune to some fool that came along;
That's sunk a dozen bed-rock holes, and not a speck in sight,
Yet sees them take a million from the claims to left and right?
Now aren't things like that enough to drive a man to booze?
But Hard-Luck Smith was hoodoo-proof--he knew the way to lose.
'Twas in the fall of nineteen four--leap-year I've heard them say--
When Hard-Luck came to Hunker Creek and took a hillside lay.
And lo! as if to make amends for all the futile past,
Late in the year he struck it rich, the real pay-streak at last.
The riffles of his sluicing-box were choked with speckled earth,
And night and day he worked that lay for all that he was worth.
And when in chill December's gloom his lucky lease expired,
He found that he had made a stake as big as he desired.
One day while meditating on the waywardness of fate,
He felt the ache of lonely man to find a fitting mate;
A petticoated pard to cheer his solitary life,
A woman with soft, soothing ways, a confidant, a wife.
And while he cooked his supper on his little Yukon stove,
He wished that he had staked a claim in Love's rich treasure-trove;
When suddenly he paused and held aloft a Yukon egg,
For there in pencilled letters was the magic name of Peg.
You know these Yukon eggs of ours--some pink, some green, some blue--
A dollar per, assorted tints, assorted flavors too.
The supercilious cheechako might designate them high,
But one acquires a taste for them and likes them by-and-by.
Well, Hard-Luck Henry took this egg and held it to the light,
And there was more faint pencilling that sorely taxed his sight.
At last he made it out, and then the legend ran like this--
"Will Klondike miner write to Peg, Plumhollow, Squashville, Wis.
?"
That night he got to thinking of this far-off, unknown fair;
It seemed so sort of opportune, an answer to his prayer.
She flitted sweetly through his dreams, she haunted him by day,
She smiled through clouds of nicotine, she cheered his weary way.
At last he yielded to the spell; his course of love he set--
Wisconsin his objective point; his object, Margaret.
With every mile of sea and land his longing grew and grew.
He practised all his pretty words, and these, I fear, were few.
At last, one frosty evening, with a cold chill down his spine,
He found himself before her house, the threshold of the shrine.
His courage flickered to a spark, then glowed with sudden flame--
He knocked; he heard a welcome word; she came--his goddess came.
Oh, she was fair as any flower, and huskily he spoke:
"I'm all the way from Klondike, with a mighty heavy poke.
I'm looking for a lassie, one whose Christian name is Peg,
Who sought a Klondike miner, and who wrote it on an egg.
"
The lassie gazed at him a space, her cheeks grew rosy red;
She gazed at him with tear-bright eyes, then tenderly she said:
"Yes, lonely Klondike miner, it is true my name is Peg.
It's also true I longed for you and wrote it on an egg.
My heart went out to someone in that land of night and cold;
But oh, I fear that Yukon egg must have been mighty old.
I waited long, I hoped and feared; you should have come before;
I've been a wedded woman now for eighteen months or more.
I'm sorry, since you've come so far, you ain't the one that wins;
But won't you take a step inside--I'll let you see the twins.
"
|
Written by
Andrew Barton Paterson |
'Twas on the famous Empire run,
Whose sun does never set,
Whose grass and water, so they say,
Have never failed them yet --
They carry many million sheep,
Through seasons dry and wet.
They call the homestead Albion House,
And then, along with that,
There's Welshman's Gully, Scotchman's Hill,
And Paddymelon Flat:
And all these places are renowned
For making jumbacks fat.
And the out-paddocks -- holy frost!
There wouldn't be no sense
For me to try and tell you half --
They really are immense;
A man might ride for days and weeks
And never strike a fence.
But still for years they never had
Been known a sheep to lose;
Old Billy Gladstone managed it,
And you can bet your shoes
He'd scores of supers under him,
And droves of jackaroos.
Old Billy had an eagle eye,
And kept his wits about --
If any chaps got trespassing
He quickly cleared 'em out;
And coves that used to "work a cross",
They hated him, no doubt.
But still he managed it in style,
Until the times got dry,
And Billy gave the supers word
To see and mind their eye --
"If any paddocks gets a-fire
I'll know the reason why.
"
Now on this point old Bill was sure,
Because, for many a year,
Whenever times got dry at all,
As sure as you are here,
The Paddymelon Flat got burnt
Which Bill thought rather *****.
He sent his smartest supers there
To try and keep things right.
No use! The grass was always dry --
They'd go to sleep at night,
And when they woke they'd go and find
The whole concern alight.
One morning it was very hot --
The sun rose in a haze;
Old Bill was cutting down some trees
(One of his little ways);
A black boy came hot-foot to say
The Flat was in a blaze.
Old Bill he swears a fearful oath
And lets the tommy fall --
Says he: "'ll take this business up,
And fix it once for all;
If this goes on the cursed run
Will send us to the wall.
"
So he withdrew his trespass suits,
He'd one with Dutchy's boss --
In prosecutions criminal
He entered nolle pros.
,
But these were neither here nor there --
They always meant a loss.
And off to Paddymelon Flat
He started double quick
Drayloads of men with lots of grog
Lest heat should make them sick,
And all the strangers came around
To see him do the trick.
And there the fire was flaming bright,
For miles and miles it spread,
And many a sheep and horse and cow
Were numbered with the dead --
The super came to meet Old Bill,
And this is what he said:
"No use, to try to beat it out,
'Twill dry you up like toast,
I've done as much as man can do,
Although I never boast;
I think you'd better chuck it up,
And let the jumbucks roast.
"
Then Bill said just two words: "You're sacked,"
And pitches off his coat,
And wrenches down a blue gum bough
And clears his manly throat,
And into it like threshing wheat
Right sturdily he smote.
And beat the blazing grass until
His shirt was dripping wet;
And all the people watched him there
To see what luck he'd get,
"Gosh! don't he make the cinders fly,"
And, Golly, don't he sweat!"
But though they worked like Trojans all,
The fire still went ahead
So far as you could see around,
The very skies were red,
Sometimes the flames would start afresh,
Just where they thought it dead.
His men, too, quarreled 'mongst themselves
And some coves gave it best
And some said, "Light a fire in front,
And burn from east to west" --
But Bill he still kept sloggin' in,
And never took no rest.
Then through the crowd a cornstalk kid
Come ridin' to the spot
Says he to Bill, "Now take a spell,
You're lookin' very 'ot,
And if you'll only listen, why,
I'll tell you what is what.
"These coves as set your grass on fire,
There ain't no mortal doubt,
I've seen 'em ridin' here and there,
And pokin' round about;
It ain't no use your workin' here,
Until you finds them out.
"See yonder, where you beat the fire --
It's blazin' up again,
And fires are starting right and left
On Tipperary Plain,
Beating them out is useless quite,
Unless Heaven sends the rain.
Then Bill, he turns upon the boy,
"Oh, hold your tongue, you pup!"
But a cinder blew across the creek
While Bill stopped for a sup,
And fired the Albion paddocks, too --
It was a bitter cup;
Old Bill's heart was broke at last,
He had to chuck it up.
Moral
The run is England's Empire great,
The fire is the distress
That burns the stock they represent --
Prosperity you'll guess.
And the blue gum bough is the Home Rule Bill
That's making such a mess.
And Ireland green, of course I mean
By Paddymelon Flat;
All men can see the fire, of course,
Spreads on at such a bat,
But who are setting it alight,
I cannot tell you that.
But this I think all men will see,
And hold it very true --
"Don't quarrel with effects until
The cause is brought to view.
"
What is the cause? That cornstalk boy --
He seemed to think he knew.
|
Written by
Robert William Service |
"The North has got him.
" --Yukonism.
I tried to refine that neighbor of mine, honest to God, I did.
I grieved for his fate, and early and late I watched over him like a kid.
I gave him excuse, I bore his abuse in every way that I could;
I swore to prevail; I camped on his trail; I plotted and planned for his good.
By day and by night I strove in men's sight to gather him into the fold,
With precept and prayer, with hope and despair, in hunger and hardship and cold.
I followed him into Gehennas of sin, I sat where the sirens sit;
In the shade of the Pole, for the sake of his soul, I strove with the powers of the Pit.
I shadowed him down to the scrofulous town; I dragged him from dissolute brawls;
But I killed the galoot when he started to shoot electricity into my walls.
God knows what I did he should seek to be rid of one who would save him from shame.
God knows what I bore that night when he swore and bade me make tracks from his claim.
I started to tell of the horrors of hell, when sudden his eyes lit like coals;
And "Chuck it," says he, "don't persecute me with your cant and your saving of souls.
"
I'll swear I was mild as I'd be with a child, but he called me the son of a ****;
And, grabbing his gun with a leap and a run, he threatened my face with the butt.
So what could I do (I leave it to you)? With curses he harried me forth;
Then he was alone, and I was alone, and over us menaced the North.
Our cabins were near; I could see, I could hear; but between us there rippled the creek;
And all summer through, with a rancor that grew, he would pass me and never would speak.
Then a shuddery breath like the coming of Death crept down from the peaks far away;
The water was still; the twilight was chill; the sky was a tatter of gray.
Swift came the Big Cold, and opal and gold the lights of the witches arose;
The frost-tyrant clinched, and the valley was cinched by the stark and cadaverous snows.
The trees were like lace where the star-beams could chase, each leaf was a jewel agleam.
The soft white hush lapped the Northland and wrapped us round in a crystalline dream;
So still I could hear quite loud in my ear the swish of the pinions of time;
So bright I could see, as plain as could be, the wings of God's angels ashine.
As I read in the Book I would oftentimes look to that cabin just over the creek.
Ah me, it was sad and evil and bad, two neighbors who never would speak!
I knew that full well like a devil in hell he was hatching out, early and late,
A system to bear through the frost-spangled air the warm, crimson waves of his hate.
I only could peer and shudder and fear--'twas ever so ghastly and still;
But I knew over there in his lonely despair he was plotting me terrible ill.
I knew that he nursed a malice accurst, like the blast of a winnowing flame;
I pleaded aloud for a shield, for a shroud--Oh, God! then calamity came.
Mad! If I'm mad then you too are mad; but it's all in the point of view.
If you'd looked at them things gallivantin' on wings, all purple and green and blue;
If you'd noticed them twist, as they mounted and hissed like scorpions dim in the dark;
If you'd seen them rebound with a horrible sound, and spitefully spitting a spark;
If you'd watched IT with dread, as it hissed by your bed, that thing with the feelers that crawls--
You'd have settled the brute that attempted to shoot electricity into your walls.
Oh, some they were blue, and they slithered right through; they were silent and squashy and round;
And some they were green; they were wriggly and lean; they writhed with so hateful a sound.
My blood seemed to freeze; I fell on my knees; my face was a white splash of dread.
Oh, the Green and the Blue, they were gruesome to view; but the worst of them all were the Red.
They came through the door, they came through the floor, they came through the moss-creviced logs.
They were savage and dire; they were whiskered with fire; they bickered like malamute dogs.
They ravined in rings like iniquitous things; they gulped down the Green and the Blue.
I crinkled with fear whene'er they drew near, and nearer and nearer they drew.
And then came the crown of Horror's grim crown, the monster so loathsomely red.
Each eye was a pin that shot out and in, as, squidlike, it oozed to my bed;
So softly it crept with feelers that swept and quivered like fine copper wire;
Its belly was white with a sulphurous light, it jaws were a-drooling with fire.
It came and it came; I could breathe of its flame, but never a wink could I look.
I thrust in its maw the Fount of the Law; I fended it off with the Book.
I was weak--oh, so weak--but I thrilled at its shriek, as wildly it fled in the night;
And deathlike I lay till the dawn of the day.
(Was ever so welcome the light?)
I loaded my gun at the rise of the sun; to his cabin so softly I slunk.
My neighbor was there in the frost-freighted air, all wrapped in a robe in his bunk.
It muffled his moans; it outlined his bones, as feebly he twisted about;
His gums were so black, and his lips seemed to crack, and his teeth all were loosening out.
'Twas a death's head that peered through the tangle of beard; 'twas a face I will never forget;
Sunk eyes full of woe, and they troubled me so with their pleadings and anguish, and yet
As I rested my gaze in a misty amaze on the scurvy-degenerate wreck,
I thought of the Things with the dragon-fly wings, then laid I my gun on his neck.
He gave out a cry that was faint as a sigh, like a perishing malamute,
And he says unto me, "I'm converted," says he; "for Christ's sake, Peter, don't shoot!"
* * * * *
They're taking me out with an escort about, and under a sergeant's care;
I am humbled indeed, for I'm 'cuffed to a Swede that thinks he's a millionaire.
But it's all Gospel true what I'm telling to you-- up there where the Shadow falls--
That I settled Sam Noot when he started to shoot electricity into my walls.
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