Get Your Premium Membership

Best Famous Crashing Poems

Here is a collection of the all-time best famous Crashing poems. This is a select list of the best famous Crashing poetry. Reading, writing, and enjoying famous Crashing poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of crashing poems.

Search and read the best famous Crashing poems, articles about Crashing poems, poetry blogs, or anything else Crashing poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by A R Ammons | Create an image from this poem

Easter Morning

 I have a life that did not become,
that turned aside and stopped,
astonished:
I hold it in me like a pregnancy or
as on my lap a child
not to grow old but dwell on

it is to his grave I most
frequently return and return
to ask what is wrong, what was
wrong, to see it all by
the light of a different necessity
but the grave will not heal
and the child,
stirring, must share my grave
with me, an old man having
gotten by on what was left

when I go back to my home country in these
fresh far-away days, it’s convenient to visit
everybody, aunts and uncles, those who used to say,
look how he’s shooting up, and the
trinket aunts who always had a little
something in their pocketbooks, cinnamon bark
or a penny or nickel, and uncles who
were the rumored fathers of cousins
who whispered of them as of great, if
troubled, presences, and school

teachers, just about everybody older
(and some younger) collected in one place
waiting, particularly, but not for
me, mother and father there, too, and others
close, close as burrowing
under skin, all in the graveyard
assembled, done for, the world they
used to wield, have trouble and joy
in, gone

the child in me that could not become
was not ready for others to go,
to go on into change, blessings and
horrors, but stands there by the road
where the mishap occurred, crying out for
help, come and fix this or we
can’t get by, but the great ones who
were to return, they could not or did
not hear and went on in a flurry and
now, I say in the graveyard, here
lies the flurry, now it can’t come
back with help or helpful asides, now
we all buy the bitter
incompletions, pick up the knots of
horror, silently raving, and go on
crashing into empty ends not
completions, not rondures the fullness
has come into and spent itself from

I stand on the stump
of a child, whether myself
or my little brother who died, and
yell as far as I can, I cannot leave this place, for
for me it is the dearest and the worst,
it is life nearest to life which is
life lost: it is my place where
I must stand and fail,
calling attention with tears
to the branches not lofting
boughs into space, to the barren
air that holds the world that was my world

though the incompletions
(& completions) burn out
standing in the flash high-burn
momentary structure of ash, still it
is a picture-book, letter-perfect
Easter morning: I have been for a
walk: the wind is tranquil: the brook
works without flashing in an abundant
tranquility: the birds are lively with
voice: I saw something I had
never seen before: two great birds,
maybe eagles, blackwinged, whitenecked
and –headed, came from the south oaring
the great wings steadily; they went
directly over me, high up, and kept on
due north: but then one bird,
the one behind, veered a little to the
left and the other bird kept on seeming
not to notice for a minute: the first
began to circle as if looking for
something, coasting, resting its wings
on the down side of some of the circles:
the other bird came back and they both
circled, looking perhaps for a draft;
they turned a few more times, possibly
rising—at least, clearly resting—
then flew on falling into distance till
they broke across the local bush and
trees: it was a sight of bountiful
majesty and integrity: the having
patterns and routes, breaking
from them to explore other patterns or
better ways to routes, and then the
return: a dance sacred as the sap in
the trees, permanent in its descriptions
as the ripples round the brook’s
ripplestone: fresh as this particular
flood of burn breaking across us now
from the sun.


Written by Charlotte Bronte | Create an image from this poem

Frances

 SHE will not sleep, for fear of dreams, 
But, rising, quits her restless bed, 
And walks where some beclouded beams 
Of moonlight through the hall are shed.
Obedient to the goad of grief, Her steps, now fast, now lingering slow, In varying motion seek relief From the Eumenides of woe.
Wringing her hands, at intervals­ But long as mute as phantom dim­ She glides along the dusky walls, Under the black oak rafters, grim.
The close air of the grated tower Stifles a heart that scarce can beat, And, though so late and lone the hour, Forth pass her wandering, faltering feet; And on the pavement, spread before The long front of the mansion grey, Her steps imprint the night-frost hoar, Which pale on grass and granite lay.
Not long she stayed where misty moon And shimmering stars could on her look, But through the garden arch-way, soon Her strange and gloomy path she took.
Some firs, coeval with the tower, Their straight black boughs stretched o'er her head, Unseen, beneath this sable bower, Rustled her dress and rapid tread.
There was an alcove in that shade, Screening a rustic-seat and stand; Weary she sat her down and laid Her hot brow on her burning hand.
To solitude and to the night, Some words she now, in murmurs, said; And, trickling through her fingers white, Some tears of misery she shed.
' God help me, in my grievous need, God help me, in my inward pain; Which cannot ask for pity's meed, Which has no license to complain; Which must be borne, yet who can bear, Hours long, days long, a constant weight­ The yoke of absolute despair, A suffering wholly desolate ? Who can for ever crush the heart, Restrain its throbbing, curb its life ? Dissemble truth with ceaseless art, With outward calm, mask inward strife ?' She waited­as for some reply; The still and cloudy night gave none; Erelong, with deep-drawn, trembling sigh, Her heavy plaint again begun.
' Unloved­I love; unwept­I weep; Grief I restrain­hope I repress: Vain is this anguish­fixed and deep; Vainer, desires and dreams of bliss.
My love awakes no love again, My tears collect, and fall unfelt; My sorrow touches none with pain, My humble hopes to nothing melt.
For me the universe is dumb, Stone-deaf, and blank, and wholly blind; Life I must bound, existence sum In the strait limits of one mind; That mind my own.
Oh ! narrow cell; Dark­imageless­a living tomb ! There must I sleep, there wake and dwell Content, with palsy, pain, and gloom.
' Again she paused; a moan of pain, A stifled sob, alone was heard; Long silence followed­then again, Her voice the stagnant midnight stirred.
' Must it be so ? Is this my fate ? Can I nor struggle, nor contend ? And am I doomed for years to wait, Watching death's lingering axe descend ? And when it falls, and when I die, What follows ? Vacant nothingness ? The blank of lost identity ? Erasure both of pain and bliss ? I've heard of heaven­I would believe; For if this earth indeed be all, Who longest lives may deepest grieve, Most blest, whom sorrows soonest call.
Oh ! leaving disappointment here, Will man find hope on yonder coast ? Hope, which, on earth, shines never clear, And oft in clouds is wholly lost.
Will he hope's source of light behold, Fruition's spring, where doubts expire, And drink, in waves of living gold, Contentment, full, for long desire ? Will he find bliss, which here he dreamed ? Rest, which was weariness on earth ? Knowledge, which, if o'er life it beamed, Served but to prove it void of worth ? Will he find love without lust's leaven, Love fearless, tearless, perfect, pure, To all with equal bounty given, In all, unfeigned, unfailing, sure ? Will he, from penal sufferings free, Released from shroud and wormy clod, All calm and glorious, rise and see Creation's Sire­Existence' God ? Then, glancing back on Time's brief woes, Will he behold them, fading, fly; Swept from Eternity's repose, Like sullying cloud, from pure blue sky ? If so­endure, my weary frame; And when thy anguish strikes too deep, And when all troubled burns life's flame, Think of the quiet, final sleep; Think of the glorious waking-hour, Which will not dawn on grief and tears, But on a ransomed spirit's power, Certain, and free from mortal fears.
Seek now thy couch, and lie till morn, Then from thy chamber, calm, descend, With mind nor tossed, nor anguish-torn, But tranquil, fixed, to wait the end.
And when thy opening eyes shall see Mementos, on the chamber wall, Of one who has forgotten thee, Shed not the tear of acrid gall.
The tear which, welling from the heart, Burns where its drop corrosive falls, And makes each nerve, in torture, start, At feelings it too well recalls: When the sweet hope of being loved, Threw Eden sunshine on life's way; When every sense and feeling proved Expectancy of brightest day.
When the hand trembled to receive A thrilling clasp, which seemed so near, And the heart ventured to believe, Another heart esteemed it dear.
When words, half love, all tenderness, Were hourly heard, as hourly spoken, When the long, sunny days of bliss, Only by moonlight nights were broken.
Till drop by drop, the cup of joy Filled full, with purple light, was glowing, And Faith, which watched it, sparkling high, Still never dreamt the overflowing.
It fell not with a sudden crashing, It poured not out like open sluice; No, sparkling still, and redly flashing, Drained, drop by drop, the generous juice.
I saw it sink, and strove to taste it, My eager lips approached the brim; The movement only seemed to waste it, It sank to dregs, all harsh and dim.
These I have drank, and they for ever Have poisoned life and love for me; A draught from Sodom's lake could never More fiery, salt, and bitter, be.
Oh ! Love was all a thin illusion; Joy, but the desert's flying stream; And, glancing back on long delusion, My memory grasps a hollow dream.
Yet, whence that wondrous change of feeling, I never knew, and cannot learn, Nor why my lover's eye, congealing, Grew cold, and clouded, proud, and stern.
Nor wherefore, friendship's forms forgetting, He careless left, and cool withdrew; Nor spoke of grief, nor fond regretting, Nor even one glance of comfort threw.
And neither word nor token sending, Of kindness, since the parting day, His course, for distant regions bending, Went, self-contained and calm, away.
Oh, bitter, blighting, keen sensation, Which will not weaken, cannot die, Hasten thy work of desolation, And let my tortured spirit fly ! Vain as the passing gale, my crying; Though lightning-struck, I must live on; I know, at heart, there is no dying Of love, and ruined hope, alone.
Still strong, and young, and warm with vigour, Though scathed, I long shall greenly grow, And many a storm of wildest rigour Shall yet break o'er my shivered bough.
Rebellious now to blank inertion, My unused strength demands a task; Travel, and toil, and full exertion, Are the last, only boon I ask.
Whence, then, this vain and barren dreaming Of death, and dubious life to come ? I see a nearer beacon gleaming Over dejection's sea of gloom.
The very wildness of my sorrow Tells me I yet have innate force; My track of life has been too narrow, Effort shall trace a broader course.
The world is not in yonder tower, Earth is not prisoned in that room, 'Mid whose dark pannels, hour by hour, I've sat, the slave and prey of gloom.
One feeling­turned to utter anguish, Is not my being's only aim; When, lorn and loveless, life will languish, But courage can revive the flame.
He, when he left me, went a roving To sunny climes, beyond the sea; And I, the weight of woe removing, Am free and fetterless as he.
New scenes, new language, skies less clouded, May once more wake the wish to live; Strange, foreign towns, astir, and crowded, New pictures to the mind may give.
New forms and faces, passing ever, May hide the one I still retain, Defined, and fixed, and fading never, Stamped deep on vision, heart, and brain.
And we might meet­time may have changed him; Chance may reveal the mystery, The secret influence which estranged him; Love may restore him yet to me.
False thought­false hope­in scorn be banished ! I am not loved­nor loved have been; Recall not, then, the dreams scarce vanished, Traitors ! mislead me not again ! To words like yours I bid defiance, 'Tis such my mental wreck have made; Of God alone, and self-reliance, I ask for solace­hope for aid.
Morn comes­and ere meridian glory O'er these, my natal woods, shall smile, Both lonely wood and mansion hoary I'll leave behind, full many a mile.
Written by Barry Tebb | Create an image from this poem

LETTERS TO FRIENDS

 I


Eddie Linden

Dear Eddie we’ve not met

Except upon the written page 

And at your age the wonder 

Is that you write at all

When so many have gone under 

Or been split asunder by narcissistic humours

Blunder following blunder

Barker and Graham, godfathering my verse

Bearing me cloud-handed to Haworth moor

From my chained metropolitan moorings,

O hyaline March morning with Leeds

At its thrusting best, the thirsty beasts

Of night quenched as the furnaces

Of Hunslet where Hudswell Clarke’s locos

Rust in their skeletal sheds, rails skewed

To graveyards platforms and now instead

Skyscrapers circle the city, cranes, aeroplanes,

Electric trains but even they cannot hinder

Branches bursting with semen

Seraphic cloud sanctuaries shunting

Us homeward to the beckoning moors.
II Brenda Williams Leeds voices soothe the turbulence ‘Ey’ ‘sithee’ and ‘love’, lastingly lilt From cradle to grave, from backstreet On the social, our son, beat his way To Eton, Balliol, to Calcatta’s Shantiniketan And all the way back to a locked ward.
While I in the meantime fondly fiddled With rhyme and unreason, publishing pamphlets And Leeds Poetry Weekly while under the bane Of his tragic illness, poet and mother, You were driven from pillar to post By the taunting yobbery of your family And the crass insensitivity of wild therapy To the smoking dark of despair, Locked in your flat in the Abbey Road With seven cats and poetry.
O stop and strop your bladed darkness On the rock of ages while plangent tollings Mock your cradled rockings, knock by knock.
III Debjani Chatterjee In these doom-laden days You are steady as a pilot nursing tired ships homeward Through churning seas Where grey gulls scream Forlornly and for ever.
I am the red-neck, Bear-headed blaster Shifting sheer rock To rape the ore of poetry’s plunder Or bulldozing trees to glean mines of silver While you sail serenely onward Ever the diplomat’s daughter Toujours de la politesse.
IV Daisy Abey Daisy, dearest of all, safest And kindest, watcher and warner Of chaotic corners looming Round poetry’s boomerang bends I owe you most a letter While you are here beside me Patient as a miller waiting on wind To drive the great sails Through summer.
When the muse takes over I am snatched from order and duty Blowing routine into a riot of going And coming, blind, backwards, tip Over ****, sea waves crashing in suburbia, Saturnalia in Sutton, headlines of mad poet Striding naked over moors, roaring "I am here I am waiting".
V Jeremy Reed Niagaras of letters on pink sheets In sheaths of silver envelopes Mutually exchanged.
I open your missives Like undressing a girl in my teens Undoing the flap like a recalcitrant Bra strap, the letters stiff as nipples While I stroke the creviced folds Of amber and mauve and lick As I stick stamps like the ******** Of a reluctant virgin, urgent for Defloration and the pulse of ******.
Written by Stephen Vincent Benet | Create an image from this poem

The Quality of Courage

 Black trees against an orange sky, 
Trees that the wind shook terribly, 
Like a harsh spume along the road, 
Quavering up like withered arms, 
Writhing like streams, like twisted charms 
Of hot lead flung in snow.
Below The iron ice stung like a goad, Slashing the torn shoes from my feet, And all the air was bitter sleet.
And all the land was cramped with snow, Steel-strong and fierce and glimmering wan, Like pale plains of obsidian.
-- And yet I strove -- and I was fire And ice -- and fire and ice were one In one vast hunger of desire.
A dim desire, of pleasant places, And lush fields in the summer sun, And logs aflame, and walls, and faces, -- And wine, and old ambrosial talk, A golden ball in fountains dancing, And unforgotten hands.
(Ah, God, I trod them down where I have trod, And they remain, and they remain, Etched in unutterable pain, Loved lips and faces now apart, That once were closer than my heart -- In agony, in agony, And horribly a part of me.
.
.
.
For Lethe is for no man set, And in Hell may no man forget.
) And there were flowers, and jugs, bright-glancing, And old Italian swords -- and looks, A moment's glance of fire, of fire, Spiring, leaping, flaming higher, Into the intense, the cloudless blue, Until two souls were one, and flame, And very flesh, and yet the same! As if all springs were crushed anew Into one globed drop of dew! But for the most I thought of heat, Desiring greatly.
.
.
.
Hot white sand The lazy body lies at rest in, Or sun-dried, scented grass to nest in, And fires, innumerable fires, Great fagots hurling golden gyres Of sparks far up, and the red heart In sea-coals, crashing as they part To tiny flares, and kindling snapping, Bunched sticks that burst their string and wrapping And fall like jackstraws; green and blue The evil flames of driftwood too, And heavy, sullen lumps of coke With still, fierce heat and ugly smoke.
.
.
.
.
.
.
And then the vision of his face, And theirs, all theirs, came like a sword, Thrice, to the heart -- and as I fell I thought I saw a light before.
I woke.
My hands were blue and sore, Torn on the ice.
I scarcely felt The frozen sleet begin to melt Upon my face as I breathed deeper, But lay there warmly, like a sleeper Who shifts his arm once, and moans low, And then sinks back to night.
Slow, slow, And still as Death, came Sleep and Death And looked at me with quiet breath.
Unbending figures, black and stark Against the intense deeps of the dark.
Tall and like trees.
Like sweet and fire Rest crept and crept along my veins, Gently.
And there were no more pains.
.
.
.
Was it not better so to lie? The fight was done.
Even gods tire Of fighting.
.
.
.
My way was the wrong.
Now I should drift and drift along To endless quiet, golden peace .
.
.
And let the tortured body cease.
And then a light winked like an eye.
.
.
.
And very many miles away A girl stood at a warm, lit door, Holding a lamp.
Ray upon ray It cloaked the snow with perfect light.
And where she was there was no night Nor could be, ever.
God is sure, And in his hands are things secure.
It is not given me to trace The lovely laughter of that face, Like a clear brook most full of light, Or olives swaying on a height, So silver they have wings, almost; Like a great word once known and lost And meaning all things.
Nor her voice A happy sound where larks rejoice, Her body, that great loveliness, The tender fashion of her dress, I may not paint them.
These I see, Blazing through all eternity, A fire-winged sign, a glorious tree! She stood there, and at once I knew The bitter thing that I must do.
There could be no surrender now; Though Sleep and Death were whispering low.
My way was wrong.
So.
Would it mend If I shrank back before the end? And sank to death and cowardice? No, the last lees must be drained up, Base wine from an ignoble cup; (Yet not so base as sleek content When I had shrunk from punishment) The wretched body strain anew! Life was a storm to wander through.
I took the wrong way.
Good and well, At least my feet sought out not Hell! Though night were one consuming flame I must go on for my base aim, And so, perhaps, make evil grow To something clean by agony .
.
.
And reach that light upon the snow .
.
.
And touch her dress at last .
.
.
So, so, I crawled.
I could not speak or see Save dimly.
The ice glared like fire, A long bright Hell of choking cold, And each vein was a tautened wire, Throbbing with torture -- and I crawled.
My hands were wounds.
So I attained The second Hell.
The snow was stained I thought, and shook my head at it How red it was! Black tree-roots clutched And tore -- and soon the snow was smutched Anew; and I lurched babbling on, And then fell down to rest a bit, And came upon another Hell .
.
.
Loose stones that ice made terrible, That rolled and gashed men as they fell.
I stumbled, slipped .
.
.
and all was gone That I had gained.
Once more I lay Before the long bright Hell of ice.
And still the light was far away.
There was red mist before my eyes Or I could tell you how I went Across the swaying firmament, A glittering torture of cold stars, And how I fought in Titan wars .
.
.
And died .
.
.
and lived again upon The rack .
.
.
and how the horses strain When their red task is nearly done.
.
.
.
I only know that there was Pain, Infinite and eternal Pain.
And that I fell -- and rose again.
So she was walking in the road.
And I stood upright like a man, Once, and fell blind, and heard her cry .
.
.
And then there came long agony.
There was no pain when I awoke, No pain at all.
Rest, like a goad, Spurred my eyes open -- and light broke Upon them like a million swords: And she was there.
There are no words.
Heaven is for a moment's span.
And ever.
So I spoke and said, "My honor stands up unbetrayed, And I have seen you.
Dear .
.
.
" Sharp pain Closed like a cloak.
.
.
.
I moaned and died.
Here, even here, these things remain.
I shall draw nearer to her side.
Oh dear and laughing, lost to me, Hidden in grey Eternity, I shall attain, with burning feet, To you and to the mercy-seat! The ages crumble down like dust, Dark roses, deviously thrust And scattered in sweet wine -- but I, I shall lift up to you my cry, And kiss your wet lips presently Beneath the ever-living Tree.
This in my heart I keep for goad! Somewhere, in Heaven she walks that road.
Somewhere .
.
.
in Heaven .
.
.
she walks .
.
.
that .
.
.
road.
.
.
.
Written by Billy Jno Hope | Create an image from this poem

i wrote a life

 this might be the swan song
i have traveled beyond misty mountains
spilled my seed on the hungry rock
hallowed days
blasphemous timelines
art nourishment
prolific like sin
to the serpent edge of youth
once my head rolled in the streets
motors crashing by
inches from my intoxication
a fleshful laugh echoed in time
a mad initiation as part of the door
to the unrepentant lyric
heathen apprentices
i cracked the demon-s egg
tattooed pandora-s eye
with rage, blissillusion
madness conceived
a life, my methadone(placebo)


Written by Judith Viorst | Create an image from this poem

Fifteen, Maybe Sixteen Things to Worry About

My pants could maybe fall down when I dive off the diving board.
My nose could maybe keep growing and never quit.
Miss Brearly could ask me to spell words like stomach and special.
(Stumick and speshul?)
I could play tag all day and always be "it.
"
Jay Spievack, who's fourteen feet tall, could want to fight me.
My mom and my dad--like Ted's--could want a divorce.
Miss Brearly could ask me a question about Afghanistan.
(Who's Afghanistan?)
Somebody maybe could make me ride a horse.
My mother could maybe decide that I needed more liver.
My dad could decide that I needed less TV.
Miss Brearly could say that I have to write script and stop printing.
(I'm better at printing.
)
Chris could decide to stop being friends with me.

The world could maybe come to an end on next Tuesday.
The ceiling could maybe come crashing on my head.
I maybe could run out of things for me to worry about.
And then I'd have to do my homework instead.
Written by Pablo Neruda | Create an image from this poem

Ode To an Artichoke

 The artichoke
of delicate heart
erect
in its battle-dress, builds
its minimal cupola;
keeps
stark
in its scallop of
scales.
Around it, demoniac vegetables bristle their thicknesses, devise tendrils and belfries, the bulb's agitations; while under the subsoil the carrot sleeps sound in its rusty mustaches.
Runner and filaments bleach in the vineyards, whereon rise the vines.
The sedulous cabbage arranges its petticoats; oregano sweetens a world; and the artichoke dulcetly there in a gardenplot, armed for a skirmish, goes proud in its pomegranate burnishes.
Till, on a day, each by the other, the artichoke moves to its dream of a market place in the big willow hoppers: a battle formation.
Most warlike of defilades- with men in the market stalls, white shirts in the soup-greens, artichoke field marshals, close-order conclaves, commands, detonations, and voices, a crashing of crate staves.
And Maria come down with her hamper to make trial of an artichoke: she reflects, she examines, she candles them up to the light like an egg, never flinching; she bargains, she tumbles her prize in a market bag among shoes and a cabbage head, a bottle of vinegar; is back in her kitchen.
The artichoke drowns in a pot.
So you have it: a vegetable, armed, a profession (call it an artichoke) whose end is millennial.
We taste of that sweetness, dismembering scale after scale.
We eat of a halcyon paste: it is green at the artichoke heart.
Written by Walt Whitman | Create an image from this poem

1861

 AARM’D year! year of the struggle! 
No dainty rhymes or sentimental love verses for you, terrible year! 
Not you as some pale poetling, seated at a desk, lisping cadenzas piano; 
But as a strong man, erect, clothed in blue clothes, advancing, carrying a rifle on your
 shoulder, 
With well-gristled body and sunburnt face and hands—with a knife in the belt at your
 side,
As I heard you shouting loud—your sonorous voice ringing across the continent; 
Your masculine voice, O year, as rising amid the great cities, 
Amid the men of Manhattan I saw you, as one of the workmen, the dwellers in Manhattan; 
Or with large steps crossing the prairies out of Illinois and Indiana, 
Rapidly crossing the West with springy gait, and descending the Alleghanies;
Or down from the great lakes, or in Pennsylvania, or on deck along the Ohio river; 
Or southward along the Tennessee or Cumberland rivers, or at Chattanooga on the mountain
 top, 
Saw I your gait and saw I your sinewy limbs, clothed in blue, bearing weapons, robust
 year; 
Heard your determin’d voice, launch’d forth again and again; 
Year that suddenly sang by the mouths of the round-lipp’d cannon,
I repeat you, hurrying, crashing, sad, distracted year.
Written by Yehuda Amichai | Create an image from this poem

You Mustnt Show Weakness

 You mustn't show weakness
and you've got to have a tan.
But sometimes I feel like the thin veils of Jewish women who faint at weddings and on Yom Kippur.
You mustn't show weakness and you've got to make a list of all the things you can load in a baby carriage without a baby.
This is the way things stand now: if I pull out the stopper after pampering myself in the bath, I'm afraid that all of Jerusalem, and with it the whole world, will drain out into the huge darkness.
In the daytime I lay traps for my memories and at night I work in the Balaam Mills, turning curse into blessing and blessing into curse.
And don't ever show weakness.
Sometimes I come crashing down inside myself without anyone noticing.
I'm like an ambulance on two legs, hauling the patient inside me to Last Aid with the wailing of cry of a siren, and people think it's ordinary speech.
Written by Walt Whitman | Create an image from this poem

Artilleryman's Vision The

 WHILE my wife at my side lies slumbering, and the wars are over long, 
And my head on the pillow rests at home, and the vacant midnight passes, 
And through the stillness, through the dark, I hear, just hear, the breath of my infant, 
There in the room, as I wake from sleep, this vision presses upon me: 
The engagement opens there and then, in fantasy unreal;
The skirmishers begin—they crawl cautiously ahead—I hear the irregular snap!
 snap! 
I hear the sounds of the different missiles—the short t-h-t! t-h-t! of the
 rifle
 balls; 
I see the shells exploding, leaving small white clouds—I hear the great shells
 shrieking
 as
 they pass; 
The grape, like the hum and whirr of wind through the trees, (quick, tumultuous, now the
 contest
 rages!) 
All the scenes at the batteries themselves rise in detail before me again;
The crashing and smoking—the pride of the men in their pieces; 
The chief gunner ranges and sights his piece, and selects a fuse of the right time; 
After firing, I see him lean aside, and look eagerly off to note the effect; 
—Elsewhere I hear the cry of a regiment charging—(the young colonel leads
 himself
 this
 time, with brandish’d sword;) 
I see the gaps cut by the enemy’s volleys, (quickly fill’d up, no delay;)
I breathe the suffocating smoke—then the flat clouds hover low, concealing all; 
Now a strange lull comes for a few seconds, not a shot fired on either side; 
Then resumed, the chaos louder than ever, with eager calls, and orders of officers; 
While from some distant part of the field the wind wafts to my ears a shout of applause,
 (some
 special success;) 
And ever the sound of the cannon, far or near, (rousing, even in dreams, a devilish
 exultation,
 and
 all the old mad joy, in the depths of my soul;)
And ever the hastening of infantry shifting positions—batteries, cavalry, moving
 hither
 and
 thither; 
(The falling, dying, I heed not—the wounded, dripping and red, I heed not—some
 to the
 rear
 are hobbling;) 
Grime, heat, rush—aid-de-camps galloping by, or on a full run; 
With the patter of small arms, the warning s-s-t of the rifles, (these in my vision
 I
 hear or
 see,) 
And bombs busting in air, and at night the vari-color’d rockets.

Book: Shattered Sighs